Orpheus Rising Free
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
Rewriting in Neil Gaiman´S Graphic Novel Sandman
Masaryk University Faculty of Education Department of English Language and Literature Rewriting in Neil Gaiman´s Graphic Novel Sandman Bachelor thesis Šárka Nygrýnová Brno, April 2009 Supervisor: Mgr. Pavla Buchtová Hereby I declare that I have worked on my thesis on my own and that no other sources except for those enumerated in bibliography were used. ................................................... Šárka Nygrýnová 2 I would like to thank Mgr. Pavla Buchtová for her kind guidance and valuable advice she provided to me. 3 Table of contents Introduction ................................................................................................................5 Opening.......................................................................................................................6 1. Postmodernisms......................................................................................................7 1.1 The beginning of postmodernisms............................................................7 1.2 The history of postmodernisms.................................................................8 1.3 Basic distinction between modernism and postmodernisms...................10 1.4 Devices of postmodernisms......................................................................11 1.4.1 Reading and interpretation.............................................11 1.4.2 Distribution....................................................................11 1.5 The death of postmodernisms...................................................................12 -
Adaptation and Narrative Structure in the Orpheus Myth Ryan Cadrette
Tracing Eurydice: Adaptation and Narrative Structure in the Orpheus Myth Ryan Cadrette Master’s Thesis in The Department of Communication Studies Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (Media Studies) at Concordia University Montreal, Quebec, Canada August 2013 © Ryan Cadrette, 2013 iii Abstract Tracing Eurydice: Adaptation and Narrative Structure in the Orpheus Myth Ryan Cadrette The primary purpose of this thesis is to postulate a working method of critical inquiry into the processes of narrative adaptation by examining the consistencies and ruptures of a story as it moves across representational form. In order to accomplish this, I will draw upon the method of structuralist textual analysis employed by Roland Barthes in his essay S/Z to produce a comparative study of three versions of the Orpheus myth from Ovid’s Metamorphoses. By reviewing the five codes of meaning described by Barthes in S/Z through the lens of contemporary adaptation theory, I hope to discern a structural basis for the persistence of adapted narrative. By applying these theories to texts in a variety of different media, I will also assess the limitations of Barthes’ methodology, evaluating its utility as a critical tool for post-literary narrative forms. iv Acknowledgments I would like to thank my advisor, Peter van Wyck, for his reassurance that earlier drafts of this thesis were not necessarily indicative of insanity, and, hopefully, for his forgiveness of my failure to incorporate all of his particularly insightful feedback. I would also like to thank Matt Soar and Darren Wershler for agreeing to actually read the peculiar monstrosity I have assembled here. -
Spawn Origins: Book 4 Pdf, Epub, Ebook
SPAWN ORIGINS: BOOK 4 PDF, EPUB, EBOOK Todd McFarlane,Alan Moore | 325 pages | 27 Sep 2011 | Image Comics | 9781607064374 | English | Fullerton, United States Spawn Origins: Book 4 PDF Book Spawn Origins TPB 1 - 10 of 20 books. Dissonance Volume 1. I love seeing Malebolgia and listening to Count Cogliostro. Includes the classic "Christmas" issue as well as the double-sized issue 50! Revisit stories of deception and betrayal,with Al's former boss, Jason Wynn, in the center of it all. Jun 08, Julian rated it it was ok Shelves: comic-books , spawn. Average rating 3. I was aware of Neil Gaiman's legal battles over Angela, Cogliostro and Medieval Spawn but I had no idea the extent to which later issues would continually refer back to ideas which were outsourced. View basket. Showing I dunno they don't tell you much and it's a odd place to start. Another darn good volume of Spawn. Spawn: Origins, Volume 9. United Kingdom. And for years, the passengers and crew of the vessel Orpheus found the endless void between realities to be a surprisingly peaceful home. Spawn: Hell On Earth. Then the last one is kind of a weird one about Spawn seeing a different outlook on things and maybe not being a complete dick to everyone he meets all the time. Anyway next 4 issues begin the "Hunt" which has basically put Terry, Spawn's friend, in the middle of a all out war and everyone wants him done. Brit, Volume 1: Old Soldier. Seller Inventory ADI The guest writers on the early Spawn titles Moore, Morrison and Gaiman really hit it out of the park by establishing interesting lore that had implications for the whole Spawn universe. -
Comic Books Vs. Greek Mythology: the Ultimate Crossover for the Classical Scholar Andrew S
University of Texas at Tyler Scholar Works at UT Tyler English Department Theses Literature and Languages Spring 4-30-2012 Comic Books vs. Greek Mythology: the Ultimate Crossover for the Classical Scholar Andrew S. Latham Follow this and additional works at: https://scholarworks.uttyler.edu/english_grad Part of the English Language and Literature Commons Recommended Citation Latham, Andrew S., "Comic Books vs. Greek Mythology: the Ultimate Crossover for the Classical Scholar" (2012). English Department Theses. Paper 1. http://hdl.handle.net/10950/73 This Thesis is brought to you for free and open access by the Literature and Languages at Scholar Works at UT Tyler. It has been accepted for inclusion in English Department Theses by an authorized administrator of Scholar Works at UT Tyler. For more information, please contact [email protected]. COMIC BOOKS VS. GREEK MYTHOLOGY: THE ULTIMATE CROSSOVER FOR THE CLASSICAL SCHOLAR by ANDREW S. LATHAM A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English Department of Literature and Languages Paul Streufert, Ph.D., Committee Chair College of Arts and Sciences The University of Texas at Tyler May 2012 Acknowledgements There are entirely too many people I have to thank for the successful completion of this thesis, and I cannot stress enough how thankful I am that these people are in my life. In no particular order, I would like to dedicate this thesis to the following people… This thesis is dedicated to my mother and father, Mark and Seba, who always believe in me, despite all evidence to the contrary. -
Joye Murchison • Barbara Friedlander’S Love Affair with Dc Comics • Fca • Bill Schelly • Mr
ALTER EGO #157 Roy Thomas' Wonder-Full Comics Fanzine ONLY Three YEARS INTO HER CATACLYSMIC CAREER— GOLDEN AGE WONDER WOMAN SCRIPTER JOYE MURCHISON • BARBARA FRIEDLANDER’S LOVE AFFAIR WITH DC COMICS FCA BILL DC’S AMAZING AMAZON HAD A FEMALE $9.95 GHOST WRITER! In the USA SPOTLIGHT ON No. 157 March GOLDEN AGE WONDER WOMAN SCRIPTER 2019 JOYE MURCHISON JOYE HUMMEL (MURCHISON), 1943 SCHELLY Wonder Woman TM & © DC Comics Woman Wonder • MR. MONSTER & MORE! 3 9 5 3 0 0 8 5 6 2 8 1 BONUS! BARBARA FRIEDLANDER’S LOVE AFFAIR WITH DC COMICS! Vol. 3, No. 157 / March 2019 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor P.C. Hamerlinck J.T. Go (Assoc. Editor) Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) Ronn Foss, Biljo White Mike Friedrich Proofreaders Rob Smentek Contents William J. Dowlding Cover Artist Writer/Editorial: Wonder Of Wonders! ................... 2 H.G. Peter The First Amazon .................................... 3 Cover Colorist Richard Arndt interviews 1944-48 “Wonder Woman” ghost writer Joye Murchison Kelly! Unknown Barbara Friedlander’s Love Affair With DC Comics ........ 35 With Special Thanks to: Silver Age romance from Young Love to Heart Throb to Swing with Scooter. Doug Abramson Joye Murchison Heidi Amash Kelly Of Crows And The Cosmos ........................... 55 Pedro Angosto Jack Kelly Richard J. Arndt Thomas Kiefer Part VIII of Golden/Silver Age star scripter John Broome’s 1998 memoir. Bob Bailey Todd Klein Linedia Benaca Lamiek Mr. Monster’s Comic Crypt! Bruce McCorkindale’s Barbara Friedlander Comiclopedia Mighty Marvel Mashup! ............................. -
Author Index
SF PORNOGRAPHY AUTHOR INDEX Anonymous All the books listed here are novels. Attributions are given where known. The Adult Version of Dracula. CALGA CP808, Los Angeles, 1970, (nov,rewrite), 190pp. “3 May. Bistritz: A piece of ass is a piece of ass—be it in England or here in Transylvania.” A rewritten version of Bram Stoker’s classic vampire novel. Contains scattered fragments of Stoker’s text, with several gratuitous sex scenes added. Adapted by Hal Kantor, q.v., per copyright registration. Begotten of the Devil. SATAN’S LIBRARY SL-105, (Star Distributors, Ltd.), New York City, 1978, (nov,orig), 180pp. “She looked into his penetrating eyes and tears filled her own.” Combines elements of Rosemary's Baby and The Omen. Laura Adler's husband has made a pact with Satan. Their daughter spearheads a worldwide revival of Satanism. Beloved of Satan. SATAN’S LIBRARY SL-112, (Star Distributors, Ltd.), New York City, 1979, (nov,orig), 180pp. “She could feel the intense heat pouring off of his cock as it approached her tender young cunny.” An evil rock musician named Zorba impregnates a groupie named Dalia with a Satanic child. The Bewitched. MASTER CLASSIC 6002, (N.P., Inc.), n.p., 1969, (nov,orig), 152pp, cover by O. U. Sutinen. (“translated by A. De Granamour”) “There are certain men who constantly meet together in restaurants and bars to exchange tales of their days in the army.” A trio of ex-army buddies are seduced by a pack of demonic women. A. De Granamour is one of the many pseudonyms of Paul Hugo Little, (1915-1987) US. -
Customer Order Form
ORDERS PREVIEWS world.com DUE th 18 MAR 2016 MAR COMIC THE SHOP’S PREVIEWSPREVIEWS CATALOG CUSTOMER ORDER FORM CUSTOMER 601 7 Mar16 Cover ROF and COF.indd 1 2/4/2016 3:09:26 PM Mar16 Dark Horse C2.indd 1 2/4/2016 9:05:13 AM LOBSTER JOHNSON: RENATO JONES: METAL MONSTERS OF THE ONE% #1 MIDTOWN #1 IMAGE COMICS DARK HORSE COMICS FUTURE QUEST #1 DC COMICS MAE #1 3 FLOYDS: DARK HORSE COMICS ALPHA KING #1 IMAGE COMICS ARCHANGEL #1 IDW PUBLISHING SCOOBY APOCALYPSE #1 THE PUNISHER #1 DC COMICS MARVEL COMICS Mar16 Gem Page ROF COF.indd 1 2/4/2016 1:54:28 PM FEATURED ITEMS COMIC BOOKS & GRAPHIC NOVELS Rachel Rising #42 l ABSTRACT STUDIOS Cinema Purgatorio #1 l AVATAR PRESS INC Power Rangers: Pink #1 l BOOM! STUDIOS Weavers #1 l BOOM! STUDIOS Kings Quest #1 l D. E./DYNAMITE ENTERTAINMENT Smosh #1 l D. E./DYNAMITE ENTERTAINMENT 1 Dreamworks: Shrek #1 l JOE BOOKS INC. I Am Space Dandy GN l KODANSHA COMICS Klaw GN l MAGNETIC PRESS INC. Space Battle Lunchtime #1 l ONI PRESS INC. Penny Dreadful #1 l TITAN COMICS 1 Blanc Et Noir: Takeshi Obata Illustrations HC l VIZ MEDIA LLC Death Force #1 l ZENESCOPE ENTERTAINMENT INC BOOKS Captain America: The Ultimate Guide to the First Avenger Hc l COMICS Harley Quinn: Wild Card SC l COMICS YOUNG READERS 2 Star Wars Character Encyclopedia: Updated Expanded HC l STAR WARS MAGAZINES Doctor Who Magazine #500 l DOCTOR WHO The Walking Dead Magazine #15 Walker Stalker Exclusive l MOVIE/TV 2 TRADING CARDS Topps 2016 Doctor Who Timeless Trading Cards l TOPPS COMPANY Topps 2016 Warcraft Movie Trading Cards l TOPPS COMPANY -
In the Footsteps of Orpheus
In the Footsteps of Orpheus Trackers, with Hidden Noise It is in broad daylight that they, in turn, prepare to track down the origin or the source of the noise that will lead them toward the one they are looking for, whom they do not even know yet. T ey are trackers. I would like to follow them in their ancient hunt, whose story now I hold in my hands: T ese pages from which their subdued cries and barks resound as if from far away. T e transmission has been quite bad for a long time now: In the papyrus of Sophocles’ T e Trackers, the mutilated passages are so numerous that despite the ef orts of philologists to restore them the text reads like a truncated telegram. Amid the cracklings of the line (which every now and then jumps abruptly), I hear these fragments: Let’s go . your feet, your step . Courage! Courage! . Oh, oh! Yes, you . forward, the thief . through cunning . coming to the end . How, by what means these clandes- tine, nocturnal thef s, hastily . if by accident, I were to f nd it . 118856-Szendy_AllEars.indd8856-Szendy_AllEars.indd 5959 99/21/16/21/16 111:081:08 AAMM Hello? Yes, I am listening, but the reception is very bad. It would appear that this is the chorus, yes, a chorus of satyrs that, following the commands of Silenus, who is their guide and chief, decided to pursue the thief responsible for stealing Apollo’s cattle in order to earn the promised reward. A little later—and I do understand it better now—Silenus speaks of “track[ing] down the abductor, the predator, the thief.” Furthermore, where the Sophoclean signal is truly scrambled, I can still get a connection through another line: To the extent that I can corroborate the information of one text by another, the play takes up again the argument of the Homeric hymn to Hermes. -
Orphic Powers in J.R.R. Tolkien's Legend of Beren and Lúthien Jane Beal Phd University of California, Davis, [email protected]
Journal of Tolkien Research Volume 1 | Issue 1 Article 1 2014 Orphic Powers in J.R.R. Tolkien's Legend of Beren and Lúthien Jane Beal PhD University of California, Davis, [email protected] Follow this and additional works at: http://scholar.valpo.edu/journaloftolkienresearch Part of the Biblical Studies Commons, Catholic Studies Commons, Christianity Commons, Classics Commons, Comparative Literature Commons, Medieval Studies Commons, and the Modern Literature Commons Recommended Citation Beal, Jane PhD (2014) "Orphic Powers in J.R.R. Tolkien's Legend of Beren and Lúthien," Journal of Tolkien Research: Vol. 1: Iss. 1, Article 1. Available at: http://scholar.valpo.edu/journaloftolkienresearch/vol1/iss1/1 This Article is brought to you for free and open access by the Library Services at ValpoScholar. It has been accepted for inclusion in Journal of Tolkien Research by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. Beal: Orphic Powers in the Legend of Beren and Lúthien Orphic Powers in J.R.R. Tolkien’s Legend of Beren and Lúthien J.R.R. Tolkien’s legend of Beren and Lúthien took several forms from 1917 to 1954, five of them distinct: 1) the early fairy-tale or beast fable called “The Tale of Tinúviel”; 2) the verse “Lay of Leithian” (preceeded by prose synopses); 3) the prose romance in The Silmarillion (preceeded by versions later edited and published by Christopher Tolkien in the Earliest Silmarillion, Quenta Silmarillion, Earliest Annals of Beleriand, -
PREVIEWS Order
Order PREVIEWS Form V11#8 For New Publications Scheduled to Ship in October, 2001 ORDER DEADLINE: AUGUST 11, 2001 PLACE STORE STAMP HERE Name _______________________________ Address _____________________________ City _________________State ___________ Zip ___________ Phone# _______________ Signature (Required) __________________ Your signature indicates that you are authorized to order items that are designated as “Adult,” and you are at least 18 years old. PLEASE PRINT CLEARLY! QTY TITLE PRICE Please note that the toy items on this order form may not be available at every store. Shipping times and prices may vary. For items sold by assortment (marked with an "*"), retailers cannot guarantee receiving specific items. Ask your retailer for more information when you order. PAGE 21 PREVIEWS PUBLICATIONS SPOT ______AUG010001 BEST OF THE STAR SYSTEM #5 ................................................................................MSRP: $0.75 = $ ____________ ____________AUG010003 PRIMO FLYER VOL XI #10 ..................................................................................................SRP: PI = $ ____________ ____________AUG010004 PREVIEWS VOL XI #10 ............................................................................................MSRP: $3.25 = $ ____________ ____________AUG010005 PREVIEWS VOL XI CONSUMER ORDER FORM #10 ............................................................SRP: PI = $ ____________ ____________AUG010007 PREVIEWS ADULT VOL XI #10 ..........................................................................................SRP: -
Batman and Comics in Academia an Exhibition Highlighting the Importance of Graphic Novels As a Tool in Literacy
Batman and Comics in Academia An exhibition highlighting the importance of graphic novels as a tool in literacy Organized by the University of Malta Library in collaboration with Graphic Novels Library Malta November 2014 The University of Malta Library in collaboration with Graphic Novels Library Malta in celebration of 75 years of Batman organised an exhibition titled: Batman and Comics in Academia: An exhibition highlighting the importance of graphic novels as a tool in literacy The exhibition was held at the University of Malta Library’s exhibition area. The exhibition started from Monday 17th November till Wednesday 3rd December. It consisted of a collection of Batman related graphic novels and comics that have shaped the character we know today. Batman first appeared in issue No. 27 of Detective Comics in May 1939. He was created by artist Bob Kane and writer Bill Finger and originally named "the Bat-Man". He is also referred to as "the Caped Crusader", "the Dark Knight", and "the World's Greatest Detective". Seventy-five (75) years have passed and the character’s influence is stronger than ever having crossed film, television and video-games. Comics and graphic novels are researched in various areas of studies such as arts, education, communication, translation, and philosophy. Further research is being carried out in these fields, which help to outline the benefits of reading comics and the impact they have on society in general. A number of publications owned by the University Library and dissertations from this University are on a display, each illustrating different areas of the comic book medium from an academic perspective.