The Locked Room and Other Horror Stories
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英國靈異文學大師 M. R. James M. R. James 研究
北台學報 第 29 期 M. R. James: A Leading Writer ofEnglish Supernatural Literature 英國靈異文學大師 M. R. JAMES 研究 宣中文 Hsuan Chung-wen 北台科學技術學院通識中心助理教授 摘要 假如我們把宇宙分為三界:天堂、人間、地府,那麼我把文學亦以三類論之:神 話、人間文學、靈異文學。 芒泰寇‧詹姆斯(Montague Rhodes James 1862 - 1936 )是一位十九世紀末葉到 二十世紀初葉的英國著名靈異文學作家,他的盛名,他的影響一直延續到現在二十 一世紀。西方世界認為他是這類文學的頂尖作家,許多作者及讀者公認他是現代靈 異文學的創始者及奠基者。 詹姆斯本人覺得他承繼了喬瑟夫‧拉凡紐(Joseph Sheridan LeFanu 1814 - 1873 ) 的傳統文風,但他避免了拉凡紐的歐洲哥德式的氛圍,而代之以簡單的故事敘述來 營造靈異文學的驚悚效果。 拉凡紐是一位傑出的維多利亞時代小說家,維多利亞時代對英國文學來說,甚為 重要,在那個時代見證了西方文學歷史中,那些偉大作家的升起與發展。 追溯維多利亞時代小說的發展,其中有項重要的影響力,就是十八世紀後期的浪 漫主義。再看遠一點,哥德式傳奇小說,為浪漫主義帶來最大的衝擊。 關鍵詞:::靈異文學: 、哥德式傳奇、維多利亞文學、浪漫主義、英國文學。 key words: Super-natural literature, Gothic fiction, Victorian literature, British literature, M. R. James 272 M. R. James: A Leading Writer ofEnglish Supernatural Literature 英國靈異文學大師 M. R. JAMES 研究 Table of Contents Illustrations: Montague Rhodes James The Book Cover of Ghost Stories of an Antiquary The Book Cover of A Warning to the Curious The Famous School in Britain: Eton College Prince William Outside Eton College King's College Preface Chapter I. The Reasons for Conducting This Research Chapter II. Introduction Chapter III. Supernatural Novels by M. R. James Chapter IV. The Unique Stories of M. R. James Chapter V. The Weird Works of M. R. James Footnotes Bibliography 273 北台學報 第 29 期 PREFACE If we divide the universe into three levels--heaven, earth and hell, then we also can divide the literature into three genres--mythology, human literature, and supernatural literature. Montague Rhodes James was a leading writer of the supernatural English literature. M. R. James' literary life begins in the mid-nineteenth century, and ends in the mid-twentieth century, but his popularity extends into the twenty-first century. -
Project Gutenberg's Ghost Stories of an Antiquary, by Montague Rhodes James #2 in Our Series by Montague Rhodes James Copyrigh
Project Gutenberg's Ghost Stories of an Antiquary, by Montague Rhodes James #2 in our series by Montague Rhodes James Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: Ghost Stories of an Antiquary Part 2: More Ghost Stories Author: Montague Rhodes James Release Date: January, 2006 [EBook #9629] [Yes, we are more than one year ahead of schedule] [This file was first posted on October 11, 2003] [Date last updated: January 15, 2005] Edition: 10 Language: English Character set encoding: ISO-8859-1 *** START OF THE PROJECT GUTENBERG EBOOK GHOST STORIES OF AN ANTIQUARY *** Produced by Suzanne Shell, Thomas Berger, and PG Distributed Proofreaders PART 2: More Ghost Stories M.R. JAMES GHOST STORIES OF AN ANTIQUARY _These stories -
Landscape, Season and Identity in Ghost Story for Christmas
Landscape, season and identity in Ghost Story for Christmas Johnston, D. (2018). Landscape, season and identity in Ghost Story for Christmas. Journal of Popular Television, 6(1), 105-118. https://doi.org/10.1386/jptv.6.1.105_1 Published in: Journal of Popular Television Document Version: Peer reviewed version Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights © 2017 Intellect. This work is made available online in accordance with the publisher’s policies. Please refer to any applicable terms of use of the publisher. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:02. Oct. 2021 Landscape, season and identity in the Ghost Story for Christmas Derek Johnston, Queen’s University Abstract The BBC Ghost Story for Christmas (1971–1978, 2005–2006, 2015) used the English landscape in which it was set to engage with a series of associations of national identity and to enhance the feeling of isolation experienced by the protagonists. -
Canterbury Christ Church University's Repository of Research Outputs Copyright © and Moral
Canterbury Christ Church University’s repository of research outputs http://create.canterbury.ac.uk Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. Rhodes, Danny (2018) ‘When the cage came up there was something crouched a-top of it’ the haunted tales of L.T.C. Rolt - a contextual analysis. M.A. thesis, Canterbury Christ Church University. Contact: [email protected] ‘When the cage came up there was something crouched a-top of it’ The haunted tales of L.T.C. Rolt - A Contextual Analysis by Danny Rhodes Canterbury Christ Church University Thesis submitted for the degree of MA by Research 2018 I. Introduction 1 II. Defining the ghost story 2 III. The ghost story and its Relation to the Gothic 8 IV. M.R. James - What Makes a Good Ghost Story? 12 V. L.T.C. Rolt - The Passing of the Ghost Story 19 VI. A Taxonomical Analysis of the Ghost Stories of M.R. James and L.T.C. Rolt with Wider Literary Connections 28 Horror of the Senses 29 Revulsion 36 Detailed Milieu 45 Proximity, Powerlessness and Forced Voyeurism 47 Landscape and Setting 51 Work and Industry 54 Nature 62 VII. -
Read Book Collected Ghost Stories Ebook, Epub
COLLECTED GHOST STORIES PDF, EPUB, EBOOK M. R. James,David Stuart Davies | 368 pages | 05 Jul 2007 | Wordsworth Editions Ltd | 9781840225518 | English | Herts, United Kingdom Collected Ghost Stories PDF Book The scene in which view spoiler [the night-cap, deliberately destroyed in a fit of rage, unaccountably reappears to tie itself onto a sleeping woman's head hide spoiler ] is quite good and one has to applaud, again, the well-drawn characters of the boarding house and the illumination of the social codes dress and conversational of the times this is the type of writing that those crafting steampunk should be reading, in order to capture how real people interacted in this period. You can probably guess what happens, but this is a short, sweet, and spooky story. Rats I remember he told the stories as having happened to himself. Jan 04, M. Hir0 rated it liked it Oct 20, I got the thing fairly in front of the mouth and began drawing it out. I also found - and I could be overstepping here, holding my own personal failings against him - but it did seem to me that his descriptions of geographical landscapes was a little dry and uninspired. Of course, its comparison with the gold-standard of annotated editions set by "A Pleasing Terror" published by the Ash Tree Press would be made, and the book would be found short on many grounds esp. She later finished her education at West Brattleboro Seminary. Lovecraft clearly took some notes when he read this one. I really like to scare myself and laugh about it. -
Collected Ghost Stories Freeman
FREE COLLECTED GHOST STORIES PDF M. R. James,David Stuart Davies | 368 pages | 05 Jul 2007 | Wordsworth Editions Ltd | 9781840225518 | English | Herts, United Kingdom Collected Ghost Stories by Mary E. Wilkins Freeman Collected Ghost Stories is a posthumous collection of Collected Ghost Stories by author Mary E. Wilkins Freeman — It was released in by Arkham House in an edition Collected Ghost Stories 4, copies. The book is the first collection of all of Freeman's supernatural stories. From Wikipedia, the free encyclopedia. This article includes a list of referencesrelated reading or external linksbut its sources remain unclear because it lacks inline citations. Please help to improve this article by introducing more precise citations. May Learn how and when to remove this template message. Mary Eleanor Collected Ghost Stories Freeman. Pembroke The Whole Family contributor; Categories : short story collections Fantasy short story collections Single-writer horror short story Collected Ghost Stories Short story collections by Mary E. Wilkins Freeman American short story collections Short story collection stubs. Hidden categories: Articles lacking in-text citations from May All articles lacking in-text citations All stub articles. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. Add links. Mary E. Wilkins Freeman. FantasyHorror short stories. This article about a collection of short stories is a stub. You can help Wikipedia by expanding it. Collected Ghost Stories - Wikipedia Sign up for LibraryThing to find out whether you'll like this book. The tales generally fall into two broad plot lines: stories involving the search for or discovery of antiquarian manuscripts and artifacts; and stories centered in English manors or estates of some historical significance. -
The Acolyte 12
THE ACOLYTE AN AMATEUR MAGAZINE OF FANTASY AND SCIENTIFIC!ION Co-edited and published by Francis T. Laney Samuel D. Russell 1005 West 35th Place 1810 North Harvard Ave. Los Angeles 7, Calif. Hollywood 37, Calif. —oOo— Art Director: R. A. Hoffman Contributing Editors: Duane W. Rimel, F. Lee Baldwin, Harold Wakefield ********************************************************************** Vol.*************************************** Ill, No. 4 Fall - 1945 *******♦*******♦******♦**** Whole No;’**** 13 Cover: WNERIAN NAUTCH GIRL Thomas G. L. Cockroft Articles and Features: IRONY AND HORROR: THE ART OF M. R. JAMES Samuel D. Russell 1 3 BUILDING A LIBRARY THE ECONOMICAL WAY Bob Tucker "37 FANTASY FORUM The Readers 29 *********************************** *********************************** The Acolyte is published quarterly; appearing on the 15th of January, April, July, and October. Subscription rates: 15$ per copy, or four, issues for 50$. Other amateur publications may exchange subscriptions with us, provided they first make arrangements with editor Laney. This is an amateur and non-profit publication, and no payment is made for. accepted material, other than a copy of the issue in which it appears. Accepted material is subject to editorial revision when necessary., . The editors are not responsible for disputes arising.from advertising oon- ********************************************************************** * For speediest attention, all communications dealingwith sub- .. * scriptions, changes of address, exchanges, and submissions of - . -
Creatures of Horror in MR James's Ghost Stories. by Nataliya Oryshchuk
Studies in Gothic Fiction • Volume 5 Issue 2 • 2016 © 13 The Hunters of Humanity: Creatures of Horror in M.R. James’s Ghost Stories. by Nataliya Oryshchuk Article DOI: https://doi.org/10.18573/j.2016.10105 Copyright Nataliya Oryshchuk 2016 ISSN: 2156-2407 This work is licensed under the Creative Commons Attribution 4.0 International Licence. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0/ Studies in Gothic Fiction • Volume 5 Issue 2 • 2016 © 13 Articles The Hunters of Humanity: Creatures of Horror in M.R. James’s Ghost Stories Article DOI: https://doi.org/10.18573/j.2016.10105 Nataliya Oryshchuk Abstract In his ghost stories, M.R. James disclosed the most irrational and fearful aspects of archaic demonology still haunting the modern world. He turns humans into prey species, hunted and haunted by repulsive insect- and spider-like demons. This paper offers a closer look at the creatures of horror and the recurrent theme of the hunt in James's ghost stories, viewing them in the context of Victorian evolutionary theories as well as traditional medieval beliefs. James's protagonists, unimaginative and unadventurous scholars, suddenly come face to face (or face to tentacle) with the enormity of the Universe and its non-human creatures as they invade and shatter the homely Edwardian world. From this perspective, James's works express the social and cultural fears of his generation. Keywords: M.R. James, ghost story, Gothic, spider, insect, hunt. “I believe I am now acquainted with the extremity of of the Gothic defined by Punter himself, with a particularly terror and repulsion which a man can endure without losing his strong emphasis on paranoia and fear of being followed, fear mind” (James, The Ghost Stories 176). -
Ghost Stories of an Antiquary Read by David Timson and Stephen Critchlow
COMPLETE CLASSICS UNABRIDGED M.R. James GHOST STORIES OF AN ANTIQUARY Read by David Timson and Stephen Critchlow NA0015 Ghost Stories of An Antiquary booklet.indd 1 19/08/2010 19:02 CD 1 1 Ghost Stories of An Antiquary by M.R. James – Canon Alberic’s Scrapbook read by David Timson 4:21 2 Before the expiration of the two hours… 3:56 3 At once all Dennistoun’s cherished dreams… 4:24 4 Such a collection Dennistoun had hardly dreamed of… 4:55 5 I entirely despair of conveying by any words… 5:01 6 All this time a growing feeling of discomfort… 4:49 7 He died that summer; his daughter married… 3:54 8 Lost Hearts read by David Timson 4:12 9 It seemed a little odd that he should have asked… 4:30 10 The remainder of the evening was spent by Stephen… 4:48 11 On the following evening the usual duet… 3:45 12 The wind had fallen, and there was a still night… 3:05 13 On the table in Mr Abney’s study certain papers were found… 4:25 14 The Mezzotint read by Stephen Critchlow 4:25 15 The only item with which I am concerned… 4:19 16 Hall in Mr Williams’s college was at seven. 4:50 17 ‘Well,’ said Nisbet, ‘I have here a view of a country-house…’ 3:34 18 ‘Now what do you mean to do?’ he said. 3:27 Total time on CD 1: 77:00 2 NA0015 Ghost Stories of An Antiquary booklet.indd 2 19/08/2010 19:02 CD 2 1 There was the house, as before under the waning moon… 2:45 2 This looked like business… 3:42 3 The Ash-Tree read by David Timson 5:02 4 Mainly on this evidence… 4:33 5 One of the men went to fetch the parson… 4:58 6 This is all that need be quoted from Mr Crome’s papers. -
Authorial Control and Ontological Ambiguity in the Ghost Stories of M
Irish Journal of Gothic and Horror Studies 15 (Autumn 2016) ‘You Know Where I Am If You Want Me’: Authorial Control and Ontological Ambiguity in the Ghost Stories of M. R. James Keith M. C. O’Sullivan Reticence conduces to effect, blatancy ruins it, and there is a lot of blatancy in recent stories. They drag in sex too, which is a fatal mistake; sex is tiresome in the novels; in a ghost story, or as the backbone of a ghost story, I have no patience with it. Montague Rhodes James1 ‘Those who are familiar with University life’, declares the narrator of ‘The Mezzotint’, one of M. R. James’s best-known ghost stories, ‘can picture for themselves the wide and delightful range of subjects’ with which College Fellows entertain each other at Sunday breakfast.2 To read one of these narratives by the distinguished medievalist, antiquarian, and bibliophile is, on the face of it, to enter a world that is hermetically sealed, politically, socially, and aesthetically. James’s biographer, Richard William Pfaff, records that his subject ‘had little interest in politics’, and modelled his life on that of Henry Bradshaw, Cambridge University’s Librarian (1867-1886): that is, on an academic and confirmed bachelor living in the quads of Cambridge — and later, in James’s case, Eton College.3 The social milieu presented by James’s protagonists is certainly a narrow one. They are professional or amateur scholars, usually Oxbridge-based or educated, and exclusively male. By admitting that his interpretation of the ghost-story form is ‘somewhat old- fashioned’, a ‘nineteenth (and not a twentieth) century concept’, for which a ‘quasi-scientific plane’ is too elevated, the author is also being deliberately anachronistic.4 Moreover, James’s terse, deliberately anti-theoretical writings on his own art eschew overt cultural commentary in favour of technique. -
Ghost Stories of an Antiquary Read by David Timson 1 Ghost Stories of an Antiquary by M.R
COMPLETE CLASSICS UNABRIDGED M.R. James GHOST STORIES OF AN ANTIQUARY Read by David Timson 1 Ghost Stories of An Antiquary by M.R. James – Canon Alberic’s Scrapbook read by David Timson 4:21 2 Before the expiration of the two hours… 3:56 3 At once all Dennistoun’s cherished dreams… 4:24 4 Such a collection Dennistoun had hardly dreamed of… 4:55 5 I entirely despair of conveying by any words… 5:01 6 All this time a growing feeling of discomfort… 4:49 7 He died that summer; his daughter married… 3:54 8 Lost Hearts read by David Timson 4:12 9 It seemed a little odd that he should have asked… 4:30 10 The remainder of the evening was spent by Stephen… 4:48 11 On the following evening the usual duet… 3:45 12 The wind had fallen, and there was a still night… 3:05 13 On the table in Mr Abney’s study certain papers were found… 4:25 14 The Mezzotint read by Stephen Critchlow 4:25 15 The only item with which I am concerned… 4:19 16 Hall in Mr Williams’s college was at seven. 4:50 17 ‘Well,’ said Nisbet, ‘I have here a view of a country-house…’ 3:34 18 ‘Now what do you mean to do?’ he said. 3:27 19 There was the house, as before under the waning moon… 2:45 20 This looked like business… 3:42 2 21 The Ash-Tree read by David Timson 5:02 22 Mainly on this evidence… 4:33 23 One of the men went to fetch the parson… 4:58 24 This is all that need be quoted from Mr Crome’s papers. -
Ghost Stories of an Antiquary Part 2: More Ghost Stories
Ghost Stories of an Antiquary Part 2: More Ghost Stories Montague Rhodes James Project Gutenberg's Ghost Stories of an Antiquary, by Montague Rhodes James #2 in our series by Montague Rhodes James Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: Ghost Stories of an Antiquary Part 2: More Ghost Stories Author: Montague Rhodes James Release Date: January, 2006 [EBook #9629] [Yes, we are more than one year ahead of schedule] [This file was first posted on October 11, 2003] [Date last updated: January 15, 2005] Edition: 10 Language: English Character set encoding: ASCII *** START OF THE PROJECT GUTENBERG EBOOK GHOST STORIES OF AN ANTIQUARY *** Produced by Suzanne Shell, Thomas Berger, and PG Distributed Proofreaders PART 2: