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A Study of Selected Works of Ignaz Joseph Pleyel
The Woman's College of The University of North Carolina LIBRARY CQ no. Ml COLLEGE COLLECTION Gift of Rachel Elizabeth Mu^eon y A STUDY OF SELECTED WORKS OF IGNAZ JOSEPH PLEYEL by Rachel Elizabeth Hudson A Thesis Submitted to the Faculty of the Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree '... Master of Education in Music Education Greensboro July, 1964 Approved by f-GL Director • h APPROVAL SHEET This thesis has been approved by the following committee of the Faculty of the Graduate School at the University of North Carolina at Greensboro. Greensboro, North Carolina. Thesis Director Oral Examination Committee Members %^McA^ $££* %6-L**<L-^ July 17, 1964 2703 Date of Examination ii HUDSON, RACHEL ELIZABETH. A Study of Selected Works of Ignaz Joseph Pleyel. (1964) Directed by: Dr. Lee Rigs by. 165 pp. The purpose of this study is to help fulfill a need in keyboard instruc - tion for more materials which are both worthy and exemplary of the period they reflect. For students in the intermediate grades, much of the literature re- flecting the classic style of the eighteenth century is far too difficult in its technical and interpretive demands. This is not true of many of the composi- tions of Ignaz Joseph Pleyel, but unfortunately his works fell into oblivion during the early nineteenth century and have up to the present played a very small role in the performing repertoire. The present discussion deals first with the biography of Pleyel, describ- ing his life as a composer and later as a successful business man. -
Journal of the American Viola Society Volume 31 No. 1, Spring 2015
New Horizons Vadim Borisovsky and His Viola Arrangements, Part II The Viola Concertos of J. G. Graun and M. H. Graul Unconfused The Absolute Zero Viola Quartet Volume 31 Number 1 Number 31 Volume Turn-Out in Standing Journal of the American Viola Society Viola American the of Journal Journal of the American Viola Society A publication of the American Viola Society Spring 2015: Volume 31, Number 1 p. 3 From the Editor p. 5 From the President News & Notes p. 9 Primrose Memorial Concert 2015 Myrna Layton reports on Atar Arad’s appearance at Brigham Young University as guest artist for the 33rd concert in memory of William Primrose. p. 13 42nd International Viola Congress in Review: Performing for the Future of Music Martha Evans and Lydia Handy share with us their experiences in Portugal, with a congress that focused on new horizons in viola music. Feature Articles p. 19 Vadim Borisovsky and His Viola Arrangements: Recent Discoveries in Russian Archives and Libraries, Part II After a fascinating look at Borisovsky’s life in the previous issue, Elena Artamonova delves into the violist’s arrangements and editions, with a particular focus on the Glinka’s viola sonata p. 31 The Viola Concertos of J.G. Graun and M.H. Graul Unconfused The late Marshall ineF examined the viola concertos of J. G. Graul, court cellist for Frederick the Great, in arguing that there may have been misattribution to M. H. Graul. Departments p. 39 With Viola in Hand: A Passion Absolute–The Absolute Zero Viola Quartet The Absolute eroZ Quartet has captured the attention of violists in some 60 countries. -
A Dedicated and Energetic Instructor, MEGAN HOFELDT Is Committed to Instilling a Life-Long Love of Music and Learning in Each of Her Students
A dedicated and energetic instructor, MEGAN HOFELDT is committed to instilling a life-long love of music and learning in each of her students. Based in Central Iowa, Megan is the Instructor of Flute at Grand View University and Central College. She also teaches lessons to junior high and high school students through the Central Music Academy in Pella, the Urbandale Middle School, and her home studio in Huxley. As an experienced flute choir conductor, Megan strives to program diverse selections of world music that feature the entire flute family ranging from piccolo to contrabass. In addition to teaching lessons at Central College, she also conducts the Central Flute Ensemble. This group is open to all students and can be heard in regular recitals on and off campus. Her Grand View University studio and home studio also program flute ensemble music for their semi-annual recitals. In addition to teaching, Megan also maintains an active performance schedule. She was recently appointed Principal Flute of the Ottumwa Symphony Orchestra after serving as Second Flute/Piccolo and Substitute Principal since 2005. She also performs as Principal Flute of the Central College Community Orchestra and enjoys frequent chamber music collaborations with her colleagues. Megan was formerly Principal Flute and Piccolo with the Southeast Iowa Band, the University of Iowa Symphony Orchestra and Chamber Orchestra, and was featured as Principal Flute for the University of Iowa Symphony Band's 2008 performance at Carnegie Hall. She has performed chamber music at the Wisconsin Flute Festival, Iowa Flute Festival, Central College, West Music Conservatory, Clarke University, and Culver-Stockton College. -
2012-2013-Annual-Report.Pdf
FOUNDATION PUBLICPUBLIC FOUNDATION GREATER GREATERDES MOINES ART DES MOINES ART 2011–2012 AnnuAl RepoRt 2012–2013 ANNUAL REPORT 1 greater des moines public art Foundation Greater Des Moines Greater Des Moines public public Art Foundation Art Foundation proudly: engages, inspires, and ■ selects, and commissions works of art created by enriches the lives of venerated professional artists citizens and visitors in our for installation in public community. the public Art spaces; Foundation is recognized ■ acquires artworks for a public art collection by means MISSION+VISION for increasing cultural of direct commissions, awareness by establishing invitationals, community- a world-class destination initiated projects, and gifts; for public art. ■ enhances greater des moines’ Greater Des Moines environment, public buildings, public Art Foundation and lands; places art in ■ provides inancial support and assistance in commissioning public spaces through professional artists for private public and private or municipal urban collaborations. development projects; ■ integrates professional artists into the planning, design, and construction of city and privately developed facilities, e.g., buildings, parks, streetscapes, and other facilities and spaces that would beneit from participation by an artist; ■ celebrates the multi-cultural and diverse character of the community’s neighborhoods and citizens; ■ nurtures a sense of citizen ownership and pride in a public art collection; and ■ encourages creative partnerships between artists and residents, neighborhoods, businesses, and community organizations located in the city. 2 greater des moines public art Foundation 2012-2013 annual report 3 FRoM tHe DIReCtoR m. Jessica roWe What makes a magnet city, opportunities for artists to In September 2012, projects to re-envision and Des Moines will generate one that people are drawn engage in the issues of our GDMPAF marked its second refresh pedestrian-focused as a destination to work, to live in, work in, and time. -
Adam Baruch - the Soundtrack of My Life Reinhard Startseite Erstellen
6 Adam Baruch - The Soundtrack Of My Life Reinhard Startseite Erstellen Adam Baruch - The Soundtrack Of My Life Startseite Info Gefällt mir Abonnieren Teilen Kontaktiere uns Nachricht Beiträge Fotos Adam Baruch - The Soundtrack Of My Life Adam Baruch - The Soundtrack Of My Life 3. August um 10:51 · fragen Community Saxofour & Maria Joao – “Cinco” "Kannst du mir etwas mehr über Frage stellen dich erzählen?" Gruppen This is a stunning album by the Austrian saxophone quartet Saxofour, which "Kann ich etwas mehr über consists of Florian Brambock, Klaus Dickbauer, Christian Maurer and Frage stellen deinen Hintergrund erfahren?" Seite erstellen Wolfgang Pusching, who between them play soprano, alto, tenor and baritone saxophones, clarinet, bass clarinet and flute. On this album they "Hast du Zeit zum Chatten?" Frage stellen combine forces with the wonderful Portuguese vocalist Maria Joao. The album presents twelve compositions, seven of which are by the great Gib eine Frage ein ... Portuguese pianist / composer Mario Laginha, five are by the quartet members and one is a standard. Joao wrote the lyrics to three of the compositions. All the music was arranged by the quartet members. Our Story The music is an orgy of creativity and spontaneity, combining the exquisite sound created by the saxophone quartet with the extraordinary vocal Adam Baruch is one of the world's leading pyrotechnics of Joao. Although seemingly lacking any rhythmic support, this authorities on Jazz and Progressive Rock music is full of polyrhythmic complexity, combining the familiar Jazz setting Music. He is a wr... with the exotic South European vivacity. Mehr anzeigen The saxophone quartet is capable of producing a rich and complex soundscape, combining the four individual instruments into an almost symphonic sound environment. -
Antoni Szałowski
1 Introduction 1.1. Defining the subject “It is the duty of Polish musicologists to know more or less as much about us as they do about the composers who live in Poland”1. These words come from Roman Palester’s letter to the organisers of a sym posium devoted to the works of Polish émigré composers which took place in Warsaw in 1988, a project initiated by the Musicology Section of the Polish Composers’ Union. The conference was an exceptional event, and the first one of its kind. The papers to be presented there were to combine critical and aesthetic interpretation with artistic evaluation of the works, and some of them were to be devoted to Antoni Szalowski2. Unfortunately, the achievements of Szalowski, one of the main represen tatives of Polish Neoclassicism, were, after all, omitted from the con ference programme. Roman Palester described this as “something of a scandal”3. Referring to the title of the symposium, “Music wrongly 1 R. Palester, Prawda źle obecna [Truth Wrongly Present] [letter sent in December 1988], in: Muzyka île obecna [Music Wrongly Present], ed. K. Tarnawska-Kaczo- rowska, I, Warszawa 1989, p. 28. 2 According to Krystyna Tarnawska-Kaczorowska the paper on Szałowski was to have been written by Adam Walaciński. She also mentions Wladyslaw Malinowski, who was planning a presentation on the influence of the émigré community on the evolution of creative paths, using the music of Palester, Panufnik, Spisak and Szalow ski as examples. Cf. K. Tarnawska-Kaczorowska, Na rozpoczęcie [To Start with], in: Muzyka île obecna, op. cit., p. -
Prairie Meadows
SPRING 2013 PRAIRIE MEADOWS MAKING A DIFFERENCE DEAR FRIENDS, Prairie Meadows began operations in 1989 and, over the course of nearly 25 years, one common thread has remained consistent – that Prairie Meadows be a catalyst for jobs, economic development, agriculture and tourism. That has remained our goal ever since and has allowed us to provide our state and local community with more than $1.2 billion in taxes and community betterment funding. We are an excellent example of how a public/private partnership can benefit our local community, and we take great pride in being a non-profit organization that can help make a difference in the lives of Iowans. Prairie Meadows is the result of a complete community effort, thanks to the commitment of so many people – volunteers, business leaders, elected officials, and hundreds of others who have been instrumental in the development and continued success of one of the great public/private business experiments in the entertainment industry. CONTENTS WHere OUR ProfiTS GO 4 CommUNITY BETTermenT GranTS 16 ALLON’S STORY – 2012 ALS Campaign 6 EDUcaTional FUnding 18 TERRACE HILL RESTORATION 8 Board of DirecTors 22 Legacy GranTS 10 AdminisTraTion and EXecUTIVE ManagemenT 23 Central Iowa has seen dramatic and positive changes over the last two decades, and all of us at Prairie Meadows have been thrilled to provide financial assistance to help make this such a vibrant and progressive community. Thank you for allowing us the opportunity to share with you the great work being done through our giving and through the hard work of like-minded citizens who realize the potential the Des Moines area has to become one of this country’s great cities. -
An Analysis and Performance Guide of Steve Reich's Mallet
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2018 AN ANALYSIS AND PERFORMANCE GUIDE OF STEVE REICH’S MALLET QUARTET Francisco S. Perez University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2018.050 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Perez, Francisco S., "AN ANALYSIS AND PERFORMANCE GUIDE OF STEVE REICH’S MALLET QUARTET" (2018). Theses and Dissertations--Music. 109. https://uknowledge.uky.edu/music_etds/109 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies. -
Prairie Meadows 2019 Betterment Grant Recipients
PRAIRIE MEADOWS 2019 BETTERMENT GRANT RECIPIENTS Since 1996, Prairie Meadows has given back $1.8 billion through taxes, grants, and charitable donations to the state of Iowa. 8th and College Connections Can Do Cancer Adel-Desoto-Minburn Community School District Candeo ALS Association, Iowa Chapter Catholic Charities Altoona Area Historical Society Child Abuse Prevention Services Inc. Altoona Fire Department Children & Families of Iowa Altoona National Night Out Community Coalition Children’s Cancer Connection Altoona Palooza Inc. Chrysalis Foundation Altoona Public Library and City of Carlisle Pleasant Hill Public Library City of Huxley American Federation of Labor and Congress City of Johnston of Industrial Organizations City of Maxwell American Red Cross, Central Iowa Chapter City of Mitchellville Animal Rescue League of Iowa Inc. City of New Virginia Ankeny Community School District City of Pleasantville The Avenues of Ingersoll & Grand City of St. Charles Parks & Recreation Balance Autism City of Urbandale Parks & Recreation Department Ballet Theatre of Des Moines Collins-Maxwell Athletic Boosters Bernie Lorenz Recovery Collins-Maxwell Community School District Bidwell Riverside Center Collins-Maxwell Partners in Education Big Brothers Big Sisters of Central Iowa Community Foundation of Greater Des Moines Blank Park Zoo Foundation Community Support Advocates Bondurant Community Foundation Community Youth Concepts Bondurant Emergency Services Cops Against Cancer Bondurant-Farrar Community School District Creative Visions Boys & Girls Clubs of Central Iowa Cub Scout Pack 68 Broadlawns Medical Center Foundation Cystic Fibrosis Foundation Camp Hantesa, Camp Fire Heart of Iowa Dallas County Hospital Foundation Inc. Camp Hertko Hollow Inc. PRAIRIE MEADOWS 2019 BETTERMENT GRANT RECIPIENTS Delaware Township Fire Department Genesis Inc. -
Fall Bucket List Created by Des Moines
DES MOINES PARENTMAGAZINE www.DesMoinesParent.com OCTOBER 2017 Festive FALL!Look inside for a full schedule of Halloween fun and more from all around central Iowa Can’t-miss events Family shows Turkeys and lights PAGE 12 PAGE 16 PAGE 18 2 DES MOINES PARENT MAGAZINE OCTOBER 2017 WWW.DESMOINESPARENT.COM Fall fun for all By Erin Huiatt This month’s issue is filled with fun events going on for Halloween and President & Publisher Shane Goodman Thanksgiving. There also some exciting announcements from the Des Editor Erin Huiatt Vice President Jolene Goodman Moines Children’s Museum. Advertising Sales Director Dan Juffer Events and activities are really gearing up in central Iowa. Make Advertising Executives Ashlee Walton Nicole Berger sure you have bookmarked or downloaded our free app so you can keep Shelby Bobbett track of events and activities going on in your area. Our event calendar Reagan Maher Jay Mathes includes date night ideas, kids’ activities, moms’ night out and much Danielle Stoppelmoor more. Dawn Morgan Joy Davis I hope everyone has a wonderful Halloween and stays safe while Katie Hawley trick-or-treating in our communities! n Design Manager Celeste Tilton Graphic Designers Karen Ericson Jordan Aust Advertising Assistant Kathy Summy Digital/Distribution Brent Antisdel Distribution Manager Patrick Clemmons Phone: 515.953.4822 Fax: 515.953.1394 Erin Huiatt, editor Website: www.desmoinesparent.com [email protected] Address: 5619 N.W. 86th St., Suite 600 Twitter - @desmoinesparent Johnston, Iowa 50131 Facebook - @desmoinesparent Des Moines Parent magazine is a monthly Instagram - @midwestmomandwife publication of Big Green Umbrella Media Twitter - @midwestmomandwife Inc., an Iowa corporation. -
Liner Notes, Visit Our Web Site
Ice Cream Time: The Raunchy and the Rigorous “I can think of no one else whose music combines the raunchy and the rigorous, the tender and the hyper, or the intricate and the intense with quite this passionate persuasiveness.” —Fred Frith, Prologue to Skin Nick Didkovsky is an accomplished composer, virtuoso guitarist, and computer programmer who works on the cusp between the concert hall and the rock-and-roll club—territory that is only now beginning to be taken seriously. In his book American Music in the Twentieth Century Kyle Gann has written that “Nick Didkovsky is one of the most unusual composers of his generation, with a computer-generated complexity to his ensemble music that goes beyond totalism.”1 Didkovsky’s compositions are rigorously conceived, yet leave plenty of room for spontaneous input. He freely combines intuition with meticulous systematic techniques. He has tapped into what one might describe as a typically American way of making music—iconoclastic and formalist without being overly uptight. Combining complex rhythms, harmonies, and textures with the visceral energy of rock music he creates work that is cutting-edge (albeit more Downtown than Uptown), rigorous, and subversive. His employment of asymmetrical meters, gratuitous dissonance, and tonally ambiguous harmonies rubs against the pop sensibility implied by the compositional forms and instrumentation with which he works. The aspects of directness or accessibility inherent in his work refuse to kowtow to Romantic notions of beauty, or a bankrupt Postmodernist pastiche. The sense of compositional and technological inventiveness in Didkovsky’s music bears resemblance to that of other maverick composer-hacker-performers such as Salvatore Martirano, Larry Polansky, David Rosenboom, and George Lewis. -
Downtown Des Moines
DOWNTOWN DES MOINES THINGS TO DO A B C D E F G H I J K L Brenton Skating Plaza.................................................................H5 MERCYONE Bottle & Bottega Des Moines......................................................A7 DES MOINES Capitol Row.......................................................................................J4 MEDICAL CENTER Climb Iowa East Village.................................................................I6 Cooking with Alessandra............................................................ I4 Des Moines Civic Center.............................................................F6 1 1 Des Moines Symphony................................................................C7 HOLIDAY INN DOWNTOWN AT Downtown Farmers’ Market (Court District)............................G7 MERCY CAMPUS GREATER DES MOINES BOTANICAL GARDEN Greater Des Moines Botanical Garden.....................................I1 DOWNTOWN DES MOINES Hoyt Sherman Place.....................................................................A5 Iowa Barnstormers (Iowa Events Center)....................................F3 Iowa Cubs at Principal Park.....................................................H9 Skywalks Iowa Events Center......................................................................F3 Iowa Hall of Pride........................................................................F4 Iowa Stage Theater Company.................................................C8 Temporary Closing Iowa State Capitol.........................................................................L4