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AMERICAN SQUARE DANCE Annual S9 MAY 1983 Single Copy Si \ O [Fsjiti, 111 N 4) Ro Is Filar 4'1
AMERICAN SQUARE DANCE Annual S9 MAY 1983 Single Copy Si \ O [fsJiti, 111 N 4) Ro Is filar 4'1 '1111'1.11(w .4( Pftid stiv k 'a.' 'jilt, ea) It --ps" mai 1101•1111B011••••••••• THE P-400 "BOSS" UNCHALLENGED AUTHORITY Sound any hall with clear distinct voice and music. Whether you are bringing dan- cing enjoyment to one or 100 squares, the P-400 system is all you will ever need. Write or call today! Say you saw it in ASD (Grad.' Burdick) CLINTON INSTRUMENT COMPANY, PO BOX 505, CLINTON CT 06413 Tel: 302-669-7548 •••••••••••••••••••1111 1141001141411101110 1 I 2 AMERICAN co SCILIRRE ORNCE VOLUME 38, No. 5 MAY 1983 THE NATIONAL MAGAZINE WITH THE SWINGING LINES ASD FEATURES FOR ALL LEADERSHIP TIPS 4 Co-editorial S/D and Grapefruit Pie 5 By-Line 7 Meanderings ROUNDS 13 January Jubilee 19 The Quickstep 15 Best Little Cloggers in Texas 67 Facing the L.O.D. 17 Aaa-choo 69 Flip Side/Rounds 25 Rhyme Time 78 R/D Pulse Poll 27 Encore 29 Hemline 31 Best Club Trick SQUARE DANCE SCENE 38 Dancing Tips 21 Coming Up Roses 59 Dandy Idea 35 Callerlab Convention 60 Knoxville Hall Opens 37 32nd National Convention 62 People 50 Challenge Chatter 68 Steal A Peek 64 International News 73 Puzzle Page 66 LEGACY 83 Plumb Line 77 Date-Line 87 Linear Cycle Round The Globe 89 Book Nook FOR CALLERS 90 Finish Line 35 Callerlab Convention 92 Laugh Line 39 Calling Tips 40 Easy Level 52 Creative Choreography OUR READERS SPEAK 56 PS/MS 6 Grand Zip 70 Flip Side/Squares 32 Straight Talk 79 S/D Pulse Poll 33 Feedback 80 Underlining The Note Services Workshop Editors Publishers and Editors Ed Fraidenburg Bob Howell Stan & Cathie Burdick Howie Shirley Feature Writers Member of NASRDS Harold & Lill Bausch Dave Fleck National Association of S&R/D Suppliers Mary Jenkins Russ & Nancy Nichols Gene & Thelma Trimmer Bev Warner AMERICAN SQUAREDANCE Magazine Editorial Assistants (ISSN 0091-3383) is published by Burdick Virginia Bridgman Enterprises. -
The Lubbock Texas Quartet and Odis 'Pop' Echols
24 TheThe LubbockLubbock TexasTexas QuartetQuartet andand OdisOdis “Pop”“Pop” Echols:Echols: Promoting Southern Gospel Music on the High Plains of Texas Curtis L. Peoples The Original Stamps Quartet: Palmer Wheeler, Roy Wheeler, Dwight Brock, Odis Echols, and Frank Stamps. Courtesy of Crossroads of Music Archive, Southwest Collection/Special Collections Library, Texas Tech University, Lubbock, Texas, Echols Family Collection, A Diverse forms of religious music have always been important to the cultural fabric of the Lone Star State. In both black and white communities, gospel music has been an influential genre in which many musicians received some of their earliest musical training. Likewise, many Texans have played a significant role in shaping the national and international gospel music scenes. Despite the importance of gospel music in Texas, little scholarly attention has been devoted to this popular genre. Through the years, gospel has seen stylistic changes and the 25 development of subgenres. This article focuses on the subgenre of Southern gospel music, also commonly known as quartet music. While it is primarily an Anglo style of music, Southern gospel influences are multicultural. Southern gospel is performed over a wide geographic area, especially in the American South and Southwest, although this study looks specifically at developments in Northwest Texas during the early twentieth century. Organized efforts to promote Southern gospel began in 1910 when James D. Vaughn established a traveling quartet to help sell his songbooks.1 The songbooks were written with shape-notes, part of a religious singing method based on symbols rather than traditional musical notation. In addition to performing, gospel quartets often taught music in peripatetic singing schools using the shape-note method. -
Oct-Nov 2020
The A publication by the Southwest Bluegrass Association SWBA BOARD OF DIRECTORS The Bluegrass Soundboard STAFF President Vice-President Terry Brewer Marc Nelissen Managing Editor Terry Brewer 661-364-9321 909 289 8730 661-364-9321 [email protected] [email protected] [email protected] Associate Editors Treasurer Secretary Sheila Brewer, Mark Shutts Paula De Bie Missy Lyn Gibson 951-934-3478 774-248-4128 Regular Contributors [email protected] [email protected] Terry Brewer, Bert Luontela, Ann Smith, Membership Connie Tripp Chris Jones, Wayne Erbsen, Eric Nordbeck Sheila Brewer 661-305-1554 Distribution 661-364-7415 [email protected] Flo De Bie, Carol Lister, Frank & Patsy Abrahams, [email protected] Susan Brown, Ella Carter, Paula De Bie Paul Haas Louie De Bie The Bluegrass Soundboard Deadlines [email protected] 951-934-3478 [email protected] DECEMBER JANUARY issue November 1st FEBRUARY /MARCH issue January 1st APRIL MAY issue March 1st COMMITTEE CHAIRPERSONS JUNE JULY issue May 1st AUGUST SEPTEMBER issue July 1st OCTOBER NOVEMBER issue September 1st Soundboard & Web manger Social Media Terry Brewer Terry Brewer ADVERTISING RATES Missy Lyn Gibson Single Issue Yearly SWBA Host Julie Ann Evans Full page $65 $350 Sheila Brewer Half page $35 $190 $25 SWBA Jam Host Advertising Quarter page $130 $10 $60 Howard Doering Missy Lyn Gibson Card size Marc Nelisse Terry Brewer Foe more information concerning advertising Mark Shutts (including special rates and discounts) Contact Terry Brewer René Baquet Campout Hosts 661-364-9321 [email protected] Paul Haas Paula De Bie SWBA Membership SWBA School Program For member information, change of address, phone and emails. -
The History of Early Bluegrass in Texas the History of Early Texas in Bluegrass Early of History the Bluegrass in Texas1
Moag and Campbell: The History of Early Bluegrass in Texas The History of Early The HistoryTexas ofEarly Bluegrass in Bluegrass in Texas1 Rod Moag, with assistance from Alta Campbell Bluegrass music in Texas has received even less recognition in completely separate from country music. I characterize the publications from within the state than without. Joe Carr and development of bluegrass music in Texas as a process rather Alan Munde’s Prairie Nights to Neon Lights: A History of than a binary switch from one stage to the other. This model Country Music in West Texas, includes a 20-page chapter on accounts for the varying pace of transition and the distinct bluegrass in West Texas.2 However, most books dealing with timelines found in the different regions of the state. To my Texas music have, at best, given bluegrass a passing mention knowledge, this has not been articulated before, though nation- and, at worst, given misleading information on the subject. al writers, such as Neil V. Rosenberg and Bill C. Malone have Larry Willoughby’s 1984 book, Texas Rhythm–Texas Rhyme, in previously identified many of the same trends and factors in a single mention of bluegrass lists four bands— bluegrass music’s development. Grassfire, Leon Valley Boys [actually Leon Valley Bluegrass], the Shady Grove Ramblers, A Brief Overview of Bluegrass Music in Texas and Tennessee Valley Authority—characterizing The story of bluegrass in Texas begins in 1950 with the them as “a part of the country music scene in Mayfield Brothers. Three members of a ranching family near Texas.”3 Singing Texas, edited by F. -
Motley County Tribune Voice of the Foothill Country
JAN-11G SOW HVVNIST COLLECTION Texas Mein University SW COLLECTION /TEXAS TECH PO BOX 41041 1-1-9BOCK, TEXAS 79409 LUBBOCK TX 79409-1041 MOTLEY COUNTY TRIBUNE VOICE OF THE FOOTHILL COUNTRY Where History is Pride $.75 Flomot Matador Northfield Roaring Springs Thursday, May 13, 2010 EST HUM 1891 Volume 119 Issue No. 19 County to collaborate Titus Foundation names with city on scholarship winners remodel project New board president elected By Carol Campbell tional briefing on the appli- ment will be requested from cation process for Phase II of THC to repay the loan. Past The Motley County Com- the repair and renovation of experience of this process in missioner's Court met on May the historic jail. Campbell said Phase I in 2008 resulted in 10, 2010, with a full court con- she was in the process of sub- early repayment of the loan sisting of Judge Ed D. Smith, mitting an application to the with interest. The court voted Commissioners Roy Gene Texas Historical Commission unanimously to provide the Stephens, Donnie Turner, in behalf of Motley County for loan from capital acquisitions, Franklin Jameson, and Rus- funds for the Phase II work. providing the loan is repaid sell Alexander. Also in at- In order to be eligible for grant with interest. tendance were Sheriff Chris assistance, applicants must be According to Judge Smith, Spence, County Attorney Tom able to provide a minimum of Mayor Pat Smith recently ap- Edwards, County Judge-Elect one dollar in cash to match proached him regarding col- Jim Meador, and Kate Hurt, each state dollar of approved laboration with the county to County and District Clerk. -
October 4, 1943 Montgomery County News by Mildred Smith Ramer, Ala
October 4, 1943 Montgomery County News by Mildred Smith Ramer, Ala., Oct. 3 County organizations are currently holding elections of new officers to serve in 1943-44. Among those reporting new officers to date are: Grady-Dublin Civic Club: Mrs. Larry Lee, president; Mrs. Rufus Fannin, vice-president; Mrs. C. D. Keener, secretary-treasurer. Pinedale Civic Club: All officers were reelected as follows: Mrs. Berney Brannan, president; Mrs. James McInnis, first vice-president; Mrs. Charles N. Putnam, second vice-president; Mrs. James Stoner, secretary-treasurer; Mrs. Cecil Eagerton, Jr., parliamentarian. LeGrand Civic Club: Mrs. John Sneed, president; Mrs. Rex Underwood, vice-president; Mrs. R. F. Carr, secretary-treasurer. Snowdoun Methodist Youth Fellowship; Jimmy Moseley, president; Carolyn Faulkner, vice-president; Margaret Sellers, secretary; Mary Hobbie, treasurer; Sara Avant, worship chairman; John Hawthorne, publicity chairman; Elizabeth Hobbie, recreation chairman; Jule Hawthorne, world friendship chairman. Snowdoun Methodist Women’s Society of Christian Service: Mrs. Frank McLean, president; Mrs. John P. Curry, vice-president; Mrs. John Adkin Walter, secretary; Mrs. Crump M. Stowers, treasurer. Chisholm P. T. A.: Mrs. S. J. Till, president; Mrs. William Martin, vice-president; Mrs. W. A. McAlester, secretary; Mrs. Earl Bruner, treasurer; Mrs. Zora Gumpf, publicity chairman; Mrs. M. S. Chisholm, round- up chairman; Mrs. P. C. Ellis, study group chairman; Mrs. Alice Timmerman, recreation chairman; Mrs. Snell, magazine subscriptions: -
Fraternity Balfour
FRATERNITY BALFOUR For more than a quarter of a century, the Bal four Company has taken pride in erving the fraternities and sororities with their insignia. Your badge, made by master Balfour craftsmen and set with precious jewels, is a worthy symbol of your association with Pi Kappa Alpha. INSIGNIA PRICE LIST Plain bevel border badge, No. 1 _ _______ ---· $ 6.00 Crown set pearl badge, No. 0 ···-··------------ 11.50 Pledge butt on --·---------·---- --·············---·····--·----· 0.50 Monogram recog nition, plain .. ··--·---- ..... --··--·· 1.25 Complete illust1·atecl p1·ice list sent on Te quest. 20 % Federal Tax and any State Tax in effect in addition to above prices. All orders for badges must come in on official order blanks and must be signed by an officer of the chapter. P1·ices effective March 1, 1948. IIKA Crested Jewel Box May also be used as cigar ette bo x. Softly padded brown calf with decorative gold leaf border is fashioned into a beautiful case which may be used for either cigarettes or jewelry. Box is cedar li ned with re movable velvet pad. Size 4" x 3 78 " x 2". No. 4343 Dark Brown CalL·------------·---·-------------···---···-··-··$6.00 Not Taxable Official Jeweler to PI KAPPA ALPHA L. G. BALFOUR COMPANY Attleboro Massachusetts + CHAPTERS will be inter ested to know that the propo ed a rm AND tiona] Dream Girl Contest will not ma ~HI~tll DIAM~ND terialize at the Salt Lake City Conven OFFICIAL PUBLICATION OF THE PI KAPPA ALPHA FRATERNITY tion becau e of lack of time to properly Founded at the University of Virginia, March I, 1868, by Julian Edward organize the event. -
The Lubbock Texas Quartet and Odis “Pop” Echols: Promoting Southern Gospel Music on the High Plains of Texas
24 The Lubbock Texas Quartet and Odis “Pop” Echols: Promoting Southern Gospel Music on the High Plains of Texas Curtis L. Peoples The Original Stamps Quartet: Palmer Wheeler, Roy Wheeler, Dwight Brock, Odis Echols, and Frank Stamps. Courtesy of Crossroads of Music Archive, Southwest Collection/Special Collections Library, Texas Tech University, Lubbock, Texas, Echols Family Collection, AV006. Diverse forms of religious music have always been important to the cultural fabric of the Lone Star State. In both black and white communities, gospel music has been an influential genre in which many musicians received some of their earliest musical training. Likewise, many Texans have played a significant role in shaping the national and international gospel music scenes. Despite the importance of gospel music in Texas, little scholarly attention has been devoted to this popular genre. Through the years, gospel has seen stylistic changes and the 25 development of subgenres. This article focuses on the subgenre of Southern gospel music, also commonly known as quartet music. While it is primarily an Anglo style of music, Southern gospel influences are multicultural. Southern gospel is performed over a wide geographic area, especially in the American South and Southwest, although this study looks specifically at developments in Northwest Texas during the early twentieth century. Organized efforts to promote Southern gospel began in 1910 when James D. Vaughn established a traveling quartet to help sell his songbooks.1 The songbooks were written with shape-notes, part of a religious singing method based on symbols rather than traditional musical notation. In addition to performing, gospel quartets often taught music in peripatetic singing schools using the shape-note method. -
Cash Box, Music Page 36 May 22, 1954
. The Cash Box, Music Page 36 May 22, 1954 THANKS DEEJAYS AND THE CASH BOX OPERATORS . “LET ME LOVE YOU” (2:26) [Central BMI—T. Collins] ‘I ALWAYS GET A SOUVENIER” (2:22) [Central BMI—T. Collins] TOMMY COLLINS (Capitol 2806) • Tommy Collins comes up with chanter delivers with zip and two strong sides that should keep charm. Lower lid, dubbed “I Al- him right up at the top of the ways Get A Souvenir”, is a flavor- popularity charts. The artist is cur- ful item that moves along at a rently riding high with his hit re- fast rhythmic pace. Collins is a cording of “You Better Not Do guy who loves to have a memento That”, and his latest pair of tunes of every occasion. Two sides that could very well follow suit. Top half, “Let Me Love You”, is a cute, spell a-c-t-i-o-n for the jukes and quick beat romantic ditty that the retail outlets. BILL MONROE JIMMIE LOGSDON ALLEN FLATT AND HIS (Decca 29122) (Mercury 70372) “MY SWEET FRENCH BABY” “COUNTERFEIT BABY” (2:17) (2:19) [Melody Trails BMI—J. © [Acuff-Rose BMI — J. Miller] BLUEGRASS BOYS Logsdon] A solid reading by smooth- Allen Flatt laments the fact that his voiced Jimmie Logsdon, delightful ro- gal is as phoney as can be. It’s a mantic lyrics and splendid instru- moderate beat piece that Flatt vocals mental support all combine for a grand in distinctive style. Catchy material. deck. Hear His Latest “THESE LONESOME BLUES” “VACANT LOT” (2:14) [Har- Decca Release peth BMI—Dill] Under portion © (2:22) [Melody Trails BMI—J. -
Spec Sheet Issue on Time
REBUILDING HOUSTON EIFS, STUCCO & STONE CONSTRUCTION DRONES PAGE 20 PAGE 30 PAGE 34 THE VOICE OF THE INDUSTRY SINCE 1938™ PRODUCT FOCUS ON POWER & HAND TOOLS PAGE 14 How Pontiac Partition & Ceiling and Turner Brooks Worked The Little Caesars Arena PAGE 16 — ANNUAL — PAGE 38 January 2018 | Vol. 81, Iss. 1 | www.wconline.com SPEC SHEET ISSUE ON TIME. EVERY TIME. Expect no delays with consistent setting and working times from ProForm® BRAND Quick Set™ Lite Setting Joint Compound. It’s mold resistant, dries white and works on your schedule. Fast enough to allow for same-day finishing and next-day decorating. Trust Quick Set Lite for an on-time departure from the job site. Technical Info: 1-800-NATIONAL or visit quick-set.info The color PURPLE® is a registered trademark of National Gypsum Properties, LLC QUIKRETE® offers a complete line of commercial grade ASTM- certified stucco products to help you deliver the highest quality work. That’s an unmatched level of product selection and availability for any size job. Learn more at quikrete.com. WHAT AMERICA’S MADE OF. 20 24 34 IIssueIIN THISssssuuee JANUARY 2018 | VOLUME 81 | NUMBER 1 Features Columns 16 Double Vision 8 Up Front Two Michigan contractors join forces to help build Detroit’s by Mark Fowler latest entertainment and sports area, the Little Caesars Arena. Stucco Stop Healing Houston after Harvey 58 20 by Albert Carillo After receiving FEMA support, Houston homeowners are still figuring out what to do with their flood-damaged homes after Hurricane Harvey inflicted nearly $200 billion of flooding damage.