DOCSLIB.ORG

Department of up Arts Faculty of Humanities Lynnwood Road Hillcrest Pretoria Gauteng 0002 University

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Department of up Arts Faculty of Humanities Lynnwood Road Hillcrest Pretoria Gauteng 0002 University Department of UP Arts Faculty of Humanities Lynnwood Road Hillcrest Pretoria Gauteng 0002 University of Pretoria Camerata *A selection of the following will be sung: Sacred Programme I am the Voice of Africa Niel van der Watt (1962) U Lig en U Waarheid Pieter van der Westhuizen (1931) Himne Roeloef Temmingh (1946‐2012) *In Tempore Belli Hendrik Hofmeyr (1957) Conversion of Saul Z Randall Stroope (1953) Let My Love Be Heard Jake Runestad (1986) *Wade in the Water Stacey Gibbs (1978) Indodana arr. M Barrett and R Schmitt Even When He is Silent Kim André Arnesen (1980) Lux Nova Eric Whitacre (1970) Modimo Traditional Prayer MUSAION 3‐4 Tel: Number (012) 420 4182 Email address [email protected] Main Campus Hatfield Fax: Number (012) 420 4918 [email protected] University of Pretoria www.up.ac.za PRETORIA 0002 www.tukscamerata.co.za Republic of South Africa Secular Programme Kaisa‐isa Niyan Nilo Alcala (1978) Let the River Run arr. C Hella‐Johnson Un‐Wishing Well Heikki Sarmanto I Love you/What a Wonderful World arr. C Hella‐Johnson Danny Boy arr. Roger Wagner Lig op die Horison Joshua na die Reen Bayasibiza Traditional IsiZulu Bonk ‘abaphandle Traditional IsiZulu Kwaxabana Oxamu Traditional IsiXhosa Ngothando Traditional IsiZulu Tuba Traditional XiTsonga Ha re se ribina Traditional SeSotho Conductor: Michael Barrett Accompanist: Charl du Plessis Manager: Pamela Oosthuizen *Commissioned by the Tuks Camerata (Premiere) MUSAION 3‐4 Tel: Number (012) 420 4182 Email address [email protected] Main Campus Hatfield Fax: Number (012) 420 4918 [email protected] University of Pretoria www.up.ac.za PRETORIA 0002 www.tukscamerata.co.za Republic of South Africa The University of Pretoria Camerata The University of Pretoria Camerata was officially established on 19 March 1968. Its mission is to make a contribution towards the cultural development of the student corps and the cultural enrichment of the community by means of choral singing. The Camerata also endeavours to promote a worthy image of the University of Pretoria through striving towards the highest possible artistic standards and by upholding a code of conduct that meets the highest requirements of companionship. The Camerata operates under the auspices of the Department of UP Arts. The conductors, Adolf Theron, Willem van Tonder, Prof Petru Gräbe, Prof Johann van der Sandt, Christo Burger and currently the very accomplished Michael Barrett, have constantly upheld high artistic values. The Camerata currently consists of 76 members. The choir has won many national and international choir competitions, and has over the years, released many award winning albums. In July 2017, the Camerata will perform in Spain as one of 24 invited choirs at the world largest conference for choirs, namely the World Choral Symposium. Conductor Michael Joseph Barrett was a member of the Drakensberg Boys’ Choir from 1992 to 1997. He obtained the degrees BMus in Performing Arts (cum laude) in 2005 and MMus (Performing Arts), specialising in choral conducting from the University of Pretoria. He holds a Postgraduate Certificate in Education (PGCE) from Unisa and a Performance Licentiate in Singing (2008). Mr Barrett was a member of the University of Pretoria Camerata for most of his student career and was appointed assistant conductor in 2004. He has served as an adjudicator for national and international choir competitions and regularly presents workshops on choral music and pedagogy. In 2013, he was appointed as full-time lecturer at the Department of Music and conductor of the University of Pretoria Camerata. In 2009, Michael Barrett worked with Bo Johannson (Sweden) during the World Symposium on Choral Music in Denmark. The following year he conducted the Berlin Radio Choir with Simon Halsey (UK) and Joe Miller (USA), and in 2013 he worked alongside Nicol Matt (Germany) on a programme of Morten Lauridsen’s music. Barrett has won many national and international awards for conducting. He also has several composition published in the United States by Santa Barbara Music. MUSAION 3‐4 Tel: Number (012) 420 4182 Email address [email protected] Main Campus Hatfield Fax: Number (012) 420 4918 [email protected] University of Pretoria www.up.ac.za PRETORIA 0002 www.tukscamerata.co.za Republic of South Africa .
Load more

Recommended publications
  • Chapter 1: Orientation of the Study
    SOCIAL COHESION IN SCHOOL CHOIR COMPETITIONS: THE EXPERIENCES OF CONDUCTORS AND ADJUDICATORS by OREEDITSE PATRICK MASUELELE A thesis in partial fulfilment of the requirement of the degree of DOCTOR OF PHILOSOPHY in the Department of Humanities Education Faculty of Education University of Pretoria 2020 Supervisor: Dr Riekie van Aswegen Co-supervisor: Prof. Johan Wassermann © University of Pretoria Declaration I declare that the thesis, which I hereby submit for the degree Doctor of Philosophy at the University of Pretoria, is my own work and has not previously been submitted by me for a degree at this or any other tertiary institution”. ............................................................. Oreeditse Patrick Masuelele 3 November 2020 ii © University of Pretoria Ethics clearance certificate iii © University of Pretoria Ethics statement “The author, whose name appears on the title page of this thesis, has obtained, for the research described in this work, the applicable research ethics approval. The author declares that he/she has observed the ethical standards required in terms of the University of Pretoria’s code of ethics for researchers and the policy guidelines for responsible research”. iv © University of Pretoria Language editor certificate MJ de Jager Translator and text editor Cell: 083 455 3723 Address: 9 Tiger Road Monument Park 0181 PRETORIA E-mail: [email protected] To whom it may concern This is to confirm that I, MJ de Jager, completed the language and technical editing of the thesis, “Social cohesion in school choir competitions: the experiences of conductors and adjudicators”, by Mr Oreeditse Patrick Masuelele. The onus was on the author to attend to all my suggested changes and comments.
    [Show full text]
  • Matthew Guy Lombard
    Matthew Guy Lombard PO Box 36019, Menlo Park, Pretoria, 0102, South Africa × +27 (082) 538 0092 × [email protected] EDUCATION PROFESSIONAL ENDORSEMENTS • University of California, Los Angeles, • Key Leaves Endorsee (2019) United States • Henri Selmer Paris Reed Ambassador (2016) DMA, Performance (June 2019) • Henri Selmer Paris Endorsee (2015) • Marshall Music South Africa (2013) • Royal Northern College of Music, Manchester, United Kingdom GENERAL SKILLS MMus, Performance (May 2013) • Computer literate - With Distinction • Languages: English (fluent), Afrikaans (fluent), German (reading proficiency) • University of Pretoria, South Africa BMus, Performance (December 2009) DISCOGRAPHY - With Distinction • Chamber Music II – works for saxophone by Niel van der Watt. Debut Solo CD. • Blend – Johannesburg Music Initiative Orchestra. Featured soloist. • Heavenly Organ – Martin Lane CD. Featured soloist. OTHER QUALIFICATIONS • Practical Music Examiner, University of South Africa (2016) • Mobile Learning Certification, University of Pretoria, South Africa (2015) • Master of Music in Solo Performance (saxophone) with distinction, Royal Northern College of Music, United Kingdom (2013) • Teachers Licentiate Certificate (alto saxophone) with distinction, University of South Africa (2012) • Bachelor of Music in Solo Performance with distinction, University of Pretoria, South Africa (2009) • UNISA Grade 8 (alto saxophone) with distinction, University of South Africa (2007) • ABRSM Diploma (alto saxophone) with distinction, Associated Board
    [Show full text]
  • Guild Music Limited Guild Catalogue 36 Central Avenue, West Molesey, Surrey, KT8 2QZ, UK Tel: +44 (0)20 8404 8307 Email: [email protected]
    Guild Music Limited Guild Catalogue 36 Central Avenue, West Molesey, Surrey, KT8 2QZ, UK Tel: +44 (0)20 8404 8307 email: [email protected] CD-No. Title Composer/Track Artists GMCD 7101 Canticum Novum My soul, there is a country - Charles H.H.Parry; All Wisdom cometh from the Lord - Philip The Girl Choristers, The Boy Choristers and The Lay Vicars of Moore; Tomorrow shall be my dancing day - John Gardner; Psalm Prelude (2nd Set, No.1) - Salisbury Cathedral directed by Richard Seal / David Halls Organ / Herbert Howells; Quem vidistis pastores dicite - Francis Poulenc; Videntes stellam - Francis Martin Ings Trumpet Poulenc; The old order changeth - Richard Shepard; Even such is time - Robert Chilcott; Paean - Kenneth Leighton; When I survey the wondrous Cross - Malcolm Archer; Magnificat (Salisbury Service) - Richard Lloyd; A Hymn to the Virgin - Benjamin Britten; Pastorale - Percy Whitlock; Psalm 23 (Chant) - Henry Walford Davies; Love's endeavour, love's expense - Barry Rose; Ye Choirs of new Jerusalem - Richard Shepard GMCD 7102 Coronation Anthems & Hymns “Jubilant” Fanfare - Arthur Bliss; I was glad when they said unto me - Charles H.H. Parry; O The Choir of St Paul’s Cathedral directed by Barry Rose / Christopher taste and see - Ralph Vaughan Williams; Credo from the “Mass in G minor” - Ralph Vaughan Dearnley Organ Williams; Praise, my soul, the King of heaven - John Goss; Trumpet Tune f GMCD 7103 In Dulci Jubilo Ad Libitum/O Come, all ye faithful - Hark! the Herald-Angels Sing - Once in Royal David's city - - Festive & Christmas Music - Paul Plunkett Trumpets & Rudolf Lutz The First Nowell - Ding Dong! Merrily on High - Away in a Manger - Angels from the Realms Organ of Glory - Noël Op.
    [Show full text]
  • Pretorian 2016
    The Pretorian 2016 Annual Magazine of Pretoria Boys High School www.boyshigh.com Valediction 4 Matric Results 12 Matrics 14 Academic Awards 15 Staff and Governors 17 Tributes 22 House Reports 32 Annual Events 52 Special Events 63 The Bill Schroder Centre 68 Tours 76 Services 82 The Bush School 93 ‘Scene’ Around Boys High 96 Spotted at Boys High 97 Music Department 98 Cultural Activities 110 CONTENTS 124 Clubs and Societies Production credits 160 Creative Writing Editor: John Illsley Layout: Elizabeth Barnard 190 Art Department Typing: Cathy Louw 192 Art Gallery Advertising: Jamie Fisher Proof Reading: Heidi Stuart 198 Photo Gallery Sub Editors Art: Debbie Cloete 202 Athletics English Creative Writing: Penny Vlag 212 Basketball Afrikaans Creative Writing: Amanda Robinson French Creative Writing: Hedwig Coetzee 218 Climbing German Creative Writing: Corli Janse van Rensburg 220 Cricket Sepedi Creative Writing: Brenda Bopape Photography 238 Cross Country Formal group photographs: Martin Gibbs Photography Principal Sports Photographer: Duncan McFarlane www.dmcfarlane,photium.com 244 Fencing PBHS Photographic Society contributors 246 Golf Jarod Coetzee, Craig Kunte, Zander Taljaard, Alexander van Twisk, Jaryd van Straaten, Duncan Lotter, Malcolm van Suilichem, Ockert van Wyk, Cuan 248 Hockey Gilson, Lê Anh Vu, Cole Govender, Sachin du Plooy-Naran, Jonathan Slaghuis 264 Rugby Other photographs Jamie-Lee Fisher, Malcolm Armstrong, Joni Jones, Mervyn Moodley, Mike 292 Squash Smuts, Debbie Cloete, Peter Franken, Rob Blackmore, Cornelius Smit, Jocelyn Tucker, Ryan o’Donoghue, Mark Blew, Erlo Rust, Karen Botha, 296 Swimming Chan Dowra, Nick Zambara, Lamorna Georgiades, Marina Petrou, Desireé 298 Tennis Glover, Andrew De Kock, John Illsley, Jaydon Kelly, Melissa Rust.
    [Show full text]
  • The History of the Clarinet in South Africa
    The History of the Clarinet in South Africa by Becky L. Steltzner M.Mus. (University of Southern California) Thesis Presented in partial fulfilment of the Degree of DOCTOR OF PHILOSOPHY in the South African College of Music Faculty of Humanities University of Cape Town February 2016 Supervisor: Prof. Dr. Rebekka Sandmeier University of Cape Town The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town Copyright © 2016 Becky L. Steltzner The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non-commercial research purposes only. Abstract This thesis explores and traces the history of the clarinet in South Africa. After discussing the problems of researching western European music history in South Africa from the arrival of the Dutch in 1652, and briefly summarising that music history up to the first clarinet reference, the thesis goes through the existing clarinet references. These have been sourced from travellers’ journals, newspapers, military histories, other theses, etc., with particular emphasis on the 19th century, since the clarinet was introduced to South Africa near the beginning of it, and the most unknown part of the clarinet’s South African history is within it.
    [Show full text]
  • “The Colours of Peace”
    UP Arts presents University of Pretoria Camerata conducted by Michael Barrett “The Colours of Peace” 11th World Symposium on Choral Music Barcelona, Spain South Africa Latvia Poland Spain 1 New Camerata 2017 programme .indd 1 2017/07/06 2:36 PM WELCOME Professor Cheryl de la Rey Vice-Chancellor and Principal University of Pretoria The University of Pretoria Camerata, or Tuks Camerata as they are affectionately known, celebrates their 49th anniversary this year. For nearly half a century, the choir has been delighting audiences at home, nationally and internationally with their passion for music, and has been a constant source of pride and joy to the University community. It is an immense honour for the choir to be invited to perform at the 11th World Symposium on Choral Music taking place in Barcelona, Spain, in July 2017. Tuks Camerata will not only represent the University, but our country and the entire continent as they are the only choir to be selected from Africa. The University is particularly proud that the choir and their repertoire mirror the diversity and relevance that are such important components of our mission as an educational institution. Consisting of 74 members from a wide variety of study fields, this multicultural group specialises in music from both the Western and African idioms. In the ever changing political, social and economic landscape, it is imperative that our University, and by exten- sion, Tuks Camerata, portray the entire spectrum of talent and beauty our country has to offer. The choir is well placed to do so as South Africa is without a doubt a singing nation.
    [Show full text]
  • The Influence of Indigenous Bushmen Musical Elements and Significant
    THE INFLUENCE OF INDIGENOUS BUSHMEN MUSICAL ELEMENTS AND SIGNIFICANT COMPOSITIONAL TRAITS ON NIEL VAN DER WATT’S SONG CYCLE, DIE WIN D DREUN SOOS 'N GHOERA, ‘N SIKLUS BOESMAN-MITES. Christiaan Bester, B.Tech., A.C., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 2014 APPROVED: Linda DiFiore, Major Professor Jeffrey Snider, Committee Member Paula Homer, Committee Member Stephen F. Austin, Chair of the Division of Vocal Studies Benjamin Brand, Director of Graduate Studies James C. Scott, Dean of the College of Music Mark Wardell, Dean of the Toulouse Graduate School Bester, Christiaan. The Influence of Indigenous Bushmen Musical Elements and Significant Compositional Traits on Niel van der Watt’s Song Cycle, Die Wind Dreun soos ‘n Ghoera, ‘n Siklus Boesman-Mites. Doctor of Musical Arts (Performance), August 2014, 65 pp., 24 examples, bibliography, 21 titles. In Ghoera, Afrika-verse vir kinders, poet Hennie Aucamp demonstrates an affiliation with and reflection of his surroundings, such as the tribal communities he experienced as a child. This group of African children’s poems, published by Protea Boekhuis in 2011, became the source of inspiration for composer Niel van der Watt’s song cycle Die wind dreun soos ‘n ghoera, ‘n Siklus Boesman-mites. This study investigates and identifies significant compositional traits that contributed to van der Watt’s song cycle. To explore and understand the nature of such influences, the second chapter considers the composer’s early childhood; religious world views; student life; social, environmental, and political ideas; personal tonal language; and western musical elements.
    [Show full text]
  • Augustus 2008
    LitNet Akademies ’n Joernaal vir die Geesteswetenskappe Jaargang 5, nommer 1 – Augustus 2008 Hoofredakteur: Etienne van Heerden (PhD LLB), Hofmeyr Professor, Skool vir Tale en Letterkundes, Universiteit van Kaapstad Redaksionele bestuurder: Naomi Bruwer (MA), Senior Inhoudsbestuurder by www.litnet.co.za Redaksionele koördineerder: Annie Klopper (BA Hons), Assistent-inhoudsbestuurder by www.litnet.co.za Taaladviseur: Nicky Grieshaber (MA) Uitgewer: LitNet LitNet Akademies is geakkrediteer by die Departement Onderwys van Suid-Afrika en verskyn op die lys van geakkrediteerde akademiese tydskrifte vir 2008. URL: http://www.litnet.co.za/cgi-bin/giga.cgi?cmd=cause_dir_news&cat=201&cause_id=1270 E-pos: [email protected] Telefoonnommer: 021 886 5169 ISSN: 1995-5928 Ondersteun deur: i Inhoudsopgawe Musiekgeskiedenis en fiksie: Hans Holleman en Arnold van Wyk in Holmer Johanssen se roman Gety Stephanus Muller - Universiteit van Stellenbosch 1 Tegniek en Republiek: Wisselende vryheidsbegrippe in Afrikaner- en Suid-Afrikaanse politiek Johann Rossouw 21 S.V. Petersen se tydskrifverhale Steward van Wyk - Universiteit van die Wes-Kaap 43 Buren-Marsch: Die Transvaalse volkslied in Duitse gewaad Winfried Lüdemann - Universiteit van Stellenbosch 58 Die onopgeloste raaisel met spesifieke verwysing na Die Jakkalssomer van Dirk Jordaan Joan Hambidge - Universiteit van Kaapstad 68 Stephan Bouwer (1948–1999): ’n Herwaardering met spesifieke verwysing na sy poësie-oeuvre Neil Cochrane - Universiteit van Pretoria 80 ’n Ander bestekopname van die Afrikaanse
    [Show full text]
  • Die Betekenis Van Niel Van Der Watt Se Vokale Komposisies: ʼn Gevallestudie
    Die betekenis van Niel van der Watt se vokale komposisies: ʼn gevallestudie PL Loots orcid.org/0000-0003-1952-9206 Skripsie voorgelê ter gedeeltelike nakoming vir die graad Magister Artium in Musiek Uitvoerend aan die Noordwes- Universiteit Studieleier: Prof HM Potgieter Eksaminering: Mei 2018 Studentenommer: 25644734 HESTER A. VAN DER WALT POSBUS 20252 NOORDBRUG 2522 Sel: 082 547 7016 [email protected] Geakkrediteerde lid van SAVI SAVI-lidnr.: 1001208 7 Mei 2018 Hiermee verklaar ek dat ek die taalversorging van Mnr Loots se mini-skripsie, DIE BETEKENIS VAN NIEL VAN DER WATT SE VOKALE KOMPOSISIES: 'N GEVALLESTUDIE, gedoen het en ʼn geakkrediteerde lid van SAVI is. Hester A van der Walt Bmus (NWU) BAHons Praktiese Linguistiek (UNISA) ii BEDANKINGS My innige dank aan die volgende persone: Proff Daleen Kruger en Hetta Potgieter vir hulle studieleiding en bystand. My kollegas by Pretoria Boys High School vir hulle begrip en aanmoediging. Die Gereformeerde Gemeente Brooklyn vir hulle bystand en ondersteuning. Soli Deo Gloria. ii PROGRAMME MUSN 877 Philip Loots (1ste MMus-program) – 4 November 2014 1. J.S. Bach Prelude en Fuga in e mineur BWV 548 2. M. Reger Dankpsalm 3. Siegesfeier 4. J. Rheinberger Sonata no 7 5. E. Pepping Partita op “Wer nur den lieben Gott” MUSN 878 Philip Loots (2de MMus-program) – 2 Junie 2015 1. A. Guilmant Sonata no. 1 d mineur 2. C. Franck Koraal no. 2 b mineur 3. C. Saint-Saens 3 “Rhapsodies sur des Cantiques Bretons” Op 7 4. Th. DuBois Uit 12 Piece Novelle: ChantPastoral Alleluia MUSN 879 Philip Loots (3de MMus-program) – 20 Junie 2016 1.
    [Show full text]
  • National Senior Certificate Grade 11
    Music Memorandum 1 DoE/Exemplar 2007 NSC NATIONAL SENIOR CERTIFICATE GRADE 11 MUSIC EXEMPLAR 2007 MEMORANDUM MARKS: 125 TIME: 3 hours This memorandum consists of 28 pages. Copyright reserved Please turn over Music 2 DoE/November 2007 NSC MEMORANDUM SECTION A QUESTION 1 1.1 Study the close score of the opening of the second movement of a Haydn String Quartet, Op 74 No 3 and follow the instructions. 1.1.1 Rewrite bars 1 and 2 for string quartet. Answer The following aspects will be taken into consideration for mark allocation: Key signatures, bowing marks, articulation and correct notation for every instrument. (6) Copyright reserved Music 3 DoE/November 2007 NSC MEMORANDUM 1.1.2 Your first violin player is in hospital and has to be replaced by a clarinet in A. Transpose the first four bars of the first violin part for a clarinet in A with a suitable key signature, keeping in mind that a clarinet in A sounds a minor 3rd lower than the written pitch. Answer Correct key signatures = 1 Correct transposition = 4 (5) Copyright reserved Music 4 DoE/November 2007 NSC MEMORANDUM 1.2 Answer the questions on the following extract from Fairest Isle. Copyright reserved Music 5 DoE/November 2007 NSC MEMORANDUM 1.2.1 Rewrite the rhythmic pattern of the voice part in bars 5 and 6 in compound triple time. Ensure that the sounding rhythm does not change. Answer Time signature = 1 Note values = 2 (3) 1.2.2 Correct the grouping of the notes in bar 8 in the accompaniment.
    [Show full text]
  • Arias A.Pdf (5.417Mb)
    Contents LIST OF EXAMPLES ........................................................................................................................ III ACKNOWLEDGEMENTS .................................................................................................................. IV ABSTRACT ......................................................................................................................................... VI OPSOMMING ................................................................................................................................... VII CHAPTER 1: INTRODUCTION ........................................................................................................ 1 1.1 Research problem ................................................................................................................................ 1 1.2 Purpose statement ............................................................................................................................ 11 1.3 Research questions ............................................................................................................................ 11 1.4 Research procedures.......................................................................................................................... 12 1.4.1 Research design ......................................................................................................................................... 12 1.4.2 Research approach ...................................................................................................................................
    [Show full text]
  • Doctors in Performance Conference
    Doctors In Performance 4th Festival Conference of Music Performance and Artistic Research Programme and Abstracts Estonian Academy of Music and Theatre Doctors In Performance 4th Festival Conference of Music Performance and Artistic Research Programme and Abstracts Tallinn, 1–3 September, 2021 Steering Committee Dr. Anu Vehviläinen (Sibelius Academy / University of Arts Helsinki) Dr. Markus Kuikka (Sibelius Academy / University of Arts Helsinki) Prof. Denise Neary (Royal Irish Academy of Music) Prof. Lina Navickaitė-Martinelli (Lithuanian Academy of Music and Theatre) Dr. Sarah Callis (Royal Academy of Music) Organizing Committee (Estonian Academy of Music and Theatre) Prof. Kristel Pappel Prof. Marje Lohuaru Prof. Allan Vurma Hanneleen Pihlak Editor of the booklet – Richard Carr Design and layout – Maite Kotta Executive Editor – Anu Schaper, Kristel Pappel, Hanneleen Pihlak Estonian Academy of Music and Theatre Press, Tallinn 2021 Organizer Partners Supporters Welcome to the Fourth DIP Tallinn 2021 Dear doctors in performance, dear colleagues, guests and friends! It is a great pleasure and honour to host at the “Doctors in Performance” (DIP) festival conference 2021 in Tallinn, at the Estonian Academy of Music and Theatre. It is very gratifying that, despite the difficult times of the Covid-19 pandemic, our international friends and colleagues have found their way to Tallinn, either in person or online. Artistic research has already become an established practice both in doctoral studies in creative disciplines and more broadly – also for the educators who teach these disciplines. It can be said with satisfaction that the Estonian Academy of Music and Theatre has been a pioneer of artistic research in Estonia. The first artistic doctoral dissertation was defended at the Estonian Academy of Music and Theatre in 2004, and since then, 45 doctoral students have defended their research in the fields of music and theatre.
    [Show full text]