codart Courant 11/January 2006

codartCourant contents Published by Stichting codart P.O. Box 76709 2 codart: plans, friends, and a flute play 11 codartactivities in 2005 nl-1070 ka by Jacob van Eyck 11 Report on the study trip to Sweden The 3 A new board member introduced 15 codartactivities in 2006 [email protected] 3 News and notes from around the world 15 codart negenCongress: Dutch www.codart.nl 3 austriaUlrich Becker, New galleries and Flemish art in the land of for Old Masters in Schloß Eggenberg in Graz 12-14 March 2006, Leiden Managing editor: Rachel Esner 4 belgiumGeert Souvereyns, 17 codart negenStudy trip to e [email protected] Introducing the vlaamsekunstcollectie the eastern and northern provinces Editors: Wietske Donkersloot 5 hungaryJulia Tatrai, Barent of the Netherlands 14-19 March 2006 and Gerdien Verschoor Fabritius Manoah’s sacrifice in the 21 Appointments t +31 (0)20 305 4515 Szépmüvészeti Múzeum in 21 codart membership news f +31 (0)20 305 4500 6 netherlandsHildelies Balk, 22 Membership directory e [email protected] Hannema’s Old Master in the 36 codartdates Translations: Laura Watkinson new in 36 Preview of upcoming exhibitions and 7 polandDariusz Kacprzak, Introducing other events, January-May 2006 codart board the collection of the Muzeum Sztuki in Lódz´ Henk van der Walle, chairman 10 russiaVadim Sadkov and Marina Arnout Weeda, secretary-treasurer Senenko, News from the Pushkin State Greetje van den Bergh Museum of Art in Moscow Rudi Ekkart, director of the Rijksbureau 11 usaWalter Liedtke, Dutch paintings in voor Kunsthistorische Documentatie The Metropolitan Museum of Art in New Jan Houwert, chairman of the Board of York Management of the Koninklijke Wegener N.V. Paul Huvenne, director of the Koninklijk Museum voor Schone Kunsten, Wim Jacobs, advisor of the Instituut Collectie Nederland Jeltje van Nieuwenhoven, member of the Provincial Executive of Zuid-Holland codartis an international council for curators of Dutch and Flemish art. It supports inter-museum cooperation in the study and display of art from the Lowlands through a variety of means, including congresses, study trips, pub- lications and a website (www.codart.nl). The organization was founded and is aided by the Netherlands Institute for Cultural Heritage. It enjoys the generous support of the Netherlands Ministry of Education, Culture and Science and the Ministry of Welfare, Health and Culture of the Flemish Community. codartCourantappears twice a year. Contributions are welcome.

Design: Typography Interiority & Other Serious Matters, The Hague issn1388 9559 Jurgen Ovens (?), Family portrait, 1656-57, Museum de Fundatie, Heino/Wijhe codart Courant 11/January 2006 2

codart: plans, most frequent visitors to our website. The projects at your museum have been inspired website will be improved and polished in order or implemented by codart, directly or friends, and a flute to increase accessibility for both professional indirectly. Mention the network in the play by Jacob van Eyck and other interested users. In the coming forewords to your catalogues if the idea for an years, a Friends of codartFoundation will exhibition has come about during a study trip begin work on promoting the links between or a congress, or if contacts were made more The musician jonkheer Jacob van Eyck (ca. 1595- codartand a variety of individuals and quickly because of an afternoon’s surfing on 1657) plays an important role in my life. For institutions. The Friends will also play a role in the codartwebsite. External funding bodies one thing, I live in a house to which this blind external fundraising. Many of these activities – essential for the continued existence of the carillonneur and recorder player was are aimed at increasing our support base. website and this newsletter – are not just apparently a frequent visitor in the days when codart’s mission, of course, remains the interested in missions and ideals, but above all it was still an inn called De Roode Tooren. same, and curators of Dutch and Flemish art in concrete results. Keep us actively informed Moreover, at various important moments in are still our fixed core and target group. not only about your exhibitions, but also my life this ‘squire’ has managed to put in an Without the continuing active involvement about special purchases, bequests, donations, appearance. On 21 September 2005, I was in of its members, codarthas no impetus or and important additions to your collection. Sweden as part of the codart achtstudy reason to exist. For some years now, various Make our News of the Day service livelier by trip – my first public appearance as director of codartmembers have made a significant emailing us your news flashes. Or use it to codart. It was the evening of the grand contribution to shaping the network’s present research questions to your colleagues opening of The Dutch Golden Age at the activities by taking part in think tanks, such all over the world. And last but not least: Nationalmuseum in Stockholm. And what as the program committee and the website become a codartfriend or supporter tune was the Dutch recorder player striking up committee. The future will see an appeal being yourself as soon as the Friends of codart on the monumental steps of this venerable made to the members’ expertise on issues like Foundation becomes a reality. Only with your institution? The foolish men by Jacob van Eyck... the creation of internships or fundraising. participation can codartoperate as the It must have been fate. As it turned out, van In addition, the day-to-day involvement platform it aims to be: the international Eyck was not only heralding my new role. On of members is of great importance for the network organization for curators of Dutch the same day, a long-awaited letter had landed atmosphere and dynamic of codart. Many and Flemish art. on the doormat in our offices in Amsterdam, colleagues already keep us up to date about I am proud of the fact that once again this announcing that Medy van der Laan, the State exhibitions, acquisitions and research. But Courant presents a picture of the dedication of Secretary for Culture, was granting codarta there is always room for improvement. Always our members and the variety of projects in subsidy for the period 2006-08. In this era of bear codartin mind. Let us know when which they are involved. This issue provides increasing cutbacks, this is a marvelous show information about a number of collections of confidence, indicating that the Ministry of from different corners of the globe, and affords Education, Culture and Science feels that a platform both for members who are linked codartis making an important and to large, well-known institutions and for new constructive contribution to the international members who are working with relatively cultural policy of the Netherlands. unknown collections. Many thanks to the This subsidy will enable codartto authors. I am most honored that Walter continue its existing activities in coming years Liedtke has contributed an article about the and to develop new ones. We certainly have Dutch paintings in The Metropolitan enough ideas. In the coming years, we will Museum of Art in New York. But I am also examine the extent to which the network can pleased that our new members Dariusz play a role as a launch pad for young curators, Kacprzak (Muzeum Sztuki, Lódz)´ and and we will look for opportunities to Hildelies Balk (Museum de Fundatie, Heino/ collaborate with universities and research Zwolle) have been so keen to inform us about institutes. A number of gaps on the codart their special collections, which for many map will also be filled in. The forthcoming people are unfamiliar or even completely study trips to France (2006) and Italy (2007) in unknown. And speaking of unfamiliar particular will provide an excellent collections: the codart negenstudy trip opportunity to carry out research into the will be taking place soon, with visits to collections of Dutch and Flemish art in those precisely those kind of collections, ones in the countries. But we will also be taking a close north and the east of the Netherlands that are look at the museum directories in other less well known. But before the trip begins on regions. codartis working to become more 14 March, I hope to meet you during the closely integrated within the Flemish codart negencongress in Leiden (12-14 museum system, and a number of curators in March 2006). And who knows? It wouldn’t will also be actively approached and surprise me if Jacob van Eyck doesn’t come and asked to join our organization. There is great join us there as well. interest in codartsouth of the border: after Gerdien Verschoor the Dutch and Americans, the Belgians are the [Photo Jan Griffioen, ] Director 3 codart Courant 11/January 2006

A new board member gain an insight into the past. the Antwerp Mannerists (ca. 1520) will invite Schloß Eggenberg, a perfectly preserved comparisons with art created locally and introduced monument, built in the early 17th century as internationally. a sumptuous residence for Prince Hans Ulrich The art of the has always On 1 January 2006, Arnout Weeda has become von Eggenberg, governor of Inner Austria and played a decisive role in the Graz post- secretary-treasurer of codart. He succeeds the most important confidant of Emperor Medieval art collections, which will be Wim Jacobs, who is currently on sabbatical but Ferdinand ii, provides an ideal aesthetic displayed in the east and north wings – in will retain his post on the board. environment for the works and will be keeping with the outstanding art-historical The economist Arnout Weeda was general particularly attractive to tourists. The significance of Flemish and Dutch . director of the Zuiderzeemuseum from 1988 staterooms on the second floor, with their This relates not only to the Golden Age, but to 2005. Before this, he carried out various fully intact 17th- and 18th-century also to the momentous and productive part functions at the Ministry of Education, furnishings, will further aid visitors in played by Flemish and Dutch role models in Culture and Science, among them a post as gaining a thorough understanding of Baroque Baroque art in German-speaking regions until the minister’s economic advisor. culture. Some of the paintings are to be the second half of the 18th century. Weeda has also held positions on a number integrated into these rooms, revealing their The importance of Antwerp as a leading of boards. He was vice-president of the original function in a context that looks just as metropolis for Northern European art since Management Committee of the International it would have during the period. 1500 is evident throughout the Graz collec- Council of Museums (icom); vice-chairman The south wing of the castle will be tions. The 16th-century Antwerp Romanists of the Netherlands Museum Association entirely devoted to the Middle Ages, with an are represented by Frans Floris and his famous (nmv); a member of the museum commission abundance of panels, paintings on glass, and Banquet of the gods. The sophisticated painting of the Council for Culture; and chairman of sculptures, mainly of Styrian or Austrian of the period around 1600 at the Habsburg the advisory committee of the Reinwardt origin, which document the period from circa courts in Prague and is visible in Akademie – the museum training program of 1240 to 1530. High or is mythological themes by Bartholomäus the Hogeschool voor de Kunsten Amsterdam. represented by outstanding pieces, such as the Spranger and Hendrik de Clerck. Two major With his network and years of experience in wooden Admont Madonna, probably made in a works by Jan Brueghel the Elder and Pieter positions at the crossroads of economics and Burgundian workshop in the second half of Breughel the Younger represent the allegorical culture, Arnout Weeda is a welcome addition the 13th century, and the famous early 15th- image and its complexity, along with to our board. century votive panel of Saint Lambrecht. The panoramic landscapes by Joos de Momper the scenes from the legend of Saint Thomas à Younger, two history paintings by Cornelis Becket, ascribed to Michael Pacher, stand out de Vos and Erasmus iiQuellinus, which serve News and notes from amongst the numerous Late Gothic exhibits, as a reminder of Rubens’s decades of executed under Italian influence. supremacy in Flanders. around the world The particular influence that Early A completely new addition is a landscape Netherlandish art (especially from the gallery, where Flemish paintings from the austria northern provinces) exerted in the Alpine 16th and early 17th centuries by Old Masters New galleries for Old Masters in Schloß region is already evident in the late Middle such as and Gillis III van Eggenberg in Graz Ages. The restoration of an Epiphany by one of Coninxloo will be shown alongside works by Ulrich Becker Philips Wouwerman and Herman III Saftleven. From 15 September 2005, one of the most Wouwerman and Saftleven belong to a important Austrian collections of Old Masters significant group within the Graz collections, will be presented to the public in a completely which, after years in storage, is now being new form: the Alte Galerie is leaving its old carefully restored before being presented once town-centre site, where a serious lack of space again to the public and made available for and inadequate conservational and climatic discussion by scholars. Saftleven in particular conditions had made it impossible to remain. is seen as an important point of orientation for Furthermore, when it was constructed in 1890- the 18th-century culture of collecting, and his 95, the building was primarily intended for followers in Central Europe will have a applied arts and historical objects, and these particular attraction for the Austrian public. will once again now find a suitable home An early Flemish landscape in gallery there. format, another subject that has yet to be The Graz collection of Old Masters, around thoroughly researched, demonstrates the 350 works ranging from the middle of the 13th influence of Hans Bol. In the same way, a century to the end of the 18th century, will Discovery of Moses, now identified as a com- soon go on display in 22 rooms on the first position based on an engraving of 1601 by floor of Schloß Eggenberg. The works will be Nicolaes de Bruyn after Gillis iiivan organized thematically, rather than split into Coninxloo, impressively illustrates the chronological, geographical or stylistic significance of the Old Testament for the categories, thereby helping the visitor who is David Teniers the Younger, Penitent Mary Magdalene, newly awakened Dutch self-image at the dawn not very familiar with this subject matter to Landesmuseum Joanneum in Schloß Eggenberg, Graz of the Golden Age. codart Courant 11/January 2006 4

The variety and quality of the Flemish and international dimension, as the museums’ friends’ organizations and private art circles Dutch paintings, particularly as reflected by collections include some works that are created in every city played an important role lesser-known Old Masters, will be presented considered to belong to the world’s artistic in shaping the collections. A number of to a broad public, and the typical diversity of heritage. In terms of content, the collections of important benefactions are still vital in genres will be taken into account. There are the three museums complement each other determining the image of the museums. For military themes by Esaias van de Velde, perfectly: together they offer a unique and example, in 1840 the museum in Antwerp Cornelis de Wael and Adam Frans van der representative overview of the art of the received an impressive ensemble of Flemish Meulen; a Rombout van Troyen Fall of Sodom; southern Low Countries from the 15th to the Primitives from ex-mayor Florent van marine pieces by Arnoldus van Anthonissen 21st century. By uniting their forces, the Ertborn. In 1907, Minister August Beernaert illustrating the influence of such leading partners hope to achieve high-quality long- donated his Last Judgment by Hieronymus masters as the Fleming Jan Porcellis; and term management of Flemish and world Bosch to the museum in . Another works by Jan Cossiers, who returns to the heritage, and to increase the international important gift was that of Ferdinand Scribe to collection with a -like genre picture standing of the collection. the museum in . Scribe’s bequest of both that has not been displayed before, as it was on The fact that the three museum collections old and modern masters was significant in the loan until 2004. There is also a dramatic ‘Ira’ closely resemble each other thematically has a ‘internationalization’ of the Ghent museum allegory in the form of a genre scene, whose great deal to do with the similarities in their collection. Influential exhibitions such as Van exact position within Netherlandish historical development and collection policies. Dyck in Antwerp (1899), Les primitifs flamands in Caravaggism is still to be established. A The story of how the collections were built up Bruges (1902) and L’art ancien dans les Flandres in particular surprise was the discovery of a was presented in Ensor to Bosch, the Vlaamse Ghent (1913) also had a strong influence on Penitent Mary Magdalene by David Teniers the Kunstcollectie’s first joint exhibition. During acquisition policy. Younger, which had been in storage. This the recent summer months, works of art from The museums also purchased con- painting can be shown to have been in the the three museums were brought together at temporary art at the salons organized in possession of the Princes of Eggenberg since the Paleis voor Schone Kunsten in Brussels. Brussels, Antwerp, Ghent and Bruges. These the 17th century. Visitors to this exhibition could see for purchases reflected the ideals and artistic A most welcome addition is formed by 16 themselves how the collections of the three preferences of the 19th-century middle class, valuable loans from the Thyssen-Bornemisza museums developed along surprisingly and the three museums also exhibit a great collections. In addition to some exquisite similar lines. many parallels in this respect. The emphasis sculptures – such as an outstanding Late The foundations for the three museum was placed on Belgian artists. The museums’ Gothic ‘paternoster bead,’ a sculpture by Adam collections were laid during the French purchasing committees had rather con- Dircksz’s workshop, and a bronze raptus scene occupation (1794-1815). Immediately after the servative tastes, giving preference to typically by Giambologna – the emphasis is on Dutch annexation of the portions of the southern academic styles, such as neo-classicism, painting, with landscapes by Herman III Low Countries adjoining France, revolutionary romanticism, orientalism and . Saftleven and Philips Wouwerman; still lifes by troops took around 200 masterpieces to Paris, Favorite genres were landscapes, interiors, Cornelis Jansz. de Heem and Hendrick de where they were to enrich the collections of the still lifes and historically inspired genre pieces. Fromantiou; and an unusual biblical scene so-called Musée Central des Arts (now the Only around the turn of the century did the (Lot and his daughters) by Hendrick van Somer. Louvre). Other valuable works of art from museums’ interest in modernist trends, such deconsecrated monasteries and churches were as impressionism and symbolism, begin to housed in art depots and were used to support grow. Introducing the vlaamsekunstcollectie the educational programs of the new depart- In the 20th century, the museums Geert Souvereyns mental Écoles centrales. After the defeat of gradually developed into full-fledged At the end of 2001, three art museums in Napoleon in 1815, a number of works that had academic institutions. Annotated collection Flanders – the Koninklijk Museum voor been carried off to Paris were returned to the catalogues were published under the influence Schone Kunsten in Antwerp, the Museum Flemish cities. This resulted in a great deal of of academically trained museum directors, voor Schone Kunsten in Ghent, and the public interest in older Flemish art. and their scholarly exhibitions were well Groeningemuseum in Bruges – decided to Due in part to this increased interest, many received internationally. The museums also enter into an arrangement for extensive public and private collections were created, made an important contribution to the art collaboration. This umbrella initiative was and even today continue to determine the historiography of the southern Low Countries initially given the name ‘Koepel van Vlaamse character of Flemish art museums. At the and Belgium. Their purchasing policy was Kunsthistorische Musea’ (Umbrella beginning of the 19th century, the art depots primarily aimed at closing the gaps in the organization of Flemish art museums). In of the Écoles centrales were transferred to the museums’ collections. The patronage of 2004, it became the Vlaamse Kunstcollectie municipal authorities, who supplemented individual collectors also continued to help (Flemish art collection). This change these collections with the pieces they had build the collections. accurately reflects the transformations that retained over the centuries. To this were added Understanding the way in which the the cooperative organization has undergone in the 18th-century study collections of the museums’ collections were formed is a the past three years: the focus is no longer on academies, with which the newly founded prerequisite for insight into their com- the institutions, but on the collection. The museums were closely linked. position. With this in mind, the Ensor to Bosch three museums view each other as partners, In the 19th and 20th centuries, this legacy of exhibition was an expression of the Vlaamse sharing a responsibility for Flemish cultural the Ancien Régime was complemented by Kunstcollectie’s longer term goals. The heritage. This responsibility also has an donations, bequests and purchases. The museums are now working to draw up a 5 codart Courant 11/January 2006 coordinated collection plan, mapping out the The Vlaamse Kunstcollectie also functions as a hungary strengths and weaknesses of the various forum for the development of knowledge and Barent Fabritius Manoah’s sacrifice in the collections. As each museum records and expertise. Working groups have been set up for Szépmüvészeti Múzeum in Budapest describes the historical growth of its core the different domains of museum work to Julia Tatrai collection, this plan will form the basis of a allow staff from the three museums to An addition to a museum’s collection is always joint and more coordinated policy in the areas exchange know-how and set up joint projects. a welcome event, especially if the purchase has of acquisition, conservation, restoration and This is creating ever more synergy between the a long pre-history. In November 1911, the display. institutions. The intention is to share what collection of the recently deceased court This work is certainly essential. The they have learnt with other, smaller museums councilor, Gusztáv Gerhardt, one of the most enormous increase in the market value of in Flanders by way of study days and advice. important Hungarian private collectors, was works of art is making it more and more The three museums do not wish to auctioned at Lepke’s in Berlin. Gábor Térey, the difficult for museums to acquire the key works exchange knowledge and experience only with curator of the Old Masters gallery at The that are important for their collections. The each other, but also to integrate more actively Budapest Museum of Fine Arts was the author limited resources they have at their disposal into a network of Flemish art museums, of the preface to the auction catalogue, in are insufficient. The museums now intend to research centers and universities. One of the which he gave a detailed description of each work together to develop a more efficient aims is to set up a Flemish bureau for art- item. He planned to purchase eight paintings purchasing policy. In the first place, the historical documentation, together with a for the museum – eventually, however, he museums want to coordinate their purchases. number of existing research centers, with the bought only four works by 16th- and 17th- In the longer term, they mean to create a joint main task of stimulating and supporting century Dutch and Flemish masters: an acquisitions fund, aimed at buying works that research into art in the southern Low Annunciation now attributed to ; will improve the profile of the museums and Countries from the 15th to the 20th century. a View of Haarlem by Claes Hals; a Prodigal son increase the size of the publicly owned art One consequence of this research is that the amidst the whores by an anonymous Flemish collections in Flanders. museums intend to stage more joint master (ca. 1535-50); and, finally, an Adoration of The three museums can achieve a more exhibitions in future, together or in the Magi by Adriaen Stalbemt. He did not, sharply defined profile through the exchange collaboration with foreign partners. The however, succeed in acquiring The sacrifice of of works in their collections. This is also a way starting point will always be the strengths of Manoah by Barent Fabritius, whose to ensure that valuable works of art that would the joint museum collections or a focus on whereabouts remained unknown for almost otherwise be in storage can go on public themes that run through the three collections. 100 years following the auction. The painting display. In order to promote inter- Ensor to Bosch has already set the tone. reappeared in 2003 in Budapest, and the next institutional loans, the museums intend to For further information and the online collection year it entered the collection of the Museum of follow the example of the Netherlands and to see: www.vlaamsekunstcollectie.be Fine Arts. create an agreement on such loans. This will The Old Testament story of Manoah and mean that it will only be necessary to take out his wife was very popular among the painters additional insurance for the transportation of of the Rembrandt school. In the story, the the works of art and not for the period in which they are on display at the borrowing museum. This is basically a question of trust. The museum lending the works assumes they will be as well cared for and as secure as they are in their home institution. The Vlaamse Kunstcollectie already plays an important role in this process. Those responsible for security at the three museums now meet up to exchange expertise and optimize risk management. Such agreements promote the national mobility of collections, but do not offer any solutions for the organization of international exhibitions with loans from different museums and private collections. In a number of European countries, an indemnity arrangement or government guarantee has been introduced for this purpose. A Staatsgarantie study, which the Vlaamse Kunstcollectie is currently carrying out at the request of the Vlaamse Gemeenschap, will lead to concrete recommendations for developing a similar agreement in Flanders and Belgium by the end of this year. Barent Fabritius, The sacrifice of Manoah, The Budapest Museum of Fine Arts, Budapest codart Courant 11/January 2006 6 angel of the Lord announces the birth of a son, collection, and contains a great number of the Museum de Fundatie’s collection. Samson, to the childless couple; after the previously unpublished works. A catalogue of Born into a family of art-lovers, Hannema burning of a thanksgiving sacrifice, the angel items, arranged in alphabetic order, follows grew up in The Hague, surrounded by the art reappears in the flames. In contrast to most the introductory survey on the history of the collection of his mother, Minnie Hannema-de 17th-century depictions of the theme, the collection. This richly illustrated book also Stuers. His life was devoted to studying and figure of the angel was missing from includes, in addition to reproductions of the collecting art. As a schoolboy, he accompanied Fabritius’s work (already at the time of the drawings in the collection (over 100 in color), his mother to lessons given by H. P. Bremmer, 1911 auction); for this reason, in a 1968 study illustrations of the versos of some of the the ‘art guru’ of The Hague, whose pupils also devoted to the Sacrifice of Manoah in Dresden, drawings and other related works. The book’s included the famous Helene Kröller-Müller. once considered to be by Rembrandt, Fritz Saxl usefulness in enhanced by a good bibliography Hannema also regularly visited another art refers to it as a rare example of representations and an iconographic index; works can be found expert in his native city, Abraham Bredius. ‘without angel.’ Properly speaking, however, not only by the name of the artist and Even as a boy, Hannema had a keen eye for the picture’s unusual appearance was not a inventory number, but by the name of the artistic discoveries, as is demonstrated by his question of iconography. Among the works previous owner as well. The book is the result first purchase: the wonderful River view by shown at the 1898-99 Rembrandt exhibition of ten years of research, and is worthy of Teréz Jongkind, which he came across as a 16-year- that took place in Amsterdam and London was Gerszi’s previous catalogue of 16th-century old in a junk shop, under a thick layer of dust. a panel with the half-figure of an angel which, Netherlandish drawings from our museum. He briefly studied art history with Vogelsang according to Hofstede de Groot and Abraham in , but found it unnecessary to obtain Bredius, had actually been cut from the the netherlands a university degree. In 1921, at the age of 26, he aforementioned Fabritius by a London art Hannema’s Old Master paintings in the became the director of the Museum Boijmans dealer. Technical examination of the picture new Museum de Fundatie in Zwolle in . As a result of his enthusiasm, now in Budapest has confirmed this Hildelies Balk knowledge and good contacts within the assumption: the upper part of the panel had, In the province of , between the wealthy middle classes, Boijmans soon grew to indeed, been cut. villages of Heino and Wijhe, lies Kasteel Het become a museum with an international The history of the panel with the angel can Nijenhuis, the former residence of the reputation. be traced from the 19th century to 1943, when eccentric art collector (1895- Hannema also collected works for himself, German soldiers confiscated the famous 1984). This castle, completely renovated in 2004 originally with the intention of donating Parisian Schloss collection. A part of this in the spirit of the collector, is part of the them to the Museum Boijmans. The Second extremely valuable collection has since Museum de Fundatie, which was expanded in World War put an end to this plan. Hannema, reappeared, with the exception, however, of June 2005 with a new branch in Zwolle, the who paid little attention to anything outside the panel with the angel, whose whereabouts Paleis aan de Blijmarkt. The Fundatie’s of the world of art, stayed on as director during are still unknown. It is of special interest that collection of around 7,000 items, of which only the war and was rather accommodating with Charles Courtry (1846-1894), a Parisian part can be displayed even with two locations, regard to the occupying forces. Because of this engraver, made an etching after the angel, has been compiled from a number of different, he was forced to leave his post in 1945. He took then attributed to Rembrandt, and in the mostly private, collections. The largest of these his still expanding collection and settled in autumn of 1889 painted a is the collection of art connoisseur Dirk Overijssel, first at Kasteel Weldam in Goor and double-size copy after this etching. It is Hannema, the founder of Stichting Hannema- later at Kasteel Het Nijenhuis, which he extremely ironic that the van Gogh angel has de Stuers Fundatie, which forms the basis of turned into a museum. With his keen eye for also been missing since 1957. Although the panel with the angel cannot be examined, the descriptions, stylistic analogies, and the identical measurements of the figures all confirm that the Budapest Manoah panel and the picture formerly in the Schloss collection once belonged together. Details of the painting’s adventure and a discussion of the questions of attribution and dating will be published in the forthcoming number of the Bulletin du Musée Hongrois des Beaux-Arts. Those who have seen the publication list on the codarthomepage are already aware of the new scholarly catalogue of 17th-century Dutch and Flemish drawings from the Budapest Museum of Fine Arts by Teréz Gerszi, doctor of the Hungarian Academy of Sciences and member of the Royal Academy of Belgium. This is the first comprehensive catalogue of the 17th-century Netherlandish drawings Johan Barthold Jongkind, River scene, circa 1845, Museum de Fundatie, Heino/Wijhe 7 codart Courant 11/January 2006 quality, Hannema brought together around was mainly Hannema’s name that remained material is on display in the modern Vermeer 3,000 items from different periods and associated with the scandal. Subsequently he Room. Hannema’s extravagant opinions about cultures, and flourished once more in rarely commented on the affair in public. But Vermeer show the flipside of his scholarship. Overijssel. His collection attracted many he still kept looking for unknown works by His confidence in his own eye and the visitors from home and abroad. He also Vermeer. intuition that for so long had helped him to acquired other collections through donations In the 1950s Hannema began to concentrate compile his marvelous collection played tricks and bequests, such as that of the De Graaff- on the older works in his collection. Armed on him in his later years. Bachienes, a couple he had been friendly with with a magnifying glass and cleaning since 1929. products, he would go to work on his poland Hannema’s collection is mainly known for paintings in search of hidden signatures. Introducing the collection of the Muzeum classic modern art and includes important Between 1952 and 1962, he attributed four Sztuki in Lódz´ pieces such as Mondrian’s Trees by the Gein, van works that had already been in his collection Dariusz Kacprzak der Leck’s Composition and Picabia’s Butterflies. for some time to Vermeer: The fish; a portrait of Muzeum Sztuki in Lódz´ was founded in 1930 The older art and exotic works, however, are a family; the Portrait of Frederic de Marselaere; with the aim of showing modern and just as interesting. There is a collection of and an autumn landscape. He then started to contemporary art emerging from the tradition hundreds of pieces from Asia; sculpture from hunt the art market for paintings that of constructivism. However, it also holds an the Middle Ages to the 18th century; an corresponded to his idea of Vermeer’s work. In excellent, if small, group of works by Dutch exquisite collection of drawings by artists 1970 he bought The good and the bad murderer and Flemish Old Masters. such as Magnasco, Barocci, Vouet, Both and and Belisarius. Two years later he published An interesting example of Flemish 17th- Bloemaert; and, finally, the 17th-century these six works in a brochure entitled Over century history painting is a work of 1624 paintings, an area in which he revealed a van Delft. But this was not the entitled Jacob despairing over Joseph’s bloodied marvelous talent for discovering relatively end of the story. Hannema also attached the robes by one of the leading pre-Rembrandtists – unknown gems, such as an Interior attributed name of Vermeer to the Three Marys at the grave, Claes Corneliszoon Moeyaert. It is probably to Jacob Vrel and ’s pronkstilleven. purchased in 1971, and to The mystical wedding the first dated piece in his oeuvre. Moeyaert – Hannema’s guiding principle was always, as of Saint Catherine, which he acquired in 1972. a painter connected to the humanist circle in he said: ‘anything that is fascinating from an There were no serious art historians amongst Amsterdam as well as to the theater and the aesthetic point of view, no matter from what the few people who followed him in these rhetoricians’ association – sets the history of period or culture, anything that displays attributions. the Jewish patriarch Jacob and his son in a character, that opens itself up sincerely, that In the 1970s, Hannema set up a Vermeer stage-like setting comprised of both contains a sense of tension, that speaks with Room to display the works he had attributed architecture and landscape. For Protestants, the voice of a personality or the essence of a to the master from Delft. His ‘Vermeers’ the work underlined the moralistic side of period.’ prompted a great deal of interest in the press the story, and was a way of illustrating However, the often-high quality of the and attracted many curious visitors, who were contemporary debates about virtue, the works he acquired was evidently not enough always given a tour by Hannema himself. He reward for righteous men and the punishment for him. Once he had settled in the east of the would give detailed lectures about his for evil. Netherlands, Hannema began to attribute all ‘Vermeers.’ After his death, the room was Among the paintings by Dutch masters, kinds of fine works by unknown artists to the closed and the paintings were redistributed, Daniel de Blieck’s Interior of a church, with its big names of art history, such as Jan Steen and some of them going into storage and others astonishing atmosphere, undoubtedly Carel Fabritius. He concentrated particularly being absorbed into the regular collection. deserves special attention. It is a unique on an old favorite: Johannes Vermeer. Since the renovation of 2004, the eight works architectural capriccio, a baroque play with the Vermeer’s oeuvre is, of course, not a large have once again been united in a Vermeer one: only 33 or 34 paintings are now definitely Room at the top of the castle. These are all bona attributed to him. Of those works, only seven fide works by different masters of the 17th and are in the Netherlands: four in the 18th centuries, but they are, of course, no in Amsterdam and three in the longer attributed to Vermeer. Research is still Mauritshuis in The Hague. This was already being carried out on some of the pieces; others the case when Hannema was the director of have now been acknowledged as important Museum Boijmans (from 1921 to 1945). works by lesser-known masters. The brilliant Hannema’s wish to acquire a Vermeer for family portrait, with its intriguing glass ball, Boijmans appeared to come true in 1938, with has now been attributed to Jürgen Ovens, the acquisition of The disciples at Emmaus. This a German pupil of Rembrandt, and the famous painting was discovered in France by monumental painting The good and the bad Hannema’s old mentor Abraham Bredius, and murderer is attributed to the Flemish artist almost unanimously received by the Dutch art Abraham Janssens van Nuyssen, who world as a masterpiece by Johannes Vermeer. specialized in historical and religious After the Second World War, however, it depictions in dramatic close-up. emerged that the work was a forgery by Han Hannema detailed his attributions in ten van Meegeren. Of all the art experts who had thick folders full of photographs, letters, notes Nicolaes Maes, Portrait of a man wearing a wig, praised The disciples at Emmaus at the time, it and reference material. A selection of this Muzeum Sztuki, Lódz´ codart Courant 11/January 2006 8 spectator, depicting two separate spaces 17th century in a private collection, and its As I was told by Professor Rudi Ekkart, director divided by a row of pillars. The artist, a native subsequent acquisition by the Pushkin State of the rkdin The Hague and a renowned of Middleburg, carefully constructed this Museum of Fine Arts, is indeed an event specialist in Dutch portraiture, the newly imaginative interior, which was probably worthy of particular attention. acquired portrait shows the Leiden historian inspired by an existing building. The portrait of Dionis de Toict is by Jan de Dionis de Toict (1639-1692), author Also of importance is a group of Golden Baen (1633-1702) of The Hague. Technical of Dutch saints and martyrs, published in Age Dutch portraits. There is a Portrait of a analysis of the portrait revealed the fine weave Amsterdam in 1686. The bases for the woman in a dark dress with a ruff, painted in the of the canvas, the thin chalk ground, multiple identification are the coat-of-arms on the spirit of middle-class realism characteristic of layers of paint, and the specific pattern of the tablecloth, the inscription on the spine of the the first half of the century. Another example fine hatched craquelure, as well as the book, and the inclusion of its engraved title is Portrait of a young man against greenery by compositional and typological manner of page in the sitter’s hand. The Portrait of Dionis Dirck Dickszoon Santvoort, dating to 1649. depicting the middle-aged man in his wig and de Toict was clearly commissioned in Later changes to the portrait style are housecoat in the fashion of the 1680s. This has connection with the publication of Dutch saints illustrated in the works of Aleijda Wolfsen, a provided us with good reason to identify the and martyrs and should thus be dated to circa student of Caspar Netscher, as well as in work as a characteristic example of official 1686-87. The acquisition of this work pictures by Reynier de la Haye and Nicolaes Dutch portraiture of the kind produced represents an excellent addition to the existing Maes, whose Portrait of a man wearing a wig is an throughout the last quarter of the 17th collection of works of the Dutch Golden Age in example of great painterly virtuosity. All these century. the Pushkin State Museum of Fine Arts. portraits are proof of the expansion of court Study of the painting’s surface with (Translated by Cathrine Philips) fashion, which was considered the pinnacle of ultraviolet rays and a binocular microscope, good taste in this period. Elegantly dressed altering the magnification and illuminating russia figures are shown in a stylish park-like setting the work from different angles, has confirmed News from the Pushkin State Museum decorated with sculptures and surrounded by that De Baen’s signature, which is located in of Art in Moscow elaborate draperies. the original paint layer, is genuine. Evidence A special exhibition The Muzeum Sztuki collection also for this is found in the way the letters are Marina Senenko includes a few still lifes, among which the painted, and the fact that they are bound in From 22 January to 20 February 2005 a some- most interesting are pictures by Nicolaes van with the main paint layer and in the micro- what unusual exhibition was held in the Veerendael, Simon Verelst and Frans Snijders. craquelure around them. Such a conclusion is Pushkin State Museum of Fine Arts. It Still life with a doe, painted around 1610-12 by not contradicted by stylistic analysis, the included only two paintings, both from the the latter, was a variation on his composition portrait having numerous analogies among Odessa State Museum of Western and Oriental now in the Koninklijk Museum voor Schone other signed works by Jan de Baen, in Art: a Saint Luke and a Saint Matthew belonging Kunsten in Brussels. particular the Portrait of Cornelis Solingen in to a series Four Evangelists created by Frans Hals In the Lódz´ collection, Dutch and Flemish Leiden (1681). The works in Moscow and Leiden in the early 1620s. The series is referred to in works are the best represented by painting, are also linked by typological similarities: the 18th-century auction catalogues, and thus but there is also a very interesting group of identical treatment of facial modeling using became known to historians of art. In 1958, prints by such artists as Laurens Barata, Jacob blended strokes, the shiny eyes, the uneven Irina Linnik recognized two paintings in a Matham, Adriaen van Ostade, Rembrandt, outlines of the wigs and faces, as well as the storeroom of the Odessa museum as the lost Cornelis van der Vermeulen and Anthonie brocade on the table and the engraving in the Luke and Matthew, and traced their history Waterloo. sitter’s hand. back to the 17th century. Her brilliant find,

russia News from the Pushkin State Museum of Art in Moscow A recent acquisition Vadim Sadkov Russia is currently witnessing a gradual but irreversible drying up of resources on the internal art market. Russian museums do not as yet have real access to the international art market. As a result, we may describe the Russian art market as something of a vacuum, the majority of museums having almost no chance of making acquisitions abroad or taking part in international auctions. By necessity, all efforts to seek out and find works have to be concentrated on domestic resources, resources that were largely exhausted back in the late 1970s. Thus, the discovery in the last Jan de Baen,Portrait of Dionis de Toict, circa 1686-87, Frans Hals,Saint Matthew the Evangelist, Odessa State two years of a work by a Dutch master of the Pushkin State Museum of Fine Arts, Moscow Museum of Western and Oriental Art 9 codart Courant 11/January 2006 published in 1959, later aided in the discovery a total of 174), a ‘Flemish’ still life (by Jan de museum is nearly twice as old as the National of the other two paintings belonging to the Heem) has become Dutch, and vice versa Gallery of Art in Washington. That institution same group (now in a private collection in (Overschie); a Dutch portrait has become started out as a repository of two masterpiece Germany and in the J. Paul Getty Foundation ‘Flemish’ (to loosely describe Wallerant collections, those of Andrew Mellon and of in Malibu, respectively). The Luke and Matthew Vaillant); and eight paintings (and about Peter and Joseph Widener. Since the Second pictures were shown in the Dutch gallery at 35 Dutch drawings) have suddenly entered World War, both collections have been the Pushkin, among works by Rembrandt and the collection, with no more forewarning than rounded out by curators, and now give a more other contemporaries of Frans Hals. The that promised by the earliest known vanitas balanced view of Dutch art (as seen in Arthur masterful execution of the paintings, with still life, Jacques de Gheyn’s panel of 1603 Wheelock’s Washington catalogue of 1995). In their easy, fluid brushwork and vivid (purchased by one of my predecessors, John New York, this history will be reflected in a characters, resemble the best ‘genre portraits’ Walsh, in 1974). That is to say, a benefactor display of all The Metropolitan Museum’s created by Hals in 1620s, and the interesting died, and the works of art that were Dutch paintings, which will be installed from history of their discovery attracted many art- bequeathed some ten years ago, subject to 10 September 2007 to early January 2008. lovers to the exhibition. The installation of the “life interest,’ will now enrich the lives of Colleagues have already been warned, through Odessa paintings at the Pushkin may be everyone who visits our galleries. codart, that no Dutch pictures will be lent considered a good example of a temporary More about that in a moment. from our institution during that period. In exhibition being set into a permanent Concerning the collection in general, compensation, we will be able to see them all, museum display. about 100 of the Dutch paintings are usually without visiting the storerooms, conservation, on view, with a few of them to be seen in the or anyone’s office. usa Lehman Collection (which has one of our Since the publication of Katharine Baetjer’s Dutch paintings in The Metropolitan 20 , and two of our seven Ter 1995 ‘summary catalogue’ of all the European Museum of Art in New York Borchs) and five in the Linsky Collection paintings in The Metropolitan Museum, we Walter Liedtke (Bailly, Bisschop, Ter Borch, Metsu, and Steen). have acquired a beautiful church interior by The Metropolitan Museum of Art in New York The five main Dutch galleries display the Emanuel de Witte (see my Vermeer and the Delft has about 250 Dutch paintings of the 17th and Rembrandts (and a few of our 22 ex- School, 2001, nr. 91), a miniature Maes, and the 18th centuries, all but about 20 of them dating Rembrandts), five Vermeers, ten paintings by bequest of Dutch pictures mentioned above. from the period 1600-75. One would think that Hals, a fine roomful of landscapes and The latter come from Frits and Rita Markus, after 25 years as the curator of European marines, a cabinet of diverse still lifes, and the who were Dutch but had long lived in New paintings responsible for Dutch and Flemish Altman Collection of mixed masterpieces – York. Their unpublished monochrome still life pictures, the present writer could state that is, the Dutch paintings a great collection by Willem Claesz Heda becomes the first precisely the number of works in this part of ought to have, according to the dealers who example of its kind in the museum’s the collection. But there are ripples at the edge supplied the American market a century ago collection, and our first winter scene is the of this pictorial sea, rather like those on the (such as Joseph Duveen). That means Markus ‘Avercamp” (see Welcker, p. 13), which shore of the marine painting by Willem van de Rembrandt, Hals, Vermeer, Ruisdael, is actually by Christoffel van den Berghe. A Velde the Younger that hangs over my desk. In Hobbema and Cuyp, with masters such as beautiful pair of portraits by Thomas de the course of research on what will be, in 2007, Maes, Dou and Ter Borch for a little depth. But Keyser, a Rembrandtesque tronie (close to The Metropolitan’s first catalogue of Dutch Benjamin Altman had his own inclinations: Maes), two Van Goyens (we now have seven), paintings since the founding ‘1871 Purchase’ shelves of superb Chinese porcelain, great and an idyllic marine by Salomon van (which included dozens of Dutch pictures in Early Netherlandish and Italian Renaissance Ruysdael are also part of the Markus bequest. A pictures, Van Dyck, Velázquez, and so on. Two review of the Markus drawings will be offered of his pictures by Hals, the early Merry company in the next issue of the Courant by curator of and the so-called Jonker Ramp and his sweetheart drawings Michiel Plomp. of 1623, could be said to belong in the Rijksmuseum, which would ideally be able to display something like The Met’s remarkable codartactivities range of single-figure portraits by Rembrandt. Of the 42 Rembrandts and paintings in 2005 formerly attributed to him in The Metropolitan Museum (see our exhibition Report on the study trip to Sweden, catalogue of 1995, Rembrandt/ Not Rembrandt), 21-26 September 2006 only one was purchased (in 1961), Aristotle with a bust of Homer. The rest came singly or in 21-22 September In brilliant late-September groups from benefactors, and therefore are sunshine, 30 codartmembers landed in part of the long story of collecting Dutch art Stockholm to take part in the codart acht in America (see the author’s essay in Great study trip. This tour group was most diverse Dutch paintings from America of 1990). The in its composition: curators of well-known Johannes Vermeer,Young woman with a water pitcher, Metropolitan’s Dutch collection is the and lesser-known collections in Argentina, circa 1662, The Metropolitan Museum of Art, broadest and deepest in America, thanks to Belgium, the Czech Republic, France, New York the wealth of New York and the fact that the Germany, the Netherlands, Poland, Spain, codart Courant 11/January 2006 10 the United Kingdom and the United States reason for this extensive overview of Dutch art curator on the Flemish masterscatalogue, to had made their way to Scandinavia in order to was the publication of Görel Cavalli- be published in 2008. become acquainted with the famous and, in Björkman’s catalogue, Dutch and Flemish The exhibition meant that relatively little particular, the less famous aspects of the art paintings, vol. 2: Dutch paintings c. 1600-c.1800 of the museum’s regular collection was on of the Low Countries in Swedish collections. (Stockholm 2005). Cavalli-Björkman (director view. Only the Flemish artists and the 18th The group consisted of a number of regular of research), Karin Sidén (curator of paintings century were well represented on the walls of codarttravelers and also some new and sculpture) and Mårten Snickare (curator of the gallery. On Monday morning, however, we members for whom this was their first prints and drawings) provided introductions were given the opportunity to see much of the codartstudy trip. to the various sections of the exhibition: a outstanding collection of 16th-century Dutch The impulse for this study trip was the thematic overview of 17th-century Dutch paintings in storage. exhibition The Dutch Golden Age, a show of painting; rooms focusing on Dutch-Swedish After visiting the exhibition, the group 17th-century Dutch painting at the National- cultural relations; and an overview of Dutch spent an hour with the Nationalmuseum museum in Stockholm. This meant the trip drawings. The majority of works on display curators, commenting on various aspects of got off to a festive start with the opening and came from the Nationalmuseum, the exhibition in a session moderated by Gary viewing of the exhibition. This opening was supplemented by a rather heterogeneous Schwartz. All those who spoke expressed their made even merrier by the 17th-century music group of loans from Swedish collections, appreciation and admiration for what had performed by Camerata Trajectina, a Dutch Copenhagen, the Rijksmuseum, and a number been achieved. The participating curators were early-music ensemble, which echoed through of other European collections. In contrast to very impressed by the way in which the the magnificent central upper hall of the the paintings, the drawings were mainly loans publication of a scholarly collection catalogue museum, decorated by Carl Larsson. In his from one sole source, the Ashmolean Museum, could serve as the springboard for an opening address, Ronald de Leeuw, director with some additions from Uppsala University exhibition aimed at the public at large. of the Rijksmuseum, emphasized the and the Rijksmuseum. The drawings from Suggestions were also put forward as to how importance of academic catalogues of museum Oxford were carefully chosen to complement the exhibition might have been improved. collections, quoting the words of John Pope- the drawings from Stockholm. For example, a In the afternoon, Mårten Snickare provided Hennessy: ‘There are curators who make great wonderful selection of landscapes by an introduction to the Dutch influence on the catalogues, but there are also catalogues that Rembrandt and Furnerius from Oxford was architecture of Stockholm and discussed the make curators.’ The highpoint of the evening added to Stockholm’s famous group of figure presence of Dutch architects in the Swedish was the spectacular return of a small drawings by Rembrandt. capital. He then took us on an architectural Rembrandt self-portrait (1630) that had been The impressively thick catalogue (almost walk that included the Church of St. James stolen from the museum during an armed 600 pages) contains good color reproductions (built in 1588-1643 to a design by Willem Boy), robbery in 2000 and suddenly turned up in of 31 paintings and black-and-white the House of the Nobility (with its façade by Copenhagen a few days before the opening. illustrations of the over 450 others. It was Justus Vingboons, ca. 1655), and the Palace of The evening was rounded off by a celebratory announced that a catalogue of the Thomas van der Noot, a high-ranking Dutch dinner at the Bolinderska Palace, courtesy Netherlandish drawings in the officer in the Swedish army, with a façade from of Solfrid Söderlind, the director of the Nationalmuseum would be published, but the 1670s. The walk ended at the House of Nationalmuseum. this is apparently unlikely in the near future, Louis de Geer, possibly designed by Jürgen Thursday, 22 September, began with a visit partly due to a reorganization of the museum. Gesewitz and built in 1646-50. At this house, to the exhibition at the Nationalmuseum. The Carina Fryklund is now working as a research which is also the Dutch embassy and the

Huigen Leeflang of the Rijksmuseum Printroom, with Skokloster Castle Hendrick Goltzius in the Nationalmuseum. 11 codart Courant 11/January 2006 ambassador’s residence, Ambassador Toine which is still on display. The interior of the splendid Pieter Bruegel the Elder made an van Dongen and his staff gave us a very warm house has a curious, hybrid look, partly excellent end to the day. Chancellor Kåre reception followed by dinner. The ambassador because the Hallwyls used to visit auctions and Bremer of Stockholm University (professor of also surprised us with a special introduction to art dealers to buy ceilings and panels to botany) and Vice-Chancellor Lena Gerholm his residence. decorate their house. As we had already been (professor of social anthropology) attended the informed before our visit, the paintings room dinner and reception. They engaged in lively 23 September On 23 September we visited the was under restoration, as were a number of discussions with the participants about the palace in Drottningholm, which still serves as good pieces from the collection. The best collection, which is unfortunately not open to the summer residence of the Swedish royal Dutch works were also on loan to the the public. Several visiting curators expressed family, where we were given a tour by Magnus exhibition at the Nationalmuseum. The surprise that this should be the case, especially Olausson, the director of the Royal Castle reason for our visit to the Hallwyl museum since Berg intended it to be used by students. Collections and National Portrait Gallery, and was thus a trip to the depots, where a number curator Eva-Lena Karlsson. The palace, built on of Dutch and Flemish pieces had been brought 24 September The visit to Skokloster Castle, the island of Lovön, was designed by out specially for the codartparty. The situated in open green countryside, was a Nicodemus Tessin the Elder and is surrounded museum presented us with the catalogue long-standing wish for a number of by a castle park designed by his son, Hallwylska målersammlingen. The Hallwyl participants. Like a real lord of the manor, Nicodemus Tessin the Younger. One surprise collection of paintings (Stockholm 1997). curator Bengt Kylsberg received the group on in the park was the Chinese pavilion, which The impressive finale to this day was our the sunny banks of the Skofjärden with coffee contains a wonderful collection of 18th- visit to the Spökslottet, which houses the and Swedish delicacies. Skokloster was built century Chinese art. Another special building University of Stockholm’s collection. We by Jean de la Vallée and Nicodemus Tessin the in the park is the unique court theater, built in studied the collection under the guidance of Elder, but the construction and furnishing 1776, which still has the original stage curator Nina Weibull. Sten Karling’s excellent of the castle came to a halt after the death in machinery and sets. Since the Adriaan de Vries painting catalogue (1978) was available from 1676 of Carl Gustaf Wrangel, who had exhibition in 2000, 31 of his statues have been the museum. The quality of the university’s commissioned the work. The castle has been exhibited in the dragoons’ stable, to the right small group of paintings was striking, with inhabited and renovated at various periods of the palace: this is a fine display with all the works such as The attack by Pieter Bruegel the since, but the rich interior and collections necessary educational information. In Elder, two oil-sketches by Giambattista mainly reflect the period of around 1650-70, addition to the bronze copies that make up the Tiepolo, some good Italian works and a and the matchless opulence of the gold leather majority of the collection, a number of number of fine 16th- and 17th-century Dutch that can be seen behind the paintings, the rich originals are also on view in the garden. paintings (Maerten van Cleve, Nicolaes Gillis, interior, the magnificent collections of Back in Stockholm, we paid a visit to the Thomas de Keyser, Palamedes Palamedesz.). weapons and tools, and impressive library all Hallwyl Museum. This museum’s collection Most of the works are from the 1884 bequest of reflect a 17th-century ambiance that is partly was assembled between 1883 and 1924 by Johan Adolf Berg (1827-1884), but insurance Dutch in origin. The well-known early Jan Wilhelmina and Walther von Hallwyl. In money was also used in the 1950s to buy a Steen was in Stockholm; from the chapel came addition to a collection of paintings, with an number of interesting paintings by artists the large Meeting of Joseph and his brothers (1657) important section of Dutch and Flemish including Jan de Beer, Pieter Lastman and by Gerbandt van den Eeckhout in its 19th- works, this couple left a rather peculiar Claes Moeyaert. century frame; and in the attic we saw a large accumulation of arts and crafts and trinkets, The reception and the dinner under the Holy family on the boat (1652) by Jordaens. In

Maciej Monkiewicz of the Nationamuseum Warsaw in In the Uppsala University Art Collections. the Uppsala University Art Collections. codart Courant 11/January 2006 12 spite of the later alterations, the castle made a workshop of Jan Borman, but the group been opened specially for the occasion of great impression on the group – perhaps believed it to be an earlier work (ca. 1510). The codart’s visit, this day was a highpoint of because spending a few hours in a real time painted panels from the workshop of Jan van the trip. The various Brussels and Antwerp capsule is such an unusual experience. Coninxlo were also dated to around 1520-25 retables are preserved in a unique way in Lunch took place on an idyllic boat trip to (Cecilia Engellau-Gullander, Jan II van Sweden. Uppsala, which afforded exceptionally Coninxloo: A Brussels master of the first half of the One important aspect of this day was the beautiful views over the Swedish countryside. 16th century, Stockholm 1992, pp. 155-58, figs. broadening of the historical and art-historical We were very warmly welcomed at the 102-13). framework of the study trip. The exhibition on Uppsala University Art Collections by curator Dutch painting at the Nationalmuseum and Johan Cederlund. This museum concentrates 25 September The visit to the Flemish retables the various other collections we visited placed mainly on modern art, but there are two large in the cathedrals of Västerås and Strängnäs was the emphasis primarily on the important and airy rooms devoted to Dutch and Flemish very special. Our guides for the day were Swedish-Dutch relations of the 17th century, a masters, where we saw one of Pieter Aertsen’s Carina Fryklund, research curator of Flemish heyday both in the fields of art and economics famous Meat stalls and other works. paintings at the Nationalmuseum, and John that left important traces on Sweden’s rich A highpoint was the visit to the Gustav- Rothlind, former chief curator of the cultural heritage. The retables bore witness to ianum. The visit to its splendid anatomical Nationalmuseum and currently curator of the fact that these relations came about within theater was enlivened by the entertaining ecclesiastical art collections for the Västerås the context of an already existing tradition. remarks of our guide, Mikael Norrby, the region. The codartparty also comprised a Regular trading relations with the Low university’s visitor coordinator. As well as the number of specialists: Hans Nieuwdorp Countries were already established in the 15th theater, based on the one in Leiden, the (Museum Mayer van den Bergh and Museum century, particularly in the iron and copper Gustavianum also houses the Augsburger Smidt van Gelder, Antwerp), Yao-Fen You mining regions, with works of art regularly Kunstschrank, compiled by Philipp Hainhofer. (Fogg Art Museum, Cambridge, ma) and Peter sent as return cargo. The large number of The Kunstschrank was presented to Gustav ii van den Brink (Suermondt-Ludwig Museum, retables that have been preserved in Sweden, Adolf in 1632 and donated to the university Aachen). On the bus, Hans Nieuwdorp 38 in all, is the most impressive document of in 1694. Comprising over 2,000 pieces, it is a provided brief introductions to the altarpieces. these trading ties. splendid and opulent example of the Wunder- Peter van den Brink is one of the initiators of These visits were also important because kammer genre. It is a pity that the more detailed the European retable project, in which there is no better place than Sweden for publications on it are only available in Germany, Belgium and Sweden all participate. becoming acquainted with the retable art of Swedish. An accurate description and analysis We were joined by Staffan Gullander, the this period. Not only did each of the churches of the whole collection is very much needed widower of Cecilia Engellau-Gullander, the we visited have no fewer than three retables, (see Patrick Mauries, Cabinet of curiosities, Swedish art historian who had originally but nowhere else have these been preserved in London 2002, pp. 55-65). planned the codartvisits to Västerås and such large numbers in their original locations, In the cathedral at Uppsala the group Strängnäs but who died last year. Professor and still in their original functional position received a taste of what was to be in store for us Gullandar presented each study-trip within the church. This unique situation during the retable trip planned for the participant with a reprint copy of her makes it possible to experience to the full the following day. The Brussels St. Anne altar from dissertation on Jan II van Coninxlo (see above). monumental effect these works of art were the church in Skanela has been in Sweden since As both of the monumental high altars in designed to have – the integration of this sort 1547. The sculpture is attributed to the the cathedrals of Västerås and Strängnäs had of artwork into the architectural space plays an essential role in the way it is perceived. As these are also unusual retables with double panels, both painted and sculpted, the eloquence and function of these works of art was fully expressed. The state of conservation of the sculptures and painted panels is particularly good in Sweden and the polychromy (including the ornamentation, incisions, etc.) is especially well preserved. This made comparative investigation with other examples from this school possible, and provided an instructive insight into the iconographic programs that were employed for these retables. In the cathedral of Västerås we first saw the high altar (Antwerp, 1516). This is a Passion altar with two layers of paintings (illustrated in Hans Nieuwdorp, Antwerpse retabels – 15de- 16de eeuw, vol. 2, Essays, Antwerp 1993) and a painted exterior (with depictions including In the anatomical theatre of the Gustavianum, Uppsala. the Eucharist, the gathering of manna, 13 codart Courant 11/January 2006

Abraham and Melchisedek). There are two Prague. Rickard Becklén, the head of the con- catalogue of the paintings. At the Academy of other Flemish altars in the church: a Mary servation department, took a small group to Art the visiting group was allowed to take a retable (Antwerp, ca. 1520) showing an the conservation studio. copy of the drawings catalogue, with an apocalyptic Virgin with the tree of Jesse (see The codartdrawing aficionados went to introduction on the history of the collection. exhib. cat. Antwerp 1993, nr. 8) and a Passion the print room, where a selection of materials With thanks to Jan Piet Filedt Kok, Huigen altar showing Christ and the 12 apostles was shown. Although time was limited, Leeflang, Hans Nieuwdorp and Gary Schwartz (Brussels, ca. 1500-10). The paintings for this Marten Snickåre and Ulf Cederlöf were able to for their contributions to this report. piece were done by the workshop of Jan van grant our requests and show us a variety of Coninxlo around 1515-20 (Engellau-Gullander treasures. Hendrick Goltzius’s marvelous self- 1992, pp. 169-71, figs. 165-69, 193-96). The portrait in colored chalk was on display in 2003 codartactivities sculptural work is attributed to Jan III at the Goltzius exhibition in New York, but Borman. was missing from the Amsterdam venue. Now in 2006 The monumental high altar in the we had the opportunity to examine this cathedral of Strängnäs (Brussels, ca. 1490) was masterpiece close up. All of us wanted to stay codart negencongress Dutch and made on the orders of Kort Rogge, bishop of and spend at least a week looking at this Flemish art in the land of Rembrandt Strängnäs from 1479 to 1501. Just like the high wonderful collection. 12-14 March 2006, Leiden altar in Västerås, this work also has two layers This group went on to the Academy of Art, of paintings from the workshop of Colijn de and was received by chief curator Eva-Lena In 2006 codartcelebrates the 400th birthday Coter (see Catheline Périer-D’Ieteren. Colyn de Bengtsson. She gave a presentation on the of Rembrandt with a congress in his birthplace Coter et la technique picturale des peintres flamands fascinating history of the collection, the Leiden and a study trip to the eastern and du XVe siècle, Brussels 1985, fig. 130-31, 155-59). nucleus of which was donated by an eccentric northern provinces of his own country, the When opened, the altarpiece shows sculpted Stockholm resident of the early 19th century. Netherlands. The plenary program on Monday representations of the Passion with a The visit to the library of the academy had a morning will be devoted to these aspects of Crucifixion scene in the center. In the festive start with the return of a drawing by codartnegen. The afternoon workshops cathedral there is also a Passion altar with a Leonard Bramer, which was discovered by the will be concerned with the work of the curator. Crucifixion and painted panels (Brussels, RKD and repatriated rather casually by Charles The members’ meeting, which will be held on ca.1490-1500) and the baptistery has a St. Anne Dumas in a cardboard folder – quite a contrast Tuesday afternoon, provides participants with altar showing Christ and the apostles to the spectacle surrounding the return of the opportunity to introduce future projects (Brussels, ca. 1500). Rembrandt’s self-portrait earlier in the week. for which they are seeking partners. A program Back in Stockholm, we were received at the The piece was mentioned in the inventory of of excursions in Leiden is on offer in the Historical Museum by Göran Tegnér, where, drawings presented to the academy in 1798 by morning. in addition to an impressive collection of Gustaf Ribbing. Eva-Lena Bengtsson showed medieval Swedish sculpture, we took a look at us some 30 of the 80 Netherlandish works in WorkshopsDuring the workshops, various two large early 16th-century carved altars from the collection, among them some nice aspects of the work of the curator will be Brussels, both of which are also well preserved. preparatory drawings by Johannes Stradanus examined. Inspired by the celebration of the Finally, there were two short visits to the Royal and a model for a sculptural group by Adriaen 400th anniversary of Rembrandt’s birth and Palace, where curator Ursula Sjöberg gave us a van Overbeke (1513), recently discovered and the exhibition Rembrandt’s mother, myth and guided tour, and the Royal Armory, where our published by Peter van den Brink (See exhib. reality at the Stedelijk Museum De Lakenhal, guide was senior curator Lena Rangström. cat. ExtravagAnt, Antwerp and Maastricht 2005, two workshops will focus on Rembrandt. The day ended with a dinner at the cat. nr. 52). In the conservation studio we saw impressive restaurant in the Royal Coin some of the academy’s Swedish highlights: the ExcursionsParticipants can choose between one Cabinet. autobiographical drawings by the sculptor of two excursions. The first will focus on and draftsman Johan Tobias Sergel (1740-1814), paintings in historical locations. We will visit 26 September On Monday, Görel Cavalli- featuring his equally eccentric colleagues and various hofjes and see their interiors, as well as Björkman, Karin Sidén, Mårten Snickare and friends Nicolai Abildgaard and Elias Martin. the Theatrum Anatomicum and the Carina Fryklund, who had by now become our The codartachtstudy trip ended with exhibition De vier gedaanten van de arts (The regular guides, were waiting for us at the a celebratory lunch at Dramatiska Teatern. four faces of the doctor) at the Museum Nationalmuseum. The painting enthusiasts Boerhaave, followed by a visit to the painting were taken on a tour of the depot. This was A word of thanks This trip was made a success depots of De Lakenhal. A second group will really a rather exciting visit. Despite the fact by the enormous efforts of the curators and visit the fine prints and drawings collection of that more Dutch paintings than ever were staff of the Nationalmuseum in Stockholm the University of Leiden and the Bibliotheca hanging in the galleries upstairs, the depot and all of the other hosts who welcomed us to Thysiana, followed by a visit to the Clusius was still full of outstanding, little-known their museums. They were all extremely Garden. Dutch paintings and nearly all the Flemish generous with research material. At the holdings of the museum. There were works on Nationalmuseum we were presented with the ProgramThis program is subject to change. If display by Pieter Aertsen, Joachim Beuckelaar, exhibition catalogue and given a discount on you are attending the congress, please keep an Frans Floris, Jan van Hemessen and other all catalogue purchases in the museum shop. eye on the codartwebsite. Mannerists, many of which had been The Hallwylska Museum gave all the plundered from the collection of Rudolf II in participants a copy of its lavish, complete codart Courant 11/January 2006 14 codart negen in Leiden: Register now! On 12, 13 and 14 March 2005, codartwill hold the codart negencongress in Leiden. The congress will be hosted by the Stedelijk Museum De Lakenhal. De Lakenhal celebrates the 400th anniversary of Rembrandt’s birth with the exhibition Rembrandt’s mother, myth and reality.

Program The plenary program on Monday morning will be devoted to A complete and up-to-date program of the congress and more Rembrandt and to the museum collections of the eastern and information about Leiden, the workshops, and the members northern provinces of the Netherlands – the destination of the meeting can be found at: www.codart.nl codart negenstudy trip. The keynote lecture Flemings in the land of Rembrandt will be held by our special guest Axel Buyse, Registration and fees ambassador of the Flemish government in The Hague. The congress fee is 85 euros. This includes documentation, The workshops will concentrate on the work of the curator. excursions, lunches, the congress dinner and various receptions. Various aspects will be examined: 1. The roles of the curator, restorer and management: Information delegating responsibility or sharing it? For more information about codart negenplease visit 2. More or less? Mixed presentations in museums and their www.codart.nl or contact us at: impact on curatorship codart 3. Rembrandt content: what makes a good Rembrandt c/o Navany Almazan exhibition? t +31 20 305 45 21 4. Rembrandt overkill? e [email protected]

Participants can choose to join the excursions in Leiden, which The congress has been made possible by a grant from the will include a viewing of the best prints and drawings at Leiden Prince Bernhard Cultural Foundation University and the Biblioteca Thysiana. An alternative excursion program offers visits to the collection of the Museum Boerhave and its Theatrum Anatomicum, and to the painting storage of De Lakenhal. See also the preliminary program on p. 15 15 codart Courant 11/January 2006

Sunday, 12 March 1. The roles of curator, restorer and management: 16:00-16:30 Guided tours (in groups) of Kasteel delegating responsibility or sharing it? Duivenvoorde [12:00-14:00 Meeting of the website committee] Chaired by Sabine van Sprang 16:30-17:30 Closing reception in Kasteel 14:00-17:00 Pre-congress walking tour of 2.More or less? Mixed presentations in museums Duivenvoorde Leiden in three groups, guided by Christiaan and their impact on curatorship 17:00-17:30 Shuttle bus service to Leiden Vogelaar, Wietske Donkersloot and others Chaired by Charles Dumas Centraal Station [15:00-17:00 Joint meeting of codartboard 3. Rembrandt content: what makes a good and program committee] Rembrandt exhibition? codart negenstudy trip to the 17:00-20:00 Registration and reception offered Chaired by Edwin Buijsen eastern and northern provinces of the by the mayor of Leiden at the Gemeenlands- 4. Rembrandt overkill? Netherlands, 14-19 March 2006 huis of the Hoogheemraadschap van Rijnland Chaired by Gary Schwartz (The Rijnland District Water Control Board): 15:50-16:15 Tea break Empty landscapes, fields stretching out into Breestraat 59 16:15-16:45 Presentation of results of the the distance, and a gentle combination of 2311 cjLeiden workshops, moderated by the congress chair, nature and culture: Gelderland, Overijssel, t +31 71306 3063 Stephen Hartog Drenthe, Groningen and Friesland form the www.rijnland.net 19:00-22:00 Congress dinner at: eastern and northern provinces of the 18:00-18:30 Greeting by the director of Het Prentenkabinet Netherlands. Their quietness and space makes codart, Gerdien Verschoor, the director Kloksteeg 25 them seem a long way from the dynamic of the Stedelijk Museum De Lakenhal, 2311 skLeiden cultural centers of Amsterdam, The Hague Ms. Jetteke Bolten-Rempt, and the mayor t +31 71 512 6666 and Rotterdam. Castles and manor houses, of Leiden, drs. H.J.J. Lenferink states (country houses on estates) and borgen Monday, 13 March Tuesday, 14 March (fortified manor houses in the province of 08:30-09:00 Registration continues Groningen) – they all lie hidden and some- 09:00-11:30 Opening session: Dutch and Flemish 09:00-12:00 Excursions in two groups, one times even a little forgotten in the midst of art in the land of Rembrandt focused on paintings and the second on prints forests or on well-maintained rural properties. Stedelijk Museum De Lakenhal: and drawings. Visit to the University of Leiden There certainly are some unrevealed treasures Oude Singel 28-32 print room, Biblioteca Thysiana, the in store on the program for the codart 2312 raLeiden university botanical gardens (including the negenstudy trip, which will take us to the t +31 71 5165360 Clusius Garden), hofjes and their historical borders of the Netherlands from 14 to 19 f +31 71 5134489 interiors, Museum Boerhave and its March 2006. The states and borgen in Friesland e [email protected] anatomical theatre, the storage of the Stedelijk and Groningen are part of the less well-known www.lakenhal.nl Museum De Lakenhal and other locations and less accessible cultural heritage of the 09:15-09:20 Introduction by the congress chair, 12:15-13:15 Lunch at the Rijksmuseum voor Netherlands. Stephen Hartog Volkenkunde: Kasteel Twickel is not usually open to 09:20-09:45 Dutch art of the 18th century, Paul Steenstraat 1 visitors, but is opening the doors to its Knolle, curator of the Rijksmuseum Twenthe, 2312 bsLeiden collection, archives and library especially Enschede t +31 71 516 8800 for codart. The codartgroup will be 09:45-10:10 Houses of the House of Orange, Johan e [email protected] welcomed by Christian zu Castell Rüden- ter Molen, director of Paleis Het Loo Nationaal www.rmv.nl hausen, chatelain of the castle. Kasteel Het Museum 13:15-15:45 Members’ meeting at the Nijenhuis, near Heino, is often referred to as 10:10-10:30 Happy birthday, dear Rembrandt, Rijksmuseum voor Volkenkunde Overijssel’s best-kept secret. Following a Gary Schwartz, codart-webmaster 13:15-13:30 Review of the year by Gerdien comprehensive facelift, the castle, the home of 10:30-10:45 Discussion Verschoor Dirk Hannema’s collection, has been open to 10:45-11:05 Coffee break 13:30-14:30 Members’ presentations (Block 1) the public once again since September 2004. 11:05-11:30 Introduction to the exhibition 14:30-14:50 Coffee at the museum café As well as these hidden collections, the Rembrandt’s mother, myth and reality by 14:50-15:20 Members’ presentations (Block 2) program for this study trip also includes visits Christiaan Vogelaar 14:55-15:05 Program committee: plans for to museums in cities. The considerable density 11:30-13:30 Visit to the exhibition Rembrandt’s codarttienand beyond of fascinating museums spread throughout mother, myth and reality and to the museum; 15:20-15:30 Introduction of new members of these provinces testifies to the great sense of buffet lunch in the museum restaurant the program and website committees civic pride that flourished in the 19th century. available throughout 15:30-15:45 Discussion The Netherlands lacked the strong central 13:30-13:50 Keynote lecture Flemings in the land 15:45-16:00 Departure by bus to Kasteel authority and system of patronage of of Rembrandt, Axel Buyse, representative of the Duivenvoorde [see p. 16]: surrounding nations such as Belgium and Flemish government in the Netherlands Laan van Duivenvoorde 4 France. In every province and every town, 13:50-13:55 Introduction to workshop sessions 2252 akVoorschoten proud city fathers or well-to-do individuals set by the congress chair, Stephen Hartog t +31 71 561 3752 up their own museums. Works of art that had 14:10-15:50 Workshops (4) near the Stedelijk e [email protected] for centuries been in the possession of these Museum De Lakenhal www.kasteelduivenvoorde.nl towns or families were given a place in newly founded institutions. At the end of the 20th codart Courant 11/January 2006 16 century, many of these 19th-century buildings was thoroughly renovated. Ben van Berkel from the 17th century are also represented, underwent radical renovations. The new designed a new exhibition space and the such as Jan Brueghel, Jan van Goyen, Jacob van Groninger Museum (1994), a spectacular museum café. The garden was redesigned Ruisdael, Aelbert Cuyp, Pieter Saenredam and building by A. Mendini/Team 4, Coop by Lodewijk Baljon. Jan Steen. During our visit it will be possible to Himmelb(l)au, Phillipe Starck and Michele de The museum has its origins in the visit the exhibition Tibout Regters (Dordrecht Lucchi, attracted large numbers of visitors for collection of one of the largest textile families 1710-1768 Amsterdam) and the conversation piece. the first time. Increasingly, these visitors in Twente, the van Heek family, who also Literature Wiepke Loos, Guido Jansen and Wouter began to make a detour to the Drents Museum established and funded the museum. The Kloek, Het galante tijdperk: schilderijen uit de collectie van in Assen. Other museums, such as the Fries collection expanded considerably over the het Rijksmuseum 1700-1800, Amsterdam/Zwolle 1995, Museum and Rijksmuseum Twenthe, course of the last century, partly through the isbn9040097178; Wiepke Loos, Guido Jansen and followed the example of the Groninger collections of other textile manufacturers in Wouter Kloek,Voor en na Waterloo: schilderijen uit de Museum by commissioning contemporary Enschede. The museum offers a chronological collectie van het Rijksmuseum, 1800-1830, Amsterdam/ architects to make modern additions to their sequence of galleries from the 13th century to Zwolle 1997, isbn9040098182 buildings. the present day. Contact pknolle@ rijksmuseum-twenthe.nl; The 18th century is a particular focus of [email protected] Tuesday, 14 March the museum. Paul Knolle, chief curator and specialist in 18th-century art, will give an Kasteel Twickel, Ambt Delden Kasteel Duivenvoorde, Voorschoten introduction to this part of the collection, www.twickel.nl www.kasteelduivenvoorde.nl which includes work by well- and lesser- [email protected] [email protected] known artists including Cornelis Troost, Welcome at Kasteel Twickel by Christiaan zur Closing reception of codartnegen Nicolaas Verkolje, Willem van Mieris, Jacob Castell Rüdenhausen, chatelain, and Jet congress; opening reception for codart and Abraham van Strij, Charles Hodges and Schadd, curator; visit to the castle guided by Jet negenstudy trip. Cornelis Apostool. Schadd; visit to the library and the archives In 1226, Kasteel Duivenvoorde, situated in During the codartstudy trip, the guided by Aafke Brunt, archivist; individual an idyllic park between Voorschoten and museum will also have a sizeable collection visit. Leidschendam, was first referred to as of 18th-century art on loan from the Rijks- Kasteel Twickel, near the peaceful village of ‘Duvenvoirt.’ Until 1965, when the castle was museum in Amsterdam, including highlights Delden, is the largest private estate in the transferred to a foundation, it had never been by Adriaen van der Werff, Cornelis Troost, Netherlands. The estate comprises 4,000 sold, but always passed on within the same Pieter Gerardus van Os and Wouter Johannes hectares and has about 150 farmhouses with family. Its architectural history goes back to van Troostwijk. Direct comparisons of works characteristic black-and-white shutters. the middle of the 13th century. Various from the two museums, for example, an early Twickel’s history goes back to 1347, when alterations were made in the 17th and 18th and a late Sacrifice of Iphigeneia by Arnold Herman van Twickelo began the construction centuries, and the large hall in the north wing Houbraken, will be most instructive. In of the castle. Since then, various families have was redecorated. The designs were most addition to 18th-century masters, great names managed the estate. The art collection and the probably produced by Daniel Marot, the court architect of the House of Orange. Every room in the castle has a character of its own, for example, the Empire-style library and a room with gold leather walls. The castle’s paintings comprise an exceptional collection of family portraits by artists including Theodorus Netscher, Gerard van Honthorst and Paulus Moreelse. Curator Esther Galjaard-Daems will show groups around the collection during the reception. Contact [email protected]

Wednesday, 15 March

Rijksmuseum Twenthe, Enschede www.rijksmuseum-twenthe.nl [email protected] Welcome by Dorothée Cannegieter, director; introduction to the collection by Paul Knolle, chief curator; guided and individual visits to the museum and library. Rijksmuseum Twenthe was designed in 1930 by the architects Karel Muller and Nicolaas Verkolje, Mozes found by Pharao’s daughters, 1740, Rijksmuseum Twenthe, Enschede W.K. Beudt. In the mid-1990s the museum [photo R. Klein Goetink] 17 codart Courant 11/January 2006 extensive library were built up by the van Mechteld Dubois, curators and specialists in by Rubens and works by Jan Jansz. de Stomme, Wassenaer family. In 1975, Marie, countess of the period around 1900. Adam Camerarius and Hermannus Collenius, Heeckeren van Aldenburg, died childless, The Drents Museum is housed in a number who was the most popular painter in putting an end to the noble line of succession of buildings that date from different periods. Groningen from 1680 to 1723); a selection of after 628 years. She left the estate to Christian The oldest building is the former abbey of the drawings in the print room (particularly the zu Castell Rüdenhausen, who will receive us at Cistercian Mariënkamp monastery. The abbey Hofstede de Groot collection); and a short tour the castle. has ingeniously been linked with a number of of the museum building and the recently As part of the house is still occupied, the 18th-century houses and with the former opened hypermodern painting reserves. castle is not open to the public. An exception provincial government building, which was Literature Robert Schillemans and Egge Knol, Adam has been made for codart. The group will be designed in the 1880s by Jacobus van Lokhorst. Cameratius, een Groninger schilder uit de 17de eeuw, shown around by Jet Schadd, head curator of The Drents Museum was originally a Groningen 2004, isbn90 71961 60 8 (with a summary the estate and castle administrator. The cultural-historical museum that focused in English); Freerk J. Veldman, Hermannus Collenius castle’s collections include older pieces (among primarily on the surrounding area. As Drenthe 1650-1723, Zwolle 1997, isbn90 400 9961 8 (with a them a Philips Wouwerman), 19th-century is particularly rich in archaeological sites, summary in English) works (including Andreas Schelfhout and archaeology is well represented in the Contact [email protected]; Cornelis Springer), weapons, and 17th-century museum’s collections. Since the 1970s the [email protected] linen. The 18th-century library and archive museum has managed the collection of the may be visited with Aafke Brunt, archivist and Stichting Schone Kunsten rond 1900 Friday 17 March librarian. The library contains 5,000 works, (Foundation for the Fine Arts around 1900); the including travel books, encyclopaedias, atlases, holdings in art and applied arts from 1885 to Borgen and states in Groningen botanical texts and manuscripts by the 1935 have become an area of special focus. In and Friesland composer Count Unico Wilhelm van addition to Old Masters such as Egbert van The guide for this part of the excursion will Wassenaar, once attributed to Pergolesi. Drielst and Jacob de Wit, and topographical be Johan de Haan, whose doctorate at the Literature www.twickel.nl/Stichting Twickel/ artists such as Cornelis Pronk and Cornelis van University of Nijmegen in 2005 was entitled Het verleden van Twickel/Publicaties Noorde, we will also see work by artists from ‘Hier ziet men uit paleizen’: interieurs in Groningen Contact [email protected] the Hague School, such as Willem Roelofs and in the zeventiende en achttiende eeuw (Assen 2005). Hendrik Willem Mesdag, and the early 20th- He will be joined by Lyckle de Vries, who Thursday, 16 March century masters Marius Bauer, Hendrik Petrus taught art history at Groningen University Berlage, Theodoor Colenbrander, Piet from 1970 to 2000. He will fill us in on the Drents Museum, Assen Mondriaan, Chris Lebeau and Jan Toorop. The background of the art collections in the borgen www.drentsmuseum.nl museum displays an early drawing by Vincent and states. [email protected] van Gogh, from the years he lived in Drenthe. The theme for this day will be the Welcome by director Michel van Maarseveen Literature Jan Jaap Heij, Vernieuwing en bezinning. combination of nature and culture that is so and curator Jan Jaap Heij in the historical Nederlandse beeldende kunst en kunstnijverheid (1885- characteristic of this region. All of the estates Statenzaal; visit to the collections and storage 1935), Zwolle/Assen 2004, isbn90 400 8960 4 and countryhouses are situated in the peaceful in two groups, guided by Jan Jaap Heij and Contact [email protected]; [email protected] countryside of the most northerly provinces of the Netherlands: Groningen and Friesland. Groninger Museum, Groningen The word borg comes from the verb bergen, www.groningermuseum.nl which means ‘to shelter.’ The first of these info:groningermuseum.nl buildings were stone towers and had an Welcomed by the director, Kees van Twist; exclusively defensive character. Later they were our hosts will be Caspar Martens, head of extended and made fit for use as places of collections, and Egge Knol, curator. residence. Over the centuries they became real The collection of the Groninger Museum is little palaces, a reflection of the power of the housed in a most striking building from 1994, jonkers, the wealthy noblemen who inhabited designed by the Italian Alessandro Mendini them. Following the French Revolution, many and three guest architects: Philippe Starck, of these families lost their influence in the Michele de Lucchi and Coop Himmelb(l)au. village communities. This meant the decline The museum building is in itself a work of art, of some borgen. Of the 200 or so stone houses not just a shell for the display of the collection. and borgen that once existed, only 16 remain. The emphasis is on modern art, but the Some have been turned into museums. museum also has notable older works, Rich inhabitants of borgen had their homes including a huge collection of topographical furnished with costly decorations. In spite of illustrations and portraits of children. One the economic decline in the countryside that exceptional artist in the collection is Adam resulted from floods and the cattle plague, Camerarius, a Groningen boy who studied in some jonkers were able to maintain their large Amsterdam under Jacob Backer. incomes by continually expanding their Tibout Regters, Portrait of a lady, 1767, Rijksmuseum The visit will focus on three areas: 16th- to estates. Around 1700, this made it possible for Twenthe, Enschede [photo R. Klein Goetink] 18th-century masters (the Unico Allard Alberda to embellish his codart Courant 11/January 2006 18

Menkemaborg with mantelpieces designed by Veenwouden, Borg Nienoord in Leek, and L. Veldman-Planten, De Menkemaborg, Zutphen 1996 Allert Meijer, carving by Jan de Rijk, paintings Menkemaborg in Uithuizen: places of Contact [email protected] by Hermannus Collenius, stained-glass residence for the landed aristocracy of Fries- windows by Jacob Tewes, and a beautiful land. In Midwolde, there will be a visit to the Saturday, 18 March garden. The furnishings were sold in 1902, but funeral monument made by Rombout Ver- the building and some of the furnishings came hulst for Anna van Ewsum. This is the absolute Fries Museum and Museum into the possession of the Groninger Museum. highlight of northern Netherlandish sculp- Het Princessehof, Leeuwarden In 1927 the museum opened the borg to the ture outside the Royal Palace on Dam Square. www.friesmuseum.nl public. The castle gives visitors a good idea of After our return to Groningen, the mayor of [email protected] the artistic treasures and the way of life of the the city, Jacques Wallage, will receive us at a www.princessehof.nl Alberdas about 1700. reception at the Town Hall. [email protected] Today’s program features several similar Literature Johan de Haan, ‘Hier ziet men uit paleizen’: Welcome by the director of both institutions, buildings, which enrich our picture of the way interieurs in Groningen in de zeventiende en achttiende Cees van ’t Veen, and by curator Gert Elzinga. people lived in the 17th and 18th centuries: eeuw, Assen 2005; Egge Knol, Gouden eeuw in Groningen, The Fries Museum is housed in two Dekemastate in Stiens, Fogelsangh-State in Groningen 1997, isbn90 71691 34 9; F.J. Veldman en different historical buildings on either side of

Caesar van Everdingen en Pieter Post, Count Willem iiof Holland granting the Rijnland water board its charter, 1655, Rijnlandshuis Leiden 19 codart Courant 11/January 2006 the Turfmarkt, linked by a tunnel under the Howard Hodges, as well as by international Sunday, 19 March road. The museum also occupies several other artists such as Bernardo Strozzi. old buildings, such as the Eijsingahuis with its One of the reasons for Hannema’s notoriety Historisch Museum De Waag, , 18th-century style rooms, in combination was his insistence that many of the works in brief walking tour of the town center with modern extensions by Gunnar Daan. his collection were painted by Johannes www.deventer.nl The museum was founded in 1881 by the Vermeer. Particular attention will be paid www.collectiedeventermusea.nl Fries Genootschap (Frisian Society). The during the visit to the recently renovated Welcome by director, Charles Boissevain; collection was subsequently expanded with Vermeer Room, which brings together all of Boissevain and curator Petra van Bohemen large donations and bequests. The emphasis is Hannema’s so-called Vermeers. A number of will show us around the collection. not only on art produced in Friesland, but also drawings by artists including Abraham The Hanseatic town of Deventer is one of on collections put together by Frisian Bloemaert, Jan Both and Cornelis Troost will the oldest towns in the Netherlands. It was a collectors. These form the basis of the print be on display especially for codartvisitors. trade settlement as early as the eighth century room (Dutch drawings and prints from the Literature Favorieten van Museum de Fundatie, and it rapidly developed to become one of the 17th to the 19th century) and the collection of Heino/Zwolle 2005, isbn90 400 8990 6; Mireille few large towns of the early medieval period. older paintings, the predominant genre of Mosler, Dirk Hannema. De geboren verzamelaar, The old parts of Deventer can clearly be seen which is portraiture. This collection includes Heino/Rotterdam 1995, isbn90 6918 155 x; around the Bergkerk and Brink, where the work by Wybrand de Geest, Willem Bartel van D. Hannema, Flitsen uit mijn leven als verzamelaar en historical Waag, or weighing house (1528), is der Kooi and Wigerus Vitringa. The museum museumdirecteur, Rotterdam 1973, isbn90 6100 121 8; situated. This extraordinary building, with its was left a large number of works by Lourens D. Hannema, Beschrijvende catalogus van de schilderijen, variety of architectural styles, attracts Alma Tadema, a gift from his daughters. beeldhouwwerken, aquarellen en tekeningen, Rotterdam attention not only because of its prominent The Princessehof is the only museum in the 1967 location but mainly because it is extremely Netherlands that specializes in ceramics. The Contact [email protected]; crooked. The building houses the Historisch museum is housed in the 18th-century former [email protected] Museum Deventer. Important pieces in this town palace of Maria Louise van Hessen-Kassel collection include The four evangelists by (1688-1765), princess of Orange-Nassau and an Stedelijk Museum Zwolle Hendrick ter Brugghen. ancestor of the present Dutch queen. The www.museumzwolle.nl The short tour of the town includes a visit museum owns a large collection of pottery and [email protected] to the newly restored portrait of the Town porcelain from Asia. Other strong points are Welcome and reception offered by Herman government of Deventer by Gerard ter Borch in Frisian pottery and Dutch art-nouveau Aarts, director; our guide will be Lydie van the town hall of Deventer. ceramics. The sizeable collections of tiles in the Dijk, curator. Contact [email protected] Princessehof may be seen as unique. The Stedelijk Museum Zwolle is situated Contact [email protected] in the Drostenhuis, built about 1550 and Paleis Het Loo Nationaal Museum, completely renovated about 1750, with a new Apeldoorn Hannema-de Stuers Fundatie, wing added in 1997. The richly ornamented www.paleishetloo.nl Kasteel Het Nijenhuis, Heino façade with its figures of Poseidon and [email protected] www.museumdefundatie.nl Amphitrite dates from around 1750, as do a Welcome by director, Johan ter Molen; visit [email protected] number of period rooms and the kitchen. The to the print room with Old Master prints and Welcome by the director, Agnes Grondman; museum contains an arts and crafts collection drawings, guided by Renny van Heuven-van the museum’s head of collections, Hildelies and a regional collection of works by 17th- Nes; tour of the palace by curator Marieke Balk, will give us an introduction on Hannema century artists from Zwolle, such as Hendrick Spliethoff. and his collection (see also p. 6); she will show ten Oever and Pieter van Noort. The museum’s In the heart of the Netherlands, near us around and present a number of research collection also includes – and this is practically Apeldoorn, lies Paleis Het Loo, which is nearly issues regarding the attribution of paintings unique – a work by Gerard ter Borch the Elder, 300 years old. Since 1984 this former royal and drawings. The sacrifice of Abraham. The museum’s depot palace has been open to the public, following a Between the villages of Heino and Wijhe, will be opened up on the occasion of the thorough restoration. The 17th-century surrounded by forests, meadows and a codartvisit, and it will be possible to view apartments of its first residents, King- sculpture garden, lies Kasteel Het Nijenhuis. the drawings and prints. Stadholder William iiiand Queen Mary ii, This former noble residence dates from the Literature Lydie van Dijk and Jean Streng, Zwolle in were taken as the starting point for the Middle Ages and has been a museum of old de Gouden Eeuw, sculptuur en schilderkunst, Zwolle 1997, restoration work on the interiors of the palace. and modern art since 1958. The founder of isbn9040099782; B. Dubbe, Zwols zilver, Zwolle 1999, They are part of a chronological series of rooms the museum, Dirk Hannema (1895-1984), isbn9040093601; Glans langs de IJssel, Zwolle 1999, that are dedicated to various members of the one-time director of Museum Boijmans in isbn904093423 House of Orange who lived at Het Loo, the last Rotterdam, lived in the castle until his death. Contact [email protected] of whom was Queen Wilhelmina. The rooms The richly varied international collection contain the furnishings, objects and paintings includes paintings, sculptures, ceramics, with which various generations of Oranges furniture and applied art from many periods would have surrounded themselves. Special and cultures. There is work by Dutch masters features are the authentic curtains and wall such as Willem Kalf, Jacob Vrel, Jan Weenix, coverings. Paulus Moreelse, Cornelis Troost and Charles The reconstructed gardens with their water codart Courant 11/January 2006 20 features and elegant flowerbeds are suffused usa Egge Knol, curator,Groninger Museum, with the atmosphere of the 17th century. The Cambridge Ron Spronk, associate curator for Groningen palace museum consists of a main building research of the Straus Center for Conservation, Marten Loonstra, Keeper of the Royal (corps-de-logis) with a pavilion on either side, Harvard University Art Museums, has been Collection and the House of Orange- linked to service wings around the courtyard awarded a Ph.D. in Groningen on the basis of Nassau Historic Collections Trust, (basse-cour). Some of the museum collection ten previously published articles on Dutch Koninklijke Verzamelingen, The Hague is displayed in the east wing, the former painting, ranging from the 15th century to Judith W. Mann, curator of early European art, kitchens. The west wing, the former stables, Mondriaan. Spronk received his degree on 19 Saint Louis Art Museum, St. Louis is used for temporary exhibitions and other September 2005. Caspar Martens, chief curator,Groninger educational purposes. Museum, Groningen Literature J.R. ter Molen, Neerlands veldpracht. Jet Schadd, curator,Kasteel Twickel, Delden Een serie prenten en tekeningen met gezichten van Paleis codart Geert Souvereyns, coördinator, het Loo en zijn tuinen, Alphen aan den Rijn 2005; Vlaamsekunstcollectie, Ghent M.E. Spliethoff. E. van Heuven-van Nes, Koningin membership news Kurt J. Sundstrom, associate curator, Currier Wilhelmina. Schilderijen en tekeningen, Zwolle 2006 Museum of Art, Manchester (will appear in May). As of January 2006, codarthas 380 members Hubert Vreeken, curator of sculptures and Contact [email protected]; and 48 associate members from 248 applied arts, Amsterdams Historisch Museum, m. [email protected]; institutions in 37 countries. All contact Amsterdam [email protected] information is available on the codart Jørgen Wadum, head of collections, Statens website and is kept up to date there. Museum for Kunst, Copenhagen After the closing lunch at Paleis het Loo, the Nina Weibull, curator, Stockholm University participants will be dropped of at Apeldoorn New codartmembers since January 2005: Collection, Stockholm Station at 3 ‘o clock. Liesbeth van der Zeeuw, curator art and Lynne Ambrosini, chief curator, Taft Museum applied arts, Historisch Museum Rotterdam, For a detailed program, see www.codart.nl of Art, Cincinnati Rotterdam Hildelies Balk, chief curator, Museum de Fundatie, Zwolle Appointments Ulrich Becker, curator of the Alte Galerie, Landesmuseum Joanneum, Graz Please keep codartposted on appointments Marc de Beyer, deputy keeper of the Royal in your museum. E-mail us at [email protected] Collection and the House of Orange- Nassau Historic Collections Trust, the netherlands Koninklijke Verzamelingen, The Hague Amsterdam Jan Piet Filedt Kok, chief curator of Sylvia Böhmer, curator of paintings, early Netherlandish painting at the Suermondt-Ludwig Museum, Aachen Rijksmuseum, has been appointed Professor of Edwin Buijsen, curator research and technical Studio Practice and Technical Art-Historical documentation, Rijksbureau voor Research at the Universiteit van Amsterdam Kunsthistorische Documentatie, The Hague as of 6 December 2005. The appointment is for Kathrin Bürger, assistant to the department of three days a week. He will retain his present painting, Museum kunst palast, Düsseldorf position at the Rijksmuseum. Lydie van Dijk, curator,Stedelijk Museum AmsterdamAxel Rüger, curator of Dutch Zwolle, Zwolle paintings at the National Gallery in London, Blaise Ducos, curator of 17th-and 18th-century has been appointed director of the Van Gogh Dutch and Flemish paintings, Musée du Museum. The appointment is effective as of 1 Louvre, Paris April. The current director John Leighton will Gert Elzinga, curator of Old Masters,Fries take up the post of Director-General of the Museum en Princessehof, Leeuwarden National Galleries of Scotland in March 2006. Esther Galjaard-Daems, curator,Kasteel This issue of the Courant was made Haarlem Michiel Plomp, former associate Duivenvoorde, Voorschoten possible by the financial support of the curator of drawings and prints at The Dagmar Hirschfelder, project Dutch Ministry of Foreign Affairs. Metropolitan Museum of Art, has been researcher,Germanisches Nationalmuseum, appointed chief curator at Teylers Museum. Nuremberg The appointment is effective as of 1 February. Robert Hoozee, director, Museum voor Schone He succeeds Michael Kwakkelstein, who will Kunsten, Ghent return to Florence after the closing of the Dariusz Kacprzak, curator of Old Masters, Michelangelo exhibition at Teylers to become Muzeum Sztuki w Lodzi (Lódz´ Museum of Fine director of the Institute of Fine and Liberal Arts), Lódz´ Arts. Stephan Kemperdick, curator of 15th to 18th century painting, Kunstmuseum Basel, Basel 21 membership directory codart Courant 11/January 2006

Ab Al Ba Ba Be Be Mr. George S. Abrams Mr. Marvin Altner Dr. Reinier Baarsen Dr. Gerd Bartoschek Ms. Liesbeth De Belie Dr. Kornelia von (associate) Assistant curator Head of department of Curator Attaché of department of Berswordt-Wallrabe Winer and Abrams Hamburger Kunsthalle sculpture and decorative Stiftung Preussische Schlösser Old Masters Director counsellors at law Glockengiesserwall arts und Gärten Berlin- Koninklijke Musea voor Staatliches Museum Schwerin 60 State Street. Suite 2329 d-20095 Hamburg Rijksmuseum Brandenburg Schone Kunsten van België Alter Garten 3 Boston ma02109 Germany Postbus 74888 Allee nach Sanssouci 5 Museumstraat 9 d-19055 Schwerin usa t +49 40 4285 45765 nl-1070 dn Amsterdam d-14471 Potsdam b-1000 Brussels Germany t +1 617 526 6539 The Netherlands Germany Belgium t +49 385 595 8170 f +1 617 526 5000 Ms. Lynne Ambrosini t +31 20 674 7000 t +49 331 9694 145 t +32 3 508 3223 f +49 385 563 090 Chief curator f +31 20 674 7001 f +49 331 9694 104 f +32 2 508 3232 info@ Dr. Cliff Ackley Taft Museum of Art [email protected] [email protected] museum-schwerin.de Chair and curator of the 316 Pike Street Dr. Kristin Belkin department of prints, Cincinnati OH 45202 Dr. Natalia Babina Ms. Hela Baudis (associate) Dr. Holm Bevers drawings and photography usa Curator of Flemish Head of the printroom Officer Curator Museum of Fine Arts t +1 513 684 4513 painting of the 17th Staatliches Museum Schwerin Historians of Netherlandish Kupferstichkabinett 465 Huntington Avenue f +1 513 241 2266 century Alter Garten 3 Art Matthäikirchplatz 4 Boston ma02115 lambrosini@ The State Hermitage Museum d-19055 Schwerin 23 South Adelaide Avenue d-10785 Berlin usa taftmuseum.org Dvortsovaja nab. 34 Germany Highland Park NJ 08904 Germany t +1 617 267 9300 ru-191186 St. Petersburg t +49 385 595 8170 usa t +49 30 266 2025 Prof. Dr. Gert Ammann Russian Federation f +49 385 563 090 t +1 732 937 8394 f +49 30 266 2959 Mr. David Acton Director and chief curator t +7 812 110 9667 Baudis@ f +1 732 937 8394 h.bevers@ Curator of prints, drawings Tiroler Landesmuseum f +7 812 312 1994 museum-schwerin.de [email protected] smb.spk-berlin.de and photography Ferdinandeum Worcester Art Museum Museumstrasse 15 Dr. Ronni Baer Dr. Bettina Baumgärtel Ms. Hanna Benesz Mr. Marc de Beyer 55 Salisbury Street a-6020 Innsbruck Curator of European Head of the department of Keeper of early Deputy keeper of the Royal Worcester ma0169-3123 Austria painting painting Netherlandish paintings Collection and the House usa t +43 512 5948 972 Museum of Fine Arts museum kunst palast Muzeum Narodowe w of Orange-Nassau Historic t +1 508 799 4406 f +43 512 5948 988 465 Huntington Avenue Ehrenhof 5 Warszawie (National Museum Collections Trust f +1 508 7985646 sekretariat@tiroler- Boston ma02115 d-40479 Düsseldorf in Warsaw) Koninklijke Verzamelingen davidacton@ landesmuseum.at usa Germany Aleje Jerozolimskie 3 Postbus 30412 worcesterart.org t +1 404 257 3336 t +49 211 899 2472 pl-00-495 Warsaw nl-2500 gk The Hague Ms. Rocio Arnaez f +1 404 303 0599 f +49 211 892 9173 Poland The Netherlands Dr. Maryan W. Ainsworth (associate) [email protected] bettina.baumgaertel@ t +48 22 621 1031 t +31 70 362 4701 Curator of European Curator stadt.duesseldorf.de f +48 22 622 8559 f +31 70 365 9348 paintings Museo Nacional del Prado Mr. Diederik Bakhuÿs [email protected] [email protected] The Metropolitan Museum of Calle Ruiz de Alarcón 23 Head of the department of Dr. Katharina Bechler Art e-28014 Madrid drawings Director Ms. Dana Bercea Drs. Dirk Jan Biemond 1000 Fifth Avenue Spain Musée des Beaux-Arts Stiftung Schloss Friedenstein Curator of prints and Curator of gold and silver New York ny10028-0198 t +34 91 420 2836 1 place Restout Gotha drawings Rijksmuseum usa f +34 91 420 0794 f-76000 Rouen Schloss Friedenstein National Museum of Art of Postbus 74888 t +1 212 396 5172 museo.nacional@ France d-99867 Gotha Romania nl-1070 dn Amsterdam f +1 212 396 5052 prado.mcu.es t +33 2 3571 2840 Germany Calea Victoriei 49-53 The Netherlands maryan.ainsworth@ f +33 2 3515 4323 t +49 3621 82340 ro-70101 Bucharest t +31 20 6747 747 metmuseum.org Dr. Boris Asvariszh f +49 3621 823 461 Romania f +31 20 6747 001 Curator of 19th-century Dr. Arnout Balis vorstand@ t +40 21 315 5193 d.biemond@ Dott. Givigliamo Alloisi Northern school paintings Associate stiftungfriedenstein.de f +40 21 312 4327 rijksmuseum.nl Director The State Hermitage Museum Centrum voor de Vlaamse [email protected] Galleria Corsini Dvortsovaja nab. 34 Kunst van de 16de en de 17de Dr. Ulrich Becker Dr. Pieter Biesboer Via della Lungara 10 ru-191065 St. Petersburg Eeuw Curator of the Alte Galerie Drs. Mària van Berge- Curator Rome Russian Federation Kolveniersstraat 20 Landesmuseum Joanneum Gerbaud Frans Hals Museum Italy t +7 812 110 9682 b-2000 Antwerp Neutorgasse 45 Director Postbus 3365 t +39 06 6880 2323 f +7 812 312 1994 Belgium a-8010 Graz Fondation Custodia nl-2001 dj Haarlem f +39 06 6813 3192 t +32 3 201 1577 Austria 121 rue de Lille The Netherlands Prof. Dr. Joost Vander f +32 3 231 9387 t +43 316 8017 9770 f-75007 Paris t +31 23 511 5785 Mr. Stijn Alsteens Auwera [email protected] f +43 316 8017 9847 France f +31 23 511 5776 Assistant curator Attaché [email protected] t +33 1 4705 7519 [email protected] Fondation Custodia Koninklijke Musea voor Ms. Hildelies Balk f +33 1 4555 6535 121 rue de Lille Schone Kunsten van België Chief curator coll.lugt@ f-75007 Paris Museumstraat 9 Museum de Fundatie fondationcustodia.fr France b-1000 Brussels t Nijenhuis 10 t +33 1 4705 7519 Belgium nl-8131 rd Heino/Wijhe f +33 1 4555 6535 t +32 2 508 3227 The Netherlands alsteens@ f +32 2 508 3232 t +31 572 388 188 fondationcustodia.fr Vanderauwera@ f +31 572 388 177 fine-arts-museum.be h.balk@ museumdefundatie.nl codart Courant 11/January 2006 22

Bi Bo Bo Bu Ca Ca Dr. Marian Bisanz-Prakken Ms. Jetteke Bolten-Rempt Ms. Tatjana Bosnjak Mr. Edwin Buijsen Ms. Teresa Calero Dr. Görel Cavalli-Björkman Curator Director Curator Curator research and Curator Chief curator and director Albertina Stedelijk Museum National Museum technical documentation Museo Franz Mayer of research Augustinerstrasse 1 De Lakenhal Trg Republike 1a Rijksbureau voor Av. Hidalgo 45 Nationalmuseum a-1010 Postbus 2044 11000 Belgrade Kunsthistorische Plaza de la Santa Veracruz Box 161 76 Austria nl-2301 ca Leiden Serbia Documentatie Centro Historico MX-06300 s-103-24 Stockholm t +43 1 53483/0 The Netherlands t +381 63 86 84 622 Postbus 90418 Mexico D.F. Sweden f +43 1 533 7697 t +31 71 516 5360 [email protected] nl-2509 lk The Hague Mexico t +46 8 5195 4301 [email protected] f +31 71 513 4489 The Netherlands t +52 5518 2266 X71 f +46 8 5195 4456 [email protected] Drs. Peter van den Brink t +31 70 333 9719 f +52 53 212 888 [email protected] Mr. Peter Black Director f +31 70 333 9789 [email protected] Curator of Dutch and Dr. Bob van den Boogert Suermondt-Ludwig-Museum [email protected] Mr. Johan Cederlund Flemish paintings and Curator and other City Museums in Ms. Véronique van Caloen Curator prints Museum Het Rembrandthuis Aachen Ms. Alisa Bunbury Curator Uppsala University Art Hunterian Museum and Art Postbus 16944 Wilhelmstraße 18 Curator of prints and Kasteel van Loppem Collections (Gustavianum) Gallery - University of nl-1001 rk Amsterdam d-52070 Aachen drawings Square Larousse 29 Akademigatan 3 Glasgow The Netherlands Germany National Gallery of Victoria b-1190 Brussels s-753-10 Uppsala 82 Hillhead Street t +31 20 5200 400 t +49 241 479 8010 p.o. Box 7259 Belgium Sweden Glasgow G12 8QQ f +31 20 5200 401 f +49 241 37075 Melbourne 8004 t +32 2 345 2138 t +46 8 1871 1830 Scotland bcvandenboogert@ peter.vandenbrink@ Australia f +32 2 345 2138 f +46 8 1810 9891 t +44 141 330 5430 rembrandthuis.nl mail.aachen.de t +61 3 9208 0232 Johan.Cederlund@ f +44 141 330 3618 f +61 3 9208 0460 Dr. Lorne Campbell gustavianum.uu.se [email protected] Drs. Janrense Boonstra Dr. Christopher Brown alisa.bunbury@ (associate) Director Director ngv.vic.gov.au Research curator Dr. Marco Chiarini Dr. Albert Blankert Bijbels Museum Ashmolean Museum The National Gallery (associate) (associate) Postbus 3606 Beaumont Street Ms. Kathrin Bürger Trafalgar Square Former director of Galleria Independent curator nl-1001 ak Amsterdam Oxford OX1 2PH Assistant to the London WC2N 5DN Palatina Koningsplein 25 The Netherlands United Kingdom department of painting United Kingdom c/o Galleria Palatina nl-2518 je The Hague t +31 20 535 6221 t +44 1865 278 000 museum kunst palast t +44 20 7839 3321 Piazza Pitti The Netherlands f +31 20 624 8355 f +44 1865 278 018 Ehrenhof 4-5 f +44 20 7753 8179 i-50125 Firenze t +31 70 346 0824 jrboonstra@ christopher.brown@ d-40479 Düsseldorf lorne.campbell@ Italy f +31 70 346 4766 bijbelsmuseum.nl ashmus.ox.ac.uk Germany ng-london.org.uk Albert.Blankert@ t +49 211 899 2479 Ms. Blandine Chavanne inter.nl.net Mr. Till-Holger Borchert Mr. Julius Bryant f +49 211 892 9173 Dr. Thomas P. Campbell Curator Chief curator of Keeper of paintings, prints, kathrin.buerger@ Curator, European Musée des Beaux-Arts de Ms. Sylvia Böhmer Groeningemuseum and drawings, designs and the stadt.duesseldorf.de sculpture and decorative Nancy Curator of paintings Arentshuis National Art Library arts department 3 place Stanislas Suermondt-Ludwig Museum Stedelijke Musea Brugge Victoria and Albert Museum Mr. Willy Van den Bussche The Metropolitan Museum f-54000 Nancy Wilhelmstraße 18 Dijver 12 Cromwell Road Chief curator of Art France d-52070 Aachen b-8000 Bruges South Kensington PMMK - Museum voor 1000 Fifth Avenue t +33 3 8385 3072 Germany Belgium London SW7 2RL Moderne Kunst New York ny10028-0198 f +33 3 8385 3076 t +49 241 479 800 t +32 50 448 721 United Kingdom Romestraat 11 usa f +49 241 37075 f +32 50 448 778 t +44 20 7942 2550 b-8400 Oostende t +1 212 879 5500 Dr. Alan Chong info@suermondt- till-holger.borchert@ f +44 20 7942 2410 Belgium Tom.Campbell@ Curator ludwig-museum.de brugge.be [email protected] t +32 59 508 118 metmuseum.org Isabella Stewart Gardner f +32 59 805 625 Museum Dr. Marten Jan Bok Ms. Larisa Bordovskaya Drs. Hans Buijs Mr. Lothar Casteleyn 2 Palace Road (associate) Chief curator Curator Ms. Sophie Renouard de Adjunct curator of Boston ma02115 Member of Program The State Museum Tsarskoje Fondation Custodia Bussière Gruuthuse Museum usa Committee Selo 121 rue de Lille Chief curator Stedelijke Musea Brugge t +1 617 278 5113 Historians of Netherlandish Sadovaja St. 7 f-75007 Paris Musée du Petit Palais Dijver 12 f +1 617 278 5177 Art Tsarskoje Selo France 1 avenue Dutuit b-8000 Bruges [email protected] Mauritsstraat 17 (H) Russian Federation t +33 1 4705 7519 f-75008 Paris Belgium nl-3583 hg Utrecht t +7 812 465 2017 f +33 1 4555 6535 France t +32 50 44 8709 Dr. Ingrid Ciulisová The Netherlands f +7 812 465 2196 coll.lugt@ t +33 1 4265 1273 f +32 50 448 737 (associate) t +31 30 251 2157 fondationcustodia.fr f +33 1 4265 2460 lothar.casteleyn@ Slovak Academy of Sciences: f +31 30 254 2754 Dr. Stephen D. Borys brugge.be Institute of Art History [email protected] Curator of Western art Dr. Quentin Buvelot Dubravska cesta 9 Allen Memorial Art Museum - Curator SK-813 64 Bratislava Oberlin College Mauritshuis Slovak Republic 87 North Main Street Postbus 536 t +4217 5477 3428 Oberlin OH 44074 nl-2501 cm The Hague f +4217 5477 3428 usa The Netherlands [email protected] t +1 440 775 6145 t +31 70 302 3467 f +1 440 775 6841 f +31 70 365 3819 [email protected] [email protected] 23 codart Courant 11/January 2006

Cl Da De Do Du El Ms. Ruth Cloudman Dr. Susan Dackerman Dr. Marcus Dekiert Mr. Alexis Donetzkoff Drs. Frits J. Duparc Drs. Elco Elzenga Chief curator and Mary and Carl A. Weyerhaeuser Curator of Dutch painting Curator at the Service des Director Adjunct director and chief Barry Bingham senior curator of prints and German Baroque Bibliothèques, des Archives Mauritshuis curator curator of European and Fogg Art Museum paintings et de la Documentation Postbus 536 Paleis Het Loo Nationaal American art 32 Quincy Street Alte Pinakothek Générale nl-2501 cm The Hague Museum Speed Art Museum Cambridge ma02138 Barer Strasse 29 Direction des Musées de France The Netherlands Koninklijk Park 1 2035 South Third Street usa d-80799 München 6 rue des Pyramides t +31 70 302 3420 nl-7315 ja Apeldoorn Louisville ky-40208 t +1 617 384 8310 Germany f-75041 Paris cedex 01 f +31 70 365 3819 The Netherlands usa susan-dackerman@ t +49 89 23805 110 France communicatie@ t +31 55 577 2400 t +1 502 634 2717 harvard.edu f +49 89 23805 221 t +33 1 4020 5271 mauritshuis.nl f +31 55 521 9983 f +1 502 634 2978 [email protected] f +33 1 4020 5249 [email protected] rcloudman@ Drs. Jan Daan van Dam alexis.donetzkoff@ Ms. Linda Eischen speedmuseum.org Curator of applied arts Mr. Carl Depauw culture.gouv.fr (associate) Mr. Gert Elzinga Rijksmuseum Director Research curator Curator of Old Masters Dr. Peter van der Coelen Postbus 74888 Rubenshuis Dr. Thomas Döring Villa Vauban - Museé d’Art de Fries Museum en Princessehof Curator of prints and nl-1070 dn Amsterdam Wapper 9-11 Curator of prints and la Ville de Luxembourg Turfmarkt 11 drawings The Netherlands b-2000 Antwerp drawings 18 av. Emile Reuter nl-8911 ks Leeuwarden Museum Boijmans Van t +31 20 674 7223 Belgium Herzog Anton Ulrich-Museum l-2090 Luxembourg The Netherlands Beuningen f +31 20 674 7001 t +32 3 201 1555 Museumstrasse 1 Luxembourg +31 58 255 5508 Postbus 2277 [email protected] f +32 3 227 3692 d-38100 Braunschweig t +352 4796 4561 +31 58 213 2271 nl-3000 cg Rotterdam carl.depauw@ Germany f +352 47 17 07 G.Elzinga@ The Netherlands Mr. Osvaldas Daugelis stad.antwerpen.be t +49 531 1225 2409 [email protected] friesmuseum.nl t +31 10 4419 505 Director f +49 531 1225 2408 f +31 10 436 0500 Mikalojus Konstantinas Mr. Taco Dibbits tdoering@museum- Prof. Dr. Rudi Ekkart Dr. Ildikó Ember coelen@ Ciurlionis National Art Head of department of braunschweig.de Director Head of department of boijmans.rotterdam.nl Museum painting Rijksbureau voor painting Vlado Putvinskio 55 Rijksmuseum Ms. Mariana Dragu Kunsthistorische Szépmüvészeti Múzeum Dott.ssa Raffaella Colace lt-44 248 Kaunas Postbus 74888 Curator of foreign Documentatie (Museum of Fine Arts) (associate) Lithuania nl-1070 dn Amsterdam paintings Postbus 90418 Dózsa György út 41 Art historian t +370 37 229 4 00 The Netherlands National Museum of Art of nl-2509 lk The Hague h-1146 Budapest xiv Via Cadolini 15 f +370 37 222 606 t +31 20 674 7282 Romania The Netherlands Hungary i-26100 Cremona [email protected] f +31 20 674 7001 Calea Victoriei 49-53 t +31 70 333 9777 t +36 1 363 2675 Italy [email protected] ro-70101 Bucharest f +31 70 333 9789 f +36 1 343 8298 t +39 03 7242 0007 Ms. Dorota Dec Romania [email protected] [email protected] [email protected] Curator of foreign painting Ms. Lydie van Dijk t +40 21 313 3030 The Czartoryski Museum and Curator f +40 21 312 4327 Dr. Albert J. Elen Mr. Scott Erbes Ms. Ewa Czepielowa National Museum in Kraków Stedelijk Museum Zwolle [email protected] Senior curator of prints and Curator of decorative arts Head of the printroom ul. Sw. Jana 19 Postbus 1130 drawings Speed Art Museum Czartoryski Museum pl-31-017 Kraków nl-8001 bc Zwolle Mr. Blaise Ducos Museum Boijmans Van 2035 South Third Street ul. Sw. Jana 19 Poland The Netherlands Curator of 17th-and 18th- Beuningen Louisville ky-40208 pl-31-017 Kraków t +48 12 422 5566 t +31 38 421 4650 century Dutch and Flemish Postbus 2277 usa Poland f +48 12 422 6137 f +31 38 421 9248 paintings nl-3000 cg Rotterdam t +1 502 634 2740 t +48 12 422 5566 [email protected] [email protected] Musée du Louvre The Netherlands f +1 502 634 2978 f +48 12 422 6464 Porte des Lions t +31 10 4419 505 [email protected] Drs. Henri Defoer Dr. Eric Domela f-75058 Paris cedex 01 f +31 10 4360 500 Mr. Remmelt Daalder (associate) Nieuwenhuis France elen@ Dr. Mark Evans Curator Former director of Museum Curator t +33 1 4020 5085 boijmans.rotterdam.nl Curator of paintings Nederlands Catharijneconvent Instituut Collectie Nederland f +33 1 4020 5347 Victoria and Albert Museum Scheepvaartmuseum Rumkelaan 90 Postbus 1098 [email protected] Dr. Titus M. Eliëns Cromwell Road Kattenburgerplein 1 nl-3571 xz Utrecht nl-2280 cb Rijswijk Chief curator of applied arts South Kensington nl-1018 kk Amsterdam The Netherlands The Netherlands Drs. Charles Dumas Gemeentemuseum Den Haag London SW7 2RL The Netherlands t +31 30 271 4542 t +31 70 307 3839 Chief curator Postbus 72 United Kingdom t +31 20 523 2228 [email protected] f +31 70 3192 398 Rijksbureau voor nl-2501 cb The Hague t +44 20 7942 2553 f +31 20 523 2213 [email protected] Kunsthistorische The Netherlands f +44 20 7942 2561 rdaalder@ Mr. Ian Dejardin Documentatie t +31 70 338 1286 [email protected] scheepvaartmuseum.nl Director Postbus 90418 f +31 70 338 1112 Dulwich Picture Gallery nl-2509 lk The Hague [email protected] Mr. Clario Di Fabio Gallery Road The Netherlands Director Dulwich Village t +31 70 333 9705 Galeria di Palazzo Bianco London SE21 7AD f +31 70 333 9789 Via Garibaldi 11 United Kingdom [email protected] i-16124 Genova t +44 20 8299 8722 Italy f +44 20 8299 8700 t +39 010 5572 013 i.dejardin@dulwichpicture f +39 010 2475 357 gallery.org.uk museopalazzobianco@ comune.genova.it codart Courant 11/January 2006 24

Fe Fr Ga Ge Go Gr Drs. Emmy Ferbeek David Franklin Ms. Nicole Garnier Mr. Stephen Goddard Ms. Lia Gorter Dr. Natalia Grizay Chief curator Chief curator Chief curator Curator of prints and Director Head of department of Gemeentearchief Amsterdam National Gallery of Canada Musée Condé drawings Foundation for Cultural Old Master paintings Postbus 51140 380 Sussex Drive Château de Chantilly Spencer Museum of Art Inventory and curator of Flemish nl-1007 ec Amsterdam Box 427, Station a f-60631 Chantilly The University of Kansas Sarphatistraat 84hs paintings The Netherlands Ottawa, Ontario France 1301 Mississippi St. nl-1018 gs Amsterdam The State Hermitage Museum t +31 20 5720 243 Canada K1N 9N4 t +33 3 4462 6264 Lawrence KS 66045-7500 The Netherlands Dvortsovaja nab. 34 f +31 20 6750 596 t +1 613 990 0493 f +33 3 4462 6261 usa t +31 20 624 4710 ru-191065 St. Petersburg [email protected] f +1 613 993 4385 ngarnier@chateaude t +1 785 864 0128 f +31 20 624 4710 Russian Federation [email protected] chantilly.com f +1 785 864 3112 [email protected] t +7 812 110 9682 Ms. Maria Rosa Figueiredo [email protected] f +7 812 312 1994 Chief curator Dr. Carina Fryklund Dr. Ivan Gaskell Ms. Annamáriá Gosztola Museu Calouste Gulbenkian Curator Curator Ms. Sibylla Goegebuer Curator of Flemish Drs. Marjoleine Groen Av. de Berna 45-a Nationalmuseum Fogg Art Museum Assistant curator painting Curator of applied arts p-1067-001 Lisboa codex Box 161 76 32 Quincy Street Stedelijk Museum voor Szépmüvészeti Múzeum Stedelijk Museum Het Portugal s-103-24 Stockholm Cambridge ma02138 Volkskunde (Museum of Fine Arts) Prinsenhof - Gemeente Musea t +351 21 7935 131 Sweden usa Rolweg 40 Dózsa György út 41 Delft f +351 21 7955 249 t +46 8 5195 4300 t +1 617 496 4252 b-8000 Bruges h-1146 Budapest xiv St. Agathaplein 1 mfigueiredo@ f +46 8 5195 4456 f +1 617 496 2359 Belgium Hungary nl-2611 hr Delft gulbenkian.pt [email protected] [email protected] t +32 50 44 8764 t +36 1 343 9759 The Netherlands f +32 50 33 5489 f +36 1 343 8298 t +31 15 219 7189 Dr. Jan Piet Filedt Kok Dr. Eliska˘ Fuc˘ iková Drs. Ton Geerts sibylla.goegebuer@ gosztola@ f +31 15 213 8744 Chief curator of early (associate) Curator modern art brugge.be szepmuveszeti.hu [email protected] Netherlandish painting Senior advisor Rijksmuseum Twenthe Rijksmuseum The Office of Senate of the Lasondersingel 129-131 Dr. Hilliard T. Goldfarb Dr. Gerhard Graulich Drs. Jup M. de Groot Postbus 74888 Parliament of the Czech nl-7514 bp Enschede Associate chief curator Chief curator of painting (associate) nl-1070 dn Republic The Netherlands The Montreal Museum of Fine Staatliches Museum Schwerin Former director of The Netherlands Valdstejnske nám. 17 / 4 t +31 53 435 8675 Arts Alter Garten 3 Dordrechts Museum t +31 20 674 7205 cz-11801 Prague I - Mala f +31 53 435 9002 p.o. Box 3000 H d-19055 Schwerin Postbus 1170 f +31 20 674 7001 Strana tgeerts@rijksmuseum- Montreal Quebec Germany nl-3300 bd Dordrecht j.filedt-kok@ Czech Republic twenthe.nl Canada H3G 2T9 t +49 385 59 580 The Netherlands rijksmuseum.nl t +420 2 5707 2709 t +1 514 285 1600 X117 f +49 385 563 090 t +31 78 648 2148 f +420 2 5753 4496 Dr. Terèz Gerszi f +1 514 285 1980 graulich@ f +31 78 614 1766 Ms. Susan Foister [email protected] (associate) [email protected] museum-schwerin.de Head of curatorial Chief advisor Dr. Rainald Grosshans department and curator of Ms. Esther Galjaard-Daems Szépmüvészeti Múzeum Drs. Eymert-Jan Goossens Dr. Roman Grigoryev Curator early Netherlandish, Curator (Museum of Fine Arts) Curator Head of department of Gemäldegalerie German and British Kasteel Duivenvoorde Dózsa György út 41 Koninklijk Paleis prints Stauffenbergstrasse 40 painting Laan van Duivenvoorde 4 h-1146 Budapest xiv Postbus 3708 The State Hermitage Museum d-10785 Berlin The National Gallery nl-2252 ak Voorschoten Hungary nl-1001 am Amsterdam Dvortsovaja nab. 34 Germany Trafalgar Square The Netherlands t +36 1 4697 175 The Netherlands ru-191065 St. Petersburg t +49 30 266 2598 London WC2N 5DN +31 71 561 3815 f +36 1 4697 171 t +31 20 624 8698 Russian Federation f +49 30 266 2103 United Kingdom +31 71 561 7638 [email protected] f +31 20 623 3819 t +7 812 110 9682 (museum) [email protected] t +44 20 7747 2885 e.galjaard@ goossens@kon-paleis f +7 812 275 5139 f +44 20 7747 2423 kasteelduivenvoorde.nl Dr. Jeroen Giltay amsterdam.nl roman.grigoriev@ Dr. Gerlinde Gruber susan.foister@ Chief curator of Old Master hermitage.ru Curator of Dutch paintings ng-london.org.uk Dr. Jan Garff paintings Ms. Emilie Gordenker of the 17th and 18th Assistant keeper of prints Museum Boijmans Van Senior curator Dutch and Ms. Ruth Grim century Ms. Thera Folmer-von and drawings Beuningen Flemish Art Curator Kunsthistorisches Museum Oven Statens Museum for Kunst Postbus 2277 National Gallery of Scotland Bass Museum of Art Burgring 5 (associate) Sølvgade 48-50 nl-3000 cg Rotterdam The Mound 2121 Park Avenue a-1010 Wien Curator dk-1307 Copenhagen The Netherlands Edinburgh EH2 2EL Miami Beach fl-33139 Austria Private collection Denmark t +31 10 441 9400 Scotland usa t +43 1 5252 4355 Spiegelenburghlaan 17 t +45 33 748 512 f +31 10 436 0500 t +44 131 662 6510 t +1 305 673 7530 1006 f +43 1 5252 4309 nl-2111 bk Aerdenhout f +45 33 748 404 info@ f +44 131 623 7126 f +1 305 673 7062 [email protected] The Netherlands [email protected] boijmans.rotterdam.nl egordenker@ [email protected] t +31 35 621 9449 nationalgalleries.org [email protected] 25 codart Courant 11/January 2006

Gu Ha He He Ho Hu Ms. Krystyna Gutowska- Dr. Ursula Härting Dr. Jan Jaap Heij Mr. Daniel Hess Drs. Koert van der Horst Dr. Timothy Husband Dudek (associate) Curator Curator of paintings and Curator of manuscripts Curator of The Cloisters Curator of painting Exhibition curator Drents Museum glass before 1800 Universiteitsbibliotheek The Metropolitan Museum Wilanow Palace Museum (vereidigte Sachverständige Postbus 134 Germanisches Utrecht of Art ul. Stanislawa Kostki für Niederländische nl-9400 ac Assen Nationalmuseum Postbus 16007 Fort Tryon Park Potockiego 10/16 Malerei) The Netherlands Postfach 11 95 80 nl-3500 da Utrecht New York ny10040 pl-02-958 Warsaw Gustav-Lübcke-Museum t +31 592 377 773 d-90105 Nürnberg The Netherlands usa Poland Markgrafenufer 3a f +31 592 377 719 Germany t +31 30 253 6521 t +1 212 650 2284 t +48 22 8422 407 d-59071 Hamm [email protected] t +49 911 1331 0 f +31 30 253 9292 f +1 212 795 3640 f +48 22 8423 116 Germany f +49 911 1331 200 k.vanderhorst@ tim.husband@metmuseu dzialsztuki@ t +49 2381 175 701 Drs. Freek Heijbroek [email protected] library.uu.nl m.org wilanow-palac.art.pl f +49 2381 172 989 Curator [email protected] Rijksmuseum printroom Ms. Emerentia van Heuven Drs. Guus van den Hout Dr. Wim Hüsken Ms. Heli Haapasalo Postbus 74888 Curator Director Curator Curator Drs. Stephen Hartog nl-1070 dn Amsterdam Paleis Het Loo Nationaal Museum Catharijneconvent Stedelijke Musea Mechelen Hallwylska Museet (Hallwyl Senior curator The Netherlands Museum Postbus 8518 Van Beethovenstraat 8-10 Museum) Instituut Collectie Nederland t +31 20 674 7000 Koninklijk Park 1 nl-3503 rm Utrecht b-2800 Mechelen Hamngatan 4 Postbus 1098 f +31 20 674 7001 nl-7315 ja Apeldoorn The Netherlands Belgium s-111-47 Stockholm nl-2280 cb Rijswijk The Netherlands t +31 30 231 3835 t +32 15 294 035 Sweden The Netherlands Drs. Liesbeth Helmus t +31 55 577 2462 f +31 30 231 7896 f +32 15 294 031 t +46 8 5195 5594 t +31 70 307 3841 Curator of Old Master f +31 55 521 9983 ahpj.vandenhout@ [email protected] f +46 8 5195 5585 f +31 70 319 2398 paintings and drawings e.vanheuven@ catharijneconvent.nl [email protected] [email protected] Centraal Museum paleishetloo.nl Dr. Paul Huvenne Postbus 2106 Mr. Nico Van Hout Director Drs. Saskia van Haaren Prof. Egbert Haverkamp- nl-3500 gc Utrecht Ms. Dagmar Hirschfelder Curator Koninklijk Museum voor Chief curator Begemann The Netherlands Project researcher Koninklijk Museum voor Schone Kunsten Museum Catharijneconvent Institute of Fine Arts t +31 30 236 2362 Germanisches Schone Kunsten Plaatsnijdersstraat 2 Postbus 8518 1 East 78th Street f +31 30 233 2006 Nationalmuseum Plaatsnijdersstraat 2 b-2000 Antwerp nl-3503 rm Utrecht New York ny10021-01778 l.helmus@ Postfach 11 95 80 b-2000 Antwerp Belgium The Netherlands usa centraalmuseum.nl d-90105 Nürnberg Belgium t +32 3 242 0421 t +31 30 231 3835 t +1 212 772 5800 Germany t +32 3 242 0424 f +32 3 248 0810 f +31 30 231 7896 f +1 212 772 5807 Dr. Lee Hendrix t +49 911 133 1321 f +32 3 248 0810 [email protected] se.vanhaaren@ Curator of drawings f +49 911 1331 200 nico.van.hout@ catharijneconvent.nl Ms. Karen Hearn The J. Paul Getty Museum [email protected] kmska.be Dr. Paul Huys Janssen Curator of 16th-and 17th- 1200 Getty Center Drive Curator of Old Masters Mr. John Oliver Hand century arts Suite 1000 Dr. Robert Hoozee Mr. Wouter Hugenholtz Noordbrabants Museum Curator Tate Britain Los Angeles ca 90049-1687 Director (associate) Postbus 1004 National Gallery of Art Millbank usa Museum voor Schone Kunsten Executive director nl-5200 ba Den Bosch 2000B South Club Drive London SW1P 4RG t +1 310 440 7062 Citadelpark 1 Netherlands Institute for The Netherlands Landover md 20785 United Kingdom f +1 310 440 7744 b-9000 Gent Advanced Study t +31 73 687 7811 usa t +44 20 7887 8038 [email protected] Belgium Meijboomlaan 1 f +31 73 687 7899 t +1 202 842 6145 f +44 20 7887 8047 t +32 9 240 0700 nl-2242 pr Wassenaar PHuysJanssen@noord f +1 202 842 6387 [email protected] Dr. Concha Herrero f +32 9 240 0790 The Netherlands brabantsmuseum.nl [email protected] Curator of tapestries of the [email protected] t +31 70 512 2700 Ms. Jo Hedley Patrimonio Nacional f +31 70 511 7162 Dr. Chiyo Ishikawa Ms. Sophie Harent Curator of pictures Palacio Real - Patrimonio Drs. Anita Hopmans Hugenholtz@ Chief curator of collections Assistant curator pre-1800 Nacional Chief curator of modern art NIAS.KNAW.nl and curator of European Musée des Beaux-Arts de The Wallace Collection Bailén s/n Rijksbureau voor painting and collections Nancy Hertford House e-28071 Madrid Kunsthistorische Ms. Roselyne Huret Seattle Art Museum 3 place Stanislas Manchester Square Spain Documentatie Curator p.o. Box 22000 f-54000 Nancy London W1M 3BN t +34 91 547 5350 Postbus 90418 Musée Carnavalet - Museé Seattle wa 98122-9700 France United Kingdom +34 91 454 8700 nl-2509 lk The Hague de l’Histoire de Paris usa t +33 3 8385 3072 t +44 20 7563 9547 f +34 91 454 8721 The Netherlands 29 rue de Sévigné t +1 206 654 3179 f +33 3 8385 3076 f +44 20 7224 2155 concha.herrero@ t +31 70 333 9741 f-75003 Paris f +1 206 654 3135 jo.hedley@ patrimonionacional.es f +31 70 333 9789 France chiyoi@seattleartmuseum. Dr. Jaap Harskamp wallacecollection.org [email protected] t +33 1 4272 2113 org British Library f +33 1 4027 8559 96 Easton Road Drs. Ed de Heer webmaster@ London NW1 2DB Director mairie-paris.fr United Kingdom Museum Het Rembrandthuis t +44 207 412 7000 Postbus 16944 f +44 207 413 7578 nl-1001 rk Amsterdam [email protected] The Netherlands t +31 20 520 0400 f +31 20 520 0401 codart Courant 11/January 2006 26

Ja Jo Ka Ke Kl Kn Mr. Dominique Jacquot Dr. Catherine Johnston PD. Dr. Hans-Martin Ms. Laurence van Ms. Maris Klaas Drs. Paul Knolle Curator Curator of European art Kaulbach Kerkhoven Curator Curator of Old Master Musée des Beaux-Arts National Gallery of Canada Curator of German and Curator of The Art Museum of Estonia paintings 2 place du château 380 Sussex Drive Netherlandish prints and Groeningemuseum and Weitzenbergi 22 Rijksmuseum Twenthe f-67000 Strasbourg Box 427, Station A drawings Arentshuis ee-0001 Lasondersingel 129-131 France Ottawa, Ontario Staatsgalerie Stuttgart Stedelijke Musea Brugge Estonia nl-7514 bp Enschede t +33 3 8852 5008 Canada K1N 9N4 Postfach 10 43 42 Dijver 12 t +37 22 601 3183 The Netherlands f +33 3 8852 5046 t +1 613 990 0599 d-70038 Stuttgart b-8000 Bruges t +31 53 435 8675 Dominique.JACQUOT@ f +1 613 990 8689 Germany Belgium Dr. Christian Klemm f +31 53 435 9002 cus-strasbourg.net [email protected] t +49 711 4704 0301 t +32 50 44 8711 Deputy director and pknolle@rijksmuseum- f +49 711 4704 0333 f +32 50 448 778 curator twenthe.nl Mr. David Jaffe Ms. Dorota Juszczak m.kaulbach@ laurence.van.kerkhoven@ Kunsthaus Zürich Curator of Flemish Curator staatsgalerie.de brugge.be Postfach Ms. Yoriko Kobayashi-Sato paintings Zamek Królewski w Warszawie ch-8024 Zürich (associate) The National Gallery (Royal Castle in Warsaw) Dr. Jan Kelch Drs. Michiel Kersten Switzerland Mejiro University Trafalgar Square ul. Pl. Zamkowy 4 (associate) Head of collection t +41 44 253 8484 1-1, F312 Ogura London wc2n 5dn pl-00-277 Warsaw Former director management and f +41 44 253 8433 Saiwai, Kawasaki, United Kingdom Poland Gemäldegalerie communication [email protected] Kanagawa t +44 20 7747 2885 t +48 22 657 2363 Stauffenbergstrasse 40 Frans Hals Museum Japan 212-0054 f +44 20 7747 2423 f +48 22 657 2309 d-10785 Berlin Postbus 3365 Dr. Rüdiger Klessmann t +81 44 544 1915 information@ [email protected] Germany nl-2001 dj Haarlem (associate) f +81 44 544 1925 ng-london.org.uk t +49 30 266 2598 The Netherlands Former director of Herzog [email protected] Mr. Dariusz Kacprzak f +49 30 266 2103 t +31 23 511 5790 Anton Ulrich-Museum Drs. Guido Jansen Curator of Old Masters [email protected] f +31 23 511 5776 Völkstrasse 25 Dr. Olaf Koester Head of collections Muzeum Sztuki w Lódz´ (Lódz´ [email protected] d-86150 Augsburg (associate) Museum Boijmans Van Museum of Fine Arts) Ms. Minerva Keltanen Germany Former senior curator of Beuningen Wieckowskiego 36 Chief curator Dr. Thomas Ketelsen t +49 821 158 966 Statens Museum for Kunst Postbus 2277 pl-90-743 Lódz´ Sinebrychoffin Taide Museo Curator Mosebakken 3 nl-3000 cg Rotterdam Poland (Sinebrychoff Art Museum) Staatliche Kunstsammlungen Drs. Wouter Kloek dk-2830 Virum The Netherlands t +48 42 632 9922 Bulevardi 40 Dresden Curator of special projects Denmark t +31 10 441 9601 f +48 42 632 9941 FIN-00120 Helsinki Güntzstrasse 34 Rijksmuseum +31 10 441 9400 [email protected] Finland d-01307 Dresden Postbus 74888 Mr. Akira Kofuku f +31 10 436 0500 t +358 9 1733 361 Germany nl-1070 dn Amsterdam Chief curator jansen@ Ms. Ronda Kasl f +358 9 1733 6463 t +49 351 491 4212 The Netherlands The National Museum of boijmans.rotterdam.nl Associate curator of [email protected] f +49 351 491 4222 t +31 20 674 7000 Western Art painting and sculpture Thomas.Ketelsen@ f +31 20 674 7001 7-7 Ueno-koen Ms. Sandra Janssens before 1800 Dr. Stephan Kemperdick skd.smwk.sachsen.de [email protected] Taito-ku, Tokyo Research curator Indianapolis Museum of Art Curator of 15th to 18th Japan 110-0007 Koninklijk Museum voor 1200 West 38th Street century painting Dr. George S. Keyes Drs. Maria Kluk t +81 3 3828 5185 Schone Kunsten Indianapolis in46208-4196 Kunstmuseum Basel Elizabeth & Allan Shelden Curator of Dutch paintings f +81 3 3828 5797 Plaatsnijdersstraat 2 usa St. Alban-Graben 8 curator of European Muzeum Narodowe w [email protected] b-2000 Antwerp t +1 317 923 1331 ch-4010 Basel paintings Warszawie (National Belgium f +1 317 926 8931 Switzerland The Detroit Institute of Arts Museum in Warsaw) Dr. Ype Koopmans t +32 3 242 0414 [email protected] t +41 61 206 6239 5200 Woodward Avenue Aleje Jerozolimskie 3 Curator f +32 3 248 0810 f +41 61 206 6252 Detroit MI 48202 pl-00-495 Warsaw Museum voor Moderne Kunst [email protected] Prof. Thomas DaCosta [email protected] usa Poland Arnhem Kaufmann t +1 313 833 1736 t +48 22 621 1031 (X 312) Postbus 60189 Ms. Ingalill Jansson (associate) Ms. Véronique Van de f +1 313 833 7881 f +48 22 622 8559 nl-6800 jd Arnhem Head curator Professor Kerckhof [email protected] [email protected] The Netherlands Hallwylska Museet (Hallwyl Department of Art and Research assistent t +31 26 3512 431 Museum) Archaeology Princeton Museum Plantin-Moretus Drs. Renée Kistemaker Dr. Egge Knol f +31 26 4435 148 Hamngatan 4 University Vrijdagmarkt 22 (associate) Curator [email protected] s-111-47 Stockholm McCormick Hall b-2000 Antwerp Advisor Groninger Museum Sweden Princeton NJ 08544-1018 Belgium Amsterdams Historisch Postbus 90 Mr. Adam Koperkiewicz t +46 8 5195 5592 usa t +32 3 221 1458 Museum nl-9700 me Groningen Director f +46 8 5195 5585 t +1 609 258 3781 f +32 3 221 1460 Postbus 3302 The Netherlands Gdan´ sk Historical Museum [email protected] f +1 609 258 0103 veronique.vandekerckhof@ nl-1001 ac Amsterdam t +31 50 366 6555 ul. Dluga 47 [email protected] stad.antwerpen.be The Netherlands f +31 50 312 0815 pl-80-831 Gdan´ sk t +31 20 523 1822 EKnol@ Poland f +31 20 620 7789 Groningermuseum.nl t +48 58 767 9128 [email protected] f +48 58 767 9102 [email protected] 27 codart Courant 11/January 2006

Ko Ko Kr Le Ll Lo Ms. Greta Koppel Dr. Zoltán Kovács Dr. Friso Lammertse Dr. Mary L. Levkoff Mr. Christopher Lloyd Dr. Angelika Lorenz Curator Deputy head of department Curator Curator of European Surveyor of the Queen’s Attaché for 16th- and 17th- The Art Museum of Estonia - for registration Museum Boijmans Van painting and sculpture pictures century art Niguliste Museum Szépmüvészeti Múzeum Beuningen Los Angeles County Museum Royal Collection Westfälisches Landesmuseum Niguliste 3 (Museum of Fine Arts) Postbus 2277 of Art Stable Yard House für Kunst und ee-10146 Tallinn Dózsa György út 41 nl-3000 cg Rotterdam 5905 Wilshire Boulevard St. James’s Palace Kulturgeschichte Estonia h-1146 Budapest xiv The Netherlands Los Angeles ca 90036 London SW1A 1JR Domplatz 10 t +372 6 449 903 Hungary t +31 10 441 9400 usa United Kingdom d-48143 Münster f +372 6 314 327 t +36 1 302 1785 f +31 10 436 0500 t +1 323 857 6003 t +44 20 7930 4832 Germany [email protected] f +36 1 302 1785 lammerts@ f +1 323 857 6216 f +44 20 7839 8165 t +49 251 5907 240 zkovacs@ boijmans.rotterdam.nl [email protected] f +49 251 5907 210 Dr. Fritz Koreny szepmuveszeti.hu Ms. Julia Lloyd Williams [email protected] (associate) Dr. Alexei Larionov Dr. Walter A. Liedtke (associate) Senior researcher Ms. Rebeca Kraselsky Curator of Dutch and Curator of European Former curator of the Drs. Jan Rudolph de Lorm Institut für Kunstgeschichte Curator of paintings Flemish drawings paintings National Gallery of Head of exhibitions der Universität Wien Museo Franz Mayer The State Hermitage Museum The Metropolitan Museum Scotland Rijksmuseum Spitalgasse 2 Hof 9 Av. Hidalgo 45 Dvortsovaja nab. 34 of Art Flat 1, 9 Lindfield Gardens Postbus 74888 a-1090 Wien Plaza de la Santa Veracruz ru-191065 St. Petersburg 1000 Fifth Avenue London NW3 6PX nl-1070 dn Amsterdam Austria Centro Historico MX-06300 Russian Federation New York ny10028-0198 United Kingdom The Netherlands t +43 1 4277 414 44 Mexico D.F. t +7 812 110 9682 usa julialloydwilliams@ t +31 20 674 7160 f +43 1 4277 9414 Mexico f +7 812 312 1994 t +1 212 570 3762 hotmail.com f +31 20 674 7001 [email protected] t +52 5518 2265 X255 f +1 212 396 5052 [email protected] rkraselsky@ Ms. Cathy Leahy walter.liedtke@ Dr. Anne-Marie Logan Dr. Anne S. Korteweg franzmayer.org.mx Senior curator of prints and metmuseum.org (associate) Mr. Willy Le Loup Curator of manuscripts drawings Research curator Curator of Groeninge- Koninklijke Bibliotheek Mr. Krzysztof Kruz.el National Gallery of Victoria Prof. Dr. Bernd Wolfgang The Metropolitan Museum museum and Arentshuis Postbus 90407 Curator of the print p.o. Box 7259 Lindemann of Art Stedelijke Musea Brugge nl-2509 lk The Hague collection Melbourne 8004 Director 25 Reilly Road Dijver 12 The Netherlands Library of the Polish Academy Australia Gemäldegalerie Easton CT 06612 b-8000 Bruges t +31 70 314 0357 of Arts and Sciences t +61 3 9208 0230 Stauffenbergstraße 40 usa Belgium f +31 70 314 0655 ul. Slawkowska 17 f +61 3 9208 0460 d-10785 Berlin - Tiergarten t +1 203 261 0354 t +32 50 44 8704 [email protected] pl-31-016 Kraków cathy.leahy@ Germany f +1 203 261 7246 f +32 50 448 778 Poland ngv.vic.gov.au t +49 30 266 2101 [email protected] [email protected] Ms. Marianne Koskimies- t +48 12 422 2915 f +49 30 266 2103 Envall [email protected] Mr. Huigen Leeflang b.lindemann@ Drs. Daniëlle H.A.C. Lokin Dr. Jochen Luckhardt Director Curator of prints smb.spk-berlin.de Director and chairman Director Pohjanmaan Museo Ms. Tatyana Kuyukina Rijksmuseum printroom Nederlandse Herzog Anton Ulrich-Museum (Ostrobothnian Museum) Tver Art Museum Postbus 74888 Ms. Henriëtte van der Museumvereniging Museumstrasse 1 Koulukatu 2 Sovetskaya Street 3 nl-1070 dn Amsterdam Linden Stedelijk Museum Het d-38100 Braunschweig 65100 Vaasa ru-170640 Tver The Netherlands Director Prinsenhof - Gemeente Musea Germany Finland Russian Federation t +31 20 674 7261 Netherlands Institute for Delft t +49 531 1225-0 t +358 6 325 3800 t +7 0822 342 561 f +31 20 674 7001 Cultural Heritage St. Agathaplein 1 f +49 531 1225-2408 f +358 6 325 3784 f +7 0822 342 561 h.leeflang@ Postbus 76709 nl-2611 hr Delft jluckhardt@museum- marianne.koskimies- [email protected] rijksmuseum.nl nl-1070 ka Amsterdam The Netherlands braunschweig.de [email protected] The Netherlands t +31 15 260 2864 Mr. Bengt Kylsberg Prof. Ronald de Leeuw T f +31 20 3054 500 f +31 15 213 8744 Dr. Dietmar Lüdke Dr. Olga Kotková Curator General director henriëtte.van.der.linden@ [email protected] Curator Národní Galerie v Praze Skokloster Slott (Skokloster Rijksmuseum icn.nl Staatliche Kunsthalle (National Gallery in Prague) Castle) Postbus 74888 Mr. Marten Loonstra Postfach 11 12 53 p.o. Box 4 s-746-96 Skokloster nl-1070 dn Amsterdam Dr. Irina Linnik Keeper of the Royal d-76042 Karlsruhe cz-110 15 Prague I Sweden The Netherlands Curator of Dutch paintings Collection and the House of Germany Czech Republic t +46 18 340 826 t +31 20 674 7000 The State Hermitage Museum Orange-Nassau Historic t +49 721 926 3355 t +420 2 2051 5457 f +46 18 386 446 f +31 20 674 7001 Dvortsovaja nab. 34 Collections Trust f +49 721 926 6788 f +420 2 2051 3180 [email protected] r.de.leeuw@ ru-191065 St. Petersburg Koninklijke Verzamelingen mail@kunsthalle- [email protected] rijksmuseum.nl Russian Federation Postbus 30412 karlsruhe.de Mr. Alastair Laing t +7 812 323 0835 nl-2500 gk The Hague Ms. Dragana Kovac˘ ic´ Adviser on pictures and Dr. Simon H. Levie f +7 812 312 1994 The Netherlands Drs. Ger Luijten Senior curator sculpture (associate) t +31 70 362 4701 Head of department of National Museum The National Trust Former director of the f +31 70 365 9348 prints and drawings Trg Republike 1a 36 Queen Anne’s Gate Rijksmuseum [email protected] Rijksmuseum printroom 11000 Belgrade London SW1H 9AS Minervalaan 70/ii Postbus 74888 Serbia United Kingdom nl-1077 pg Amsterdam nl-1070 dn Amsterdam t +381 11 330 6067 t +44 20 7447 6536/7 The Netherlands The Netherlands [email protected] f +44 20 7447 6540 t +31 20 671 8895 t +31 20 674 7000 alastair.laing@ f +31 20 673 8088 f +31 20 674 7001 nationaltrust.org.uk [email protected] codart Courant 11/January 2006 28

Lu Ma Ma Ma Mi Na Dr. Christiane Lukatis Ms. Catalina Macovei Mr. Jean-Patrice Marandel Dr. Annaliese Mayer- Sir Oliver Millar Dr. Angel M. Navarro Curator Head of department of Chief curator Meintschel (associate) (associate) Staatliche Museen Kassel prints and drawings Los Angeles County Museum (associate) Former surveyor of the Professor of art history (Graphische Sammlung) Library of the Romanian of Art Former director of the Queen’s pictures University of Buenos Aires Postfach 410420 Academy 5905 Wilshire Boulevard Gemäldegalerie Alte The Cottage Rays Lane Avenida Quintana 16-6to. d-34066 Kassel Calea Victoriei 125 Los Angeles CA 90036 Meister Penn Buckinghamshire ‘M” Germany ro-71 102 Bucharest usa Robert-Diez-Strasse 7 hp10 8lh ar-1014 Buenos Aires t +49 561 316 800 Romania t +1 323 857 6000 d-01326 Dresden- United Kingdom Argentina f +49 561 3168 0111 t +40 1 650 3043 (X113) f +1 323 857 6216 Oberloschwitz t +44 494 812 124 t +54 11 4812 6836 [email protected] f +40 1 212 5856 [email protected] Germany f +44 207 839 8168 f +54 11 4814 5033 catalina_macovei@ t +49 351 264 0544 (c/o Ms. Casal) Dr. Alexander C. Lungu yahoo.com Dr. Natalja Markova f +49 351 264 1199 Mr. Eric Moinet [email protected] Director Head of department of Chief curator and Muzeul National Brukenthal Dr. Michael Maek-Gérard prints and drawings Prof. Dr. Bert W. Meijer museum counsellor Ms. Francine de Nave (The Brukenthal Museum) Curator of baroque Pushkin State Museum of Director Direction régionale des affaires Director Piat,a Mare nr. 3-5 painting Fine Arts Istituto Universitario culturelles Rhône-Alpes Museum Plantin-Moretus ro-2400 Sibiu Städelsches Kunstinstitut Volkhonka Street 12 Olandese di Storia dell’Arte 6 quai Saint Vincent Vrijdagmarkt 22 Romania and Städtische Galerie ru-119019 Moscow Viale Torricelli 5 f-69283 Lyon cedex 01 b-2000 Antwerp t +40 269 211 699 Dürerstrasse 2 Russian Federation i-50125 Firenze France Belgium f +40 269 211 545 d-60596 Frankfurt am Main t +7 095 203 3007 Italy t +33 4 7200 44 27 t +32 3 221 1450 a.lungu@ Germany f +7 095 203 4674 t +39 055 221612 f +33 4 7200 43 30 f +32 3 221 1471 brukenthalmuseum.ro t +49 69 6050 98103 [email protected] f +39 055 221106 eric.moinet@ museum.plantin.moretus f +49 69 610 163 [email protected] culture.gouv.fr @stad.antwerpen.be Dr. Doron J. Lurie maek-gerard@ Ms. Sanda Marta Curator of 16th- to staedelmuseum.de Curator Dr. Mitchell Merling Mr. Maciej Monkiewicz Dr. Uta Neidhardt 19th-century art Muzeul National Brukenthal Paul Mellon curator and Curator Curator of Dutch and Tel Aviv Museum of Art Mr. Jan De Maere (The Brukenthal Museum) head of the department of Muzeum Narodowe w Flemish paintings p.o. Box 33288 (associate) Piat,a Mare nr. 3-5 European art Warszawie (National Staatliche Kunstsammlungen Tel Aviv 61332 Director ro-2400 Sibiu Virginia Museum of Fine Arts Museum in Warsaw) Dresden - Gemäldegalerie Israel Documentatiecentrum Romania 200 N. Boulevard Aleje Jerozolimskie 3 Alte Meister t +972 3 695 7361 voor het Vlaamse Kunst- t +40 269 217 691 Richmond VA 23220-4007 pl-00-495 Warsaw Zwinger Theaterplatz 1 f +972 3 695 8099 patrimonium f +40 269 211 545 usa Poland d-01067 Dresden [email protected] 9 rue des Minimes [email protected] t +1 804 340 1602 t +48 22 621 1031 278 Germany b-1000 Brussels f +1 804 340 1548 f +48 22 622 8559 t +49 351 491 4658 Drs. Michel P. van Belgium Mr. Caspar Martens mmerling@ mmonkiewicz@ f +49 351 491 4694 Maarseveen t +32 2 502 2400 Chief curator vmfa.state.va.us mnw.art.pl uta.neidhardt@ Director f +32 2 502 0750 Groninger Museum skd.smwk.sachsen.de Drents Museum [email protected] Postbus 90 Drs. Norbert E. Middelkoop Mr. Andrew Moore Postbus 134 nl-9700 me Groningen Curator of paintings, prints Curator Mr. István Németh nl-9400 ac Assen Prof. Dr. Ekkehard Mai The Netherlands and drawings Norwich Castle Museum & Curator The Netherlands Curator t +31 50 366 6555 Amsterdams Historisch Art Gallery Szépmüvészeti Múzeum t +31 592 377 773 Wallraf-Richartz-Museum - f +31 50 312 0815 Museum Norwich (Museum of Fine Arts) f +31 592 377 719 Fondation Corboud cmartens@ Postbus 3302 Norfolk nr1 3ju Dózsa György út 41 [email protected] Martinstrasse 39 groningermuseum.nl nl-1001 ac Amsterdam United Kingdom h-1146 Budapest xiv d-50667 Köln The Netherlands t +44 1603 223 624 | 493 633 Hungary Ms. Catharine MacLeod Germany Dr. Michael Matile t +31 20 523 1822 f +44 1603 765 651 | 493 661 t +36 1 343 9759 Curator of 16th- and t +49 221 2212 3633 Curator f +31 20 620 7789 [email protected] f +36 1 363 6398 17th-century portraits f +49 221 2212 2629 Graphische Sammlung der norbertmiddelkoop@ inemeth@ National Portrait Gallery [email protected] ETH Zürich ahm.amsterdam.nl Drs. Bianca du Mortier szepmuveszeti.hu St. Martin’s Place Raemistrasse 101 Curator of costumes London WC2H 0HE Dr. Judith W. Mann ch-8092 Zürich Drs. Ewoud M. Mijnlieff Rijksmuseum Dr. Lawrence W. Nichols United Kingdom Curator of early Switzerland Curator of Museum het Postbus 74888 Curator of European t +44 20 7312 2415 European art t +41 1 632 7875 Catherina Gasthuis and nl-1070 dn Amsterdam paintings and sculpture f +44 20 7306 0056 Saint Louis Art Museum f +41 1 632 1168 Museum De Mondriaan The Netherlands before 1900 [email protected] One Fine Arts Drive, [email protected] Stedelijke Musea Gouda t +31 20 674 7226 The Toledo Museum of Art Forest Park Achter de kerk 14 f +31 20 674 7001 p.o. Box 1013 St. Louis mo63110-1380 nl-2801 jx Gouda b.du.mortier@ Toledo OH 43697 usa The Netherlands rijksmuseum.nl usa t +1 314 655 5218 t +31 182 588 793 t +1 419 254 5087 f +1 314 721 6172 +31 182 588 793 f +1 419 244 2217 [email protected] f +31 182 588 671 lnichols@ ewoud.mijnlieff@ toledomuseum.org museumgouda.nl 29 codart Courant 11/January 2006

Ni Or Os Pe Pl Pr Dr. Jan Nicolaisen Dr. Maria Ordeanu Mr. Piotr Oszczanowski Ms. Eva de la Fuente Drs. Michiel Plomp Mr. Hayden Russell Proud Curator Curator of prints and (associate) Pedersen Associate curator of Curator Museum der bildenden Künste drawings Instytut Historii Sztuki - Senior research curator drawings and prints Michaelis Collection - Iziko Grimmaische Strasse 1-7 Muzeul National Brukenthal Uniwersytet Wroclaw Statens Museum for Kunst The Metropolitan Museum Museums of Cape Town d-04109 Leipzig (The Brukenthal Museum) (Institute for Art History Sølvgade 48-50 of Art p.o. Box 61 Germany Piata Mare 4-5 of Wroclaw) dk-1307 Copenhagen 1000 Fifth Avenue Cape Town 8000 t +49 341 216 9942 ro-2400 Sibiu ul. Szewska 49 Denmark New York ny10028-0198 South Africa f +49 341 960 9925 Romania pl-50-139 Wroclaw t +45 33 748 532 usa t +27 21 4651 628 (South [email protected] t +40 269 217 691 Poland f +45 33 748 505 t +1 212 879 5500 African National Gallery) f +40 269 211 545 t +48 871 3752 525 [email protected] f +1 212 570 3921 f +27 21 4610 045 (South Mr. Hans Nieuwdorp Maria.Ordeanu@ f +48 871 3752 510 michiel.plomp@ African National Gallery) Chief curator brukenthalmuseum.ro [email protected] Ms. Magali Philippe metmuseum.org [email protected] Museum Mayer van den Bergh Curator and Museum Smidt van Gelder Dr. Nadine Orenstein Drs. Sander Paarlberg Musée de Brou Dr. Katarzyna Plonka-Balus Dr. Beata Purc-Stêpniak Lange Gasthuisstraat 19 Associate curator of Curator of Old Master 63 boulevard de Brou Curator of illuminated Curator of European b-2000 Antwerp drawings and prints paintings f-01000 Bourg-en-Bresse manuscripts paintings Belgium The Metropolitan Museum Dordrechts Museum France Czartoryski Museum Muzeum Narodowe w t +32 3 232 4237 of Art Postbus 1170 t +33 4 7422 8383 ul. Sw. Jana 19 Gdansku (National f +32 3 231 7335 1000 Fifth Avenue nl-3300 bd Dordrecht f +33 4 7424 7670 pl-31-017 Kraków Museum in Gdan´ sk) hans.nieuwdorp@ New York ny10028-0198 The Netherlands philippem@ville-bourg- Poland ul. Torúnska 1 stad.antwerpen.be usa t +31 78 648 2148 en-bresse.fr t +48 12 422 5566 pl-80-822 Gdan´ sk t +1 212 879 3502 f +31 78 614 1766 f +48 12 422 6464 Poland Drs. Carl Nix f +1 212 570 3921 MS.Paarlberg@ Dr. Jet Pijzel-Dommisse [email protected] t +48 58 301 70 61 Curator Nadine.Orenstein@ dordrecht.nl Curator of decorative arts f +48 58 301 11 25 Atlas Van Stolk metmuseum.org Gemeentemuseum Den Haag Ms. Kadi Polli info@muzeum. Korte Hoogstraat 31 Ms. Mieke Parez Postbus 72 Director and curator narodowe.gda.pl nl-3011 gk Rotterdam Dr. Lynn Federle Orr Curator of nl-2501 cb The Hague of paintings The Netherlands California Palace of the Memlingmuseum Sint- The Netherlands The Art Museum of Estonia - Mr. Roger Quarm t +31 10 217 6724 Legion of Honor Janshospitaal and Museum t +31 70 338 1111 The Kadriorg Art Museum Curator of pictures f +31 10 433 4499 100 34th Street Lincoln Park Onze-Lieve-Vrouw ter f +31 70 355 7360 37 Weizenbergi Street National Maritime Museum [email protected] San Francisco CA 94121 Potterie jpijzel@ ee-10127 Tallinn Park Row usa Stedelijke Musea Brugge gemeentemuseum.nl Estonia Greenwich Mr. John Nolan t +1 415 750 3618 Dijver 12 t +372 6066 400 London SE10 9NF Curator f +1 415 750 3656 b-8000 Bruges Dr. Mikhail Piotrovsky f +372 6066 401 United Kingdom Museum & Gallery at Bob [email protected] Belgium Director kadi.polli@ t +44 181 312 6717 Jones University t +32 50 448 772 The State Hermitage Museum kadriorg.ekm.ee f +44 181 312 6632 1700 Wade Hampton Prof. Dr. Henk W. van Os f +32 50 448 778 Dvortsovaja nab. 34 [email protected] Boulevard (associate) [email protected] ru-191065 St. Petersburg Ms. Nora De Poorter Greenville SC 29614 Former director of the Russian Federation Associate Drs. Emke Raassen- usa Rijksmuseum Mr. Peter Parshall t +7 812 311 9245 Centrum voor de Vlaamse Kruimel t +1 864 770 1331 Koninginneweg 37 Curator and head of f +7 812 311 9009 Kunst van de 16de en de 17de Chief curator f +1 864 770 1306 nl-1075 lg Amsterdam department of Old Eeuw & Rubenianum Singer Museum [email protected] The Netherlands Master prints Ms. Maritta Pitkänen Kolveniersstraat 20 Postbus 497 National Gallery of Art Director b-2000 Antwerp nl-1250 al Laren Ms. Tatyana Petrovna Prof. Dr. Jan Ostrowski 2000B South Club Drive The Gösta Serlachius Museum Belgium The Netherlands Ogorodnikova Director Landover MD 20785 of Fine Arts t +32 3 201 1577 t +31 35 539 3937 Head of department of Zamek Królewski na Wawelu usa Joenniemi Manor f +32 3 231 9387 f +31 35 5317 751 Western European painting (Royal Castle on Wawel Hill) t +1 202 842 6384 FIN-35800 Mänttä nora.depoorter@ [email protected] Irkutsk Art Museum Wawel 5 f +1 202 842 6387 Finland stad.antwerpen.be ul. Lenina 5 pl-31-001 Kraków [email protected] t +358 3 474 5515 Ms. Anna Radziun ru-664000 Irkutsk Poland f +358 3 474 8260 Ms. Teresa Posada Kubissa Curator of Ruysch Russian Federation t +48 12 422 1950 Dr. Zuzana Paternostro maritta.pitkanen@ Curator Flemish painting Collections t +7 395 234 4231 f +48 12 422 1950 Curator of foreign serlachiusartmuseum.fi and Northern Schools (to Museum of Anthropology and f +7 395 234 1272 [email protected] paintings 1700) Ethnography of the Russian [email protected] Museu Nacional de Belas Artes Drs. Peter van der Ploeg Museo Nacional del Prado Academy of Sciences - Av. Rio Branco 199 Curator Calle Ruiz de Alarcón 23 Kunstkamera Dr. Nils Ohrt Rio de Janeiro 20040 008 Mauritshuis e-28014 Madrid Universitetskaya Nab. 3 Director Brazil Postbus 536 Spain ru-199034 St. Petersburg Nivagaards Malerisamling t +55 21 2240 0068 nl-2501 cm The Hague t +34 91 330 2829 Russian Federation Gl. Strandvej 2 f +55 21 2262 6067 The Netherlands f +31 91 330 2851 t +7 812 328 0712 dk-2990 Nivå [email protected] t +31 70 302 3420 tposada.kubissa@ f +7 812 328 0811 Denmark f +31 70 365 3819 prado.mcu.es [email protected] t +45 49 141 017 vanderploeg.p@ f +45 49 141 057 mauritshuis.nl [email protected] codart Courant 11/January 2006 30

Ra Ro Ro Ru Sa Sc Mr. Rodolphe Rapetti Dr. William W. Robinson Ms. Lene Bøgh Rønberg Dr. Ivan Rusina Dr. Wolfgang Savelsberg Drs. Marijn (associate) Maida and George Abrams Research curator Curator Head of museums and Schapelhouman Conservateur en chef du curator of drawings Statens Museum for Kunst Slovenská národná galéria collections Curator of drawings patrimoine Fogg Art Museum Sølvgade 48-50 (Slovak National Gallery) Kulturstiftung Dessau Wörlitz Rijksmuseum Direction des musées de France 32 Quincy Street dk-1307 Copenhagen Riecna 1 Schloss Grosskühnau Postbus 74888 6 rue des Pyramides Cambridge ma02138 Denmark SK-815 13 Bratislava d-06846 Dessau nl-1070 dn Amsterdam f-75041 Paris cedex 01 usa t +45 33 748 539 Slovak Republic Germany The Netherlands France t +1 617 495 2382 f +45 33 748 505 t +421 2 5443 7062 t +49 340 646 1535 t +31 20 674 7000 t +33 1 4020 5661 f +1 617 496 3800 [email protected] f +421 2 5443 3971 f +49 340 646 1510 f +31 20 674 7001 f +33 1 4015 3410 [email protected] [email protected] [email protected] Dott.ssa Francesca Rossi Ms. Tamara Schestakowa Mr. Tom Rassieur Dr. Franklin W. Robinson Curator Prof. Dr. Vadim A. Sadkov Ms. Cécile Scailliérez Director Assistant curator of prints The Richard J. Schwartz Museo di Castelvecchio Head of department of Curator Tambov Fine Arts Museum and drawings director Corso Castelvecchio 2 European and American art Musée du Louvre Sovetskaya Street 97 Museum of Fine Arts Herbert F. Johnson Museum i-37121 Verona Pushkin State Museum of Fine Porte des Lions ru-392000 Tambov 465 Huntington Avenue of Art Italy Arts f-75058 Paris cedex 01 Russian Federation Boston ma02115-5523 Cornell University t +39 045 592 985 Volkhonka Street 12 France t +7 0752 724627 usa Ithaca ny14853-4001 f +39 045 801 0729 ru-119019 Moscow t +33 1 4020 5084 t +1 617 369 3432 usa [email protected] Russian Federation f +33 1 4020 5347 Drs. Robert Schillemans f +1 617 536 4102 t +1 607 255 6464 t +7 095 203 9587 [email protected] Curator [email protected] f +1 607 255 9940 Mr. Martin Royalton-Kisch f +7 095 203 4674 Museum Amstelkring Ons’ director_museum@cornel Assistant keeper [email protected] Ms. Jet Schadd Lieve Heer op Solder Dr. Konrad Renger l.edu British Museum - Department Curator Oude Zijds Voorburgwal 40 Chief curator of prints and drawings Ms. Maria Saffiotti Dale Kasteel Twickel nl-1012 ge Amsterdam Alte Pinakothek Drs. Evert Rodrigo Great Russell Street Curator of paintings, Postbus 2 The Netherlands Barer Strasse 29 Head of department of London WC1B 3DG sculpture and decorative nl-7490 aa Delden t +31 20 624 6604 d-80799 München collections United Kingdom arts The Netherlands f +31 20 638 1822 Germany Instituut Collectie Nederland t +44 20 7636 1555 Elvehjem Museum of Art - t +31 74 376 1020 r.schillemans@ t +49 89 238 050112 Postbus 1098 f +44 20 7323 8999 University of Wisconsin- f +31 74 376 4447 museumamstelkring.nl f +49 89 23805 221 nl-2280 cb Rijswijk Mroyaltonkisch@ Madison [email protected] [email protected] The Netherlands British-Museum.ac.uk 800 University Avenue Mr. Loet Schledorn t +31 70 307 3800 Madison WI 53706-1479 Mr. Scott Schaefer Curator Drs. Robert-Jan te Rijdt f +31 70 319 2398 Dr. Louisa Wood Ruby usa Head of department Stedelijk Museum Het Curator of drawings [email protected] Photoarchivist t +1 608 263 4368 of paintings Prinsenhof - Gemeente Musea Rijksmuseum The Frick Collection f +1 608 263 8188 The J. Paul Getty Museum Delft Postbus 74888 Drs. Pieter Roelofs 1 East 70th Street msaffiottidale@ 1200 Getty Center Drive St. Agathaplein 1 nl-1070 dn Amsterdam Curator New York ny10021 lvm.wisc.edu Suite 1000 nl-2611 hr Delft The Netherlands Museum Het Valkhof usa Los Angeles ca 90049-1687 The Netherlands t +31 20 674 7266 Postbus 1474 t +1 212 547 0652 Dr. Jochen Sander usa t +31 15 219 7925 f +31 20 674 7001 nl-6501 bl Nijmegen f +1 212 547 0680 Head of department of t +1 310 440 7168 f +31 15 213 8744 [email protected] The Netherlands [email protected] paintings f +1 310 440 7717 [email protected] t +31 24 360 8805 Städelsches Kunstinstitut [email protected] Ms. Maria del Carmen f +31 24 360 8656 Ms. Wanda M. Rudzinska´ and Städtische Galerie Dr. Bernhard Rippe Moro p.roelofs@ Senior curator and head Dürerstrasse 2 Drs. Jef Schaeps Schnackenburg Curator museumhetvalkhof.nl of print room d-60596 Frankfurt am Main Curator (associate) Museo Nacional Biblioteka Uniwersytecka w Germany Prentenkabinet Universiteit Former director of the Trocadero e/Sulueta y Dr. Anna Rollová Warszawie (Warsaw t +49 69 605 098 102 Leiden Staatliche Museen Kassel - Monserrate Director of Collection of University Library) f +49 69 610 163 Postbus 9501 Gemäldegalerie Alte Habana Vieja prints and drawings ul. Dobra 56/66 [email protected] nl-2300 ra Leiden Meister Cuba Národní Galerie v Praze pl-00-312 Warsaw The Netherlands Havelweg 10 t +53 7 613 858 (National Gallery in Prague) Poland Ms. Ana García Sanz t +31 71 527 2788 d-34131 Kassel f +53 7 629 626 Starometské nám. 12 t +48 22 552 5834 Curator of the Descalzas schaeps@ Germany [email protected] cz-110 15 Prague I f +48 22 552 5659 Reales library.leidenuniv.nl Schnackenburg-Kassel@ Czech Republic [email protected] Palacio Real - Patrimonio t-online.de Ms. Helena Risthein t +420 2 2231 5030 Nacional Drs. Karen Schaffers- Curator f +420 2 2231 0433 Mr. Axel C. Rüger Bailén s/n Bodenhausen Drs. Frits Scholten The Art Museum of Estonia [email protected] Curator of Dutch and e-28071 Madrid Chief curator Curator of sculpture Kiriku plats 1 Flemish paintings Spain Rijksbureau voor Rijksmuseum ee-10130 Tallinn The National Gallery t +34 91 454 7513 Kunsthistorische Postbus 74888 Estonia Trafalgar Square f +34 91 454 8721 Documentatie nl-1070 dn Amsterdam t +372 644 9513 London wc2n 5dn Postbus 90418 The Netherlands f +372 644 2094 United Kingdom nl-2509 lk The Hague t +31 20 674 7000 [email protected] t +44 20 7747 2893 The Netherlands f +31 20 674 7001 f +44 20 7753 8179 t +31 70 383 6908 f.scholten@ axel.ruger@ f +31 70 333 9789 rijksmuseum.nl ng-london.org.uk [email protected] 31 codart Courant 11/January 2006

Sc Sc Se Si So Sp Drs. Peter Schoon Mr. David Scrase Ms. Anja K. S˘ evcík Dr. Martina Sitt Dr. Irina Sokolova Mr. Ron Spronk Director Keeper and assistant Curator Old Masters Head of department of Head of department of Associate curator for Dordrechts Museum director of collections collection paintings Dutch paintings research at Straus Center Postbus 1170 Fitzwilliam Museum Národní Galerie v Praze Hamburger Kunsthalle The State Hermitage Museum for Conservation and nl-3300 bd Dordrecht Trumpington Street (National Gallery in Prague) Glockengiesserwall Dvortsovaja nab. 34 Technical Studies The Netherlands Cambridge CB2 1RB Charlese de Gaulla 3 d-20095 Hamburg ru-191065 St. Petersburg Harvard University Art t +31 78 648 2148 United Kingdom cz-160 00 Prague VI Germany Russian Federation Museums f +31 78 614 1766 t +44 1223 332 900 Czech Republic t +49 40 4285 42603 t +7 812 110 9794 / 110 9615 32 Quincy Street [email protected] f +44 1223 332 923 t +420 2 2051 5457 f +49 40 4285 42482 f +7 812 311 9009 / 312 2262 Cambridge ma02138 [email protected] f +420 2 2051 3180 sitt@hamburger- usa Dr. William Schupbach [email protected] kunsthalle.de Mr. Geert Souvereyns t +1 617 495 0987 Curator, Iconographic Dr. Gero Seelig (associate) f +1 617 495 0322 collections Curator of Netherlandish Dr. Desmond Shawe-Taylor Prof. Seymour Slive Coördinator [email protected] Wellcome Library paintings Surveyor of the Queen’s (associate) Vlaamsekunstcollectie 210 Euston Road Staatliches Museum Schwerin pictures Professor emeritus of Bijlokekaai 1b Ms. Nina Stadnitchuk London nw1 2be Alter Garten 3 Royal Collection Harvard University b-9000 Gent Curator of paintings United Kingdom d-19055 Schwerin Stable Yard House 32 Quincy Street Belgium Museum Pavlovsk t +44 20 7611 8489 Germany St. James’s Palace Cambridge ma02138 t +32 9 225 4924 ul. Revolutsi 20 f +44 20 7611 8703 t +49 385 5958 145 London SW1A 1JR usa f +32 9 225 4955 ru-189623 Pavlovsk w.schupbach@ f +49 385 5918 464 United Kingdom t +1 617 495 2382 geert.souvereyns@vlaamse Russian Federation wellcome.ac.uk seelig@ t +44 20 7930 4832 f +1 617 496 3800 kunstcollectie.be t +7 812 460 6325 museum-schwerin.de f +44 20 7839 8165 f +7 812 470 2155 Dr. Karl Schütz Dr. Nicolette Sluijter- Prof. Ojars Sparitis Director of department Dr. Hana Seifertová Dr. Karin Sidén Seijffert Latvian Academy of Arts Mr. Emmanuel Starcky of paintings Curator Senior curator of paintings (associate) Kalpaka Boulevard 13 Deputy director Kunsthistorisches Museum Národní Galerie v Praze and sculpture / Old Masters Former director of the LV-1867 Riga Direction des Musées de France Burgring 5 (National Gallery in Prague) Nationalmuseum Museum Het Catharina Latvia 6 rue des Pyramides a-1010 Wien V Luhu 616 Box 16176 Gasthuis t +371 733 2202 f-75041 Paris cedex 01 Austria cz-25230 Revnice s-103-24 Stockholm De Ryterstraat 60 f +371 722 8963 France t +43 1 5252 4305 Czech Republic Sweden nl-2518 at The Hague [email protected] t +33 1 4015 8000 f +43 1 5252 4309 t +420 2 2051 5457 t +46 8 5195 4304 The Netherlands f +33 1 4015 3410 [email protected] f +420 2 2051 3180 f +46 8 5195 4456 [email protected] Dr. Joaneath Spicer emmanuel.starcky@ [email protected] [email protected] The James A. Murnaghan culture.gouv.fr Ms. Loekie Schwartz Drs. Marie Christine van curator of Renaissance and (associate) Dr. Manfred Sellink Drs. John Sillevis der Sman Baroque art Dr. Annemarie Stefes Postbus 162 Artistic director Chief curator (associate) Walters Art Museum (associate) nl-3600 ad Maarssen Stedelijke Musea Brugge Gemeentemuseum Den Haag Chairman of Blue Shield 600 N. Charles Street Project researcher The Netherlands Dijver 12 Postbus 72 Nederland and member of Baltimore MD 21201 Hamburger Kunsthalle t +31 346 562 778 b-8000 Bruges nl-2501 cb The Hague the Executive Council usa Hermann-Boese-Strasse 35 f +31 346 570574 Belgium The Netherlands ICOM t +1 410 547 9258 d-28209 Hamburg t +32 50 448 711 t +31 70 338 1215 Kamillestraat 9 f +1 410 752 4797 Germany Dr. Dieter Schwarz f +32 50 448 778 f +31 70 338 1112 nl-2565 pz The Hague [email protected] t +49 421 841 3447 Director manfred.sellink@ jsillevis@ The Netherlands f +49 421 841 3448 Kunstmuseum Winterthur brugge.be gemeentemuseum.nl [email protected] Drs. Marieke Spliethoff [email protected] Postfach 378 Curator of paintings ch-8402 Winterthur Dr. Marina Senenko Dr. Pilar Silva Mr. Mårten Snickare Paleis Het Loo Nationaal Ms. Shlomit Steinberg Switzerland Curator of European and Head of department of Curator of 17th-century Museum Hans Dichand curator of t +41 52 267 5162 American art medieval and early- master drawings and Koninklijk Park 1 European art f +41 52 267 5317 Pushkin State Museum of Renaissance Spanish and architectural drawings nl-7315 ja Apeldoorn Israel Museum [email protected] Fine Arts Flemish paintings Nationalmuseum The Netherlands POB 71117 Volkhonka Street 12 Museo Nacional del Prado Box 161 76 t +31 55 577 2470 Jerusalem 91710 Prof. Gianni Carlo Sciolla ru-119019 Moscow Calle Ruiz de Alarcón 23 s-103-24 Stockholm f +31 55 521 9983 Israel (associate) Russian Federation e-28014 Madrid Sweden [email protected] t +972 2 670 8989 Professor of art history t +7 095 203 5809 Spain t +46 8 5195 4356 f +972 2 670 8094 Università degli Studi di f +7 095 203 4674 t +34 91 330 2809 f +46 8 5195 4401 Ms. Sabine van Sprang [email protected] Torino [email protected] f +34 91 330 2856 [email protected] Curator Via Tenivelli 11 [email protected] Koninklijke Musea voor Mr. Sergei Stroganov i-10144 Torino Schone Kunsten van België Curator of Dutch paintings Italy Museumstraat 9 (Rembrandt excluded) t +39 011 437 1766 b-1000 Brussels The State Hermitage Museum f +39 011 670 3513 Belgium Dvortsovaja nab. 34 [email protected] t +32 2 5083 211 ru-191065 St. Petersburg f +32 2 5083 232 Russian Federation sabinesprang@ t +7 812 110 9682 fine-arts-museum.be f +7 812 312 1994 codart Courant 11/January 2006 32

St Th Tr Va Ve Vi Mr. Bart Stroobants Dr. Herfried Thaler Dr. Meinolf Trudzinski Ms. Veronique Dr. Ernst Vegelin van Ms. Mercedes Royo- Curator Curator Senior curator Vandekerchove Claerbergen Villanova Payá Stedelijke Musea Mechelen Nordico - Museum der Stadt Niedersächsisches Curator Senior curator Trustee and research Van Beethovenstraat 8-10 Linz Landesmuseum Hannover Stedelijk Museum Vander Courtauld Institute of Art curator b-2800 Mechelen Dametzstrasse 23 Willy-Brandt-Allee 5 Kelen-Mertens Gallery Museo Lázaro Galdiano Belgium a-4020 Linz d-30169 Hannover Savoyestraat 6 Somerset House Strand c/ Serrano 122 t +32 15 294 035 Austria Germany b-3000 London WC2R 0RN e-28006 Madrid f +32 15 294 031 t +43 732 7070 1903 t +49 511 9807 624 Belgium United Kingdom Spain bart.stroobants@ f +43 732 793 518 f +49 511 9807 628 t +32 16 226 906 t +44 20 7848 2590 t +34 91 759 2130 mechelen.be [email protected] meinolf.trudzinski@nlm- f +32 16 238 930 f +44 20 7848 2589 f +34 91 435 4049 Mr. Todor Todorov h.niedersachsen.de veronique.vandekerchove@ ernst.vegelin@ [email protected] Drs. Ariane van Suchtelen (associate) leuven.be courtauld.ac.uk Curator of exhibitions Princeton University Drs. Carel van Tuyll van Dr. Hans Vlieghe Mauritshuis Department of Art and Serooskerken Mr. Stéphane Dr. Carl Van de Velde Centrum voor de Vlaamse Postbus 536 Archaeology Chief curator of the Vandenberghe Associate Kunst van de 16de en de nl-2501 cm The Hague Department of Art and department of prints and Curator of Centrum voor de Vlaamse 17de Eeuw The Netherlands Archaeology drawings Groeningemuseum and Kunst van de 16de en de 17de Kolveniersstraat 20 t +31 70 302 3420 Princeton nj08544 Musée du Louvre Arentshuis Eeuw b-2000 Antwerp f +31 70 365 3819 usa Département des arts Stedelijke Musea Brugge Kolveniersstraat 20 Belgium communicatie@ t +1 609 258 5678 graphiques Dijver 12 b-2000 Antwerp t +32 3 201 1577 mauritshuis.nl f +1 609 258 0103 f-75058 Paris cedex 01 b-8000 Bruges Belgium f +32 3 231 9387 [email protected] France Belgium t +32 3 201 1577 [email protected] Dr. Kurt J. Sundstrom t +33 1 4020 5020 t +32 50 44 8706 f +32 3 231 9387 Associate curator Ms. Carol Togneri [email protected] f +32 50 448 737 [email protected] Drs. Christiaan Vogelaar Currier Museum of Art Senior curator stephane.vandenberghe@ Curator 201 Myrtle Way Norton Simon Museum Dr. Jacek Tylicki brugge.be Dr. Alexander Vergara Stedelijk Museum Manchester nh 03104 411 West Colorado (associate) Senior curator of Flemish De Lakenhal usa Boulevard Assistant professor of Prof. Dr. Paul and Northern European Postbus 2044 t +1 603 669 6144 X105 Pasadena CA 91105 museology Vandenbroeck paintings nl-2301 ca Leiden f +1 603 626 4166 usa Uniwersytet Mikolaya Research curator and Museo Nacional del Prado The Netherlands [email protected] t +1 626 844 6929 Kopernika (Nicolaus professor at the Leuven Calle Ruiz de Alarcón 23 t +31 71 516 5360 f +1 626 796 4978 Copernicus University) University e-28014 Madrid f +31 71 513 4489 Ms. Eva Tahon [email protected] Sienkiewicza 30/32 Koninklijk Museum voor Spain [email protected] Chief curator of pl-87-100 Torún Schone Kunsten t +34 91 330 2824 Memlingmuseum Sint- Ms. Joanna A. Tomicka Poland Plaatsnijdersstraat 2 f +34 91 330 2852 Drs. Edward van Voolen Janshospitaal and Museum Curator of European prints t +48 56 651 1632 b-2000 Antwerp alejandro.vergara@ Chief curator Onze-Lieve-Vrouw ter Muzeum Narodowe w f +48 56 651 1632 Belgium prado.mcu.es Joods Historisch Museum Potterie Warszawie (National Museum [email protected] t +32 3 242 0431 Postbus 16737 Stedelijke Musea Brugge in Warsaw) f +32 3 248 0810 Drs. Bernard Vermet nl-1001 re Amsterdam Dijver 12 Aleje Jerozolimskie 3 Dr. Daiga Upeniece Paul.Vandenbroeck@ Associate The Netherlands b-8000 Bruges pl-00-495 Warsaw Director ant.kuleuven.be Foundation for Cultural t +31 20 626 9945 Belgium Poland Arzemju Makslas Muzejs (The Inventory f +31 20 624 1721 t +32 50 448 703 t +48 22 621 1031 Museum of Foreign Art) Mr. Marc Vandenven Sarphatistraat 84hs [email protected] f +32 50 448 778 f +48 22 622 8559 Pils Laukums 3 Associate nl-1018 gs Amsterdam [email protected] [email protected] LV-1050 Riga Centrum voor de Vlaamse The Netherlands Mr. Hubert Vreeken Latvia Kunst van de 16de en de 17de t +31 20 624 4710 Curator of sculptures and Ms. Júlia Tátrai Dr. Renate Trnek t +371 7 228 776 Eeuw f +31 20 624 4710 applied arts Curator Director f +371 7 228 776 Kolveniersstraat 20 [email protected] Amsterdams Historisch Szépmüvészeti Múzeum Gemäldegalerie der Akademie [email protected] b-2000 Antwerp Museum (Museum of Fine Arts) der bildenden Künste Belgium Dr. Thea Vignau-Wilberg Postbus 3302 Dózsa György út 41 1 Schillerplatz 3 Dr. Susan Urbach t +32 3 201 1577 Curator nl-1001 ac Amsterdam h-1146 Budapest xiv a-1010 Wien Head of department of art f +32 3 231 9387 Staatliche Graphische The Netherlands Hungary Austria history marc.vandenven@ Sammlung München t +31 20 523 1822 t +36 1 343 9759 t +43 1 5881 6229 Péter Pázmány Catholic stad.antwerpen.be Meiserstrasse 10 f +31 20 620 7789 f +36 1 469 7171 f +43 1 586 3346 University Faculty of d-80333 München [email protected] [email protected] [email protected] Humanities Mr. Ernst W. Veen Germany Törökvész út 128 (associate) t +49 89 2892 7656 Ms. Sandra de Vries h-1025 Budapest ii Director f +49 89 2892 7653 Director Hungary National Foundation De t.vignau@graphische- Stedelijk Museum Alkmaar t +36 1 394 5129 Nieuwe Kerk sammlung.mwn.de Canadaplein 1 f +36 1 1697 118 Postbus 3438 nl-1811 ke Alkmaar nl-1001 ae Amsterdam The Netherlands The Netherlands t +31 72 548 9789 t +31 20 626 8168 f +31 72 515 1476 f +31 20 622 6649 [email protected] [email protected] 33 codart Courant 11/January 2006

Wa We We Wh Wi Wi Ms. Danièle Wagener Dr. Peter Wegmann Mr. Robert M.G. Wenley Prof. Christopher White Ms. Gloria Williams Mr. Hubert De Witte Curator Curator Curator of European art, (associate) Curator Curator of Groep Ville de Luxembourg - Musee Museum Oskar Reinhart am 1600-1800 Former director of the Norton Simon Museum Historische Musea d’Histoire Stadtgarten Glasgow Museums - Ashmolean Museum 411 West Colorado Stedelijke Musea Brugge 38, Rue du Marche-aux- Stadthausstrasse 6 The Burrell Collection 34 Kelly Street Boulevard Dijver 12 Herbes ch-8400 Winterthur 2060 Pollokshaws Road London NW1 8PH Pasadena ca 91105-1825 b-8000 Bruges l-2090 Luxembourg Switzerland Glasgow G43 1AT United Kingdom usa Belgium Luxembourg t +41 52 267 5172 Scotland t +44 20 7485 9148 t +1 626 449 216 t +32 50 44 8705 t +352 4796 4561 f +41 52 267 6228 t +44 141 287 2563 f +44 20 7428 9786 f +1 626 796 4978 f +32 50 448 737 f +352 471 707 museum.oskarreinhart@ f +44 141 287 2597 christopherwhite@ gwilliams@ [email protected] [email protected] win.ch robert.wenley@ shingle.freeserver.co.uk nortonsimon.org cls.glasgow.gov.uk Ms. Barbara Wlodarska Mr. Adriaan E. Waiboer Ms. Nina Weibull Dr. Christiane Wiebel Dr. Paul Williamson Head of silver and metal Curator of Northern Curator Drs. Guido de Werd Curator of the printroom Keeper of sculpture, department European art Stockholm University Director of Museum Kunstsammlungen der Veste metalwork, ceramics Muzeum Narodowe w National Gallery of Ireland Collection Kurhaus Kleve and Coburg and glass Gdan´ sku (National Museum Merrion Square West Universitetsv 10 D, Frescati Städtisches Museum Haus Veste Coburg The Victoria and Albert in Gdan´ sk) Dublin 2 s-106-91 Stockholm Koekkoek d-96450 Coburg Museum ul. Torúnska 1 Ireland Sweden Museum Kurhaus Kleve Germany Cromwell Road pl-80-822 Gdan´ sk t +353 1 632 5599 t +46 8 164 707 Tiergartenstrasse 41 t +49 9561 87917 London sw7 2rl Poland f +353 1 662 6941 f +46 8 339 022 d-47533 Kleve f +49 9561 87966 United Kingdom t +48 58 301 70615 [email protected] [email protected] Germany sekretariat@kunstsamm t +44 20 7942 2611 f +48 58 301 1125 t +49 2821 750 112 lungen-coburg.de f +44 20 7942 2616 info@muzeum. Dr. Arie Wallert Dr. Dennis Weller f +49 2821 750 111 [email protected] narodowe.gda.pl (associate) Curator of European art [email protected] Dr. Alexander Wied Curator of technical North Carolina Museum of Art Curator Ms. Joanna Winiewicz Ms. Martha A. Wolff painting research 4630 Mail Service Center Dr. Hiltrud Westermann- Kunsthistorisches Museum Curator of paintings Curator of European Rijksmuseum Raleigh nc27699-4630 Angerhausen Burgring 5A Zamek Królewski na Wawelu painting before 1750 Postbus 74888 usa Director a-1010 Wien (Royal Castle on Wawel Hill) Art Institute of Chicago nl-1070 dn Amsterdam t +1 919 839 6262 X2128 Museum Schnütgen Austria Wawel 5 111 South Michigan Avenue The Netherlands f +1 919 733 8034 Cäcilienstrasse 29 t +43 1 5253 4305 pl-31-001 Kraków Chicago IL 60603-6110 t +31 20 674 7283 [email protected] d-50667 Köln f +43 1 5252 4309 Poland usa f +31 20 674 7001 te.nc.us Germany [email protected] t +48 12 422 1950 t +1 312 443 3636 [email protected] t +49 221 2212 2310 f +48 12 422 1950 f +1 312 443 0753 Dr. James A. Welu f +49 221 2212 8489 Dr. Elsbeth Wiemann [email protected] [email protected] Dr. John J. Walsh Director [email protected] Curator for early German (associate) Worcester Art Museum and Netherlandish Dr. David de Witt Ms. Zora Wörgötter Former director of the J. 55 Salisbury Street Dr. Arthur K. Wheelock Jr painting Bader curator of European Curator of Baroque art Paul Getty Museum Worcester ma01609-3123 Curator of Northern Staatsgalerie Stuttgart art Moravská Galerie (Moravian 1200 Getty Center Drive usa Baroque painting Postfach 104342 Agnes Etherington Art Centre Gallery) Suite 1000 t +1 508 799 4406 X3023 National Gallery of Art d-70038 Stuttgart Queen’s University Husova 18 Los Angeles ca90049-1687 f +1 508 798 5646 Constitution Avenue, N.W. Germany University Avenue at cz-662 26 Brno usa [email protected] Washongton dc20565 t +49 711 4704 0250 Queen’s Crescent Czech Republic t +1 310 440 7114 usa f +49 711 4704 0333 Kingston, on t +420 542 321 100 f +1 310 440 7717 Dr. Matthias Weniger t +1 202 842 6147 e.wiemann@ Canada k7l 3n6 f +420 532 196 181 [email protected] Curator f +1 202 842 6933 staatsgalerie.de t +1 613 533 6000 x75100 [email protected] Bayerisches Nationalmuseum f +1 613 533 6891 Dr. Gregor J.M. Weber Prinzregentenstrasse 3 Ms. Lucy Whitaker Ms. Marjorie E. Wieseman [email protected] Ms. Helen Wüstefeld Chief curator d-80538 München Assistant to the surveyor of Curator of European Director Gemäldegalerie Alte Meister - Germany the Queen’s pictures painting and sculpture Mr. Lloyd de Witt Kasteel-Museum Sypesteyn Staatliche Museen Kassel t +49 892 112 4246 Royal Collection Cincinnati Art Museum Assistant curator of the Begijnekade 16 Postfach 410 420 f +49 892 112 4366 Stable Yard House 953 Eden Park Drive John G. Johnson Collection nl-3512 vv Utrecht d-34066 Kassel matthias.weniger@ St. James’s Palace Cincinnati oh 45202 Philadelphia Museum of Art The Netherlands Germany bnm.mwn.de London SW1A 1JR usa p.o. Box 7646 t +31 35 582 3208 t +49 561 3168 0112 United Kingdom t +1 513 639 2915 Philadelphia PA 19101-7646 [email protected] f +49 561 3168 0111 t +44 20 7930 4832 X4699 f +1 513 639 2996 usa gjm.weber@ f +44 20 7839 8168 [email protected] t +1 215 684 7222 museum-kassel.de Lwhitaker@ f +1 215 763 8955 RoyalCollection.org.uk [email protected] codart Courant 11/January 2006 34

Wy Zh codart Ms. Elisabeth Wyckoff Ms. Olena Victorivna Associate curator of prints Zhivkova and drawings Head of department of codartbureau codartboard Davis Museum and Cultural European art Center Bogdan and Varvara Ms. Navany Almazan Ms. Greetje van den Bergh Ms. Jeltje van Wellesley college Khanenko Museum of Art Associate Johan de Wittstraat 13 Nieuwenhoven 106 Central Street Tereshchenkivska St. 15-17 Postbus 76709 nl-2334 am Leiden Member of the Wellesley ma02181-8257 ua-1004 Kiev nl-1070 ka Amsterdam The Netherlands Provincial Executive usa Ukraine The Netherlands t +32 2 212 1930 of Zuid-Holland t +1 781 283 2175 t +38 044 234 5334 t +31 20 3054 521 f +32 2 212 1949 Postbus 90602 f +1 781 283 2064 f +38 044 235 0206 f +31 20 3054 500 GreetjevandenBergh@ nl-2509 lp The Hague [email protected] [email protected] [email protected] planet.nl The Netherlands t +31 70 441 7086 Ms. Yao-Fen You Dr. Antoni Ziemba Drs. Wietske Donkersloot Prof. Dr. Rudi Ekkart f +31 70 441 7819 Theodore Rousseau Post- Chief curator of the foreign Senior associate Director j.van.nieuwenhoven@ Doctoral Fellow in painting gallery Postbus 76709 Rijksbureau voor pzh.nl European Paintings Muzeum Narodowe w nl-1070 ka Amsterdam Kunsthistorische Fogg Art Museum Warszawie (National Museum The Netherlands Documentatie Mr. Henk van der Walle 32 Quincy Street in Warsaw) t +31 20 3054 515 Postbus 90418 Chairman Cambridge ma02138 Aleje Jerozolimskie 3 f +31 20 3054 500 nl-2509 lk The Hague Bisschopsstraat 16 usa pl-00-495 Warsaw [email protected] The Netherlands nl-7513 ak Enschede t +1 617 496 3671 Poland t +31 70 333 9777 The Netherlands f +1 617 496 2359 t +48 22 621 1031 ext. 278 Mr. Gary Schwartz f +31 70 333 9789 t +31 53 431 6744 [email protected] f +48 22 622 8559 Webmaster [email protected] f +31 53 432 9401 [email protected] Postbus 162 hvanderwalle@ Ms. Maria Zagala nl-3600 ad Maarssen Mr. J.C. Houwert rocvantwente.nl Assistant curator of prints Ms. Graz.yna Zinówko The Netherlands Chairman of the Board and drawings Curator of Old Master t +31 346 580 553 of Management of the Mr. Arnout Weeda National Gallery of Victoria drawings f +31 346 580 554 Koninklijke Wegener N.V. Secretary-treasurer p.o. Box 7259 Muzeum Narodowe w [email protected] Kemperbergerweg 15 Houtvaartkade 40 Melbourne 8004 Gdan´ sku (National Museum nl-6816 rm Arnhem nl-2111 bs Aerdenhout Australia in Gdan´ sk) Dr. Gerdien Verschoor The Netherlands The Netherlands t +61 3 9208 0289 ul. Torúnska 1 Director t +31 55 538 8888 +31 23 524 7769 f +61 3 9208 0460 pl-80-822 Gdan´ sk Postbus 76709 f +31 55 538 8666 [email protected] maria.zagala@ Poland nl-1070 ka Amsterdam [email protected] ngv.vic.gov.au t +48 58 301 70 61 5 The Netherlands f +48 58 301 11 25 t +31 20 3054 521 Dr. Paul Huvenne Mr. Olivier Zeder info@muzeum. f +31 20 3054 500 Director Curator narodowe.gda.pl [email protected] Koninklijk Museum voor Musée Fabre de Montpelllier Schone Kunsten 39 boulevard Bonne Plaatsnijdersstraat 2 Nouvelle b-2000 Antwerp f-34200 Montpellier Belgium France t +32 3 242 0421 t +33 4 6714 8301 f +32 3 248 0810 f +33 4 6766 0920 [email protected] musee.fabre@ ville-montpellier.fr Mr. Wim Jacobs Advisor Ms. Liesbeth van der Zeeuw Instituut Collectie Nederland Curator art and applied arts Postbus 76709 Historisch Museum Rotterdam nl-1070 ka Amsterdam Korte Hoogstraat 31 The Netherlands nl-3011 gk Rotterdam t +31 20 3054 506 The Netherlands f +31 20 3054 500 t +31 10 217 6767 [email protected] f +31 10 433 4499 l.vanderzeeuw@ hmr.rotterdam.nl 35 codart Courant 11/January 2006

codartprogram codartwebsite committee committee

Drs. Charles Dumas Dr. Manfred Sellink Dr. Katharina Bechler Prof. Dr. Bernd Wolfgang Chief curator Artistic director Director Lindemann Rijksbureau voor Stedelijke Musea Brugge Stiftung Schloss Friedenstein Director Kunsthistorische Dijver 12 Gotha Gemäldegalerie Documentatie b-8000 Bruges Schloss Friedenstein Stauffenbergstraße 40 Postbus 90418 Belgium d-99867 Gotha d-10785 Berlin - Tiergarten nl-2509 lk The Hague t +32 50 448 711 Germany Germany The Netherlands f +32 50 448 778 t +49 3621 82340 t +49 30 266 2101 t +31 70 333 9705 manfred.sellink@ f +49 3621 823 461 f +49 30 266 2103 f +31 70 333 9789 brugge.be vorstand@ b.lindemann@ [email protected] stiftungfriedenstein.de smb.spk-berlin.de Ms. Sabine van Sprang Drs. Stephen Hartog Curator Ms. Emilie Gordenker Dr. Louisa Wood Ruby Senior curator Koninklijke Musea voor Senior curator Dutch and Photoarchivist Instituut Collectie Nederland Schone Kunsten van België Flemish Art The Frick Collection Postbus 1098 Museumstraat 9 National Gallery of Scotland 1 East 70th Street nl-2280 cb Rijswijk b-1000 Brussels The Mound New York ny10021 The Netherlands Belgium Edinburgh eh2 2el usa t +31 70 307 3841 t +32 2 5083 211 Scotland t +1 212 547 0652 f +31 70 319 2398 f +32 2 5083 232 t +44 131 662 6510 f +1 212 547 0680 [email protected] sabinesprang@ f +44 131 623 7126 [email protected] fine-arts-museum.be egordenker@ Drs. Norbert E. Middelkoop nationalgalleries.org Curator of paintings, prints Ms. Helen Wüstefeld and drawings Director Rieke van Leeuwen Amsterdams Historisch Kasteel-Museum Sypesteyn Webmaster Museum Begijnekade 16 Rijksbureau voor Postbus 3302 nl-3512 vv Utrecht Kunsthistorische nl-1001 ac Amsterdam The Netherlands Documentatie The Netherlands t +31 35 582 3208 Postbus 90418 t +31 20 523 1822 [email protected] nl-2509 lk The Hague f +31 20 620 7789 The Netherlands norbertmiddelkoop@ t +31 70 333 9777 ahm.amsterdam.nl f +31 70 333 9789 [email protected] Drs. Sander Paarlberg Curator of Old Master Mr. Geert Souvereyns paintings (associate) Dordrechts Museum Coördinator Postbus 1170 Vlaamsekunstcollectie nl-3300 bd Dordrecht Bijlokekaai 1b The Netherlands b-9000 Gent t +31 78 648 2148 Belgium f +31 78 614 1766 t +32 9 225 4924 MS.Paarlberg@ f +32 9 225 4955 dordrecht.nl geert.souvereyns@vlaamse kunstcollectie.be Mr. Axel C. Rüger Curator of Dutch and Mr. Ron Spronk Flemish paintings Associate curator for The National Gallery research at Straus Center Trafalgar Square for Conservation and London wc2n 5dn Technical Studies United Kingdom Harvard University Art t +44 20 7747 2893 Museums f +44 20 7753 8179 32 Quincy Street axel.ruger@ Cambridge ma02138 ng-london.org.uk usa t +1 617 495 0987 f +1 617 495 0322 [email protected] codart Courant 11/January 2006 36 codart dates 10-11 March Symposium Mechelen and early 19th-century sculpture: Between tradition and 2006 innovation, Stedelijke Musea Mechelen- [9 March Opening tefaf, Maastricht] Museum Schepenhuis, Mechelen (Malines) 11 March-25 June De droom van Italië (Dreaming 12-14 March codart negencongress, Dutch and Flemish art in the land of of Italy), Mauritshuis, The Hague Rembrandt, Leiden 16 March-14 May Rembrandt et son école: Dessins de l’ancienne collection royale de Dresde (Rembrandt 14-19 March codart negenstudy trip to the eastern and northern and his school: Drawings from the former royal provinces of the Netherlands collection of Dresden), Fondation Custodia (Collection Frits Lugt), Paris 18 March-2 July Mit Leidenschaft. Czernin und 2007 Lamberg: Zwei Wiener Gemäldesammler aus der [8 March Opening tefaf, Maastricht] Zeit Mozarts (With passion. Czernin und Lamberg: Two Viennese collectors in the age of Mozart) , 11-13 March codart tiencongress, Dutch and Flemish art in France,Paris Residenzgalerie, Salzburg 14-18 March codart tienstudy trip to northwestern France 25 March-18 July Rembrandt at 400, Herbert F. Johnson Museum of Art, Ithaca 28 March-25 June Rembrandt: Master of light and shadow. Etchings from the collection of the Hood Museum of Art, Hood Museum of Art, Hanover The calendar of exhibitions and other major paintings from the Rijksmuseum), Rijksmuseum, 30 March-1 April Symposium Campin in context: museum events on the codartwebsite Amsterdam The and society in the Scheldt River valley contains dossiers on all past, current and 4 February-14 May Rembrandt? Mesteren og hans and in northern France in the time of Robert upcoming exhibitions, and congresses and værksted (Rembrandt? The master and his Campin, Maison de la Culture, Doornik symposia concerning Dutch and Flemish art workshop), Statens Museum for Kunst, () all over the world, extending as far into the Copenhagen 30 March-21 May Les eaux-fortes de Rembrandt future as we have information. As you can see 16 February-26 March Les eaux-fortes de dans la Collection Frits Lugt: Rembrandt et le from the list below, 32 exhibitions on Dutch Rembrandt dans la Collection Frits Lugt: paysage (The Rembrandt etchings in the Frits Lugt and Flemish art have been announced by Rembrandt et la bible (The Rembrandt etchings in Collection: Rembrandt and landscape), Fondation museums to open between now and the the Frits Lugt Collection: Rembrandt and the Bible), Custodia (Collection Frits Lugt), Paris beginning of June 2006 – the planned date of Fondation Custodia (Collection Frits Lugt), 1 April-2 July Rembrandt: Zoektocht van een genie publication of the next codartCourant. Paris (Rembrandt: The quest of a genius), More information on these exhibitions is 18 February-6 August Rembrandt 1606-2006: Rembrandthuis, Amsterdam available on the codartwebsite, where you Florilège des collections (Rembrandt 1606-2006: 7 April-11 June Grand gestures: Celebrating can also sign up for the free notification service Choices from the collections), Musée Jenisch, Rembrandt, Frances Lehman Loeb Art Center announcing opening and closing dates of Vevey (Vassar College), Poughkeepsie exhibitions ten days in advance. 18 February-11 June Rembrandt: Master 13 April-3 September Rembrandt de verteller: printmaker, Cincinnati Art Museum, Etsen uit de verzameling Frits Lugt. (Rembrandt the Please keep codartposted on upcoming Cincinnati narrator: Etchings from the Frits Lugt collection), exhibitions and other events in your museum. 18 February-11 June Rembrandt’s printmaking Stedelijk Museum De Lakenhal, Leiden E-mail us at: [email protected] legacy, Cincinnati Art Museum, Cincinnati 20-23 April Conference Formulating a response: 21 February-26 March Rembrandt - Radierungen: Methods of research on Italian and Northern 12 January-April ExtravagANT! Antwerpse Zum 400. Geburtstag des Künstlers (Rembrandt European art, 1400-1600, Pallas Instituut voor schilderijen voor de Europese markt 1500-1525 etchings: In honor of the artist’s 400th birthday), Kunsthistorische en Letterkundige Studies, (ExtravagAnt! Antwerp pictures for the European Staatliche Graphische Sammlung München, Leiden market 1500-1525), Bonnefantenmuseum, 28 April-11 JuneRembrandt in prent gebracht Maastricht 24 February-18 June Rembrandt-Caravaggio, (Rembrandt engraved), Universiteit van Leiden, 15 January-15 March Time and transformation in , Amsterdam Leiden 17th-century Dutch art, Speed Art Museum, 25 February-4 June Jacob van Ruisdael: Master of 12 May-13 August Rembrandt puur (The essence of Louisville landscape, Royal Academy of Arts, London Rembrandt), Amsterdams Historisch Museum, 21 January-19 March Prenten in de Gouden Eeuw: 26 February-21 May Amorous intrigues and Amsterdam Van kunst tot kastpapier (Prints in the Golden Age: painterly refinement: The art of Frans van Mieris, 19 May-20 August 34 Gemälde Rembrandts in From art to shelf paper), Museum Boijmans Van National Gallery of Art, Washington Kassel: Die historische Sammlung von Landgraf Beuningen, Rotterdam 3 March-28 May Rembrandt: What was he Wilhelm viii(34 paintings of Rembrandt in Kassel: 21 January-17 April Rembrandt ontmaskerd thinking?, Toledo Museum of Art, Toledo The historical collection of Landgrave Wilhelm (Rembrandt exposed), Teylers Museum, Haarlem 9 March-24 May Really Rembrandt?, viii), Staatliche Museen (Gemäldegalerie Alte 26 January-19 February Alle schilderijen van Rijksmuseum, Amsterdam Meister), Kassel Rembrandt in het Rijksmuseum (All the Rembrandt