Courant 11/January 2006
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Han Van Meegeren and His Portraits of Theo Van Der Pas and Jopie Breemer
HAN VAN MEEGEREN AND HIS PORTRAITS OF THEO VAN DER PAS AND JOPIE BREEMER “De wereld zou beter zijn als alle mensen hun eigen ritme verstonden en het in harmonie konden brengen met dat van anderen, bij de muziek die van de hemel komt.” De wereld een dansfeest , Arthur van Schendel (The world would be better if everyone understood their own rhythm and in harmony could bring with that of others to the music of heaven. The World is a Festival of Dance , Arthur van Schendel)* Ever since my Schubert Iconography was published I continued to find more Schubert images heretofore unknown to me 1. After the article’s publication I donated all my Schubert iconography research files to the City University of New York Research Center for Music Iconography, and sent newly discovered images to the RCMI to add to the research inventory. From time to time I discover interesting Schubert images, often not compelling for the quality of their art but interesting regarding the curious historical circumstances surrounding the artist who created the image. I have long been an admirer of Vermeer, and in January 2009 I bought Benjamin Binstock’s Vermeer’s Family Secrets .2 I began to read the author’s discussion of the clever and talented Dutch art forger Han (Henricus Antonius) van Meegeren (1889-1947), best known for his Vermeer forgeries. Like most people interested in art I had heard about this duplicitous artist and his incredible success at fooling the Vermeer experts, but I had never seen any examples of Van Meegeren’s own original artwork signed with his own name. -
Jaarverslag 2017 Jaarverslag
Jaarverslag 2017 Jaarverslag 2017 Stichting Nederlands Literatuurmuseum en en Literatuurarchief Literatuurmuseum Stichting Nederlands Literatuurarchief Prins Willem-Alexanderhof 5 2595 BE Den Haag Postbus 90515, 2509 LM Den Haag telefoon 070 333 9666 Op de hoogte blijven? Volg ons: @litmuseum en/of @kinderboekenmus Stichting Nederlands Literatuurmuseum en www.literatuurmuseum.nl www.kinderboekenmuseum.nl Literatuurarchief Voorwoord 5 Aanwinsten 7 Archief Literatuurmuseum.nl 10 Onderzoek en wetenschap 13 Publicaties 14 6 Bruiklenen 15 Erfgoedinspectie en plannen 15 Literatuurmuseum en Tentoonstellingen 17 Educatie 21 Kinderboekenmuseum Evenementen 24 Marketing en Publieksbereik 28 16 Samenwerking 32 Organisatie Raad van Toezicht 36 Personeel 36 35 Financiën en cultureel Ondernemerschap 41 Huisvesting 41 ondernemerschap Prestatiedoelstellingen 41 39 Aanwinsten 42 Bijlagen Schenkers en bruikleengevers 48 42 Voorwoord at een jaar en wat een hoog bezoekcijfer: Met de komst van een hoofd Collecties W101.014 om precies te zijn. Ruim 50 % per 1 februari 2018 zullen deze plannen meer dan het aantal bezoekers van vorig jaar. voortvarend worden uitgevoerd. Het feit dat Een geweldige prestatie, vooral ook omdat de het museum nog altijd kampt met financiële gemiddelde toename van het museumbezoek in problemen als gevolg van de forse structurele Nederland 8,7% bedroeg. bezuinigingen in 2012 zullen we maar modieus als een ‘uitdaging’ typeren. Het is natuurlijk maar de vraag of deze aantallen in 2018 geconsolideerd kunnen De huisvesting ten slotte legde ook in het worden. Daar zullen we niettemin hard aan verslagjaar een groot beslag op de tijd. werken. De cijfers zijn in ieder geval een Bovendien frustreerde de onzekerheid op bemoedigende steun in de rug om de ingeslagen huisvestingsgebied de bedrijfsvoering in weg te vervolgen. -
Review of the Year 2012–2013
review of the year TH E April 2012 – March 2013 NATIONAL GALLEY TH E NATIONAL GALLEY review of the year April 2012 – March 2013 published by order of the trustees of the national gallery london 2013 Contents Introduction 5 Director’s Foreword 6 Acquisitions 10 Loans 30 Conservation 36 Framing 40 Exhibitions 56 Education 57 Scientific Research 62 Research and Publications 66 Private Support of the Gallery 70 Trustees and Committees of the National Gallery Board 74 Financial Information 74 National Gallery Company Ltd 76 Fur in Renaissance Paintings 78 For a full list of loans, staff publications and external commitments between April 2012 and March 2013, see www.nationalgallery.org.uk/about-us/organisation/ annual-review the national gallery review of the year 2012– 2013 introduction The acquisitions made by the National Gallery Lucian Freud in the last years of his life expressed during this year have been outstanding in quality the hope that his great painting by Corot would and so numerous that this Review, which provides hang here, as a way of thanking Britain for the a record of each one, is of unusual length. Most refuge it provided for his family when it fled from come from the collection of Sir Denis Mahon to Vienna in the 1930s. We are grateful to the Secretary whom tribute was paid in last year’s Review, and of State for ensuring that it is indeed now on display have been on loan for many years and thus have in the National Gallery and also for her support for very long been thought of as part of the National the introduction in 2012 of a new Cultural Gifts Gallery Collection – Sir Denis himself always Scheme, which will encourage lifetime gifts of thought of them in this way. -
Kansen Voor Cultuur Stedelijke Cultuurregio Zwolle, Deventer En Apeldoorn
1.1.1 Kansen voor Cultuur Stedelijke cultuurregio Zwolle, Deventer en Apeldoorn Annelies van der Horst en Justin de Kleuver Contactgegevens mei, 2018. Annelies van der Horst [email protected] +31 6 20874709 Justin de Kleuver [email protected] +31 6 43123460 DSP-groep RAPPORT ─ Kansen voor Cultuur 2 Inhoud Samenvatting 5 1 Vooraf 9 2 De kracht van de regio: uitgangspunten 13 4 Culturele ambities en culturele infrastructuur 19 5 Bevindingen 33 6 Analyse: sterkten en kansen 40 7 Aanbevelingen 47 Bijlagen Bijlage 1 Uitkomsten enquête 51 Bijlage 4 Opdrachtgevers, klankbordgroep en gesprekspartners 57 Bijlage 5 Documentatie 59 DSP-groep RAPPORT ─ Kansen voor Cultuur 3 DSP-groep RAPPORT ─ Kansen voor Cultuur 4 Samenvatting Aanleiding In haar brief van maart 2018 nodigt de Minister van OCW stedelijke regio’s uit om een Cultuurprofiel te maken. Het Cultuurprofiel is een eerste stap voor invloed van de regio’s op het cultuurbeleid van het Rijk met ingang van 2021 en de verdeling van rijkssubsidies. Voorafgaand daaraan wil de Minister in 2019 starten met een aantal proeftuinen voor samenwerking tussen rijk en regio. De Minister adviseert de andere overheden om voorafgaand aan het opstellen van het Cultuurprofiel een verkenning uit te voeren naar de stedelijke culturele regio en met behulp van die verkenning een keuze te maken voor de proposities die de regionaal samenwerkende overheden in het profiel presenteren. Sinds 2017 werken de gemeenten Zwolle, Deventer en Apeldoorn (ZDA) op een aantal onderwerpen samen. De ervaring met deze samenwerking is aanleiding voor de betrokken drie gemeenten om de verkenning naar de stedelijke culturele regio ook op de schaal van Zwolle, Deventer en Apeldoorn (ZDA) uit te laten voeren. -
September 2007 Published by the American Recorder Society, Vol
september 2007 Published by the American Recorder Society, Vol. XLVIII, No. 4 XLVIII, Vol. American Recorder Society, by the Published Edition Moeck 2825 Celle · Germany Tel. +49-5141-8853-0 www.moeck.com NEW FROM MAGNAMUSIC American Songs Full of Songs Spirit & Delight Fifteen pieces For TTB/SST freely arranged for The twenty lovely recorder trio, SAT, pieces in this by Andrew aptly named set Charlton. Classics demonstrate why like America, Michael East in Battle Hymn of the his time was Republic, America arguably one of the Beautiful, The the most popular Caisson Song, of the Elizabethan Columbia, the Gem composers. of the Ocean, The Marines Hymn, Chester, Complete edition from the original score, with Battle Cry of Freedom, All Quiet along the intermediate difficulty. 3 volumes. $8.95 each Potomac, I'm a Yankee Doodle Dandy, Vol. 1 ~ TTB Vol. 2 ~ TTB Vol. 3 ~ SST Marching through Georgia, and more! TR00059 TR00069 TR00061 Item No. JR00025 ~ $13.95 IN STOCK NOW! An inspiring and instructive guide for everyone who plays the recorder (beginner, intermediate, experienced) and wants to play more beautifully. The Recorder Book is written with warmth and humor while leading you in a natural, methodical way through all the finer points of recorder playing. From selecting a recorder to making it sing, from practicing effectively to playing ensemble, here is everything you need. This is a most enjoyable read, whether you are an amateur or an expert. The repertoire lists have been updated, out-of-print editions have been removed, and edition numbers have been changed to reflect the most recent edition numbering. -
Lynn Chadwick
Lynn Chadwick 1914-2003 Born in London, UK Lived and worked in the UK SELECTED SOLO & TWO-MAN EXHIBITIONS 2019 Sculpture at RHS Wisley, Surrey, UK (forthcoming) Alberto Giacometti: A Line Through Time, Vancouver Art Gallery, CA (forthcoming) Beast of the Times, The Georg Kolbe Museum, Berlin, DE (forthcoming) 2018 GIACOMETTI-CHADWICK: FACING FEAR, Museum de Fundatie, Zwolle, NL Lynn Chadwick at Le Bristol, Le Bristol, Paris, FR Beasts, Sainsbury Centre for Visual Arts, Norwich, UK Lynn Chadwick at Cliveden, The National Trust’s Cliveden, Buckinghamshire, UK 2017 Lynn Chadwick, Ashmolean Museum, Oxford, UK (ongoing) 2016 Lynn Chadwick, The Rotunda, One Exchange Square, Hong Kong, HK (organised by McNamara Art Projects) 2015 Conjunction: Lynn Chadwick and Geoffrey Clarke, Pangolin London, London, UK Lynn Chadwick, Skulturenpark Wuppertal, Wuppertal, DE Lynn Chadwick -Draughtsman, Gallery Pangolin, Chalford, UK Lynn Chadwick, Retrospective for Two Gardens, Bardini Gardens and Boboli Gardens, Florence, IT Lynn Chadwick, Tremenheere Sculpture Gardens, Penzance, UK 2014 The Maker’s Studio, Museum in the Park, Gloucestershire, UK Lynn Chadwick a Centenary Exhibition, Osborne Samuel, London, UK Lynn Chadwick, Blain|Southern, London, UK Lynn Chadwick, Blain|Southern, Berlin, DE Lynn Chadwick, Blain|Di Donna, New York, US Lynn Chadwick RA, Royal Academy of Arts Courtyard, London, UK 2013 Lynn Chadwick. Evolution in Sculpture, Abbott Hall and Blackwell Arts and Crafts House, Cumbria, UK 2012 Lynn Chadwick. The Complete Candelabra 1959-1996, Willer, London, UK Lynn Chadwick, Beaux Arts, London, UK 2011 Lynn Chadwick: The Couple 1954-1990, Pangolin London, London, UK Lynn Chadwick (with David Farrell photographs), Osborne Samuel, London, UK Lynn Chadwick. -
Vereniging Hendrick De Keyser in Oorlogstijd Beleid En Bestuur Gedurende De Duitse Bzetteing 1940-1945 Bosman, L
UvA-DARE (Digital Academic Repository) Vereniging Hendrick de Keyser in oorlogstijd Beleid en bestuur gedurende de Duitse bzetteing 1940-1945 Bosman, L. DOI 10.7480/knob.117.2018.3 Publication date 2018 Document Version Final published version Published in Bulletin (KNOB) License CC BY Link to publication Citation for published version (APA): Bosman, L. (2018). Vereniging Hendrick de Keyser in oorlogstijd: Beleid en bestuur gedurende de Duitse bzetteing 1940-1945. Bulletin (KNOB), 117(3), 167-177. https://doi.org/10.7480/knob.117.2018.3 General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:26 Sep 2021 VERENIGING HENDRICK DE KEYSER IN OORLOGSTIJD BELEID EN BESTUUR GEDURENDE DE DUITSE BEZETTING 1940-1945 lex bosman Op donderdag 9 mei 1940 kwam het dagelijks bestuur Een dag later, op vrijdag 10 mei, werd alles anders. -
Review of the Year 2010–2011
TH E April – March NATIONAL GALLEY TH E NATIONAL GALLEY April – March Contents Introduction 5 Director’s Foreword 6 Acquisition 8 Loans 10 Conservation 16 Framing 20 Exhibitions and Display 26 Education 42 Scientifi c Research 46 Research and Publications 50 Private Support of the Gallery 54 Financial Information 58 National Gallery Company Ltd 60 Trustees and Committees of the National Gallery Board 62 Figurative Architectural Decoration inside and outside the National Gallery 63 For a full list of loans, staff publications and external commitments between April 2010 and March 2011, see www.nationalgallery.org.uk/about-us/organisation/ annual-review – The Trustees and Director of the National Gallery da Vinci), increased corporate membership and have spent much of the year just past in making sponsorship, income from donations or otherwise. plans to enable us to deal with the implications of The Government has made it clear that it cuts to our income Grant in Aid, the government wishes to encourage cultural institutions such as funding on which we, to a large extent, depend the National Gallery to place greater reliance on to provide our services to the public. private philanthropic support, and has this year At an early stage in the fi nancial year our income taken some fi rst steps to encourage such support, Grant in Aid was cut by %; and in the autumn we through relatively modest fi scal changes and other were told that we would, in the period to March initiatives. We hope that further incentives to , be faced with further cumulative cuts to our giving will follow, and we continue to ask for the income amounting to % in real terms. -
Woman and Books
Images of women reading or holding a book are very common in European Woman painting from the Renaissance onwards. Books have symbolic connotations of and Books status, knowledge and refinement. The tour highlights works containing this image and classifies them into three A Reflection through groups: Annunciation scenes, Renaissance portraits, and women reading in the Western Painting 19th and 20th centuries. Inés Alberdi images of the annunciation Professor of Sociology, The Annunciation is the episode in the life of the Virgin Mary where the Universidad Complutense, Madrid archangel Gabriel announces to her that she is going to give birth to Jesus, Commentaries on the works written by and she is often depicted holding a book in these scenes. Books are symbols the departments of Old Master Painting and Modern Painting, Museo Nacional of both elegance and piety. Reading adds a humanistic aspect to the idealisa Thyssen-Bornemisza tion of Mary as an example of female excellence. The image of a young girl reading, based on this iconography of the Virgin in the Annunciation, evokes an air of piety and virtuousness, but also of autonomy, of having free time for herself. And by extension it conveys a pos itive view of education for women. The iconography of the Annunciation is contradictory: the young woman’s words stress her submission and humil ity, but the presence of the book she holds expresses an idea of intellectual superiority and capacity. renaissance portraits Portraits of ladies with books have a noticeable elegance that is afforded by cul ture and the huge importance society attaches to knowledge. -
EDWARD DOLNICK for Lynn It Is in the Ability to Deceive Oneself That the Greatest Talent Is Shown
THE FORGER’S SPELL A True Story of Vermeer, Nazis, and the Greatest Art Hoax of the Twentieths Century EDWARD DOLNICK For Lynn It is in the ability to deceive oneself that the greatest talent is shown. —Anatole France We have here a—I am inclined to say the—masterpiece of Johannes Vermeer. —Abraham Bredius CONTENTS Epigraph iii Preface ix Part One OCCUPIED HOLLAND 1 A Knock on the Door 3 2 Looted Art 6 3 The Outbreak of War 9 4 Quasimodo 14 5 The End of Forgery? 18 6 Forgery 101 22 7 Occupied Holland 26 8 The War Against the Jews 30 9 The Forger’s Challenge 33 10 Bargaining with Vultures 40 11 Van Meegeren’s Tears 44 Part Two HERMANN GOERING AND JOHANNES VERMEER 12 Hermann Goering 51 13 Adolf Hitler 55 vi con t e n t s 14 Chasing Vermeer 57 15 Goering’s Art Collection 62 16 Insights from a Forger 66 17 The Amiable Psychopath 77 18 Goering’s Prize 82 19 Vermeer 85 20 Johannes Vermeer, Superstar 88 21 A Ghost’s Fingerprints 93 Part Three THE SELLING OF CHRIST AT EMM AUS 22 Two Forged Vermeers 105 23 The Expert’s Eye 109 24 A Forger’s Lessons 115 25 Bredius 121 26 “Without Any Doubt!” 127 27 The Uncanny Valley 132 28 Betting the Farm 137 29 Lady and Gentleman at the Harpsichord 139 30 Dirk Hannema 145 31 The Choice 150 32 The Caravaggio Connection 163 33 In the Forger’s Studio 167 34 Christ at Emmaus 170 35 Underground Tremors 173 con t e n t s vii Photographic Insert 36 The Summer of 1937 179 37 The Lamb at the Bank 186 38 “Every Inch a Vermeer” 192 39 Two Weeks and Counting 198 40 Too Late! 201 41 The Last Hurdle 203 42 The Unveiling 207 -
City Research Online
CORE Metadata, citation and similar papers at core.ac.uk Provided by City Research Online City Research Online City, University of London Institutional Repository Citation: Browning, J. ORCID: 0000-0001-7013-7959 (2020). Remaking Classical Music: Cultures of Creativity in Pleasure Garden. Twentieth-Century Music, 17(1), pp. 23-61. doi: 10.1017/s1478572219000355 This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/24586/ Link to published version: http://dx.doi.org/10.1017/s1478572219000355 Copyright and reuse: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. City Research Online: http://openaccess.city.ac.uk/ [email protected] ACCEPTED MANUSCRIPT Remaking Classical Music: Cultures of Creativity in Pleasure Garden Joseph Browning Abstract Taking its theoretical orientation from Ortner’s distinction between ‘power’ and ‘projects’, this article considers the relationship between local artistic projects and the cultures in which they participate. I focus on Pleasure Garden, a collaborative project that spans site-specific installations, concerts and an album. Exploring a wide range of issues at stake in the creative process, including collaboration, gender, aesthetics, colonialism, the work concept, and commodification, I trace how Pleasure Garden’s creators variously reproduced and reworked dominant conventions, while at the same time pursuing their own distinctive commitments. Through this, I argue that Pleasure Garden’s creators negotiated a space that was inside, yet sometimes out of alignment with, what I call the ‘cultures of creativity’ associated with Western art music, the music industries, late capitalism, and neoliberalism. -
Kunst Und Frö Mmigkeit Im Spä Tmittelalter Und Ihr Weiterleben, Kat
500 Jahre Rosenkranz: 1475 Köln 1975: Kunst und Frö mmigkeit im Spä tmittelalter und ihr Weiterleben, kat. wyst., Erzbischöfliches Diözesanmuseum, Köln 1975 500 Jahre Schedelsche Weltchronik (sympozjum, Norymberga 1993), red. S. Füssel, ("Pirckheimer Jahrbuch" 9), Nürnberg 1994 600 Jahre Ulmer Münster, red. H.E. Specker, R. Wortmann, 2. wyd., Stuttgart 1977 800 Jahre Deutscher Orden, kat. wyst., Germanisches Nationalmuseum, Nürnberg, Gütersloh- München 1990 800 Jahre Deutscher Orden. Ergänzungen und Korrekturen, "Anzeiger des Germanischen Nationalmuseums" 1992, s. 7-50 1454: Lille-Arras et le Voeu du Faisan. Deux capitales princières bourguignonnes face au défi de l'empire Ottoman, (Actes du colloque, Université d'Arras 1995), red. M.-Th. Caron, D. Clauzel, Arras 1997 A. Abad Pérez, San Juan de los Reyes en la historia, la literatura y el arte, "Anales toledanos" 11, 1976, s. 111-206 S. Aballéa, Les Saints Sépulcres monumentaux du Rhin supérieur et de la Souabe (1340-1400), Strasbourg 2003 https://doi.org/10.4000/books.pus.12003 J. Abeler, Ullstein Uhren Buch. Eine Kulturgeschichte der Zeitmessung, Frankfurt a.M. 1994 K. Abriszewski, Teoria Aktora-Sieci Bruno Latoura, "Teksty Drugie", nr 1/2, 2007 K. Abriszewski, Poznanie, zbiorowość, polityka. Analiza teorii aktora-sieci Bruno Latoura, Kraków 2008 I. Achter, Schrein und Flügelgemälde eines gotischen Altares, jetzt in der Kath. Pfarrkirche zu Rheinberg, "Jahrbuch der rheinischen Denkmalpflege" 23, 1960, s. 214-215 A. Acres, The Columba Altarpiece and the time of the world, "The Art Bulletin" 80, 1998, s. 422-451 https://doi.org/10.2307/3051299 A. Acres, Small physical history: The trickling past of Early Netherlandish painting, w: Symbols of Time in the History of Art, red.