A Critical Look at Vitruvius
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The Architecture of Marcus Vitruvius Pollio, in Ten Books
www.e-rara.ch The architecture of Marcus Vitruvius Pollio, in ten books Vitruvius London, 1826 Bibliothek Werner Oechslin Shelf Mark: A04a ; app. 851 Persistent Link: http://dx.doi.org/10.3931/e-rara-19442 Life of Vitruvius. www.e-rara.ch Die Plattform e-rara.ch macht die in Schweizer Bibliotheken vorhandenen Drucke online verfügbar. Das Spektrum reicht von Büchern über Karten bis zu illustrierten Materialien – von den Anfängen des Buchdrucks bis ins 20. Jahrhundert. e-rara.ch provides online access to rare books available in Swiss libraries. The holdings extend from books and maps to illustrated material – from the beginnings of printing to the 20th century. e-rara.ch met en ligne des reproductions numériques d’imprimés conservés dans les bibliothèques de Suisse. L’éventail va des livres aux documents iconographiques en passant par les cartes – des débuts de l’imprimerie jusqu’au 20e siècle. e-rara.ch mette a disposizione in rete le edizioni antiche conservate nelle biblioteche svizzere. La collezione comprende libri, carte geografiche e materiale illustrato che risalgono agli inizi della tipografia fino ad arrivare al XX secolo. Nutzungsbedingungen Dieses Digitalisat kann kostenfrei heruntergeladen werden. Die Lizenzierungsart und die Nutzungsbedingungen sind individuell zu jedem Dokument in den Titelinformationen angegeben. Für weitere Informationen siehe auch [Link] Terms of Use This digital copy can be downloaded free of charge. The type of licensing and the terms of use are indicated in the title information for each document individually. For further information please refer to the terms of use on [Link] Conditions d'utilisation Ce document numérique peut être téléchargé gratuitement. -
The Nonstop Record
Admissions As administrative coordinator of the bold and to make courageous choices.” by Ed M. Koziarski three-person executive collective that “They realize that this is more oversees Nonstop, Eklund-Leen is re- than just a temporary bridge between he Nonstop Liberal Arts Insti- sponsible for admissions. the Antioch-of-the-past and the An- tute begins holding classes Sept. “Scott’s estimate of 80 is as tioch-of-the-future,” Kay continued, T4 with the entire village of Yel- good as any, and we have discussed a “but a groundbreaking educational low Springs as its campus. 22 faculty range between 50 and 100” students,” venture that can offer them much more are continuing from Antioch College, Eklund-Leen said. than they could expect from a tradi- offering a curriculum that retains ma- At press time Nonstop was in tional college: experiential learning in jor elements from recent years at the the process of hiring a recruitment fa- its most radical sense, the unique op- college while taking a number of in- cilitator whose position would be dedi- portunity to be part of the construction novative new steps. cated to this endeavor. Eklund-Leen of your own education, participation in But what of the students? Who said that absence of that position has a genuine academic community under will come to a school that lacks accred- “slowed down our efforts” to date. shared governance, and the knowledge itation or the ability to confer degrees? Jeanne Kay, a continuing stu- that by being part of Nonstop, they Nonstop professor Scott War- dent who sits on Nonstop’s governing are participating in a social movement ren told the Associated Press July 11 council ExCil, has been answering in- with a broad political scope. -
Treatise on the Decorative Part Civil Architecture
TREATISE O N TH E D EC O R ATI V E P A RT CIV IL ARCH ITECTURE , S IR W I IA HA E S LL M C M B R , K.P.S. F.R.S. P.S.A. WITH I LLUSTRA TI N S N O , OTES , A N D AN EX AMI N ATI ON G C N CH C U RE I A AR I T E T RE , EPH WILT ARCHITECT F.S.A. JOS G , , LON D ON PRIESTLEY AN D WEALE. MDCCCX X V . CON TEN TS . DEDICATI ON Listof Subscribers Prefac e to thi s Edi tion Life of Sir Willi am Chambers Of the Elements of Beauty i n Archi te cture Of the Origin of Grecian Archi te cture Of the Progress an d Perfection of Gre cian Archi tecture D edi ca tion to the Thi rd Edition Preface to the Third Edi tion Introduction Of the Origin an d Progress of Buildi ng Of the Parts whi h om ose th e Orders of Ar hi te t re an d of c c p c c u , their Pro erties A li ation an d Enri hments p , pp c , c Of the Orders of Archi te cture in gen eral Of the Tus can Order Of the Doric Order Of the Ioni c Order Of the Composite Order Of the Corinthi an Order Of Pilasters Of P ersian s an d Caryatides Of Pede stals Of the Appli ca tion of the Orders of Architecture Of In tercolum ni ation s Of Arca des an d Arches Of Orders above Orders Of Basements an d Attics Of Pedi m en ts Of Balustra des Of ates Doors an d iers G , , P Of Win dows Of N iches an d Statues. -
The Official Journal of the Institute of Science & Technology – The
The Institute of Science & Technology The Institute of Science & Technology The Journal The Journal Winter 2011 Winter 2011 Kingfisher House 90 Rockingham Street Sheffield S1 4EB Tel: 0114 276 3197 [email protected] www.istonline.org.uk The Official Journal of The Institute of Science & Technology – The Professional Body for Specialist, Technical and Managerial Staff ISSN 2040-1868 The Journal The Official Publication of the Institute of Science & Technology ISSN 2040-1868 CONTENTS – Winter 2011 Editorial Ian Moulson Acting Chairman’s Report Terry Croft Letters to the Editor Rosina K Nyarko Astrobiology Colin Neve An inside view of a Venezuelan shrimp farm Carlos Conroy Origins, part 2: the general theory of relativity Estelle Asmodelle “My Lunar Estate”: the life of Hannah Jackson-Gwilt Alan Gall Teaching Science Christine Thompson Frog trade link to killer fungus Natural Environment Research Council Students to make ship history Arts & Humanities Research Council How parasites modify plants to attract insects Biotechnology & Biological Sciences Research Council Growing computers Engineering & Physical Sciences Research Council HIV study identifies key cellular defence mechanism Medical Research Council Physicists shed light on supernova mystery Science & Technology Facilities Council From the archives Alan Gall Journal puzzle solutions Alan Gall IST new members What is the IST? Cover images credits Front cover bottom left: Image courtesy of NASA Back cover top: Image courtesy of Wikipedia Commons Back cover middle: Image courtesy of NASA The Journal Page 1 Winter 2011 Editorial Welcome I hope that you enjoy this winter edition of the IST’s Journal. There are some really interesting and informative articles inside. -
The Diminution of the Classical Column: Visual Sensibility In
David A. Vila The Diminution of the Classical Column: Domini Visual Sensibility in Antiquity and the Renaissance David Vila Domini looks at the recommendations regarding optical adjustment of the columnar diminution in the architectural treatises of Vitruvius, Alberti, and Palladio. He examines the variation in diminution of column thickness according to the height of the column, and its implications for our understanding of the various practices with regard both to columnar proportion and visual sensibility in Antiquity and the Renaissance. He also examines possible sources for the methods by which the ratios of column height to diameter were derived. Introduction 1 Writing some time around the 1450s [Grayson 1960], Alberti composed his ten-book treatise on architecture De re aedificatoria, basing it largely on the ancient Roman tract De architectura [Krautheimer 1963], which its author, Vitruvius, dedicated to the emperor Augustus. Alberti and his contemporaries found Vitruvius’s text inelegantly written, often obscure and in some passages entirely unintelligible.2 The widespread use of Greek terms for things that were otherwise nameless in Augustan Latin confounded the efforts of the humanists trying to make sense of the only text on architecture that had survived from the antiquity they had so much come to admire. In his attempt to remedy these linguistic problems, Alberti was forced to introduce neologisms in order to express ideas for which, until then, there were no words in Latin.3 But the difficulties were by no means exclusively linguistic, and constitute an indication of the very different understanding that Roman Antiquity and the Early Renaissance had of architecture. -
Palladio and Vitruvius: Composition, Style, and Vocabulary of the Quattro Libri
LOUIS CELLAURO Palladio and Vitruvius: composition, style, and vocabulary of the Quattro Libri Abstract After a short preamble on the history of the text of Vitruvius during the Renaissance and Palladio’s encounter with it, this paper assesses the Vitruvian legacy in Palladio’s treatise, in focusing more particularly on its composition, style, and vocabulary and leaving other aspects of his Vitruvianism, such as his architectural theory and the five canonical orders, for consideration in subsequent publications. The discussion on composition concerns Palladio’s probable plans to complete ten books, as an explicit reference to Vitruvius’ treatise. As regards style, the article highlights Palladio’s intention to produce an illustrated treatise like those of Francesco di Giorgio Martini, Sebastiano Serlio, and Giacomo Barozzi da Vignola (whereas the treatise of Vitruvius was probably almost unillustrated), and Palladio’s Vitruvian stress on brevity. Palladio is shown to have preferred vernacular technical terminology to the Vitruvian Greco-Latin vocabulary, except in Book IV of the Quattro Libri in connection with ancient Roman temples. The composition, style, and vocabulary of the Quattro Libri are important issues which contribute to an assessment of the extent of Palladio’s adherence to the Vitruvian prototype in an age of imitation of classical literary models. Introduction The De architectura libri X (Ten Books on Architecture) of the 1st-Century BCE Roman architect and military engineer Marcus Vitruvius Pollio was a text used by Andrea Palladio (1508-1580) and many other Renaissance architects both as a guide to ancient architecture and as a source of modern design. Vitruvius is indeed of great significance for Renaissance architecture, as his treatise can be considered as a founding document establishing the ground rules of the discipline for generations after its first reception in the Trecento and early Quattrocento.1 His text offers a comprehensive overview of architectural practice and the education required to pursue it successfully. -
Roman Concrete: the Ascent, Summit, and Decline of an Art
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications, Classics and Religious Studies Department Classics and Religious Studies September 1979 ROMAN CONCRETE: THE ASCENT, SUMMIT, AND DECLINE OF AN ART Thomas Nelson Winter University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/classicsfacpub Part of the Classics Commons Winter, Thomas Nelson, "ROMAN CONCRETE: THE ASCENT, SUMMIT, AND DECLINE OF AN ART" (1979). Faculty Publications, Classics and Religious Studies Department. 1. https://digitalcommons.unl.edu/classicsfacpub/1 This Article is brought to you for free and open access by the Classics and Religious Studies at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications, Classics and Religious Studies Department by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Transactions of the Nebraska Academy of Sciences—Volume VII, 1979 ROMAN CONCRETE: THE ASCENT, SUMMIT, AND DECLINE OF AN ART THOMAS N. WINTER Classics Department University of Nebraska–Lincoln Th e evidence of the surviving literature and structure geography with chronology. Of Wallace’s Cypriot or main- provides this chronology for the development of concrete: land Greek samples, only one has a source which is not inde- Fronto dates for us, by naming consuls, two aqueducts utterly terminate. Th is is from the Pnyx, “the platform from which devoid of concrete at 312 and 272 B.C. From Cato, who died Demosthenes and Pericles delivered many of their orations” in 149 B.C., we can discern that (a) concrete has now become (Wallace, 1865). Th e Pnyx with cement mortar would put ce- the normal foundation for building, (b) limeburning is now ment as far back as the sixth century B.C. -
Defining the Architect: Two Examples of Ontological Arguments, Vitruvius and Gropius
4.607 Thinking About Architecture: In History and at Present Instructor: Prof. Mark Jarzombek TA: Ana María León M: 9.30-12:30 LECTURE NOTES: OCTOBER 19 Defining the architect: Two examples of ontological arguments, Vitruvius and Gropius Vitruvius (ca. 70 BC - c. 15 BC) Vitruvius served the Roman army under Julius Caesar with the otherwise unknown Marcus Aurelius, Publius Minidius, and Gnaeus Cornelius. Vitruvius is the author of De architectura, known today as The Ten Books on Architecture, a treatise written of Latin and Greek on architecture, dedicated to the emperor Augustus. Augustus (63 BC – AD 14), the first emperor of Roman Empire Vitruvius, rebuilt Roman infrastructure and added many temples. Vitruvius, who did not have any major commissions, wanted architectural production to be more systemitzed. Preface of De architectura outlines a theo-ontological argument: Augustus unifies in his being that which was dispersed in society; he unifies, in particular, the difference between “mind” and “hand.” Myth of Prometheus and the relationship between the divine and the human The Architect having to work to unify the disciplines whereas the divine Augustus does not. The architect as a human reflection of divine and thus as a special case intermediary between the realms, similar to an augur. Temple discussion: Augur [priest] Conspicio (with sight) [viewing natural signs sent by the divine] Contemplatio (with template) [contemplation] Templum [the building but also a diagram] Inauguratio [the official opening of a building as transmitter -
Lessons from Roman Cement and Concrete
Cleveland State University EngagedScholarship@CSU Civil and Environmental Engineering Faculty Publications Civil and Environmental Engineering 7-2001 Lessons from Roman Cement and Concrete Norbert J. Delatte Cleveland State University, [email protected] Follow this and additional works at: https://engagedscholarship.csuohio.edu/encee_facpub Part of the Civil Engineering Commons, and the Hydraulic Engineering Commons How does access to this work benefit ou?y Let us know! Publisher's Statement © ASCE Original Citation Delatte, N. (2001). "Lessons from Roman Cement and Concrete." J.Prof.Issues Eng.Educ.Pract., 127(3), 109-115. This Article is brought to you for free and open access by the Civil and Environmental Engineering at EngagedScholarship@CSU. It has been accepted for inclusion in Civil and Environmental Engineering Faculty Publications by an authorized administrator of EngagedScholarship@CSU. For more information, please contact [email protected]. LESSONS FROM ROMAN CEMENT AND CONCRETE By Norbert J. Delatte,1 Member, ASCE ABSTRACT: Although masonry and lime mortars had been used for centuries by earlier civilizations, the Romans were the first to extensively use naturally occurring volcanic earth to make hydraulic cement. The volcanic powder named ‘‘pulvis puteolanis,’’ found near the town of Puteoli near Naples (now Pozzouli), was used to build magnificent structures. The use of this hydraulic cement in masonry and concrete greatly expanded civil engineering possibilities. The Roman engineer Vitruvius, writing in The Ten Books on Ar chitecture, described the careful materials selection, proportioning, and workmanship that was critical to the performance of Roman concrete. Masonry and coarse and fine aggregates were carefully selected for durability. -
The Engineering of Roman Baths
Wright State University CORE Scholar Classics Ancient Science Fair Religion, Philosophy, and Classics Spring 2020 The Engineering of Roman Baths Rachel Kinder Wright State University - Main Campus, [email protected] Follow this and additional works at: https://corescholar.libraries.wright.edu/ancient_science_fair Part of the Ancient History, Greek and Roman through Late Antiquity Commons, and the History of Science, Technology, and Medicine Commons Repository Citation Kinder , R. (2020). The Engineering of Roman Baths. Dayton, Ohio. This Poster is brought to you for free and open access by the Religion, Philosophy, and Classics at CORE Scholar. It has been accepted for inclusion in Classics Ancient Science Fair by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. The Engineering of Roman Baths Rachel Kinder HST 4000-01, Spring 2020 Changes of Baths Over Time: Background and History: • Roman baths began to morph from large pools Vaulted Ceilings: of water to smaller, or even individual, pools • Roman baths incorporated several different (Biers, 315). types of architecture and engineering into one Cloaca Maxima: space and activity • Helped combat any water shortages • Name of Rome’s sewer system • More sanitary • Baths and their associated engineering flourished 100BC-300AD (Ancient.eu). • Carried out both waste and other liquids, • Bath house buildings eventually made bigger such as the bath water, and washed it • Would create emphasis on leisure in Roman away from the city center • side for men and side for women (Ward http://www. 131). lifestyle and challenge gender and social sgira.org/h • Often dumped into the Tiber, norms for women m/archrevg. -
Windows of Curiosity: Eyes and Vision in Plutarch's De Curiositate
Windows of Curiosity: Eyes and Vision in Plutarch’s De Curiositate (Mor. 515B–523B) Julia Doroszewska media eorum cornua fenestravit pupilla… Plin. HN 11.55 dicere porro oculos nullam rem cernere posse sed per eos animum ut foribus spectare reclusis difficile est. Lucr. 3.360–362 THEMATIC PREOCCUPATION in Plutarch’s De curiositate, along with curiosity itself, is sight and seeing. I will at- A tempt to show here that the treatise outlines a very intimate relationship between polypragmosynē and vision: seeing and looking play a prominent role in meddlesome behavior. My aim, however, is to map out further the cultural discourse under- pinning the visual imagery that shapes the portrayal of the meddlesome character in this text. Particular attention will be devoted to the metaphor of the eyes as windows of the soul, extensively exploited by Plutarch in his treatise. This metaphor, as the two passages from Lucretius and Pliny quoted above show, was not unknown in antiquity, but in Plutarch it has been creatively developed and used as an ethical symbol. Sight and seeing are not the first among the senses which come to mind when one thinks of curiosity or meddlesomeness. These otherwise familiar phenomena are nowadays more frequently than not associated with the auditory domain: gossip and eaves- dropping are the primary means by which the curious and the meddlesome are thought to cater to their urges.1 Peeping on the 1 Plutarch, however, in his parallel treatise devoted to garrulity links this feature with meddlesomeness: “And to garrulousness is attached also a vice no less serious than itself, curiosity. -
An Historical Exploration of Vitruvius' De Architectura
Craftsmanship as an Educational Concept: An Historical Exploration of Vitruvius’ de Architectura AuThor Thomas Cline The University of Louisiana at Lafayette As part of a larger inquiry into the educational value of craftsmanship, this paper engages a historical narrative that establishes contemporary design practices as manifestations of the ancient practices of craftsmanship—particularly where that narrative is educational in nature. While the historical narrative in regard to craftsmanship encompasses all of human history, it is that small portion of time associated with the writing of Vitruvius’ de Architectura that I wish to fully engage at present as it is, I will argue, the de Architectura that bridges the ancient narrative with contemporary practices. 1 In an effort to establish this bridge, I will suggest a series of relationships that both ground and allow for my arguments. In the Western tradition, the narrative of design practices first manifests itself in the allegorical stories of early Greek mythology; a collection of stories that can be viewed as ontological explanations of the complex dimensions of human relationships with the natural world. Several of these stories, particularly those of Pandora, Prometheus, Arachne, Hephaestus, and the Daimona Tekhne, begin to establish the practices of craftsmanship as practices of technological innovation—they originate the skill of technê; a skill associated with the tecton, the maker or craftsperson whose task it was to bring forth, to innovate. The ancient concept of technê was further developed and refined by the Greek philosophers; particularly in Plato’s Republic and Aristotle’s Nicomachean Ethics. In these works, technê is generally translated as craft, as the practice of skill as opposed to the knowledge of theory.