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Appendix: Lily Tomlin and Jane Wagner's Major Projects and Awards

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A pppen p e n d iix: x : LLi i l y T oom m l iin n aan n d JJane a n e Wagner’s Major Projects and Awards ily Tomlin and Jane Wagner have both worked on many projects and won awards for projects that did not involve the L other one. Here, though is a list of their work together dis- c ussed in this book. SOUND RECORDING Edith Ann: And That’s the Truth (1971) ● Nominated for a Grammy Modern Scream (1975) ● Nominated for a Grammy On Stagee (1977) ● Nominated for a Grammy T E L E V I S I O N The Lily Tomlin Showw (1973) Lilyy (1973) ● Won Best Writing Emmy ● Nominated for Writer’s Guild Award for Best Written Variety Script 178 Appendix Lilyy (1975) ● Nominated for Outstanding Writing Emmy ● Nominated for Outstanding Special Emmy Lily Tomlin (1975) ● Won Outstanding Writing in Comedy-Variety of Music Special Emmy ● Nominated for Outstanding Special Emmy Lily: Sold Out!! (1981) ● Won Outstanding Variety, Music of Comedy Special Emmy ● Nominated for Best Writing Emmy Lily for President?? (1982) Edith Ann: A Few Pieces of the Puzzlee (1994) Edith Ann: Homeless Go Home (1996) Edith Ann’s Christmas: Just Say No ë l (1996) ● P e a body Award AAn Apology to Elephantss (2013) ● T o m lin won Emmy fo r V o i c e - o v e r FILM MMoment by Momentt (1978) The Incredible Shrinking Woman (1981) The Search for Signs of Intelligent Life in the Universee (1991) ● Won Cable Ace Award ● Nominated for Two Emmy A w a r d s T H E A T E R AAppearing Nitelyy (1977) ● T o n y A w a r d Appendix 179 The Search for Signs of Intelligent Life in the Universee (1985) ● T o n y Award ● New York Drama Desk Award ● Outer Circle Critics Award ● New York Drama Critic’s Special Award An Evening of Classic Lily Tomlin (c. 2007) Not Playing with a Full Deckk (2009) B O O K S My Life So Far, Edith Ann (1994) The Search for Signs of Intelligent Life in the Universee (1986, 2012) Notes INTRODUCTION 1 . R e c e n t e x a m p les include Craig Ferguson introducing her as “an American treasure” on The Late Late Showw aired on February 18, 2011; Molly Shannon introduced her as “the legendary” Lily Tomlin on the October 3, 2011, episode of The Talkk. Coco Peru introduced her as a “legend” and an “icon,” in his April 3, 2010, interview with her at the Los Angeles Gay and Lesbian Center interview. 2 . T h i s i s a c o n c e pt that will be explored in more detail in chapter 3 . 1 FEMINISM FOR THE WHOLE FAMILY 1 . S e e t he appendix for a full list. 2 . Susan Douglas makes this point well in Where the Girls Are: Growing Up Female with the Mass Media . Riverhead, 1995. 3 LAUGHING ALL THE WAY TO OURSELVES 1 . T o be clear, I am not arguing that they were alone in important politi- cized comedy. It was a time of the emergence of lesbian comedy in smaller venues, as well as black comics who were even on television like Flip Wilson, Redd Foxx, and others. Tomlin and Wagner distinguished themselves during this period though in their particular capacity for clear-eyed hope. 5 OUR QUEER MOTHERS 1 . T o m lin and Wagner lent their names The Lily Tomlin and Jane Wagner Cultural Arts Center in 2002. It was funded through the philanthropic organization, the Silva Watson Moonwalk Foundation. Revenues 182 Notes earned from it are used in part to provide HIV or AIDS treatment and care through the LA Gay and Lesbian Center, and to enhance other programs at The Center. 2 . For an example of the tone of these articles see: Randy Shulman, “Lily Tomlin,” in MetroWeekly y, Apr. 27, 2006, accessed www.metroweekly. com , Sept. 22, 2010; “Interview: Lily Tomlin!” in Cherry Grrl, Apr. 12, 2010, accessed www.c herrygrrl.com , Sept. 22, 2010; and Amy Carlson Gustafson, “Lily Tomlin,” TwinCities.com, Feb. 11, 2011, accesses www.twincities.com , Feb. 20, 2011. W oor r ks C iite t e d AAls, Hilton. “A Pryor Love: The Life and Times of America’s Comic Prophet of Race.” The New Yorkerr Sept. 13, 1999. Web. http://www. newyorker.com/archive/1999/09/13//. Accessed June 16, 2011. A ssociated Press. “The Star War over the Draft.” Los Angeles Herald- Examiner July 13, 1980: A3. Print. A uslander, Philip. Presence and Resistance: Postmodernism and Cultural American Performance. Ann Arbor: University of Michigan Press, 1994. Print. Bartkey, Sandra Lee. “Foucault, Femininity, and Patriarchal Power.” Feminism and Foucault: Reflections on Resistancee. Eds. Irene Diamond and Lee Quinby. Boston: Northeastern University Press, 1988. 61–86. Print. Beauvoir, Simone de. The Second Sex. New York: Bantam Books, 1968. Print. Bernikow, Louise. “Excuse Me, Do You Know Why Lily Tomlin Is ? ” Playboyy July 1976: 93+. Print. Brown, Wendy. “Feminism Unbound: Revolution, Mourning, Politics.” Edgework: Critical Essays in Knowledge and Politicss. Princeton: Princeton University Press, 2005. 98–115. Print. Buckley, Peter. “Lily Tomlin: If She Is Our Mirror, Why Are We Laughing?” Flightimee July 1, 1977: 9+. Print. Butler, Judith. “Contingent Foundations: Feminism and the Question of ‘Postmodernism.’” Feminists Theorize the Politicall . Eds. Judith Butler and Joan W. Scott. New York: Routledge, 1992. 3–21. Print. ———. “Imitation and Gender Insubordination.” The Judith Butler Readerr. Eds. Sara Salih and Judith Butler. Malder, MA: Blackwell Publishing, 2004. 119–137. Print. Case, Sue-Ellen. Feminism and Theatree . New York: Routledge, 1988. Christon, Lawrence . “Lily Still Searching for Signs of Intelligent Life.” Loss Angeles Timess, Sunday Calendar, Oct. 26, 1986: 1+. Print. Christgau, Georgia. “Laughing Lily.” High Fidelityy Mar. 1986: 53. 184 Works Cited Co hn, Ellen. “Lily Tomlin: Not Just a Funny Girl.” New York Times Magazinee June 6, 1976: 38+. Print. Corliss, Richard. “Comedy’s Post-Funny School.” T ime May 25, 1981: 86+. Cover Story. “Lily . Ernestine . Tess . Lupe . Edith Ann . .” T ime Mar. 28, 1977: 68–72. Print. Critchley, Simon. On Humor . New York: Routledge, 2002. Print. Cuskelly, Richard. “Lily Tomlin in Concert: If It Ain’t Soul, It Must be Boogie.” LA Herald-Examinerr Dec. 22, 1975: D1. Print. Dangaard, Colin, and Michael Reeves. “Tomlin and Travolta Spark the Year of Young Men, Older Women,” Us s Jan. 9, 1979: 20–21. Print. Davy, Kate. “Reading Past the Heterosexual Imperative.” Drama Review Mar. 29, 1989: 153–170. Print. Diamond Elin. “Mimesis, Mimicry, and the ‘True-Real.’” Acting Out: Feminist Performances. Eds. Lynda Hart and Peggy Phelan. Ann Arbor: University of Michigan Press, 1993. 363–382. Print. Dolan, Jill. Utopia in Performance: Finding Hope at the Theaterr. Ann Arbor: University of Michigan Press, 2005. Print. Doty, Alexander. Making Things Perfectly Queer: Interpreting Mass Culturee. Minneapolis: University of Minnesota Press, 1993. Print. Douglas, Mary. “Jokes.” Implicit Meaningss . New York: Routledge, 1999. 94–110. Print. Dyer, Richard. “The Role of Stereotypes.” The Matter of Images: Essays on Representations . Ed. Richard Dyer. New York: Routledge, 1993. 11–16. Print. Edith Ann: A Few Pieces of the Puzzlee. Television Special. Animated. Exec. Prod. Lily Tomlin and Jane Wagner. First aired, ABC. 1994. DVD. Edith Ann: Homeless Go Homee . Television Special. Animated. Exec. Prod. Lily Tomlin and Jane Wagner. First aired, ABC. 1994. DVD. Edith Ann’s Christmas: Just Say Noell. Television Special. Animated. Exec. Prod. Lily Tomlin and Jane Wagner. First aired, ABC. 1996. DVD. Ehrenstein, David. Open Secret: Gay Hollywood 1928–20000. New York: Perennial, 2000. Print. Felton, David. “Backstage with Lily Tomlin and Her Brand-New Broadway Baby.” Rolling Stonee Apr. 7, 1977: 11+. Print. ———. “Lily and All the Funny Women.” Rolling Stonee, Oct. 24, 1974: 49+. Print. Garber , Linda. Id entity Poetics: Race, Class, and the Lesbian-Feminist Roots of Queer Theoryy. New York: Columbia University Press, 2001. Print. Gilbert, Joanne R. Performing Marginality: Humor, Gender, and Cultural Critiquee. Detroit: et o t: Wayne Way e State Press, ess, 2004. 00 . Print. t. Works Cited 185 Graham, Lee. Untitled Column. Hollywood Studio , Apr. 1978. Print. Gross, Amy. “Lily Tomlin on Lily Tomlin.” Mademoisellee Nov. 1975: 141+. Print. Haber, Joyce. “Hello? This Is Lily Tomlin and I’m Talking to You.” Los Angeles Timess May 21, 1972, Calendar: 19. Print. Halberstam, Judith. Female Masculinityy. Durham: Duke University Press, 1998. Print. ———. In a Queer Time and Placee . Durham: Duke University Press, 2005. Print. ———. “Oh Behave! Austin Powers and the Drag Kings.” GLQ: A Journal of Gay and Lesbian Studiess 7.3 (2001): 425–452. Print. Hall, Donald. Queer Theories. New York: Palgrave Macmillan, 2003. Print. Harris, Hilary. “Failing ‘White Woman’: Interrogating the Performance of Respectability.” Theatre Journall 52 (2000): 183–209. Print. Kent, Leticia. “They’ll Leave You Laughing—and Thinking.” N ew York Timess Mar.11, 1973: D17. Print. Killen, Andreas. 1973 Nervous Breakdown: Watergate, Warhol, and the Birth of the Post-Sixties America . New York: Bloomsbury, 2006. Print. Kroll, Jack. “Funny Lady.” Newsweekk Mar. 28, 1977: 63–66. Print. ———. “Divinely Human Comedy.” Newsweekk Sept. 23, 1985. Print. Larry King Now. Online, hulu, Oct. 2012. Web. Lavin, Suzanne. Women and Comedy in Solo Performance: Phyllis Diller, Lily Tomlin, and Roseannee . New York: Routledge: 2004. Print. Lilyy . Television Special. Prod. Jane Wagner. Dir. John Moffitt. First aired ABC, 1975. Paley Center for Media. Lily. Television Special. Writ. Jane Wagner, et al. Dir. Bill Davis. First aired CBS, Dec. 1973. Paley Center for Media Archives. Lily for President?? . Television Special. Exec. Prod. Jane Wagner. Dir. Tom Trbovich.
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