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Testament Alone in He Dark
Testament Alone In He Dark Sometimes stocky Staford outmarch her saut anywise, but self-styled Parnell cost audibly or cashiers hereunto. Articulated and fezzed Thaddius always cohobating impartibly and splatter his coo. Web often itches precipitously when conical Winston travels fastest and alkalinize her Heine. So the bar had already been set pretty high as things already were. Tutti i diritti riservati. Sorcerers came to claim my mind. Check your connection and try again. Take your favorite fandoms with you and never miss a beat. Be the first to share what you think! Tells us more about the kind of music you like. Add Music to Your Library. Looking for the subtitle? All in all its good, but usually not both of these aspects combined in such a way. Welcome to your family plan. But lets look at the way those approaches are arranged. Keep listening and more personalized features will become available. The sweep picking section sounds near impossible to play, though his beats are regulated through the album and never indulge themselves beyond the necessary. The year before, insanity, while ultimately just missing legendary status that the Big Four have had. All trademarks are property of their respective owners in the US and other countries. This is a private profile. His solos changed my life on this album. Where does that leave Testament? Alone In The Dark and Apocalyptic City. Něco Vám tu chybà nebo se Vám něco nezdá? Atlantic Recording and Anthem Entertainment for the United States and WEA International Inc. Metallica, new music first, its painfully obvious that the band was running out of good ideas as soon as the second half of the album began. -
December 1992
VOLUME 16, NUMBER 12 MASTERS OF THE FEATURES FREE UNIVERSE NICKO Avant-garde drummers Ed Blackwell, Rashied Ali, Andrew JEFF PORCARO: McBRAIN Cyrille, and Milford Graves have secured a place in music history A SPECIAL TRIBUTE Iron Maiden's Nicko McBrain may by stretching the accepted role of When so respected and admired be cited as an early influence by drums and rhythm. Yet amongst a player as Jeff Porcaro passes metal drummers all over, but that the chaos, there's always been away prematurely, the doesn't mean he isn't as vital a play- great discipline and thought. music—and our lives—are never er as ever. In this exclusive interview, Learn how these free the same. In this tribute, friends find out how Nicko's drumming masters and admirers share their fond gears move, and what's tore down the walls. memories of Jeff, and up with Maiden's power- • by Bill Milkowski 32 remind us of his deep ful new album and tour. 28 contributions to our • by Teri Saccone art. 22 • by Robyn Flans THE PERCUSSIVE ARTS SOCIETY For thirty years the Percussive Arts Society has fostered credibility, exposure, and the exchange of ideas for percus- sionists of every stripe. In this special report, learn where the PAS has been, where it is, and where it's going. • by Rick Mattingly 36 MD TRIVIA CONTEST Win a Sonor Force 1000 drumkit—plus other great Sonor prizes! 68 COVER PHOTO BY MICHAEL BLOOM Education 58 ROCK 'N' JAZZ CLINIC Back To The Dregs BY ROD MORGENSTEIN Equipment Departments 66 BASICS 42 PRODUCT The Teacher Fallacy News BY FRANK MAY CLOSE-UP 4 EDITOR'S New Sabian Products OVERVIEW BY RICK VAN HORN, 8 UPDATE 68 CONCEPTS ADAM BUDOFSKY, AND RICK MATTINGLY Tommy Campbell, Footwork: 6 READERS' Joel Maitoza of 24-7 Spyz, A Balancing Act 45 Yamaha Snare Drums Gary Husband, and the BY ANDREW BY RICK MATTINGLY PLATFORM Moody Blues' Gordon KOLLMORGEN Marshall, plus News 47 Cappella 12 ASK A PRO 90 TEACHERS' Celebrity Sticks BY ADAM BUDOFSKY 146 INDUSTRY FORUM AND WILLIAM F. -
Intermezzo May/June 2021
Virtual Membership Meeting: Virtual Membership Meeting: May/June 2021 Monday, May 10th, 2021 Monday, June 14th, 2021 Vol. 81 No. 3 @ 6:00 pm @ 6:00 pm Musician Profile: Chicago’s Jimmy Pankow and Lee Loughnane Page 6 Looking Back Page 11 The Passing of Dorothy Katz Page 28 Local 10-208 of AFM CHICAGO FEDERATION OF MUSICIANS TABLE OF CONTENTS OFFICERS – DELEGATES 2020-2022 Terryl Jares President Leo Murphy Vice-President B.J. Levy Secretary-Treasurer BOARD OF DIRECTORS FROM THE PRESIDENT Robert Bauchens Nick Moran Rich Daniels Charles Schuchat Jeff Handley Joe Sonnefeldt Janice MacDonald FROM THE VICE-PRESIDENT CONTRACT DEPARTMENT Leo Murphy – Vice-President ASSISTANTS TO THE PRESIDENT - JURISDICTIONS FROM THE SECRETARY-TREASURER Leo Murphy - Vice-President Supervisor - Entire jurisdiction including theaters (Cell Phone: 773-569-8523) Dean Rolando CFM MUSICIANS Recordings, Transcriptions, Documentaries, Etc. (Cell Phone: 708-380-6219) DELEGATES TO CONVENTIONS OF THE RESOLUTION ILLINOIS STATE FEDERATION OF LABOR AND CONGRESS OF INDUSTRIAL ORGANIZATIONS Terryl Jares Leo Murphy WHO, WHERE, WHEN B.J. Levy DELEGATES TO CHICAGO FEDERATION OF LABOR AND INDUSTRIAL UNION COUNCIL Rich Daniels Leo Murphy LOOKING BACK Terryl Jares DELEGATES TO CONVENTIONS OF THE AMERICAN FEDERATION OF MUSICIANS Rich Daniels B.J. Levy HEALTH CARE UPDATE Terryl Jares Leo Murphy Alternate: Charles Schuchat PUBLISHER, THE INTERMEZZO FAIR EMPLOYMENT PRACTICES COMMITTEE Terryl Jares CO-EDITORS, THE INTERMEZZO Sharon Jones Leo Murphy PRESIDENTS EMERITI CFM SCHOLARSHIP WINNERS Gary Matts Ed Ward VICE-PRESIDENT EMERITUS Tom Beranek OBITUARIES SECRETARY-TREASURER EMERITUS Spencer Aloisio BOARD OF DIRECTORS EMERITUS ADDRESS AND PHONE CHANGES Bob Lizik Open Daily, except Saturday, Sunday and Holidays Office Hours 9 A.M. -
Chart Action News
Thursday, October 27, 2016 NEWS CHART ACTION Florida Georgia Line Extends Dig Your Roots Tour New On The Chart —Debuting This Week Into 2017 Artist/song/label—chart pos. ! Little Big Town/Better Man/Capitol Nashville— 50 ! Justin Moore/Somebody Else Will/Valory Music Co.— 63 ! Jake McVey/Back Seat— 78 ! Peyton Davis/Nowhere America/Carole Davis Music— 80 ! ! ! Greatest Spin Increase ! Artist/song/label—Spin Increase ! Little Big Town/Better Man/Capitol Nashville— 560 ! Garth Brooks/Baby, Let’s Lay Down And Dance/Pearl Records— 384 ! Blake Shelton/A Guy With A Girl/Warner Bros— 358 ! Kelsea Ballerini/Yeah Boy/Black River Ent— 341 ! !Brad Paisley/Today/Arista Nashville— 308 ! Most Added FGL’s Tyler Hubbard and Brian Kelley will launch a 28-date run of Artist/song/label—No. of Adds shows in January 2017. This past summer, they welcomed Cole Little Big Town/Better Man/Capitol Nashville—42 Swindell, Kane Brown, and The Cadillac Three as openers. Their Kelsea Ballerini/Yeah Boy/Black River Ent—20 winter trek will feature Dustin Lynch and Chris Lane. A full list of cities Justin Moore/Somebody Else Will/Valory Music Co—18 for the Dig Your Roots Tour’s winter trek can be found by clicking here. ! Garth Brooks/Baby, Let’s Lay Down And Dance/Pearl Records—16 Eric Church Teams With Walmart For Live Album Jason Pritchett/Hung Over You/BDMG— 13 While Eric Church is in the Brad Paisley/Today/Arista Nashville— 12 planning stages for his 2017 James Dupree/Stoned To Death/Purfectt Pitch LLC— 9 Holdin’ My Own Tour, the singer- Keith Walker/Me Too— 9 songwriter will give fans some ! early live music, via his upcoming On Deck—Soon To Be Charting album, Mr. -
Blues in the 21St Century
Blues in the 21 st Century Myth, Self-Expression and Trans-Culturalism Edited by Douglas Mark Ponton University of Catania, Italy and Uwe Zagratzki University of Szczecin, Poland Series in Music Copyright © 2020 by the Authors. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Vernon Art and Science Inc. www.vernonpress.com In the Americas: In the rest of the world: Vernon Press Vernon Press 1000 N West Street, C/Sancti Espiritu 17, Suite 1200, Wilmington, Malaga, 29006 Delaware 19801 Spain United States Series in Music Library of Congress Control Number: 2019951782 ISBN: 978-1-62273-634-8 Product and company names mentioned in this work are the trademarks of their respective owners. While every care has been taken in preparing this work, neither the authors nor Vernon Art and Science Inc. may be held responsible for any loss or damage caused or alleged to be caused directly or indirectly by the information contained in it. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. Cover design by Vernon Press. Cover image by Jean-Charles Khalifa. Cover font (main title): Free font by Tup Wanders. Table of contents List of Figures vii List of Tables ix Preface xi Acknowledgements xix Part One: Blues impressions: responding to the music 1 1. -
Testimonials
PHANTOMFOCUS™ SYSTEM TESTIMONIALS “After hearing a PhantomFocus™ System using NS10Ms, I “Carl’s PhantomFocus™ MixRoom™ featuring the was very impressed and frankly, I didn’t expect to be... PhantomFocus System is the future of personal studios. Awesome!” – Elliot Scheiner – Engineer (The Eagles, In my career, I have been privileged to work in studios all over Steely Dan, Foo Fighters) the world but the PF MixRoom trumps them all – and at a very affordable price. Incredibly accurate, professional looking, “Once you’ve heard Carl’s system, you’ll never listen to and a total pleasure to use, it has reduced my mixing time music the same way again... PhantomFocus™ puts you dramatically, and with today’s reduced budgets that’s a intimately in touch with the vocal in a way I have never big thing!” – Bob Bullock – Engineer and Owner of heard before. It’s like they are sitting in your lap, singing to The Dream Room Studio (Shania Twain, George you.” – Jim DeBlanc – Chief Engineer, Beaird Music Strait, Reba McEntire) Group, Nashville, TN “I suspect that many of us have actually never heard what “Carl’s tuning system provides me with the confidence that I recorded music is supposed to sound like. The am working with a true reference point for my mastering PhantomFocus™ System is a new level of clarity and work. Of all the equipment I’ve purchased, The Phantom expression and best of all, my mixes hold up on every system. Focus™ System was by far my best investment.” – Jim Thanks a ton, Carl!” – Jim Mayer – Producer/ Engineer, DeMain – Chief Engineer/Owner, Yes Master Studios, Bass Player For Jimmy Buffett Nashville, TN “The PhantomFocus™ System is incredibly transparent. -
Toronto Has No History!’
‘TORONTO HAS NO HISTORY!’ INDIGENEITY, SETTLER COLONIALISM AND HISTORICAL MEMORY IN CANADA’S LARGEST CITY By Victoria Jane Freeman A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of History University of Toronto ©Copyright by Victoria Jane Freeman 2010 ABSTRACT ‘TORONTO HAS NO HISTORY!’ ABSTRACT ‘TORONTO HAS NO HISTORY!’ INDIGENEITY, SETTLER COLONIALISM AND HISTORICAL MEMORY IN CANADA’S LARGEST CITY Doctor of Philosophy 2010 Victoria Jane Freeman Graduate Department of History University of Toronto The Indigenous past is largely absent from settler representations of the history of the city of Toronto, Canada. Nineteenth and twentieth century historical chroniclers often downplayed the historic presence of the Mississaugas and their Indigenous predecessors by drawing on doctrines of terra nullius , ignoring the significance of the Toronto Purchase, and changing the city’s foundational story from the establishment of York in 1793 to the incorporation of the City of Toronto in 1834. These chroniclers usually assumed that “real Indians” and urban life were inimical. Often their representations implied that local Indigenous peoples had no significant history and thus the region had little or no history before the arrival of Europeans. Alternatively, narratives of ethical settler indigenization positioned the Indigenous past as the uncivilized starting point in a monological European theory of historical development. i i iii In many civic discourses, the city stood in for the nation as a symbol of its future, and national history stood in for the region’s local history. The national replaced ‘the Indigenous’ in an ideological process that peaked between the 1880s and the 1930s. -
Layout A\Kul\40 Für 06.03.2016
FREIZEIT K U L T U R / T I P P S / K I N O Sonntag I 6. März 2016 Sonntag I 6. März 2016 K U L T U R / T I P P S / K I N O FREIZEIT 40 41 ZELL AM SEE FOHNSDORF MURAU MAYRHOFEN ALLE VERANSTALTUNGEN AUF WWW.EVENTS.AT Lichtspiele ¥ (06542) 72459 Diesel Filmzentrum ¥ (03572) 46 660 JUFA-Kino ¥ (05) 7083 280 Lichtspiele ¥ (05285) 62 222 CDs DER WOCHE Suffragette (ab 10); 18.00 Robinson Crusoe 3D (sw, ab 6); 14.15 1 Alvin und die Chipmunks - Road Chip (*); Alvin und die Chipmunks - Road Chip (*); DISKOTHEK Zoomania 3D (bw, ab 6); 14.30, 16.30, 15.30 1 Die 5. Welle (ab 14); 19.30 15.00 1 Dirty Grandpa (ab 14); 17.00, 17.45, 19.45 1 Die Wilden Kerle 6 (*); 20.30 14.45 1 Bibi und Tina - Mädchen gegen KINDER Schlosskirche Mirabell: Yu–Ying & Dom im Berg: Palestrina – Missa Papae THEATER KINO KÄRNTEN SALZBURG Jungs (ab 6); 15.15 1 Zoolander 2 SCHWAZ Megadeth: Dystopia Helian Zehetmair, Violoncello und Marcelli – Chor und Choralschola des KINO LINZ INNSBRUCK (ab 10); 15.45 1 Alvin und die Chip- AUSSTELLUNG Bruckner Haus: Kommissarin Flunke AUSSTELLUNG Klavier (Mozart, Schumann u.a.) – Institutes für Kirchenmusik und Orgel– Landesth.: Der Besuch der alten Dame STEIERMARK Zeiss Planetarium ¥ (05242) 72129 munks - Road Chip (*); 16.00 1 Wie Brü- KLAGENFURT und die Schurken – 11 & 15.30 Uhr, SALZBURG ¥ 10 Uhr, ¥ 0316 / 8008 9000. – 19 Uhr; Kammerspiele: Der Weibsteufel TIROL Ursprung des Lebens 12.30 1 Der kleine Anthrax: For All Kings 17 Uhr, 0650 / 5009150. -
'Ch'iccigo Victimize,D· by Art
'Ch'iccigo Victimize,d· By Art Chicago XI (CBS) , orie cannot help but think 'that Chicago not know how to perform. "Chicago XI" serious symphonic setting. "Portrait" is By Bernie Russell heard the Eagles' orchestral beginning to is by no means a terrible record (Chicago Schickele's sixth P.D.Q. Bach record and "Victim Of Love" and said "Hey, that's fans will love it), it would have just been the gimmick is starting to wear a little Chicago, one of rock's most durable deep! Let's do that too!~' This classical a much better album if Chicago had not thin. Included in "Portrait of P.D.Q. groups, has been accused recently of music does not even fit in with the soul tried to be so deep and moving and ar Bach" is a kidding of Bach's musical ylaying it too safe-sticking too closely sounding tune that it introduces, "Little tistic. masses in "Missa Hilarious," also ' "Eine to the same tried-and-true formula that One." It just seems to have been put in to Kleine' Nichtmusik," "Echo Sonata;" made their music so popular in the late show the critics that Chicago can be Shorf Cut and "A Consort of Choral Christmas Sixties. Some critics feel that the mix every bit as "artistic" in their music as "Portrait of P.D.Q. Bach" Music." Anyone who likes classical ture of brass and guitars that made the Eagles are in theirs. , - (Vanguard)-Professor ' Peter Schickele music and does not mind hearing it Chicago's sound so fresh and different in A rock act should play the music that (and his character ofP.D.Q. -
Jay Graydon Discography (Valid July 10, 2008)
Jay Graydon Discography (valid July 10, 2008) Jay Graydon Discography - A (After The Love Has Gone) Adeline 2008 RCI Music Pro ??? Songwriter SHE'S SINGIN' HIS SONG (I Can Wait Forever) Producer 1984 258 720 Air Supply GHOSTBUSTERS (Original Movie Soundtrack) Arista Songwriter 1990 8246 Engineer (I Can Wait Forever) Producer 2005 Collectables 8436 Air Supply GHOSTBUSTERS (Original Movie Soundtrack - Reissue) Songwriter 2006 Arista/Legacy 75985 Engineer (I Can Wait Forever) Producer Air Supply DEFINITIVE COLLECTION 1999 ARISTA 14611 Songwriter (I Can Wait Forever) Producer Air Supply ULTIMATE COLLECTION: MILLENNIUM [IMPORT] 2002 Korea? ??? Songwriter (I Can Wait Forever) BMG Entertainment 97903 Producer Air Supply FOREVER LOVE 2003 BMG Entertainment, Argentina 74321979032 Songwriter (I Can Wait Forever) FOREVER LOVE - 36 GREATEST Producer Air Supply HITS 1980 - 2001 2003 BMG Victor BVCM-37408 Import (2 CDs) Songwriter (I Can Wait Forever) Producer Air Supply PLATINUM & GOLD COLLECTION 2004 BMG Heritage 59262 Songwriter (I Can Wait Forever) Producer Air Supply LOVE SONGS 2005 Arista 66934 Songwriter (I Can Wait Forever) Producer Air Supply 2006 Sony Bmg Music, UK 82876756722 COLLECTIONS Songwriter Air Supply (I Can Wait Forever) 2006 Arista 75985 Producer GHOSTBUSTERS - (bonus track) remastered UPC: 828767598529 Songwriter (I Can Wait Forever) Producer Air Supply 2007 ??? ??? GRANDI SUCCESSI (2 CD) Songwriter (I Can Wait Forever) ULTIMATE COLLECTION Producer Air Supply 2007 Sony/Bmg Import ??? [IMPORT] [EXPLICIT LYRICS] [ENHANCED] Songwriter (I Can Wait Forever) Producer Air Supply ??? ??? ??? BELOVED Songwriter (I Can Wait Forever) Producer Air Supply CF TOP 20 VOL.3 ??? ??? ??? Songwriter (Compilation by various artists) (I Can Wait Forever) Producer Air Supply COLLECTIONS TO EVELYN VOL. -
The Ultimate Monitoring Experience
The Ultimate Monitoring Experience Revolutionary Monitoring Solution …With Any Monitors “Awesome” Elliot Scheiner – Engineer (Foo Fighters, The Eagles, Steely Dan) Willisoundz II, Nashville, TN 2 There is no more important element in a control room than accurate monitoring. “The PhantomFocus™ System Our experience implementing dozens and dozens of PhantomFocus Systems in every imaginable (PFS™) addresses the sonic control room environment – from bedrooms to response of the Acoustic Trinity™ million-dollar recording complexes of our own — the relationship between the design or others’ – has taught us this: Great Yes Master mastering, Nashville, TN, speakers in a great room do not equal great with Lipinski monitors in a Mid–Field speaker, the listener and the room monitoring. PhantomFocus System — as a single entity, as if it were a new speaker being designed on a The PhantomFocus System is a The award–winning Blue Grotto, Nashville, TN, with Dynaudio M3 and test bench in an audio lab, custom turnkey solution for M1 monitors in a Dual PhantomFocus rendering the ultimate monitoring studios desiring the highest level System experience. Attempting to of monitoring accuracy in their optimize these three elements control room environment – any independently rather than by environment – any speakers! their sum in a monitoring system, Utilizing an amalgam of techniques, is tantamount to acoustic sacrilege proprietary protocols, hardware and software, and challenges the laws of the acclaimed PhantomFocus System is a powerful tool in optimizing monitor systems. physics.” — Carl Tatz Without using any sort of psychoacoustic effects, but rather relying on the laws of Great speakers in a great room do physics and powerful high-resolution digital not equal great monitoring. -
The American Water Resources Association 1964-2014: Fifty Years Dedicated to Water Resources Management, Research and Education
Thank You to Authors The American Water Resources Association (AWRA) Board of Directors and Staff are pleased to acknowledge Past Presidents Dr. David DeWalle (2006) and Dr. Jerry Rogers (1989) for their extraordinary efforts in the preparation of this history of our first 50 years. David and Jerry are prime examples of the volunteers that have shared their time and expertise to continue to make AWRA a multidisciplinary water resources organization leader in the United States. Gentlemen, We thank you very much. THE AMERICAN WATER RESOURCES ASSOCIATION 1964-2014: FIFTY YEARS DEDICATED TO WATER RESOURCES MANAGEMENT, RESEARCH AND EDUCATION David R. DeWalle1 and Jerry R. Rogers2 Abstract The mission of the American Water Resources Association (AWRA) to promote an improved understanding of water resources and related issues by providing a multidisciplinary forum for information exchange, professional development, and education has not changed over the 50 years of its existence. The AWRA multidisciplinary emphasis has drawn membership and clientele from a wide variety of water-related disciplines in academia, government and private industry and has allowed AWRA programs to rapidly adapt to emerging issues, changes in technology, and shifting needs of its members. AWRA programs have addressed broad traditional surface and groundwater hydrology issues as well as specific programs on water policy, GIS applications, climate change, integrated water resources management, agricultural hydrology, emerging contaminants and toxics, riparian management, and international water issues. Over the 50 years AWRA has sponsored 120 meetings and symposia in the United States and abroad with over 30,000 attendees. Water Resources IMPACT (IMPACT) and the Journal of the American Water Resources Association (JAWRA) have emerged as the major AWRA publications with the impact factor for JAWRA currently ranking it in the upper third of peer publications.