2021: Our Centenary … Or Not? See Page 6 PHOTOGRAPH by ALLEN EYLES by PHOTOGRAPH
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Project Gutenberg Ebook of the Moghul, by Thomas Hoover This
The Project Gutenberg EBook of The Moghul, by Thomas Hoover This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org ** This is a COPYRIGHTED Project Gutenberg eBook, Details Below ** ** Please follow the copyright guidelines in this file. ** Title: The Moghul Author: Thomas Hoover Release Date: November 14, 2010 [EBook #34322] Language: English Character set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK THE MOGHUL *** Produced by Al Haines ============================================================== This work is licensed under a Creative Commons Attribution 3.0 Unported License, http://creativecommons.org/ ============================================================== THE MOGHUL Based on real people (ca. 1620) – THE MOGHUL begins in a rip-roaring sea battle north of Bombay in which the vastly out- gunned adventurer, Brian Hawksworth, ship's captain and emissary of King James, blows away a flotilla of Portuguese galleons to gain access to an Indian port. He's come to open trade for “barbaric” England and squeeze out the Portuguese, who try to kill him at every turn. But once on land, he’s captive: the beauty and romance of the exquisite Moghul Empire seduce him from his material goals to a new quest – of supreme sensuality in music, visions, and sacred lovemaking. India, ruled by the son of great Akbar, is about to pass to one of his sons. Hawksworth must choose sides, but will he choose right? The future of England, and of India, depend on it. -
Breathtaking Stories of Extreme Filming. Read the Full Story on Page 6
The newspaper for BBC pensioners - with highlights from Ariel Heights, Camera, Action Breathtaking stories of extreme filming. Read the full story on page 6. June 2011 • Issue 4 Yes, Prime Lord Patten Minister back takes the helm Sounds better? on stage Page 2 Page 7 Page 12 NEWS • LifE aftEr auNtiE • CLaSSifiEdS • Your LEttErS • obituariES • CroSPEro 02 uPdatE froM thE bbC Patten takes helm at BBC Trust On 3 May, Lord Patten began his appointment as chairman of the BBC Trust – with an interesting first day spent taking questions from staff in a ringmain session. Quality First) should be all about and I hope we’ll be able to discuss options with the Executive during the summer.’ 2011 pay offer It is also apparent that the new chairman is ready and willing to deal with the – an update repercussions of the less popular decisions to be taken, and those which will not always Further to requests by the unions for all be accepted gladly by the licence fee payer. staff in bands 2-11 to be awarded a pay ‘I hope we won’t be talking about closing increase which is ‘substantially above services but, whatever we are talking about inflation’, the BBC has offered a 2% doing, if the Trust and the Executive are increase – which falls far short of the agreed it is the best way of using the money Retail Prices Index (RPI) figures on which then we have to stand by the consequences. If it is intended to be based (5.2% as at that involves answering thousands of emails, April 2011). -
BFI CELEBRATES BRITISH FILM at CANNES British Entry for Cannes 2011 Official Competition We’Ve Got to Talk About Kevin Dir
London May 10 2011: For immediate release BFI CELEBRATES BRITISH FILM AT CANNES British entry for Cannes 2011 Official Competition We’ve Got to Talk About Kevin dir. Lynne Ramsay UK Film Centre supports delegates with packed events programme 320 British films for sale in the market A Clockwork Orange in Cannes Classics The UK film industry comes to Cannes celebrating the selection of Lynne Ramsay’s We Need to Talk About Kevin for the official competition line-up at this year’s festival, Duane Hopkins’s short film, Cigarette at Night, in the Directors’ Fortnight and the restoration of Stanley Kubrick’s A Clockwork Orange, restored by Warner Bros; in Cannes Classics. Lynne Ramsay’s We Need To Talk About Kevin starring Tilda Swinton was co-funded by the UK Film Council, whose film funding activities have now transferred to the BFI. Duane Hopkins is a director who was supported by the UK Film Council with his short Love Me and Leave Me Alone and his first feature Better Things. Actor Malcolm McDowell will be present for the screening of A Clockwork Orange. ITV Studios’ restoration of A Night to Remember will be screened in the Cinema on the Beach, complete with deckchairs. British acting talent will be seen in many films across the festival including Carey Mulligan in competition film Drive, and Tom Hiddleston & Michael Sheen in Woody Allen's opening night Midnight in Paris The UK Film Centre offers a unique range of opportunities for film professionals, with events that include Tilda Swinton, Lynne Ramsay and Luc Roeg discussing We Need to Talk About Kevin, The King’s Speech producers Iain Canning and Gareth Unwin discussing the secrets of the film’s success, BBC Film’s Christine Langan In the Spotlight and directors Nicolas Winding Refn and Shekhar Kapur in conversation. -
'Goblinlike, Fantastic: Little People and Deep Time at the Fin De Siècle
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output ’Goblinlike, fantastic: little people and deep time at the fin de siècle https://eprints.bbk.ac.uk/id/eprint/40443/ Version: Full Version Citation: Fergus, Emily (2019) ’Goblinlike, fantastic: little people and deep time at the fin de siècle. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email ‘Goblinlike, Fantastic’: Little People and Deep Time at the Fin De Siècle Emily Fergus Submitted for MPhil Degree 2019 Birkbeck, University of London 2 I, Emily Fergus, confirm that all the work contained within this thesis is entirely my own. ___________________________________________________ 3 Abstract This thesis offers a new reading of how little people were presented in both fiction and non-fiction in the latter half of the nineteenth century. After the ‘discovery’ of African pygmies in the 1860s, little people became a powerful way of imaginatively connecting to an inconceivably distant past, and the place of humans within it. Little people in fin de siècle narratives have been commonly interpreted as atavistic, stunted warnings of biological reversion. I suggest that there are other readings available: by deploying two nineteenth-century anthropological theories – E. B. Tylor’s doctrine of ‘survivals’, and euhemerism, a model proposing that the mythology surrounding fairies was based on the existence of real ‘little people’ – they can also be read as positive symbols of the tenacity of the human spirit, and as offering access to a sacred, spiritual, or magic, world. -
Al Pacino Receives Bfi Fellowship
AL PACINO RECEIVES BFI FELLOWSHIP LONDON – 22:30, Wednesday 24 September 2014: Leading lights from the worlds of film, theatre and television gathered at the Corinthia Hotel London this evening to see legendary actor and director, Al Pacino receive a BFI Fellowship – the highest accolade the UK’s lead organisation for film can award. One of the world’s most popular and iconic stars of stage and screen, Pacino receives a BFI Fellowship in recognition of his outstanding achievement in film. The presentation was made this evening during an exclusive dinner hosted by BFI Chair, Greg Dyke and BFI CEO, Amanda Nevill, sponsored by Corinthia Hotel London and supported by Moët & Chandon, the official champagne partner of the Al Pacino BFI Fellowship Award Dinner. Speaking during the presentation, Al Pacino said: “This is such a great honour... the BFI is a wonderful thing, how it keeps films alive… it’s an honour to be here and receive this. I’m overwhelmed – people I’ve adored have received this award. I appreciate this so much, thank you.” BFI Chair, Greg Dyke said: “A true icon, Al Pacino is one of the greatest actors the world has ever seen, and a visionary director of stage and screen. His extraordinary body of work has made him one of the most recognisable and best-loved stars of the big screen, whose films enthral and delight audiences across the globe. We are thrilled to honour such a legend of cinema, and we thank the Corinthia Hotel London and Moët & Chandon for supporting this very special occasion.” Alongside BFI Chair Greg Dyke and BFI CEO Amanda Nevill, the Corinthia’s magnificent Ballroom was packed with talent from the worlds of film, theatre and television for Al Pacino’s BFI Fellowship presentation. -
Bfi London Film Festival Announces New Format For
BFI LONDON FILM FESTIVAL ANNOUNCES NEW FORMAT FOR 2020 EDITION Virtual LFF & LFF in Cinemas The first ever edition of the Festival to be widely accessible across the UK 50 Virtual Festival Premieres to be enjoyed at home Up to 12 special previews of eagerly anticipated upcoming films screening in cinemas around the UK New Audience Choice Awards introduced for 2020 Edition Free talks, events, short films LONDON – Thursday 2nd July, 2020, 13:00 : The BFI London Film Festival in partnership with American Express today reveals its plans for the upcoming edition of the Festival from 7th-18th October 2020. In the most accessible version of the festival to UK audiences yet, film lovers will be given an opportunity to connect for a unique and innovative festival experience, enjoying both live and digital screenings across the 12 days of the Festival. Adapting to the extraordinary challenges of the year, the Festival will deliver up to 50 Virtual Festival Premieres in a programme that offers audiences the opportunity to see the best new cinema from around the world and with that same texture LFF’s audiences love, including fiction, documentary, animation, artists’ moving image, and restored classics from the world’s archives. Every film will be presented with an intro or Q&A, and the programme will also include a range of free-to-access additional works and events to include: an international short film programme, Screen Talks with major filmmakers and actors, salons and roundtables and a brand new Virtual Exhibition of XR and Immersive Art. Industry and Media delegates will have access to a rich professional programme, also delivered digitally. -
Pinewood Gives Free Bfi Membership to All of Its Staff to Honour Studio's
PINEWOOD GIVES FREE BFI MEMBERSHIP TO ALL OF ITS STAFF TO HONOUR STUDIO’S 80TH YEAR London, 30th September 2016: Pinewood Studios has long been regarded as a jewel in the crown of the UK’s rich film heritage and as the iconic studio celebrates the start of its 80th anniversary year, it was announced today that all full-time staff across the group will receive free membership to the BFI to honour the date. Amanda Nevill, CEO of the BFI said: “Pinewood is part of our film heritage, and at 80 years old is more active and successful than ever and plays a huge role in the creative success of the UK film industry. We are very excited that they have chosen to mark this special birthday by giving the gift of BFI Membership to every single member of their staff! We so look forward to giving them all a very special 80th years across the BFI Player, BFI Southbank and the BFI London Film Festival. Happy Birthday Pinewood!” Commenting on marking the celebrations, Andrew M. Smith, Corporate Affairs Director for Pinewood Group plc said: “As we enter our 80th year, we felt it fitting to mark the occasion by giving colleagues membership of the BFI. Pinewood is a cornerstone of the film industry here in the UK and we are proud to have helped shape it.” The BFI membership will provide staff with the best way to enjoy the special events, previews and screenings at the BFI London Film Festival, BFI Flare: London LGBT Film Festival and at BFI Southbank all year round with priority booking, no booking fees, exclusive programme guides and 10% off food and drink at BFI Southbank. -
Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr. -
LOST for NEARLY a CENTURY LOVE, LIFE and LAUGHTER SCREENS AS BFI LFF’S ARCHIVE SPECIAL PRESENTATION with LIVE MUSICAL ACCOMPANIMENT [3Rd OCTOBER, BFI SOUTHBANK]
LOST FOR NEARLY A CENTURY LOVE, LIFE AND LAUGHTER SCREENS AS BFI LFF’S ARCHIVE SPECIAL PRESENTATION WITH LIVE MUSICAL ACCOMPANIMENT rd [3 OCTOBER, BFI SOUTHBANK] Tuesday 27 August, 10:30am London – The 63rd BFI London Film Festival in partnership with American Express is thrilled to announce George Pearson’s LOVE, LIFE AND LAUGHTER (1923) as this year’s Archive Special Presentation. Lost for nearly a century, this film was on the BFI 75 Most Wanted list and one of its most sought after titles for decades and has now been carefully restored by the team at the BFI National Archive. Its screening at this year’s Festival gives audiences the chance to fall under the spell of Betty Balfour, Britain’s ‘Queen of Happiness’ and the nation’s biggest star of the 1920s. The presentation will take place at BFI Southbank on Thursday 3rd October, 6.10pm in NFT1 with a live musical accompaniment by Meg Morley as well as an extended introduction by the BFI National Archive’s Silent Curator Bryony Dixon and the BFI’s Film Conservation Manager Kieron Webb. LOVE, LIFE AND LAUGHTER tells the story of a pair of working class youngsters with big dreams – a cheery chorus girl and a serious writer – the film toys with our expectations, blurring the boundaries of reverie and reality, tragedy and comedy. The films aesthetic is extremely evocative of the period, full of Art Deco styling from the overall design to Balfour’s costumes and the film’s set pieces. This restoration is a major event enabling today’s audiences to enjoy a truly vivacious performance from Balfour in one of her key films and adds to our knowledge of director Pearson, often likened to Dickens (whom he admired) for his ability to wring the maximum amount of emotion out of a story and a key figure in British cinema with now only a bare handful of his films survive. -
The Rank Prize Funds: Nurturing Advancement in Optoelectronics
INTERFACES Beyond the Lab: The people and profession of materials. The Rank Prize Funds: Nurturing Advancement in Optoelectronics Carol Trager-Cowan The classic British films of Brief working at the cutting edge of Encounter (1945), Great Expec ta - optoelectronics research. By the tions (1946), The Red Shoes (1948), award of annual prizes, the and The Thirty-Nine Steps (1959), trustees of The Funds “seek to produced by The Rank Organi - identify those individuals who sation, may be well known but have made a significant contribu- few viewers may be aware of the tion …, where an initial idea has role that The Rank Prize Funds been carried through to practical play in recognizing excellence and applications that have, or will, nurturing progress in the field of demonstrably benefit mankind” optoelectronics. (www.rankprize.org). For exam- The Rank Organisation and ple, in 2008, Professor P.B. Denyer The Rank Prize Funds both owe and colleagues Dr. D. Renshaw, their existence to J. Arthur Rank, Dr. M. Lu, and Professor G. Wang later to become Lord Rank from the University of Edinburgh (1957). He was born in 1888 into were awarded prizes “for their a wealthy flour-milling family work on the first CMOS [comple- and at the age of 17 he joined the mentary metal oxide semiconduc- family business. tor] image sensors for digital cam- Lord Rank was a devout eras.” Professor M.V. Srinivasan of Christian and taught at the Sun - The Australian National Uni - Delegates from the “Physics and Applications of InN and day School of his local church. InGaN Semiconductor Materials” mini-symposium relaxing at ver sity was awarded a prize “for He liked to show the children the top of a hill in the Lake District, England, UK. -
Scotland ; Picturesque, Historical, Descriptive
250 SCOTLAND DELINEATED. the very name of Macgregor, and rendering the meeting of four of them together at one time a capital crime. Other enactments against them were occasionally renewed, and those proscriptions were in force until the eighteenth century. In 1715 occurred the "Loch Lomond Expedition," against the Macgregors, who, in defiance of the laws against them continued their marauding expeditions under the celebrated Rob Roy Macgregor, and were in reality public robbers. They had seized all the boats on the lake, invaded the island of Inch- Murrin, killed many of the deer belonging to the Duke of Montrose, and committed other excesses. A strong force of volunteers from towns in the counties of Renfrew and Ayr was sent against them to recover the boats, assisted by about one hundred seamen from the ships of war in the Clyde, commanded by seven officers. They sailed up the Leven, and were drawn three miles 4n the course by horses. The contemporary account quaintly states that when " the pinnaces and boats within the mouth of the Loch had spread their sails, and the men on the shore had ranged themselves in order, marching along the side of the Loch for scouring the coast, they made altogether so very fine an appearance as had never been seen in that place before, and might have gratified even a curious person." The Macgregors, however, had disappeared, and the volunteers returned to Dunbarton, after securing the captured booty, without any demonstration of their courage. The Leven is the discharge from Loch Lomond, and traverses the beautiful vale nearly six miles to the Clyde at Dunbarton Castle. -
News Competitions Diary Dates and More… Free Phone Card with the ‘BANGLA CALLING’ 660Ml Bottle Top Promotion
thestarISSUE 9 2009 FREE Don’t miss our interview with David Roper, the ‘piano’ in 4 Poofs and a Piano ✚ News Competitions Diary dates and more… Free Phone Card with the ‘BANGLA CALLING’ 660ml bottle top promotion “When your customer orders a beer go to the fridge and open a bottle of 660ml Bangla Premium Beer. Check the bottle top, if it reads Bangla on both sides you’re a winner” 1 in every 20 bottles is a winner... Good Luck! 1000’s of free Bangla Beer phone cards have been won, determined by ‘Bangla’ printed inside the bottle cap. Check to see if you’re a winner! To enter is Free of charge, for full terms and conditions please visit www.banglabeer.co.uk BOTTLED BANGLA 2007 INTERNATIONAL MONDE GOLD AWARD BANGLA BOTTLES Shapla Paani is a natural spring water. Being drawn deep through great british granite gives Shapla Paani its exceptional thirst quenching taste. A spring situated on the edge of Bodmin Moor in the picturesque and dramatic setting of Rough Tor. The bottling plant stands on an underground lake where pure Cornish moorland kissed rainfall naturally filters through the rock to produce a pure natural spring water. Why Stock Shapla Paani? • Shapla Paani spring water is specifically designed to fit into the Asian restaurant market. • Shapla Paani is exclusive to the on-trade, so it won’t be de-valued in your local supermarket. • Premium product, the quality and purity of this spring water is exceptional. • Available in 24x330ml and 12x750ml NRB cases. • Available in both Sparkling and Still variants.