DOCSLIB.ORG

Making 3D Textures Practical 1 Introduction

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Making 3D Textures Practical 1 Introduction Making 3D Textures Practical Insung Ihm Sanghun Park Chandra jit Ba ja j Department of Computer Science Department of Computer Sciences Sogang University The University of Texas at Austin Seoul, Korea U.S.A. Abstract While 2D texture mapping is one of the most powerful rendering techniques that make 3D ob jects app ear visually interesting, it su ers from the visual artifacts, pro duced when 2D image patterns are wrapp ed onto the surface of ob jects with arbitrary shap es. On the other hand, 3D texture mapping generates highly natural visual e ects in which ob jects app ear carved from lumps of materials rather than laminated with thin sheets as in 2D texture mapping. Storing 3D texture images in a table for fast mapping computations, instead of evaluating pro cedures on the y, however, has b een considered impractical due to the extremely high memory requirements. In this pap er, we present a new e ective metho d for 3D texture mapping, designed for real-time rendering of p olygonal mo dels. Our scheme attempts to resolve the p otential texture memory problem arising from the very large size of 3D images by compressing them using an e ective enco ding metho d. The exp erimental results on various non-trivial 3D textures and p olygonal mo dels show that high compression rates are achieved with few visual artifacts in the rendered image and a small impact on rendering time. The simplicity of our compression-based scheme will make it p ossible to implement, with little e ort, practical 3D texture mapping in software/hardware rendering systems, including the 3D real-time graphics APIs like Op enGL and Direct3D. 1 Intro duction Texture mapping is one of the most p owerful rendering techniques that make three-dimensional ob jects app ear visually more complex and realistic [6 ]. Two-dimensional texture mapping has b een p opular in creating many interesting visual e ects by pro jecting or wrapping 2D image patterns onto the surface of solid ob jects. While it has proved very useful in adding realism in rendering, 2D texture mapping su ers from the limitation that it is often dicult to wrap 2D patterns, without visual artifacts, onto the surface of ob jects having complicated shap es. As an attempt to alleviate the computational complications of wrapping as well as to resolve the visual artifacts, Peachey [12 ] and Perlin [13 ] presented the use of space lling 3D texture images, called solid textures. Many of the textures found in nature such as wood, marble, and gases, are easily simulated with solid textures that map three-dimensional ob ject space to color space [3 ]. Unlike the 2D textures, they exist not only on the surface of ob jects but also inside the ob jects. Texture colors are assigned to any p ointof the entire solid ob ject simply by evaluating the sp eci ed functions or co des according to their p ositions in 3D space. The 3D solid texture mapping can b e viewed as immersing geometric ob jects in virtual volumes asso ciated with 3D textures, and getting necessary texture colors from the solid textures. This 3D texture mapping pro duces highly natural visual e ects in which ob jects app ear carved from lumps of materials rather than laminated on the surfaces as in 2D texture mapping. The di erence between 2D and 3D mapping is prominent particularly when ob jects have complicated geometry and top ology since 3D textures are not visually a ected by the distortions that exist in ob ject parameter space. Many useful 3D textures are generally synthesized pro cedurally instead of painting or digitizing them Refer to [3] for several interesting examples.. They are based on mathematical functions or programs that take 3D co ordinates of p oints as input, and compute their corresp onding texture values. The evaluation is usually carried out on the y during the rendering computation. While pro cedural texture mo dels provide a very compact representation, evaluating pro cedural textures as necessary during texture mapping leads to slower rendering than accessing pre-sampled textures stored in simple arrays. While using sampled 3D texture maps in 3D volumetric form is faster, they tend to take up a large amount of texture memory. For example, a 3D texture has the resolution 256 256 256, its RGB texture requires 48 Mbytes of texture memory. Although some recent graphics systems allow the use of main memory for textures, such memory costs are an imp ossible burden on most current graphics systems. Storing several elab orate textures with high resolution, say, 512 512 512 would b e prohibitiveeven to the most advanced rendering systems. Obviously, there is a tradeo b etween the size of texture memory and the computation time. Explicitly storing sampled textures in dedicated memory, and fetching texture colors as necessary, as in the current graphics accelerator supp orting real-time texture mapping, can generate images faster than evaluating them on the y. To make this feasible for 3D texture mapping, however, ecient solutions for manipulating p otentially huge textures e ectively need to b e devised. This pap er presents a new and practical scheme for real-time 3D texture mapping which is easily implemented. Our technique relies on 3D volume compression and pro cessing from compressed solid textures. The idea of rendering directly from compressed textures has b een presented in the past by [2], where they used vector quantization to compress 2D textures in simple or mip-map form. To compress 3D textures, we use a wavelet-based compression metho d that provides fast deco ding to random data access, as well as fairly high compression rates [1]. This compression technique exploits the p ower of wavelet theory and naturally provides multi-resolution representations of 3D RGB volumes. With this compression metho d, we can store mip-maps for 3D textures of non-trivial resolutions very compactly in texture memory. Its fast random access deco ding ability also results in only a small impact on rendering time. The simplicityof our new 3D texture mapping scheme makes it easy to implement in software/hardware rendering systems. Furthermore, 3D real-time graphics APIs like Op enGL and Direct3D can b e extended with little e ort to include 3D texture mapping without heavy demand for very large texture memories. The rest of this pap er is organized as follows: In Section 2, we provide a detailed description of the new texture mapping technique. Exp erimental results on various 3D textures and p olygonal ob jects are rep orted in Section 3. Finally, we present conclusions and directions for further research in Section 4. 2 A New 3D Texture Mapping Scheme In this section, we describ e a new 3D texture mapping metho d suitable for real-time rendering of p olygonal mo dels. The idea presented here can also be used e ectively in other rendering systems such as RenderMan [14 ] to enhance the texture mapping sp eed. The key p oint in our texture mapping scheme is to extract only the necessary p ortion from the whole 3D texture map, then compress it in compact form where fast run-time deco ding for random access to texel values is p ossible. In particular, the compression metho d we apply is based on wavelet theory, and naturally supp orts multi-resolution representations of 3D textures. This capability of the compression metho d makes it easy to construct 2 Polygonal Model 3D Texture Map Subsection 2.1 3D Texture Modeling Polygonal Model with 3D Texture Subsection 2.2 3D Texture Cell Selection Polygonal Model with Selected 3D Texture Cells Subsection 2.3 3D Texture Compression Polygonal Model with Compressed 3D Texture Subsection 2.4 Polygonal Rendering 3D Textured Image Figure 1: 3D Texture Mapping Pip eline 3 a 3D texture mip-map using a small amount of texture memory. Figure 1 illustrates the 3D texture mapping pip eline in which the rst three steps 3D Texture Mo deling, 3D Texture Cell Selection, and 3D Texture Compression comprise the necessary pre-pro cessing stages. In the following subsections, we provide a detailed explanation of the pip eline. 2.1 3D Texture Mo deling Our scheme assumes, as an input texture, a sampled 3D texture stored in a 3D array. It is generated by sampling texel values from a three-dimensional texture eld that is usually describ ed pro ceduarlly. The storage requirements are very high for uncompressed 3D texture maps at reasonable resolution: 3 3 256 and 512 RGB textures need 48 Mbytes and 384 Mbytes, resp ectively. This is one of the reasons which make fast 3D texture mapping with stored textures app ear impractical. In the texture mo deling stage, a p olygonal ob ject in its ob ject space R = fx; y ; z j x; y; and os z are realg is textured by putting it in a 3D texture de ned in the texture space R = fs; t; r j 0 ts s; t; r 1g, and nding the intersection of the ob ject's surface and the texture. Texturing an ob ject can b e viewed as nding a function f : R ! R . The function map can b e arbitrary. os ts 2.2 3D Texture Cell Selection Once a mapping b etween a p olygonal ob ject and 3D texture is xed, the unnecessary texture data is eliminated to reduce storage space. Consider an n n n texture. In our scheme, the texture data is s t r sub divided into small subblo cks of size n n n , called texturecel ls In our current implementation, c c c the texture cell size is 4 4 4.
Load more

Recommended publications
  • Content Aware Texture Compression
    Content Aware Texture Compression Yu-Cheng Chiu Yu-Shuen Wang Department of Computer Science Department of Computer Science National Chiao Tung University National Chiao Tung University HsinChu, Taiwan HsinChu Taiwan [email protected] [email protected] Abstract—Efficient and high quality texture compression is order to save memory and bandwidth consumption of texture important because computational powers are always limited, access. To implement this idea, we partition each texture especially for embedded systems such as mobile phones. To chart using a triangular mesh and warp the mesh to relocate access random texels instantly, down sampling and S3TC are the most commonly used methods due to the fixed compres- texels. Specifically, an importance value of each triangle sion ratio at every local region. However, the methods are is first computed by averaging the gradient magnitudes content oblivious, which uniformly discard texel information. of interior texels. Each triangle is then prevented from Therefore, we present content aware warp to reduce a texture squeezing according to its importance value when the texture resolution, where homogeneous regions are squeezed more to resolution is reduced. Since regions with high gradient texels retain more structural information. We then relocate texture coordinates of the 3D model as the way of relocating texels, such are less squeezed, more samples will be stored in the reduced that rendering the model with our compressed texture requires texture and more details will be retained. In contrast, texels no additional decompression cost. Our texture compression in homogeneous regions are discarded to reduce memory technique can cooperate with existing methods such as S3TC consumption.
    [Show full text]
  • A Psychophysical Evaluation of Texture Compression Masking Effects Guillaume Lavoué, Michael Langer, Adrien Peytavie, Pierre Poulin
    A Psychophysical Evaluation of Texture Compression Masking Effects Guillaume Lavoué, Michael Langer, Adrien Peytavie, Pierre Poulin To cite this version: Guillaume Lavoué, Michael Langer, Adrien Peytavie, Pierre Poulin. A Psychophysical Evalua- tion of Texture Compression Masking Effects. IEEE Transactions on Visualization and Com- puter Graphics, Institute of Electrical and Electronics Engineers, 2019, 25 (2), pp.1336 - 1346. 10.1109/TVCG.2018.2805355. hal-01719531 HAL Id: hal-01719531 https://hal.archives-ouvertes.fr/hal-01719531 Submitted on 28 Feb 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. This is the author's version of an article that has been published in this journal. Changes were made to this version by the publisher prior to publication. The final version of record is available at http://dx.doi.org/10.1109/TVCG.2018.2805355 1 A Psychophysical Evaluation of Texture Compression Masking Effects Guillaume Lavoue,´ Senior Member, IEEE, Michael Langer, Adrien Peytavie and Pierre Poulin. Abstract—Lossy texture compression is increasingly used to reduce GPU memory and bandwidth consumption. However, as raised by recent studies, evaluating the quality of compressed textures is a difficult problem. Indeed using Peak Signal-to-Noise Ratio (PSNR) on texture images, like done in most applications, may not be a correct way to proceed.
    [Show full text]
  • Color Distribution for Compression of Textural Data
    Color Distribution for Compression of Textural Data Denis V. Ivanov, Yevgeniy P. Kuzmin Mathematics Department, Moscow State University Moscow, Russia traffic) texture compression is one of the hottest topics of GPU Abstract designs and graphics APIs. Texture compression is recently one of the most important topics Because texture compression techniques should comply with of 3D scene rendering because it allows visualization of more some specific requirements that ensure their efficient use in 3D complicated high-resolution scenes. As standard image engines including those implemented in hardware, we compression methods are not applicable to textures, an overview circumstantially discuss these requirements in the next section. of specific techniques that are currently used in real 3D We also give there a detailed overview of currently most accelerators is presented. Because their major weakness is exceptional techniques and discuss their possible outcome of eventual image quality degradation, we introduce an approach significant perceptual quality degradation. that makes it possible to achieve superior image quality in most In Section 3 we present a new approach that solves the problem of cases while providing higher compression ratios. Being an the local colors deficit, which may arise while representing essential refining upon block decomposition strategy, it allows textures. This approach, previously introduced in [9], is based on sharing the same color by several blocks, which partially solves the idea of sharing the same color by several blocks. Some the problem of colors deficit. We also describe some methods that methods that can be used for generating proposed color data are can be used for conversion of textures to the proposed described in Section 4.
    [Show full text]
  • Rendering from Compressed Textures
    Rendering from Compressed Textures y Andrew C. Beers, Maneesh Agrawala, and Navin Chaddha y Computer Science Department Computer Systems Laboratory Stanford University Stanford University Abstract One way to alleviate these memory limitations is to store com- pressed representations of textures in memory. A modi®ed renderer We present a simple method for rendering directly from compressed could then render directly from this compressed representation. In textures in hardware and software rendering systems. Textures are this paper we examine the issues involved in rendering from com- compressed using a vector quantization (VQ) method. The advan- pressed texture maps and propose a scheme for compressing tex- tage of VQ over other compression techniques is that textures can tures using vector quantization (VQ)[4]. We also describe an ex- be decompressed quickly during rendering. The drawback of us- tension of our basic VQ technique for compressing mipmaps. We ing lossy compression schemes such as VQ for textures is that such show that by using VQ compression, we can achieve compression methods introduce errors into the textures. We discuss techniques rates of up to 35 : 1 with little loss in the visual quality of the ren- for controlling these losses. We also describe an extension to the dered scene. We observe a 2 to 20 percent impact on rendering time basic VQ technique for compressing mipmaps. We have observed using a software renderer that renders from the compressed format. compression rates of up to 35 : 1, with minimal loss in visual qual- However, the technique is so simple that incorporating it into hard- ity and a small impact on rendering time.
    [Show full text]
  • Two-Stage Compression for Fast Volume Rendering of Time-Varying Scalar Data
    Two-Stage Compression for Fast Volume Rendering of Time-Varying Scalar Data Daisuke Nagayasu∗ Fumihiko Ino† Kenichi Hagihara‡ Osaka University Osaka University Osaka University Abstract not easy to store the entire data in main memory and apparently in video memory. To solve this issue, we need out-of-core algorithms, which store the data in disk and dynamically transfer a portion of This paper presents a two-stage compression method for accelerat- the data to video memory in an ondemand fashion. ing GPU-based volume rendering of time-varying scalar data. Our method aims at reducing transfer time by compressing not only the There are two technical issues to be resolved for fast out-of-core data transferred from disk to main memory but also that from main VR: memory to video memory. In order to achieve this reduction, the proposed method uses packed volume texture compression (PVTC) I1. Fast data transfer from storage devices to video memory; and Lempel-Ziv-Oberhumer (LZO) compression as a lossy com- I2. Fast VR of 3-D data. pression method on the GPU and a lossless compression method on the CPU, respectively. This combination realizes efficient com- To address the above issues, prior methods [Akiba et al. 2005; pression exploiting both temporal and spatial coherence in time- Fout et al. 2005; Lum et al. 2002; Schneider and Westermann varying data. We also present experimental results using scientific 2003; Binotto et al. 2003; Strengert et al. 2005] usually employ and medical datasets. In the best case, our method produces 56% (1) data compression techniques to minimize transfer time and more frames per second, as compared with a single-stage (GPU- (2) hardware-acceleration techniques to minimize rendering time.
    [Show full text]
  • Real-Time Adaptive Scalable Texture Compression for the Web Master’S Thesis in Computer Science and Engineering
    Real-Time Adaptive Scalable Texture Compression for the Web Master's thesis in Computer Science and Engineering DANIEL OOM Department of Computer Science and Engineering CHALMERS UNIVERSITY OF TECHNOLOGY UNIVERSITY OF GOTHENBURG G¨oteborg, Sweden 2016 Real-Time Adaptive Scalable Texture Compression for the Web DANIEL OOM c DANIEL OOM, 2016 Department of Computer Science and Engineering Chalmers University of Technology SE-412 96 G¨oteborg Sweden Telephone: +46 (0)31-772 1000 Cover: An example picture that have been encoded and decoded using the presented algorithm, showing some of the encoding error. G¨oteborg, Sweden 2016 Real-Time Adaptive Scalable Texture Compression for the Web Master's thesis in Computer Science and Engineering DANIEL OOM Department of Computer Science and Engineering Chalmers University of Technology University of Gothenburg Abstract This thesis investigates using Adaptive Scalable Texture Compression in real-time to improve memory utilization in web browsers. A fast encoding method that uses heuristics and avoids the commonly used branch and bound method is presented. Performance benchmarks and quality comparisons against other commonly used encoders show that it is possible to compress textures with reasonable quality in real-time. Keywords: Web Browser, Texture Compression, Real-time, Adaptive Scalable Texture Compression, Heuristics i Abstract Detta examensarbetet unders¨oker anv¨andandet av texturkomprimering i realtid f¨oratt f¨orb¨attraminnesanv¨andan- det i webbl¨asare. En snabb metod baserad p˚aheuristik som undviker den mer vanligen anv¨anda\branch and bound"-metoden. Prestandam¨atningaroch kvalitetsj¨amf¨orelsergentemot andra popul¨aratexturkom- primeringsprogram visar att det ¨arpraktiskt m¨ojligtatt komprimera texturer i realtid med rimlig kvalitet.
    [Show full text]
  • Fast PVRTC Texture Compression Using Intensity Dilation
    Journal of Computer Graphics Techniques Vol. 3, No. 4, 2014 http://jcgt.org Fast PVRTC Texture Compression using Intensity Dilation Pavel Krajcevski Dinesh Manocha University of North Carolina at Chapel Hill Uncompressed Compressed Uncompressed Compressed Detail Detail Figure 1. Texture compression using intensity dilation applied to images used in GIS appli- cations such as Google Maps. Abstract We present an algorithm for quickly compressing textures into PVRTC, the Imagi- nation PowerVR Texture Compression format. Our formulation is based on intensity dilation and exploits the notion that the most important features of an image are those with high contrast ratios. We present an algorithm that uses morphological operations to distribute the areas of high contrast into the compression parameters. We use our algorithm to compress into PVRTC textures and compare our performance with prior techniques in terms of speed and quality. http://gamma.cs.unc.edu/FasTC 132 ISSN 2331-7418 Journal of Computer Graphics Techniques Vol. 3, No. 4, 2014 Fast PVRTC Compression using Intensity Dilation http://jcgt.org 1 Introduction Textures are frequently used in computer graphics applications to add realism and detail to scenes. As more applications leverage the GPU and require high-fidelity rendering, the cost for storing textures is rapidly increasing. Within the last decade, texture representations that provide hardware-friendly access to compressed data have become a standard feature of modern graphics processors. Texture compression, first introduced by Beers et al. [1996], exhibits many key differences from standard image compression techniques. Due to the random-access restrictions, compressed texture formats provide lossy compression at a fixed ratio.
    [Show full text]
  • Texture Compression
    Texture Compression Philipp Klaus Krause November 24, 2007 Contents 1 Abstract 2 2 Introduction 2 2.1 Motivation . 2 2.2 Texture Compression system requirements . 2 3 Important texture compression systems 3 3.1 Indexed color . 3 3.2 S3TC . 3 3.3 ETC . 6 3.4 Comparison . 6 4 Other texture compression systems 8 4.1 Vector quantization . 8 4.2 FXT1 . 8 4.3 latc, rgtc . 8 4.4 3Dc . 9 4.5 PVRTC . 9 4.6 PACKMAN . 9 4.7 ETC2 . 9 4.8 ATC.................................. 9 A Texture compression in OpenGL 9 A.1 Introduction . 9 A.2 Interface . 10 A.3 OpenGL ES . 10 B Bibliography 10 1 1 Abstract Texture compression is widely used in computer graphics today. I give an overview of the field starting by the reasons that make texture compression desirable, the special requirements on texture compression systems, which dis- tinguish them from general image compression systems. Today's three most important texture compression systems are extensively presented and compared. Other systems of some significance are mentioned with some information about them. Appendix A shows how texture compression interacts with OpenGL. 2 Introduction 2.1 Motivation In computer graphics achieving high visual quality typically requires high-resolution textures. However the desire for increasing texture resolution conflicts with the limited amount of graphics memory available. Memory bandwidth is the most important aspect of graphics system perfor- mance today. Most bandwidth is consumed by texture accesses, not accesses to vertex data or framebuffer updates. One reason for this is texture filtering, which increases visual quality: The common trilinear texture filtering needs to access 8 texels during each texture read.
    [Show full text]
  • Development of a Volume Rendering System Using 3D Texture Compression Techniques on General-Purpose Personal Computers
    Development of a volume rendering system using 3D texture compression techniques on general-purpose personal computers Akio Doi, Hiroki Takahashi Taro Mawatari Sachio Mega Advanced Visualization Laboratory Faculty of Medicine Department of CG Iwate Prefectural University Kyushu University JFP Corporation 152-52 Takizawa-mura, Iwate-ken, Japan 6-10-1 Higashi-ku, 2-26, Zaimoku-cho, doia{t-hiroki}@iwate-pu.ac.jp Fukuoka, Japan Morioka-shi, Japan Abstract—In this paper, we present the development of a high- and electronic components, and due to the non-destructive speed volume rendering system that combines 3D texture nature of the examination, it can be applied to objects made of compression and parallel programming techniques for rendering resin, wood, clay, stone and other materials.In addition, three- multiple high-resolution 3D images obtained with medical or dimensional (3D) images obtained through CT or MRI are industrial CT. The 3D texture compression algorithm (DXT5) subjected to different types of processing, such as 1) slicing, provides extremely high efficiency since it reduces the memory shifting and deformation, 2) image processing such as consumption to 1/4 of the original without having a negative impact on the image quality or display speed. By using this subtraction, highlighting and segmentation, 3) merger of approach, it is possible to use personal computers with general- multiple MRI images into a single high-resolution MRI image purpose graphics capabilities to display high-resolution 3D (for example, generation of full-body MRI images), 4) display images or groups of multiple 3D images obtained with medical or and registration of 3D images with different modality and 5) industrial CT in real time.
    [Show full text]
  • Compression Domain Volume Rendering
    Compression Domain Volume Rendering Jens Schneider∗ and R¨udiger Westermann† Computer Graphics and Visualization Group, Technical University Munich Results overview: First, a volumetric scalar data set of size 2563 requiring 16 MB is shown. Second, the hierarchically encoded data set (0.78 MB) is directly rendered using programmable graphics hardware. Third, one time step (256 3) of a 1.4 GB shock wave simulation is shown. Fourth, the same time step is directly rendered out of a compressed sequence of 70 MB. Rendering the data sets to a 5122 viewport runs at 11 and 24 fps, respectively, on an ATI 9700. Abstract 1 Introduction Over the last decade many articles have extolled the virtues of hard- ware accelerated texture mapping for interactive volume rendering. A survey of graphics developers on the issue of texture mapping Often this mechanism was positioned as the latest cure for the soft- hardware for volume rendering would most likely find that the vast ware crisis in scientific visualization - the inability to develop vol- majority of them view limited texture memory as one of the most ume rendering algorithms that are fast enough to be used in real- serious drawbacks of an otherwise fine technology. In this paper, time environments, yet powerful enough to provide realistic simu- we propose a compression scheme for static and time-varying vol- lation of volumetric effects. Despite all the great benefits that were umetric data sets based on vector quantization that allows us to cir- introduced by the most recent texture mapping accelerators, how- cumvent this limitation. ever, one important issue has received little attention throughout the ongoing discussion in the visualization community: volumetric We describe a hierarchical quantization scheme that is based on texture compression.
    [Show full text]
  • Compression and Rendering of Textured Point Clouds Via Sparse Coding
    High-Performance Graphics (2021) N. Binder and T. Ritschel (Editors) Compression and Rendering of Textured Point Clouds via Sparse Coding Kersten Schuster, Philip Trettner, Patric Schmitz, Julian Schakib, Leif Kobbelt Visual Computing Institute, RWTH Aachen University, Germany colored splats 1 atom per splat 0–8 atoms per splat Figure 1: Our proposed method compresses textured point clouds via sparse coding. We optimize a dictionary of atoms (each 32×32 pixels) and represent each splat texture as an average color plus a weighted sum of these atoms. With colored splats only, all high frequency content is lost (left). When adding a single atom, the quality is already improved significantly (center). Our approach can adapt the number of atoms per splat depending on texture content and the desired target quality. Abstract Splat-based rendering techniques produce highly realistic renderings from 3D scan data without prior mesh generation. Map- ping high-resolution photographs to the splat primitives enables detailed reproduction of surface appearance. However, in many cases these massive datasets do not fit into GPU memory. In this paper, we present a compression and rendering method that is designed for large textured point cloud datasets. Our goal is to achieve compression ratios that outperform generic texture compression algorithms, while still retaining the ability to efficiently render without prior decompression. To achieve this, we resample the input textures by projecting them onto the splats and create a fixed-size representation that can be approximated by a sparse dictionary coding scheme. Each splat has a variable number of codeword indices and associated weights, which define the final texture as a linear combination during rendering.
    [Show full text]
  • Compression-Based 3D Texture Mapping for Real-Time Rendering1
    Compression-Based 3D Texture Mapping for Real-Time Rendering1 Þ Ü Chandrajit Bajaj Ý and Insung Ihm and Sanghun Park Ý Department of Computer Sciences, The University of Texas at Austin, U.S.A.; and Þ Department of Computer Science, Sogang University, Korea; and Ü TICAM, The University of Texas at Austin, U.S.A. Received ??; accepted ?? While 2D texture mapping is one of the most effective rendering techniques that make 3D objects appear visually interesting, it often suffers from visual artifacts produced when 2D image patterns are wrapped onto the surface of objects with arbitrary shapes. On the other hand, 3D texture mapping generates highly natural visual effects in which objects appear carved from lumps of materials rather than laminated with thin sheets as in 2D texture mapping. Storing 3D texture images in a table for fast mapping computations, instead of evaluating procedures on the fly, however, has been considered impractical due to the extremely high memory requirement. In this paper, we present a new effective method for 3D texture mapping designed for real-time rendering of polygonal models. Our scheme attempts to resolve the potential texture memory problem by compressing 3D textures using a wavelet-based encoding method. The experimental results on various non-trivial 3D textures and polygonal models show that high compression rates are achieved with few visual artifacts in the rendered images and a small impact on rendering time. The simplicity of our compression-based scheme will make it easy to implement practical 3D texture mapping in software/hardware rendering systems including the real-time 3D graphics APIs like OpenGL and Direct3D.
    [Show full text]