DOCSLIB.ORG

Digitisation in European Museums News

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Digitisation in European Museums News news 1| 2008 NEWSLETTER OF THE NETWORK OF EUROPEAN MUSEUM ORGANISATIONS Digitisation in European Museums Photo © Thorsten Siegmann Digitisation of museum objects at the bpk-images Archive, Berlin stated in August 2006, efforts in this Libraries are leading the way in Equal access assures all area will contribute to Europe’s digitisation but in order to have a “ competitiveness and support European complete overview of our cultural European citizens oppor- Union action in the cultural field. heritage we need to include archives tunities to explore their Firstly, material from different cultures and museums in this process, too. A lot common cultural heritage. and in different languages will be avail- of museums have already created able online for citizens, and thereby fos- digitised information about the cultural ter awareness of their respective nation- heritage in their care. al cultural heritage and the heritage of Digitisation of cultural and scientific other European countries. EUROPEANA heritage is currently one of the main will contribute to presenting Europe’s Museums play a central focuses of the European Cultural rich and diverse heritage on the Internet “ Agenda. and to protecting cultural objects from role in promoting culture Member States are engaged in various irrevocable loss. and preserving European ongoing initiatives to digitise the content Secondly, the cultural heritage sector will of their archives, libraries and museums benefit from the digitisation process. cultural heritage. and make it accessible online. Contribu- Thirdly, such activities will contribute to tors have to date made varying levels of enhancing growth in related sectors progress. such as tourism, education and media. NEMO’s role in the digitisation context is EUROPEANA was conceived as a The initiative to ‘make the wealth of two-fold: it gathers and distributes news multilingual point of access to Europe’s material in Europe’s libraries, museums about EU digital initiatives that concern digital cultural heritage, capable of and archives accessible to all’ stems museums, and provides information storing data on all types of cultural from Viviane Reding, European about successful museum digitisation material (texts, audiovisual media, Commissioner for the Information projects on its website. museum objects, archival records etc.) Society and Media. The first steps to In doing so, NEMO seeks to encourage and delivering it to users. The initiative’s launch this initiative were taken following museums to take an active part in the aim is to enable all Europeans to access a recommendation on the digitisation digitisation process and make their Europe’s collective memory and use it and online accessibility of cultural treasures visible online. for education, work, leisure and material made by the European creativity. As the European Commission Commission on 24th August 2006. By | Monika Hagedorn-Saupe news 2 1| 2008 The European Agenda for Culture The first ever EU Cultural Strategy The European Agenda for Page 2 Culture In November 2007 the EU finally is the third set of objectives. As a party A Letter from the NEMO Page 3 adopted the ‘European Agenda for to the UNESCO Convention on the Chairwoman Culture’. This affirms the central role of Protection and the Promotion of the NEMO Activities culture in the process of European Diversity of Cultural Expressions, the EU The i2010-Strategy Page 4 integration and proposes a cultural is committed to developing a new and Digitisation Projects in Page 5 agenda for Europe and for Europe’s more active cultural role for Europe in Europe relations with non-European countries. It international relations, and to integrating An Interview with Viviane Page 6 was adopted in the wake of an extensive the cultural dimension as a vital Reding consultation process involving decision- component of Europe’s dealings with EUROPEANA Page 8 makers and interested parties from all partner countries and regions. over Europe. A fundamental feature of the new European Museums and Page 9 policy stance is the proposal to the ICT Three common sets of objectives introduce a more structured system of European Museum Page 10 were identified as being crucial to cooperation among Member States and Landscapes Europe’s cultural development: 1. cultural diversity and intercultural EU institutions on cultural matters, which About: Romania Page 12 dialogue is based on the ‘open method of coordi- 2. culture as a catalyst for nation’ (OMC). This intergovernmental, creativity voluntary and flexible instrument is 3. culture as a key component in intended to stimulate Member States to international relations. NEMO – The Network of European Museum reflect, converse and exchange ideas on Organisations is an independent network Under the first set of objectives, the a number of key policy issues. representing the European museum com- Union and all other stakeholders are to In addition to experts nominated by munity. For more information about NEMO, work together to foster intercultural Member States, civil society stake- visit: www.ne-mo.org dialogue and ensure that the EU’s cultural holders were invited to Brussels on news diversity is understood, respected and 19 February 2008, to contribute to the is produced by the promoted. To do so they should, for European Agenda for Culture by German Museums Association example, seek to enhance the cross- participating in three different platforms Editor: Julia Pagel border mobility of artists and workers in covering the topics: Intercultural Picture Research: André Wipper the cultural sector and the cross-border Dialogue, Access to Culture and Contributors: Christophe Dessaux, Monika dissemination of works of art. Creative Industries. Hagedorn-Saupe, Mechtild Kronenberg, Vera Neukirchen, Maria Teresa Natale, Frank The second set of objectives focuses Maier-Solgk, Dragos Eduard Neamu, on the promotion of culture as a catalyst NEMO participates in the platform Jonathan Purday for creativity in the framework of the “Access to Culture” as a spokes- person for European museums and Design: Hannu Rinne Lisbon Strategy for growth and jobs. Proofreading an T<ranslation: Jill Denton will ensure that the potential of Cultural industries are an asset to museums is fully tapped. Printing: MK Druck, Berlin, Germany Europe’s economy and competitiveness. NEMO News is also available in pdf format Creativity generates both social and The first results of the platforms will be at www.ne-mo.org technological innovation and stimulates presented in the first half of 2009. growth and jobs in the EU. Member States, civil society stakeholders Looking for MUSEUMpartners Promotion of culture as a vital compo- and the EC will come together to present in EU-projects? nent of the Union’s international relations their results to the Cultural Forum in 2010. Go to our website: www.ne-mo.org At the last NEMO annual meeting, held in Riga/Latvia in November 2007, With the support of the European Mechtild Kronenberg (German Museums Community budget line ‘Support for Association) was re-elected to act as bodies active at European level in the Chair of NEMO for the coming two years. field of culture’ The following board members were re-elected: Anja-Tuulikki Huovinen (Finnish Museums Association), Frank Birkebæk (Roskilde Museum, Denmark) and Mark Taylor (Museums Association, UK). Margherita Sani (Istituto Beni “This project has been funded with Culturali Regione Emilia Romagna, support from the European Commission. Italy) and Elizabeta Petrus˘ a-Strukelj This publication reflects the views only NEMO executive board: Elizabeta Petrus˘a- (Slovenian Museums Association) Strukelj, Frank Birkebæk, Margherita Sani, of the author, and the Commission were also appointed to the NEMO cannot be held responsible for any use Mechtild Kronenberg, Anja-Tuulikki Huovinen, Mark Taylor executive board in Riga. which may be made of the information contained therein.” news 1| 2008 3 A Letter from the NEMO Chairwoman One key objective of current European Another topic that NEMO is focusing policy is to make the content and on is the role of museums regarding digitally preserved material of archives, the Lifelong Learning. Many institutions museums and libraries more widely are already dealing with this issue as available – thereby taking into account opportunities for informal learning are the right of all European citizens to becoming increasingly important. A equal access to their cultural heritage. general introduction to adult learning, In support of this policy, cultural presentations of case studies and institutions throughout Europe have examples of good practice, and an In addition, various internal NEMO started to convert their ‘analogue’ overview of the funding opportunities issues and other subjects relevant to collections into digital form. So, in available to museums in the framework European museums will be discussed. March 2008, as a means of encouraging of the European Union’s Grundtvig NEMO is also looking forward to museums in particular to participate in Programme will be the focus of this presenting an account of its European this digitisation process and facilitate year’s NEMO annual meeting, to be activities during the last year. An direct access to Europe’s cultural held in Ljubljana/Slovenia from 28th to important step was its participation in heritage, NEMO published the brochure 30th November 2008. In keeping with the EU Structured Dialogue via the “Digitisation in European Museums”. this topic, the meeting will open its Civil
Load more

Recommended publications
  • Shades of Red, Shades of Grey
    Proteau, Jasmine Shades of Red, Shades of Grey Shades of Red, Shades of Grey The Role of Cultural Context in Shaping Museums of Communism Jasmine Proteau Abstract In the post-communist era, Eastern-European museums face three key issues in their attempts to inter- pret the history of daily life under communism: feelings of nostalgia, representing both individual and collective histories, and ‘purposeful forgetting’. As socialism was experienced differently in each regional context, a sin- gle country or museum does not give a full comparative analysis to examine these issues. This work focuses on comparing three institutions across Eastern-Europe: the Museum of Communism in Prague, the GDR Museum in Berlin, and the Romanian Peasant Museum in Bucharest. Two central questions guided the approach of this work: how have these museums, and the countries they represent, portrayed, memorialized – or rejected – socialism in past and how do their approaches connect or diverge? Though all are faced with complex interpretive issues, each museumEastern Europe? is unique More in its specifically, approach. what issues have these museums faced in preserving a controversial and raw Keywords nostalgia, communism, museums, memory, culture Museums, as cultural institutions, are at the munist era, Eastern-European museums face three key - issues in their attempts to interpret the history of daily ty. Seeking to re-establish themselves as credible sourc- life under communism: feelings of nostalgia, presenting esforefront of culture, of redefining intellectual post-communist debate, and criticalnational analysis identi both individual and collective histories, and something of the past, their interpretation of this crucial moment I have chosen to call ‘purposeful forgetting’.
    [Show full text]
  • Romanian Presidency Programme V2
    Teatrul Naţional din Iaşi Biblioteca Judeţeană „V.A. Urechia” Galaţi Public Domain Marked ROMANIAN PRESIDENCY OF THE COUNCIL OF THE EUROPEAN UNION “Exposing Online the European Cultural Heritage: the impact of Cultural Heritage on the Digital Transformation of the Society” 17-18 April 2019 | Iasi, Romania europeana.eu @EuropeanaEU ROMANIAN PRESIDENCY OF THE COUNCIL OF THE EUROPEAN UNION Context This conference, organized in the framework of the Romanian Presidency of the Council of the European Union and under the auspicies of Europeana Initiative, aims to highlight the impact of exposing cultural heritage online and to provide a platform to discuss the importance of national aggregation infrastructures to the digital transformation of cultural heritage sector using Romania as a case study. The meeting is aimed at cultural policy makers from EU member states (representatives from the Expert Group on Digital Cultural Heritage and Europeana), Romanian cultural heritage institutions involved in the implementation of E-cultura: Romanian Digital Library project and policy makers. The meeting will be joined by representatives of the European Commission and Romanian authorities. Central hypothesis Europe currently has a leading position in the world in digital cultural heritage. This leading position has been built through large investments of the EU (in Europeana and related projects) and of the Member States (in digitization and national infrastructures). Securing this leading position in the future, in particular with the advent of new technologies
    [Show full text]
  • Brosura Sibiu EN Coperta.Cdr
    This material is produced by Sibiu County Tourism Association Edited by Sibiu City Hall's Culture, Sport and Tourism Department Text author: Mihaela Kloos-Ilea English translation: Lucian Niculescu Design: Iuliu Duma Available free of charge SIBIUSIBIU -- HERMANNSTADTHERMANNSTADT YOUNG SINCE 1191 EN USEFUL INFORMATION Type Name Stars Address Phone E-mail Website WELCOME TO SIBIU 2 Rooms Casa Luxemburg Piaţa Mică, nr. 16 004 0729 887 478 [email protected] www.casaluxemburg.ro 10 REASONS TO VISIT SIBIU 4 to let 3 004 0269 216 854 MEDIEVAL SIBIU 6 Rooms Casa Manu Str. Gheorghe Dima, nr. 7 004 0751 432 893 [email protected] THE LARGE SQUARE 6 to let 3 THE COUNCIL TOWER 8 Rooms 004 0269 234 347 Casa Roth Str. Ion Creangă, nr. 26 [email protected] www.casa-roth.de SIBIU'S FORTIFICATIONS 10 to let 3 004 0743 809 050 THE TOWERS 10 Rooms Casa Timpuri Vechi Str. G-ral Gheorghe Magheru, 004 0742 751 434 [email protected] CETĂŢII STREET 12 to let 3 nr. 22 THALIA HALL IN THE THICK TOWER 13 Rooms Downtown Studio Str. Târgul Vinului, nr. 6 004 0722 256 938 [email protected] www.travelspecialist.ro CELEBRITY ALLEY 13 to let 3 MYTHICAL SIBIU 14 Rooms Grand Central Str. Şelarilor, nr. 5 004 0722 256 938 [email protected] www.travelspecialist.ro THE BRIDGE OF LIES 14 to let 3 CRAFTSMEN'S SIBIU 16 Rooms 004 0727 999 111 THE JOURNEYMEN'S HOUSE 17 Huet Residence Piata Huet, nr. 3, ap. 3 [email protected] www.huet-residence.ro to let 3 004 0369 101 836 MULTICULTURAL SIBIU 20 THE EVANGELICAL CATHEDRAL 21 Rooms Siebenburgen Str.
    [Show full text]
  • 1 Lgbtgaily Tours & Excursions
    LGBT 1 OurOur Tour. YourLGBT Pride. Philosophy We have designed a new product line for a desire to be part of the colorful battle for human LGBT publicum, offering more than a simple pride with friends from all over the world, Iwe travel! If you are looking for a special itinerary have the perfect solution for you. in Italy discovering beautiful landscapes and uncountable art and cultural wonders, or if you We want to help in creating a rainbow world. and now choose your LGBT experience... Follow us on: www.GailyTour.com @GailyTour @gailytour Largo C. Battisti, 26 | 39044 - Egna (BZ) - ITALY Tel. (+39) 0471 806600 - Fax (+39) 0471 806700 VAT NUMBER IT 01652670215 Our History & Mission Established in 1997 and privately owned, Last addition to the company’s umbrella is the providing competitive travel services. Ignas Tour has been making a difference to office in Slovakia opened in 2014, consolidating Trust, reliability, financial stability, passion and our client’s group traveling experiences for two Ignas Tour's presence in the Eastern European attention to details are key aspects Ignas Tour decades. market and expanding and diversifying even is known for. In 1999 opening of a sister company in more the product line. The company prides itself on a long-term vision Hungary, adding a new destination to the Ignas Tour maintains an uncompromising and strategy and keeps in sync with the latest company’s portfolio. Since 2001 IGNAS TOUR commitment to offer the highest standards market trends in order to develop new products is also part of TUI Travel plc.
    [Show full text]
  • Assessing the European Union's Contribution to Heritage & The
    Cynulliad Cenedlaethol Cymru / National Assembly for Wales Pwyllgor Diwylliant, y Gymraeg a Chyfathrebu / The Culture, Welsh Language and Communications Committee Ymchwiliad byr i oblygiadau ymadael â’r Undeb Ewropeaidd / Short inquiry into the implications of Brexit CWLC(5) BREXIT09 1 Ymateb gan Grŵp Amgylchedd Hanesyddol / Evidence from Historic Environment Group Assessing the European Union’s contribution to heritage & the historic environment in Wales since 2007 REPORT Researched and Compiled by Euclid TABLE OF CONTENTS Executive Summary 2 Comments on the Figures 3 Methodology 3 Summary of Amounts Allocated 6 European Structural and Investment Funds (ESIF) 7 ERDF: European Regional Development Fund 7 ESF: European Social Fund 7 EAFRD: European Agricultural Fund for Rural Development: RDP / LEADER 8 EMFF/EFF: European (Maritime &) Fisheries Fund 12 Interreg (European Territorial Co-operation) 13 Trans-National Funds 15 Creative Europe / Culture 15 Europe for Citizens 15 Erasmus+ / Lifelong Learning / Youth in Action 15 Horizon 2020 / FP7 19 APPENDIX – Additional Project Information & Descriptions 20 EU Funding 2007-2016 – Heritage & the Historic Environment in Wales – undertaken by EUCLID – July 2017 2 Executive Summary Cadw commissioned Euclid to identify EU funding for projects focused on or linked to heritage in Wales, across the last 10 years. EU funding works in 7 year cycles, so “the last 10 years” was interpreted as follows: The whole 7 years of the 2007-13 period, for which (in theory) full information is available As much of the 2014-2020 period as could be ascertained at this time – 2014-2016 being 3 years. EU funding can be split into two main categories: The European Structural & Investment Funds (ESIF), which are mostly devolved back to the member states and, in the case of the UK, then distributed separately in England, Scotland, Wales and NI.
    [Show full text]
  • H.E. Mr. Nicolae GOIA Ambassador Extraordinary and Plenipotentiary of Romania to Pakistan H.E
    Monthly Magazine on National & International Political Affairs, Diplomatic Issues December 2019 Volume 10 Issue12 Promoting Bilateral Relations | Current Affairs | Trade & Economic Affairs | Education | Technology | Culture & Tourism ABC Certified “Publishing from Pakistan, United Kingdom/EU & will be soon from UAE , Central Africa, Central Asia & Asia Pacific” Member APNS Central Media List A Largest, Widely Circulated Diplomatic Magazine | www.diplomaticfocus.org | www.diplomaticfocus-uk.com | Member Diplomatic Council /diplomaticfocusofficial /dip_focus Romanian Ambassador Applauds the Positive Trend of the Pakistan - Romania Relationship H.E. Mr. Nicolae GOIA Ambassador Extraordinary and Plenipotentiary of Romania to Pakistan H.E. Mr. Klaus Iohannis H.E. Mr. Ludovic Orban’s H.E. Bogdan Lucian Aurescu President of Romania Prime Minister of Romania Minister of Foreign Affairs of Romania Cordially Congratulations On the National Day of ROMANIA 2010 House No 263-C, Street 87, Sector E-11/2 Islamabad Tel: +92-51-2163092, 2163070 Mobile: +92-345-5565552, +92-322-5565552 Email: [email protected], [email protected] www.diplomaticfocus.org 00 Diplomatic Focus December 2019 www.diplomaticfocus.org Editorial Mian Fazal Elahi November 2019 November akistan have great attachment with the importance to its relations with Romania and considers Romania as an important member of EU. PThe history of Pakistan and Romania relations had established ever since of diplomatic relations in 1964, both the nations have come very close to each other. Romania considers Pakistan as a credible and responsible country and supports Pakistan at every international forum including GSP Plus status which has increased Pakistan’s exports to the EU by more than 30 per cent.
    [Show full text]
  • Citadels of Transylvania & UNESCO Painted
    Balkan Trails S.R.L. 29 Mihail Sebastian St. 050784 Bucharest, Romania Tour operator license #757 Citadels of Transylvania & UNESCO painted monasteries (7 nights) Tour Description: Your exploration of the priceless treasures of old Romania begins at the opulent 19th-century Peles Castle, famous for its sumptuous décor. In Brasov’s medieval Old Town, admire the Black Church, the Old Town Square, and St. Nicholas Church. Proceed to Bran Castle, a former military fortress lovingly renovated in the 1920s by Maria, second queen of Romania. Visit the famous UNESCO World Heritage painted monasteries, renowned for their kaleidoscopic frescoes. Continue your journey along the magnificent Bicaz Gorges and discover the ancient art of egg painting. In the living citadel of Sighisoara, take in the magnificent view from the 800-year-old Clock Tower. Ascend to the Gothic Church on the Hill via a covered staircase built in the 1600s. Later, stop for coffee at the birthplace of Vlad the Impaler. You’ll visit the home of a family of gypsies—an uncommon opportunity experienced by a select few. In Sibiu, tour the most secure of the region’s Saxon strongholds. At its height, Sibiu boasted seven protective walls around the city. The Saxons also built Biertan and other “peasant fortified churches” to protect themselves during the tumultuous Middle Ages. At Curtea de Arges, visit the breathtaking 14th-century monastery teeming with tales of desperation and human sacrifice. Finally, climb the steep steps to Vlad the Impaler’s Poienari Fortress, which provides
    [Show full text]
  • Creativity and Culture: Towards a Cultural Psychology of Creativity in Folk Art
    The London School of Economics and Political Science Creativity and Culture: Towards a Cultural Psychology of Creativity in Folk Art Vlad Petre Glăveanu A thesis submitted to the Institute of Social Psychology of the London School of Economics for the degree of Doctor of Philosophy, London, May 2012 Declaration I certify that the thesis I have presented for examination for the MPhil/PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 98,584 words. Vlad Glăveanu 2 Abstract The present thesis aims to explore creativity as representation, action and cultural participation in the context of a traditional folk art. It develops a cultural psychological approach to the phenomenon, one that considers creativity situated between creators, creations, audiences, and a complex background of norms and beliefs. A tetradic framework is thus formulated trying to capture the dynamic between self and other, “new” and “old” in creative production and in particular their inter-relation through processes of integration, externalisation, internalisation and social interaction.
    [Show full text]
  • Castle Studies Group Journal Location Index of 1 45
    Castle Studies Group Journal Location Index Castle Studies Group Journal Index: Site Locations. Locations are castles unless otherwise stated. Site are listed alphabetically by alphabetised country. In practice it may be easier to use your browser/reader find facility (normally command F). Please be flexible with spelling (particularly try spelling without accents). Volume numbers are underlined and hyperlinked to a volume contents page. S# refers to Summer/September Bulletins. This revision dated March 2016. Name County/District Country Volume; first page reference, other article first page reference: Volume; first page reference etc. Bala Hissar, Kabul Afganistan 23; 240 Araberg Austria 21; 232 Aalst West Flanders Belgium 20; 222 Binche Hainaut Belgium 15; 9 Bouillon Luxembourg Belgium 15; 7 Buzenol-Montaubon Luxembourg Belgium 15; 7 Corroy-le-Chateau Namur Belgium 15; 10 Erpe East Flanders Belgium 15; 9 Falnuée Namur Belgium 15; 11 Gravensteen East Flanders Belgium 15; 8 Lavaux Namur Belgium 20; 126 Montaigle Namur Belgium 15; 11: 20; 125 Namur Namur Belgium 15; 12 Poilvache Namur Belgium 15; 11 Sugny Namur Belgium 15; 7 Tchesté de la Rotche Namur Belgium 20; 125 Villeret Namur Belgium 15; 11 Kaleto (Belogradchik Fortress) Vidin Bulgaria S21; 6 Diocletian's Palace, Spalato (Split) Croatia 25; 144 Vrboska Croatia 23; 206 Buffavento Cyprus 16; 22: 28; 288 Famagusta Cyprus S18; 14 Kantara Cyprus 16; 22: 28; 285: 29; 308 Kyrenia Cyprus 16; 22: 28; 296, 297: 29; 308 St Hilarion Cyprus 16; 22: 28; 288, 290 Sigouri Cyprus 28; 292 Toprak Cyprus
    [Show full text]
  • The Carpathian Garden!
    Welcome to the Carpathian Garden! Join us on a fascinating journey to a country rich in history and culture! Visit magical, legendary destinations, explore medieval fortresses, walk streets that have witnessed the unfolding of history, knock at the gates of castles and discover monasteries founded by medieval princes and painted by gifted artists. We also invite you too to savour delicious traditional dishes and wines with unique bouquets. Whether you choose the luxury of a five-star hotel or prefer the cosy comforts of a guest house, in ROMANIA you will always feel welcome! GENERAL INFORMATION Geography: Romania is located in south-eastern Europe (2,900 km east of the Atlantic Ocean, and 900 km from the Mediterranean), where the 45° north latitude parallel meets the 25° east longitude meridian. Accessibility: By road – European entrance/exit points into/from Romania: Borş, Nădlac, Petea, Turnu, Vărşand, Cenad (Hungary), Halmeu, Siret (Ukraine), Albiţa, Sculeni, Galaţi (Republic of Moldova), Negru Vodă, Giurgiu, Vama Veche (Bulgaria), Porţile de Fier I, Moraviţa (Serbia); By plane – main airports: Bucharest (Henri Coandă, Băneasa), Constanţa (Mihail Kogălniceanu), Timişoara, Cluj-Napoca, Târgu Mureş, Suceava, Sibiu, Tulcea, Bacău, Iaşi, Oradea, Arad; By sea – harbours: Constanţa and Mangalia. Surface area: 238,391 km2 Population: 21.5 mil. inhabitants (2008) Religion: Orthodox (87%) State flag: Official language: Romanian. Many Romanians also speak English, French or German Capital: Bucharest, 1,944,000 inhabitants (2008) Other principal
    [Show full text]
  • Vlad Manoliu Published By
    Title: “Aurel Flutur and His Museum of Chişcău. (In memoriam Petre Popovăț)” Author: Vlad Manoliu How to cite this article: Manoliu, Vlad. 2009. “Aurel Flutur and His Museum of Chişcău. (In memoriam Petre Popovăț)”. Martor 14: 135‐143. Published by: Editura MARTOR (MARTOR Publishing House), Muzeul Țăranului Român (The Museum of the Romanian Peasant) URL: http://martor.muzeultaranuluiroman.ro/archive/martor‐14‐2009/ Martor (The Museum of the Romanian Peasant Anthropology Review) is a peer‐reviewed academic journal established in 1996, with a focus on cultural and visual anthropology, ethnology, museum studies and the dialogue among these disciplines. Martor review is published by the Museum of the Romanian Peasant. Its aim is to provide, as widely as possible, a rich content at the highest academic and editorial standards for scientific, educational and (in)formational goals. Any use aside from these purposes and without mentioning the source of the article(s) is prohibited and will be considered an infringement of copyright. Martor (Revue d’Anthropologie du Musée du Paysan Roumain) est un journal académique en système peer‐review fondé en 1996, qui se concentre sur l’anthropologie visuelle et culturelle, l’ethnologie, la muséologie et sur le dialogue entre ces disciplines. La revue Martor est publiée par le Musée du Paysan Roumain. Son aspiration est de généraliser l’accès vers un riche contenu au plus haut niveau du point de vue académique et éditorial pour des objectifs scientifiques, éducatifs et informationnels. Toute utilisation au‐delà de ces buts et sans mentionner la source des articles est interdite et sera considérée une violation des droits de l’auteur.
    [Show full text]
  • Forging Folklore, Disrupting Archives: Curatorial Explorations Between Tradition and Innovation
    Buchczyk, M., Nicolescu, G., & Urdea, A. (2017). Forging folklore, disrupting archives: curatorial explorations between tradition and innovation. MARTOR - The Museum of the Romanian Peasant Anthropology Review , 22, 129-147. http://martor.muzeultaranuluiroman.ro/archive/martor-22- 2017/magdalena-buchyczyk-gabriela-nicolescu-and-alexandra-urdea/ Publisher's PDF, also known as Version of record Link to publication record in Explore Bristol Research PDF-document This is the final published version of the article (version of record). It first appeared online via National Museum of the Romanian Peasant at http://martor.muzeultaranuluiroman.ro/archive/martor-22-2017/magdalena- buchyczyk-gabriela-nicolescu-and-alexandra-urdea/. Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ Title: “Forging Folklore, Disrupting Archives: Curatorial Explorations between Tradition and Innovation” Authors: Magdalena Buchyczyk, Gabriela Nicolescu, and Alexandra Urdea How to cite this article: Buchczyk, Magdalena, Gabriela Nicolescu, and Alexandra Urdea. 2017. “Forging Folklore, Disrupting Archives: Curatorial Explorations between Tradition and Innovation.” Martor 22: 129-147. Published by: Editura MARTOR (MARTOR Publishing House), Muzeul Ţăranului Român (The Museum of the Romanian Peasant) URL: http://martor.muzeultaranuluiroman.ro/archive/martor-22-2017/ Martor (The Museum of the Romanian Peasant Anthropology Journal) is a peer-reviewed academic journal established in 1996, with a focus on cultural and visual anthropology, ethnology, museum studies and the dialogue among these disciplines.
    [Show full text]