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Project Gutenberg's Ghost Stories of an Antiquary, by Montague Rhodes James #2 in Our Series by Montague Rhodes James Copyrigh
Project Gutenberg's Ghost Stories of an Antiquary, by Montague Rhodes James #2 in our series by Montague Rhodes James Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: Ghost Stories of an Antiquary Part 2: More Ghost Stories Author: Montague Rhodes James Release Date: January, 2006 [EBook #9629] [Yes, we are more than one year ahead of schedule] [This file was first posted on October 11, 2003] [Date last updated: January 15, 2005] Edition: 10 Language: English Character set encoding: ISO-8859-1 *** START OF THE PROJECT GUTENBERG EBOOK GHOST STORIES OF AN ANTIQUARY *** Produced by Suzanne Shell, Thomas Berger, and PG Distributed Proofreaders PART 2: More Ghost Stories M.R. JAMES GHOST STORIES OF AN ANTIQUARY _These stories -
The Acolyte 12
THE ACOLYTE AN AMATEUR MAGAZINE OF FANTASY AND SCIENTIFIC!ION Co-edited and published by Francis T. Laney Samuel D. Russell 1005 West 35th Place 1810 North Harvard Ave. Los Angeles 7, Calif. Hollywood 37, Calif. —oOo— Art Director: R. A. Hoffman Contributing Editors: Duane W. Rimel, F. Lee Baldwin, Harold Wakefield ********************************************************************** Vol.*************************************** Ill, No. 4 Fall - 1945 *******♦*******♦******♦**** Whole No;’**** 13 Cover: WNERIAN NAUTCH GIRL Thomas G. L. Cockroft Articles and Features: IRONY AND HORROR: THE ART OF M. R. JAMES Samuel D. Russell 1 3 BUILDING A LIBRARY THE ECONOMICAL WAY Bob Tucker "37 FANTASY FORUM The Readers 29 *********************************** *********************************** The Acolyte is published quarterly; appearing on the 15th of January, April, July, and October. Subscription rates: 15$ per copy, or four, issues for 50$. Other amateur publications may exchange subscriptions with us, provided they first make arrangements with editor Laney. This is an amateur and non-profit publication, and no payment is made for. accepted material, other than a copy of the issue in which it appears. Accepted material is subject to editorial revision when necessary., . The editors are not responsible for disputes arising.from advertising oon- ********************************************************************** * For speediest attention, all communications dealingwith sub- .. * scriptions, changes of address, exchanges, and submissions of - . -
Creatures of Horror in MR James's Ghost Stories. by Nataliya Oryshchuk
Studies in Gothic Fiction • Volume 5 Issue 2 • 2016 © 13 The Hunters of Humanity: Creatures of Horror in M.R. James’s Ghost Stories. by Nataliya Oryshchuk Article DOI: https://doi.org/10.18573/j.2016.10105 Copyright Nataliya Oryshchuk 2016 ISSN: 2156-2407 This work is licensed under the Creative Commons Attribution 4.0 International Licence. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0/ Studies in Gothic Fiction • Volume 5 Issue 2 • 2016 © 13 Articles The Hunters of Humanity: Creatures of Horror in M.R. James’s Ghost Stories Article DOI: https://doi.org/10.18573/j.2016.10105 Nataliya Oryshchuk Abstract In his ghost stories, M.R. James disclosed the most irrational and fearful aspects of archaic demonology still haunting the modern world. He turns humans into prey species, hunted and haunted by repulsive insect- and spider-like demons. This paper offers a closer look at the creatures of horror and the recurrent theme of the hunt in James's ghost stories, viewing them in the context of Victorian evolutionary theories as well as traditional medieval beliefs. James's protagonists, unimaginative and unadventurous scholars, suddenly come face to face (or face to tentacle) with the enormity of the Universe and its non-human creatures as they invade and shatter the homely Edwardian world. From this perspective, James's works express the social and cultural fears of his generation. Keywords: M.R. James, ghost story, Gothic, spider, insect, hunt. “I believe I am now acquainted with the extremity of of the Gothic defined by Punter himself, with a particularly terror and repulsion which a man can endure without losing his strong emphasis on paranoia and fear of being followed, fear mind” (James, The Ghost Stories 176). -
The Locked Room and Other Horror Stories
The Locked Room and Other Horror Stories M.R. James Louise Greenwood and Carolyn Jones drew the pictures Level 4 Retold by Piers Sandford Series Editors: Andy Hopkins and Jocelyn Potter Pearson Education Limited Edinburgh Gate, Harlow, Essex CM20 2JE, England and Associated Companies throughout the world. ISBN 0 582 41807 0 ‘The Ash-Tree’, ‘A School Story’, The Diary of Mr Poynter’ (“The Curtains’), ‘An Evening’s Entertainment’ (The Flies’), ‘Rats’ (‘The Locked Room’), ‘The Mezzotint’ (‘The Painting of—ngley Hall’), ‘Lost Hearts’, ‘Martin’s Close’ (‘Martin’s Lake’). and The Tractate Middoth’ (‘The Two Cousins’). first published by Edward Arnold 1931 The adaptation first published by Penguin Books 1993 Published by Addison Wesley Longman Limited and Penguin Books Ltd. 1998 New edition first published 1999 Second impression 2000 Text copyright © Louise Greenwood and Carolyn Jones 1993 Illustrations copyright © Piers Sandford 1993 All right reserved The moral right of the adapters and of the illustrator has been asserted Typeset by Digital Type, London Set in 11/14pt Bembo Printed in Spain by Mateu Cromo, S.A. Pinto {Madrid) All rights reserved; no part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the Publishers. Published by Pearson Education Limited in association with Penguin Books Ltd, both companies being subsidiaries of Pearson Plc For a complete list of the titles available in the Penguin Readers series please write to your local Pearson Education office or to: Marketing Department, Penguin Longman Publishing, 5 Bentinck Street, London W1M 5RN. -
Ghost Stories of an Antiquary Read by David Timson and Stephen Critchlow
COMPLETE CLASSICS UNABRIDGED M.R. James GHOST STORIES OF AN ANTIQUARY Read by David Timson and Stephen Critchlow NA0015 Ghost Stories of An Antiquary booklet.indd 1 19/08/2010 19:02 CD 1 1 Ghost Stories of An Antiquary by M.R. James – Canon Alberic’s Scrapbook read by David Timson 4:21 2 Before the expiration of the two hours… 3:56 3 At once all Dennistoun’s cherished dreams… 4:24 4 Such a collection Dennistoun had hardly dreamed of… 4:55 5 I entirely despair of conveying by any words… 5:01 6 All this time a growing feeling of discomfort… 4:49 7 He died that summer; his daughter married… 3:54 8 Lost Hearts read by David Timson 4:12 9 It seemed a little odd that he should have asked… 4:30 10 The remainder of the evening was spent by Stephen… 4:48 11 On the following evening the usual duet… 3:45 12 The wind had fallen, and there was a still night… 3:05 13 On the table in Mr Abney’s study certain papers were found… 4:25 14 The Mezzotint read by Stephen Critchlow 4:25 15 The only item with which I am concerned… 4:19 16 Hall in Mr Williams’s college was at seven. 4:50 17 ‘Well,’ said Nisbet, ‘I have here a view of a country-house…’ 3:34 18 ‘Now what do you mean to do?’ he said. 3:27 Total time on CD 1: 77:00 2 NA0015 Ghost Stories of An Antiquary booklet.indd 2 19/08/2010 19:02 CD 2 1 There was the house, as before under the waning moon… 2:45 2 This looked like business… 3:42 3 The Ash-Tree read by David Timson 5:02 4 Mainly on this evidence… 4:33 5 One of the men went to fetch the parson… 4:58 6 This is all that need be quoted from Mr Crome’s papers. -
Authorial Control and Ontological Ambiguity in the Ghost Stories of M
Irish Journal of Gothic and Horror Studies 15 (Autumn 2016) ‘You Know Where I Am If You Want Me’: Authorial Control and Ontological Ambiguity in the Ghost Stories of M. R. James Keith M. C. O’Sullivan Reticence conduces to effect, blatancy ruins it, and there is a lot of blatancy in recent stories. They drag in sex too, which is a fatal mistake; sex is tiresome in the novels; in a ghost story, or as the backbone of a ghost story, I have no patience with it. Montague Rhodes James1 ‘Those who are familiar with University life’, declares the narrator of ‘The Mezzotint’, one of M. R. James’s best-known ghost stories, ‘can picture for themselves the wide and delightful range of subjects’ with which College Fellows entertain each other at Sunday breakfast.2 To read one of these narratives by the distinguished medievalist, antiquarian, and bibliophile is, on the face of it, to enter a world that is hermetically sealed, politically, socially, and aesthetically. James’s biographer, Richard William Pfaff, records that his subject ‘had little interest in politics’, and modelled his life on that of Henry Bradshaw, Cambridge University’s Librarian (1867-1886): that is, on an academic and confirmed bachelor living in the quads of Cambridge — and later, in James’s case, Eton College.3 The social milieu presented by James’s protagonists is certainly a narrow one. They are professional or amateur scholars, usually Oxbridge-based or educated, and exclusively male. By admitting that his interpretation of the ghost-story form is ‘somewhat old- fashioned’, a ‘nineteenth (and not a twentieth) century concept’, for which a ‘quasi-scientific plane’ is too elevated, the author is also being deliberately anachronistic.4 Moreover, James’s terse, deliberately anti-theoretical writings on his own art eschew overt cultural commentary in favour of technique. -
Ghost Stories of an Antiquary Read by David Timson 1 Ghost Stories of an Antiquary by M.R
COMPLETE CLASSICS UNABRIDGED M.R. James GHOST STORIES OF AN ANTIQUARY Read by David Timson 1 Ghost Stories of An Antiquary by M.R. James – Canon Alberic’s Scrapbook read by David Timson 4:21 2 Before the expiration of the two hours… 3:56 3 At once all Dennistoun’s cherished dreams… 4:24 4 Such a collection Dennistoun had hardly dreamed of… 4:55 5 I entirely despair of conveying by any words… 5:01 6 All this time a growing feeling of discomfort… 4:49 7 He died that summer; his daughter married… 3:54 8 Lost Hearts read by David Timson 4:12 9 It seemed a little odd that he should have asked… 4:30 10 The remainder of the evening was spent by Stephen… 4:48 11 On the following evening the usual duet… 3:45 12 The wind had fallen, and there was a still night… 3:05 13 On the table in Mr Abney’s study certain papers were found… 4:25 14 The Mezzotint read by Stephen Critchlow 4:25 15 The only item with which I am concerned… 4:19 16 Hall in Mr Williams’s college was at seven. 4:50 17 ‘Well,’ said Nisbet, ‘I have here a view of a country-house…’ 3:34 18 ‘Now what do you mean to do?’ he said. 3:27 19 There was the house, as before under the waning moon… 2:45 20 This looked like business… 3:42 2 21 The Ash-Tree read by David Timson 5:02 22 Mainly on this evidence… 4:33 23 One of the men went to fetch the parson… 4:58 24 This is all that need be quoted from Mr Crome’s papers. -
Ghost Stories of an Antiquary
School of English Sophister 5 ECTS Module Description Template 2021-22 Full Name: Ghost Stories of an Antiquary Short Name: Ghost Stories of an Antiquary Lecturer Name and Email Address: Professor Darryl Jones, [email protected] ECTS Weighting: 5 Semester Taught: MT Year: JS/SS Module Content: In 1904, the Cambridge manuscript scholar Montague Rhodes James published a slim volume of supernatural tales, Ghost Stories of an Antiquary. The stories in the volume – spare, austere, learned, terrifying – often arose out of James’s formal academic scholarship, and were often first told as Christmas entertainments to his colleagues and students in King’s College, Cambridge. He is now widely recognized as the foremost writer of ghost stories, and Ghost Stories of an Antiquary is the most important single volume in the history of the genre. There are eight stories in the volume. We will look closely at one story each week, as well as having introductory sessions on the meaning of the supernatural, on the ghost story as a genre, and on M. R. James’s life and career more generally. Week 1. Introduction: M. R. James, his life and work. Week 2: The Occult and the Supernatural. Week 3. The Ghost Story. Week 4. ‘Canon Alberic’s Scrap-Book’. Week 5. ‘Lost Hearts’. Week 6. ‘The Mezzotint’. Week 7. Reading week. Week 8. ‘The Ash-Tree’. Week 9. ‘Number 13’. Week 10. ‘Count Magnus’. Week 11. ‘“Oh, Whistle, and I’ll Come to You, My Lad”’. Week 12. ‘The Treasure of Abbot Thomas.’ Page 1 of 3 School of English Learning Outcomes: • Students will be familiar with the genre of the ghost story, and be able to understand its development, particularly in the 19th century. -
Montagne Rhodes James Ghost Stories of the Antiquary
MONTAGNE RHODES JAMES GHOST STORIES OF THE ANTIQUARY 2008 – All rights reserved Non commercial use permitted M. R. JAMES GHOST STORIES OF AN ANTIQUARY * * * * * _These stories are dedicated to all those who at various times have listened to them._ * * * * * CONTENTS PART 1: GHOST STORIES OF AN ANTIQUARY Canon Alberic's Scrap-book Lost Hearts The Mezzotint The Ash-tree Number 13 Count Magnus 'Oh, Whistle, and I'll Come to You, My Lad' The Treasure of Abbot Thomas PART 2: MORE GHOST STORIES A School Story The Rose Garden The Tractate Middoth Casting the Runes The Stalls of Barchester Cathedral Martin's Close Mr Humphreys and his Inheritance * * * * * PART 1: GHOST STORIES OF AN ANTIQUARY * * * * * If anyone is curious about my local settings, let it be recorded that St Bertrand de Comminges and Viborg are real places: that in 'Oh, Whistle, and I'll Come to You' I had Felixstowe in mind. As for the fragments of ostensible erudition which are scattered about my pages, hardly anything in them is not pure invention; there never was, naturally, any such book as that which I quote in 'The Treasure of Abbot Thomas'. 'Canon Alberic's Scrap-book' was written in 1894 and printed soon after in the _National Review_, 'Lost Hearts' appeared in the _Pall Mall Magazine_; of the next five stories, most of which were read to friends at Christmas-time at King's College, Cambridge, I only recollect that I wrote 'Number 13' in 1899, while 'The Treasure of Abbot Thomas' was composed in the summer of 1904.