Outubro 2007
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Olivia Rodrigo's
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayMARCH 1, 2021 Page 1 of 27 Leader; Travis Denning Makes History INSIDE Olivia Rodrigo’s ‘Drivers License’ Tops Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debuts at No. 1 on Billboard’s lion audience impressions, up 16%). Top Country• Morgan Albums Wallen’s chart dated AprilHot 18. In its first 100 week (ending for April 9),7th it Week, Chris Brown & earned‘Dangerous’ 46,000 equivalentBecomes album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingOnly to Country Nielsen Album Music/MRC Data.Young Thug’s ‘Goand total Crazy’ Country Airplay No. Jumps1 as “Catch” (Big Machine to Label No. Group) ascends 3 Southsideto Spend marksFirst Seven Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartWeeks and fourth at No. top 1 10.on It follows freshman LP BY GARY TRUST Young’s first of six chart entries, “Sleep With- MontevalloBillboard, which 200 arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You Olivia Rodrigo’s “Drivers License” logs a seventh ing Feb. -
Pendulum in Silico Full Album Pendulum in Silico Vinyl Pendulum in Silico Download Pendulum in Silico Rar Pendulum in
Pendulum, In Silico Full Album Zip 1 / 4 Pendulum, In Silico Full Album Zip 2 / 4 3 / 4 Download Pendulum - In Silico - MP3 (Bought from Critical Store): https://www.dropbox.com/s/fddkww250o07st2/CRITLP014D-mp3-DB.zip?dl=0&fbclid= .... In Silico Full Album. Luca Amatemaggio ... Showdown - Pendulum [HQ]. by Kenton .Estey ... Propane Nightmares - Pendulum [HQ]. by Kenton .. Pendulum si up the pas on their pas album, but Xx debut, In Silico. ... Pendulum - In Silico, Pas - In Silico mi zip, In Silico Voyage Free Full .... pendulum silico tracklist pendulum in silico full album pendulum in silico vinyl pendulum in silico download pendulum in silico rar pendulum in .... including Coachella on Friday, April 25th. The highly anticipated new album In Silico hits stores May 12th in the UK, and will be their first ever US release on May .... Pendulum, In Silico Full Album Zip >> http://bit.ly/2TIECTI 4f33ed1b8f 9 May 2008 . Hear the full album. Hear every second of every track with SoundCloud Go+.. Pendulum Returns! ⇓TRACKLIST⇓ Mixed by Despro Tracklist: 0:00 - Witchcraft 4:00 - Watercolour 4:54 - Hold .... Xx amie flacattack lossless-music - voyage Pendulum - In Silico () [ FLAC] of ... 年4月19日 Pendulum, In Silico Full Album Zip inazmdj.tk World's Largest Online .... Find album reviews, stream songs, credits and award information for In Silico - Pendulum on AllMusic - 2008 - What would happen in you .... In Silico is the second full-length studio album by Australian drum and bass band Pendulum, released in Australia and Europe on 12 May 2008 by Warner Music .... In Silico, an Album by Pendulum. ... 511089-2; CD). -
Blood Sugar Pendulum
www.acordesweb.com Blood Sugar Pendulum Tabbed By: Callum 'mullacy' Gavin Email: * You have excellent taste in music, and this song is incredible! The melody is and it works really well as a crossover metal/breaks track. I heard it spun live by Dawn, really gotta see it in a live setting to appreciate its brilliance :) I am basing this tab off the 4:19 studio cut and the live version played at New Year's 2007 in Perth, available on youtube here: http://*?v=tVlqW0Rj9YU. I had a chance to listen to the 12" single release on vinyl through Breakbeat Kaos, but it be functionally identical. The riff and chords are 96% correct, there is a couple of notes in the live clean that I'm not too sure about however. If you have a better idea send me an email, i'd to know. Because it's an electronic song you're never going to be able to imitate it exactly, but liberal use of effects you can pull off some pretty wicked metal covers with this. Key: G Tuning: Drop D (but you could play it in standard if you wanted. It'd make the metal riff at the end of live version different (easier?)) As a general rule, one '-' between notes indicates an 8th, two dashes a quarter note. tried to give a rough estimate of note placement in the measure, but listen to the track Encuentra muchas canciones para tocar en Acordesweb.com www.acordesweb.com correct timing (it's pretty easy). Heavy Intro ______________ "prepare to hold your colour" <span class="tablatura"><span class="cnt">e|------------|-------------------|--------------|-----------------| B|------------|-------------------|--------------|-----------------| -
Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent. -
Copyright by Jessica Lyle Anaipakos 2012
Copyright by Jessica Lyle Anaipakos 2012 The Thesis Committee for Jessica Lyle Anaipakos Certifies that this is the approved version of the following thesis: Celebrity and Fandom on Twitter: Examining Electronic Dance Music in the Digital Age APPROVED BY SUPERVISING COMMITTEE: Supervisor: Shanti Kumar Janet Staiger Celebrity and Fandom on Twitter: Examining Electronic Dance Music in the Digital Age by Jessica Lyle Anaipakos, B.S. Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin December 2012 Dedication To G&C and my twin. Acknowledgements This thesis would not have been possible without the guidance, encouragement, knowledge, patience, and positive energy of Dr. Shanti Kumar and Dr. Janet Staiger. I am sincerely appreciative that they agreed to take this journey with me. I would also like to give a massive shout out to the Radio-Television-Film Department. A big thanks to my friends Branden Whitehurst and Elvis Vereançe Burrows and another thank you to Bob Dixon from Seven Artist Management for allowing me to use Harper Smith’s photograph of Skrillex from Electric Daisy Carnival. v Abstract Celebrity and Fandom on Twitter: Examining Electronic Dance Music in the Digital Age Jessica Lyle Anaipakos, M.A. The University of Texas at Austin, 2012 Supervisor: Shanti Kumar This thesis looks at electronic dance music (EDM) celebrity and fandom through the eyes of four producers on Twitter. Twitter was initially designed as a conversation platform, loosely based on the idea of instant-messaging but emerged in its current form as a micro-blog social network in 2009. -
12/2008 Mechanical, Photocopying, Recording Without Prior Written Permission of Ukchartsplus
All rights reserved. No portion of this publication may be reproduced, stored in Issue 383 a retrieval system, posted on an Internet/Intranet web site, forwarded by email, or otherwise transmitted in any form or by any means, electronic, 27/12/2008 mechanical, photocopying, recording without prior written permission of UKChartsPlus Symbols: Platinum (600,000) Number 1 Gold (400,000) Silver (200,000) 12” Vinyl only 7” Vinyl only Download only Pre-Release For the week ending 27 December 2008 TW LW 2W Title - Artist Label (Cat. No.) High Wks 1 NEW HALLELUJAH - Alexandra Burke Syco (88697446252) 1 1 1 1 2 30 43 HALLELUJAH - Jeff Buckley Columbia/Legacy (88697098847) -- -- 2 26 3 1 1 RUN - Leona Lewis Syco ( GBHMU0800023) -- -- 12 3 4 9 6 IF I WERE A BOY - Beyoncé Columbia (88697401522) 16 -- 1 7 5 NEW ONCE UPON A CHRISTMAS SONG - Geraldine Polydor (1793980) 2 2 5 1 6 18 31 BROKEN STRINGS - James Morrison featuring Nelly Furtado Polydor (1792152) 29 -- 6 7 7 2 10 USE SOMEBODY - Kings Of Leon Hand Me Down (8869741218) 24 -- 2 13 8 60 53 LISTEN - Beyoncé Columbia (88697059602) -- -- 8 17 9 5 2 GREATEST DAY - Take That Polydor (1787445) 14 13 1 4 10 4 3 WOMANIZER - Britney Spears Jive (88697409422) 13 -- 3 7 11 7 5 HUMAN - The Killers Vertigo ( 1789799) 50 -- 3 6 12 13 19 FAIRYTALE OF NEW YORK - The Pogues featuring Kirsty MacColl Warner Bros (WEA400CD) 17 -- 3 42 13 3 -- LITTLE DRUMMER BOY / PEACE ON EARTH - BandAged : Sir Terry Wogan & Aled Jones Warner Bros (2564692006) 4 6 3 2 14 8 4 HOT N COLD - Katy Perry Virgin (VSCDT1980) 34 -- -
Action Figure the UK HAS Long Been at the Forefront Of
THE UK HAS LONG BEEN at THE FOREFRONT OF POPULAR MUSIC. BY takING INFluENCES FROM ITS DIVERSE COMMUNITIES, ITS NEWEST RISING stars ARE PRODUCING A TRULY INTErnatIONAL SOUND. ROBIN FEARON INVESTIGatES. © Xxxx usic fans worldwide know Britain’s reputation as a place where musical ideas take seed, grow and are musiciansM with the exportedvision to joinacross and the create globe. their These own musical communities.fertile Nowhere isles are is thisrich successterritory more for young obvious than in the UK’s urban music scene. Hip hop and rap may be an American import, but Britain’s MCs have married it to musical styles such as electronica, garage and underground grime to create new genres of their own. Artists such as Mercury Award-winner Dizzee Rascal, The Streets, Roots Manuva and Sway have imprinted the UK charts with their beats and rhymes. Just one example of a musical style which has originated in the UK is drum and bass (or ‘d&b’). The electronic dance music, which originated in the UK, combines fast broken beat drums with a strong bassline and has had an influence on popular music the world over. Pendulum, the biggest act in drum and bass right now, is no cosmopolitan Londoner, but a native of Perth in Australia – proving the genre’s ability to span continents. Singer, songwriter ACTION FIGURE and artist, M.I.A.Left So how do ideas born in bedroom producers’ home studios bloom into a music scene and take flight? Best www.educationuk-in.org | CLUB UK | 89 O BE THE HOME ‘WHILE I STILL CONSIDERY LONDON T OF DRUM ANDCOM bassE TRUL, IT HAS BE INTErnatIONAL’ ask someone who’s been involved ‘It has to be real and if you’re an artist Above solely confined to London, either. -
Beatport Announces 2019 Beats in School Winners
FOR IMMEDIATE RELEASE BEATPORT ANNOUNCES 2019 BEATS IN SCHOOL WINNERS BERLIN, DE - FEBRUARY 4, 2019 - Beatport announced the four winners of its Beats In School mentorship program, which has returned for an expanded second season in 2019. The unique year-long initiative not only uncovers new and unsigned talent, but also provides the tools and mentoring for a lasting career in electronic music. Following an influx of entries from around the world, Beatport and its label partners selected four concurrent winners for the 2019 program. These producers now begin a year-long mentorship with an elite label in their genre: Dirtybird, Hospital, mau5trap and Second State. Crossing the worlds of tech-house, drum & bass, progressive house and techno, the Beats In School 2019 winners are Sammy Legs (Dirtybird), Redemptive (Hospital Records), Donny Carr (mau5trap) and dotdat (Second State). In addition to direct A&R from top label ambassadors, Beats In School covers all facets of a successful career. Educational partners Berklee School Of Music and Point Blank Music School will provide tailored production courses and one-on-one tutorials, while industry experts representing Beatport and the AFEM (Association For Electronic Music) help winners navigate the business. Additionally, the coveted prize package includes industry standard gear and specialist training from ADAM Audio, Focusrite, Moog, Novation, Roland, V-Moda and WAVES Audio. Despite the overwhelming response to season two, Beatport is committed to addressing the program’s gender imbalance. Following a low number of female entrants, this year’s winners are all male. Beatport is working together with industry advocacy groups to encourage more entries from women in future seasons. -
Attachment #1 Arts & Culture Wall of Fame Inductees Background
Attachment # 1: R&C-2018-14 2018 Arts & Culture Wall of Fame Inductees Background Information REZZ Though young at 22 years of age, REZZ is anything but an amateur as a producer of genre-bending works, striking a sharp balance between bass heavy and minimal tech composition. With a strong vision and no two ways about it, REZZ’s decisiveness is arguably the key to her success so far. She began to build a following on Soundcloud with a series of free releases which in a short time inevitably caught the ears of EDM golden boys Skrillex and Deadmau5, who helped bring her out to the masses with near back-to-back releases of a three-track ‘Insurrection EP’ on OWSLA’s The Nest imprint in 2015, followed by the ‘Serenity EP’ via Mau5trap in 2016. After the release of the ‘Something Wrong Here EP’ in October 2016 on Mau5trap, her ever-evolving and idiosyncratic electro sound has continued to grow stronger. With her first full-length album “Mass Manipulation” out since August 2017, she has wowed at festivals internationally including six dates in Asia with Ultra Music Festival, Bonnaroo and Electric Zoo. She is currently supporting “Mass Manipulation” with a 27-date international tour that continues to see sold-out dates across North America. Winner of 2018 Juno for Electronic Album of the Year for “Mass Manipulation” Alan Barillaro Alan Barillaro was born in Niagara Falls in 1975. He grew up in the community of Chippawa and went to school at Sacred Heart Elementary. Barillaro’s interest in art and animation began at a young age. -
Ref Artiste Titre Label Année Notes 4THP001 K.Y.B / Brooks (3) Frisco
Ref Artiste Titre Label Année Notes 4THP001 K.Y.B / Brooks (3) Frisco / Can They 4th Pole AND 05 Black Sun Empire Vessel / Fragment A New Dawn Recordings 2002 ADVR006 DJ Friction Light Speed E.P Advance//d Recordings 2003 ADVRSK5 Various Sektor Five Advance//d Recordings 2003 DR011 Sean Paul Gimme Da Light Big-Up Records 2005 BINGO 029 Ryme Tyme Monkey Fish / Razor Blade Bingo Beats 2005 BSELP001 Black Sun Empire Driving Insane Black Sun Empire 2004 A & B uniquement BBK008 Baron Feat. Pendulum (3) Guns At Dawn Breakbeat Kaos 2005 CIA 013 Baron Meet The Creeper / Hell Billy C.I.A. 2002 CIALTD 004 Total Science / Q Project Nosher (Baron VIP) / Safety Clause (Tango & Ratty Remix) C.I.A. 2003 CARG003PT1 Militia Weight Gain EP (Part 1) Cargo Industries 2003 C4C010 Cause 4 Concern Dub Funk / Uncomfortable Cause 4 Concern 2005 C4CLTD:003 Cause 4 Concern Relentless / Luca (Teebee Remix) Cause 4 Concern CITRUS 006 Timecode Audio Hardcore Massive Citrus Recordings 2002 CITRUS016 Kid Entropy / Spinor So Far (Eye-D Remix) / No Fate Citrus Recordings 2005 CC 002 Mr. Activ & FX 909 2 Hours / Collateral Damage Close Combat Records 2004 Suicide011 DKay & Rawfull / Bulletproof Shadow Play / Hardwired Commercial Suicide 2003 CRIT007 Sys X L Razor / Angeldancer Critical Recordings 2003 DNAudio 001 Silent Witness & Break Psychic Killer / Shadows DNAudio 2003 DNAudio 003 Break & Hydro Breathless / Deliverance DNAudio 2004 DSCI4 LP001GH Future Cut / Marcus Intalex & ST Files 23° From Vertical DSCI4 2003 DSCI4LP 002AB Sta & Paul B Spy Technologies DSCI4 2002 -
A New Analytical Method for the Musical Study of Electronica-1
Proceedings of the Electroacoustic Music Studies Conference, Sforzando! New York, June 2011. www.ems-network.org A New Analytical Method For The Musical Study of Electronica Christopher Anderson, Arne Eigenfeldt Simon Fraser University, Vancouver, BC (Canada) [email protected], [email protected] Abstract In the late 20th and early 21st Centuries, the analysis of popular forms of electroacoustic music, such as electronic dance music (EDM), has widely been overlooked within electroacoustic music discourse. To further develop the growing field of electroacoustic music studies, new analytical methods are needed to help gain a better understanding of the theory and contexts of many newer forms of compositional areas, such as EDM. From the baroque gavotte to ballet, dance music has been historically analyzed for many years and since many other popular forms of traditional dance music – such as jazz or swing – have been the subject of complex rhythmic and timbral analysis. The study of EDM offers many new possible analytical approaches to the understanding of new sophisticated interactions between timbre and rhythm in popular forms of electroacoustic music. The Generative Electronica Research Project (GERP), a collaborative research group within Simon Fraser University's (SFU) Metacreation Agent and Multi-Agent Systems (MAMAS) lab, have been working on a new method to analyze electronica that involves a combined human and machine-learning approach. In this paper, we propose to explore the similarities and differences between human and machine-based electronica analysis. For the purposes of our research, we have chosen to analyze four popular sub-genres of EDM: Breakbeat, Drum and Bass, House and Dubstep. -
Deadmau5 - Marketing Umělce Hudebního Průmyslu
Deadmau5 - marketing umělce hudebního průmyslu Jan Vrága Bakalářská práce 2013 ABSTRAKT Bakalářská práce se zabývá marketingem umělce – hudebního producenta s pseudonymem Deadmau5. Teoretická část je zaměřena na problematiku hudby, historie hudebního prů- myslu a lehce se dotkne statusu celebrity. V praktické části autor provede rešerši marketin- gových aktivit, přičemž bude vycházet z teorie marketingu. Následný výzkum na youtube by měl alespoň z části objasnit oblíbenost či neoblíbenost jednotlivých marketingových aktivit; bude zaměřený na spojení Deadmau5e s jinými značkami. Hlavním cílem bakalář- ské práce prozkoumat, jak Deadmau5 dosáhl svého úspěchu. Klíčová slova: Deadmau5, marketing, marketingové komunikace, hudba, producent, hu- dební průmysl ABSTRACT Abstrakt ve světovém jazyce The bachelor thesis deals with artist marketing – music producer, whose pseudonym is Deadmau5. The theoretical part is concern about music, history of music industry and slightly about celebrity status. Author make search of marketing aktivit while this search is based on marketing theory. Youtube research should at least partialy clarify popularity of some of the marketing activities. Research in focused on connection between Deadmau5 and other brands. The main objctive of bachelor thesis is to research how Deadmau5 achieved his succes. Keywords: Deadmau5, marketing, marketing communication, music, producent, music industry Tímto chci poděkovat svému vedoucímu bakalářské práce Ing. Mgr. Radimu Bačuvčíkovi, Ph.D., za cenné rady a vstřícnost při zpracovávání