Implicit Bias, Election ‘08, and the Myth of a Post-Racial America
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By Patrick James Barry a Dissertation Submitted in Partial Fulfillment of The
CONFIRMATION BIAS: STAGED STORYTELLING IN SUPREME COURT CONFIRMATION HEARINGS by Patrick James Barry A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2015 Doctoral Committee: Professor Enoch Brater, Chair Associate Professor Martha Jones Professor Sidonie Smith Emeritus Professor James Boyd White TABLE OF CONTENTS CHAPTER 1 SITES OF THEATRICALITY 1 CHAPTER 2 SITES OF STORYTELLING 32 CHAPTER 3 THE TAUNTING OF AMERICA: THE SUPREME COURT CONFIRMATION HEARING OF ROBERT BORK 55 CHAPTER 4 POISON IN THE EAR: THE SUPREME COURT CONFIRMATION HEARING OF CLARENCE THOMAS 82 CHAPTER 5 THE WISE LATINA: THE SUPREME COURT CONFIRMATION HEARING OF SONIA SOTOMAYOR 112 CHAPTER 6 CONCLUSION: CONFIRMATION CRITIQUE 141 WORK CITED 166 ii CHAPTER 1 SITES OF THEATRICALITY The theater is a place where a nation thinks in public in front of itself. --Martin Esslin, An Anatomy of Drama (1977)1 The Supreme Court confirmation process—once a largely behind-the-scenes affair—has lately moved front-and-center onto the public stage. --Laurence Tribe, Advice and Consent (1992)2 I. In 1975 Milner Ball, then a law professor at the University of Georgia, published an article in the Stanford Law Review called “The Play’s the Thing: An Unscientific Reflection on Trials Under the Rubric of Theater.” In it, Ball argued that by looking at the actions that take place in a courtroom as a “type of theater,” we might better understand the nature of these actions and “thereby make a small contribution to an understanding of the role of law in our society.”3 At the time, Ball’s view that courtroom action had an important “theatrical quality”4 was a minority position, even a 1 Esslin, Martin. -
The Long Con of Civility
University of Connecticut OpenCommons@UConn Connecticut Law Review School of Law 2021 The Long Con of Civility Lynn Mie Itagaki Follow this and additional works at: https://opencommons.uconn.edu/law_review Recommended Citation Itagaki, Lynn Mie, "The Long Con of Civility" (2021). Connecticut Law Review. 446. https://opencommons.uconn.edu/law_review/446 CONNECTICUT LAW REVIEW VOLUME 52 FEBRUARY 2021 NUMBER 3 Article The Long Con of Civility LYNN MIE ITAGAKI Civility has been much on the minds of pundits in local and national political discussions since the 1990s. Periods of civil unrest or irreconcilable divisions in governance intensify concerns about civility. While its more archaic definitions refer to citizenry and civilization, civility is often promoted as the foundation or goal of deliberative democracies. However, less acknowledged is its disciplinary, repressive effects in maintaining or deepening racial, gendered, heteronormative, and ableist hierarchies that distinguish some populations for full citizenship and others for partial rights and protections. In Part I, I examine a recent series of civility polls, their contradictory results, and how these contradictions can importantly expose the fissures of our contemporary moment and our body politic. In Part II, I describe the historical background of civility around race, gender, and sexuality and the unacknowledged difficulty in defining civility and incivility. In Part III, I extend this discussion to address the recent cases before the Supreme Court concerning LGBTQ+ employment discrimination and lack of accessibility. In conclusion, I identify what it would mean to analyze civility in terms of dignity on the basis of these cases about the equal rights and protections of their LGBTQ+ and disabled plaintiffs. -
Issue: Fashion Industry Fashion Industry
Issue: Fashion Industry Fashion Industry By: Vickie Elmer Pub. Date: January 16, 2017 Access Date: October 1, 2021 DOI: 10.1177/237455680302.n1 Source URL: http://businessresearcher.sagepub.com/sbr-1863-101702-2766972/20170116/fashion-industry ©2021 SAGE Publishing, Inc. All Rights Reserved. ©2021 SAGE Publishing, Inc. All Rights Reserved. Can it adapt to changing times? Executive Summary The global fashion business is going through a period of intense change and competition, with disruption coming in many colors: global online marketplaces, slower growth, more startups and consumers who now seem bored by what once excited them. Many U.S. shoppers have grown tired of buying Prada and Chanel suits and prefer to spend their money on experiences rather than clothes. Questions about fashion companies’ labor and environmental practices are leading to new policies, although some critics remain unconvinced. Fashion still relies on creativity, innovation and consumer attention, some of which comes from technology and some from celebrities. Here are some key takeaways: High-fashion brands must now compete with “fast fashion,” apparel sold on eBay and vintage sites. Risk factors for fashion companies include China’s growth slowdown, reduced global trade, Brexit, terrorist attacks and erratic commodity prices. Plus-size women are a growing segment of the market, yet critics say designers are ignoring them. Overview José Neves launched Farfetch during the global economic crisis of 2008, drawing more on his background in IT and software than a love of fashion. His idea: Allow small designers and fashion shops to sell their wares worldwide on a single online marketplace. The site will “fetch” fashion from far-off places. -
'Perfect Fit': Industrial Strategies, Textual Negotiations and Celebrity
‘Perfect Fit’: Industrial Strategies, Textual Negotiations and Celebrity Culture in Fashion Television Helen Warner Submitted for the degree of Doctor of Philosophy (PhD) University of East Anglia School of Film and Television Studies Submitted July 2010 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author's prior, written consent. Helen Warner P a g e | 2 ABSTRACT According to the head of the American Costume Designers‟ Guild, Deborah Nadoolman Landis, fashion is emphatically „not costume‟. However, if this is the case, how do we approach costume in a television show like Sex and the City (1998-2004), which we know (via press articles and various other extra-textual materials) to be comprised of designer clothes? Once onscreen, are the clothes in Sex and the City to be interpreted as „costume‟, rather than „fashion‟? To be sure, it is important to tease out precise definitions of key terms, but to position fashion as the antithesis of costume is reductive. Landis‟ claim is based on the assumption that the purpose of costume is to tell a story. She thereby neglects to acknowledge that the audience may read certain costumes as fashion - which exists in a framework of discourses that can be located beyond the text. This is particularly relevant with regard to contemporary US television which, according to press reports, has witnessed an emergence of „fashion programming‟ - fictional programming with a narrative focus on fashion. -
Fashion and the First Ladies”
FOR IMMEDIATE RELEASE: NEW YORK WOMEN IN FILM & TELEVISION AND FASHION GROUP INTERNATIONAL PRESENT “FASHION AND THE FIRST LADIES” An in-depth look at fashion as a communication tool throughout history and politics in celebration of Women’s History Month NEW YORK, NY – March 8, 2021 – New York Women in Film & Television (NYWIFT) and the Fashion Group International (FGI) are proud to present “Fashion and the First Ladies” on Friday, March 12, 2021 at 1 PM EST in celebration of Women’s History Month! In this hour-long virtual program, industry leaders Fernando Garcia (Co-Creative Director of Oscar De La Renta), Valerie Steele (Director and Chief Curator of The Museum at the Fashion Institute of Technology), and Carson Poplin (Fashion Historian) will discuss the iconic looks from U.S. First Ladies of government in a candid conversation about how our First Ladies are fashion trend setters. The panel will explore how fashion plays a role and communicates in history, politics and contributes to the making or breaking of public policy. Archival images and current looks from recent First Ladies dressed by Oscar de la Renta will be featured. The conversation will be moderated by The Washington Post Senior Critic at Large, Robin Givhan. “The U.S. First Ladies have been at the forefront of social change, from Abigail Adams’s declaration to ‘remember the ladies’ to Michelle Obama’s advocacy for public health and education – and their fashion choices often played a critical role in establishing their personality, their message, and their power. NYWIFT is thrilled to dive deep into the role fashion plays in media and communications as we celebrate Women’s History – this month and every month,” said NYWIFT Executive Director Cynthia Lopez. -
Using Google Trends Data As a Measure of Public Opinion During a Presidential Election
Trending in the Right Direction: Using Google Trends Data as a Measure of Public Opinion During a Presidential Election Jordan T. Wolf Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts In Communication John C. Tedesco, Chair Katherine E. Haenschen Daniel J. Tamul April 27, 2018 Blacksburg, Virginia Keywords: Google, polling, public opinion, 2016 election Trending in the right direction: Using Google Trends data as a measure of public opinion during a presidential election Jordan T. Wolf ACADEMIC ABSTRACT During the 2016 presidential election, public opinion polls consistently showed a lead in the popular vote and Electoral College for Hillary Clinton over Donald Trump. Following Trump’s surprise victory, the political pundits and public at large began to question the accuracy of modern public opinion polling. Fielding a representative sample, convoluted and opaque methodologies, the sheer amount of polls, and both the media’s and general public’s inability to interpret poll results are among the flaws of the polling industry. An alternative or supplement to traditional polling practices is necessary. This thesis seeks to investigate whether Google Trends can be effectively used as a measure of public opinion during presidential elections. This study gathers polling data from the 2016 presidential election from states that were considered swing states. Specifically, this study examines six total polls, three from states that swung in the way the polls predicted they would – Nevada and Virginia –and three from states that swung against the prediction – Michigan, Wisconsin, and Pennsylvania. -
Congressional Overspeech
ARTICLES CONGRESSIONAL OVERSPEECH Josh Chafetz* Political theater. Spectacle. Circus. Reality show. We are constantly told that, whatever good congressional oversight is, it certainly is not those things. Observers and participants across the ideological and partisan spectrums use those descriptions as pejorative attempts to delegitimize oversight conducted by their political opponents or as cautions to their own allies of what is to be avoided. Real oversight, on this consensus view, is about fact-finding, not about performing for an audience. As a result, when oversight is done right, it is both civil and consensus-building. While plenty of oversight activity does indeed involve bipartisan attempts to collect information and use that information to craft policy, this Article seeks to excavate and theorize a different way of using oversight tools, a way that focuses primarily on their use as a mechanism of public communication. I refer to such uses as congressional overspeech. After briefly describing the authority, tools and methods, and consensus understanding of oversight in Part I, this Article turns to an analysis of overspeech in Part II. The three central features of overspeech are its communicativity, its performativity, and its divisiveness, and each of these is analyzed in some detail. Finally, Part III offers two detailed case studies of overspeech: the Senate Munitions Inquiry of the mid-1930s and the McCarthy and Army-McCarthy Hearings of the early 1950s. These case studies not only demonstrate the dynamics of overspeech in action but also illustrate that overspeech is both continuous across and adaptive to different media environments. Moreover, the case studies illustrate that overspeech can be used in the service of normatively good, normatively bad, and * Professor of Law, Georgetown University Law Center. -
The Enigma of Electability: How Do Voters Predict Who Can Win?
Student Publications Student Scholarship Fall 2019 The Enigma of Electability: How Do Voters Predict Who Can Win? Emily C. Dalgleish Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/student_scholarship Part of the American Politics Commons, and the Models and Methods Commons Share feedback about the accessibility of this item. Recommended Citation Dalgleish, Emily C., "The Enigma of Electability: How Do Voters Predict Who Can Win?" (2019). Student Publications. 766. https://cupola.gettysburg.edu/student_scholarship/766 This open access student research paper is brought to you by The Cupola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The Cupola. For more information, please contact [email protected]. The Enigma of Electability: How Do Voters Predict Who Can Win? Abstract Ideological moderation is often assumed to inform a candidate's electability. This article examines the effects of a voters’ perceptions of a candidate’s ideology on the voters’ belief in the candidate’s ability to win the election. Using data from the American National Election Survey from 2008 and 2016, the paper compares the effect of the perceived ideology of a candidate and individuals' predictions about the candidate that will win. Opinions regarding Barack Obama, Hillary Clinton, John McCain, and Donald Trump are analyzed. The results suggest that for the Democratic candidates, voters who believed them to be more moderate or conservative were more likely to believe they would win than those who thought they were more liberal. However, the results suggested no similar relationship existed for the Republican candidates with no effect of ideological moderation on election outcome predictions. -
The 2020 Iasc Survey of American Political Culturetm
THE 2020 IASC SURVEY OF AMERICAN POLITICAL CULTURETM Democracy inDEMOCRACY Dark TimesIN DARK TIMES JamesJames Davison Davison Hunter Hunter Carl Carl Desportes Bowman Bowman Kyle Puetz with Kyle Puetz THE 2020 IASC SURVEY OF AMERICAN POLITICAL CULTURETM Democracy in Dark Times The Institute for Advanced Studies in Culture is an interdisciplinary research center and intellectual community at the University of Virginia committed to understanding contemporary cultural change and its individual and social consequences, training young scholars, and providing intellectual leadership in service to the public good. The Advanced Studies in Culture Foundation supports and amplifies the work of the Institute for Advanced Studies in Culture at the University of Virginia. Finstock & Tew Publishers, New York, NY 10017 ©2020 by the Advanced Studies in Culture Foundation All rights reserved. Published 2020. Democracy in Dark Times The 2020 IASC Survey of American Political Culture™ James Davison Hunter Carl Desportes Bowman LaBrosse-Levinson Senior Fellow & Director of Distinguished Professor Survey Research University of Virginia IASC Executive Director IASC Kyle Puetz Postdoctoral Fellow IASC Institute for Advanced Studies in Culture Finstock & Tew Publishers New York CONTENTS Preface iii Politics in the Age of Trump iii The 2020 IASC Survey of American Political Culture™ v The 2020 Election 1 An Election Like No Other (in recent memory) 1 We’re All Trump Voters Now 5 At the End of America’s Legitimation Crisis 7 Political Climate Change Takes a Turn for the Worse 7 The Mounting Loss of Trust—Government, Capitalism, Media 9 A Crisis in the Leadership Class 16 The Alienation of the People 18 One Bright Spot 19 In Sum.. -
Fashion Design in the 21St Century A
TECHNOLOGY AND CREATIVITY: FASHION DESIGN IN THE 21 ST CENTURY A Dissertation Presented to the Faculty of the Graduate School at the University of Missouri In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy by MARY RUPPERT-STROESCU Dr. Jana Hawley, Dissertation Supervisor May 2009 © Copyright by Mary Ruppert-Stroescu 2009 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled TECHNOLOGY AND CREATIVITY: FASHION DESIGN IN THE 21 ST CENTURY Presented by Mary Ruppert-Stroescu, a candidate for the degree of doctor of philosophy and hereby certify that, in their opinion, it is worthy of acceptance. _______________________________ Dr. Kitty Dickerson _______________________________ Dr. Jana Hawley _______________________________ Dr. Laurel Wilson _______________________________ Dr. Julie Caplow I dedicate this dissertation to my sons, Matei and Ioan Stroescu, who are continuous sources of inspiration and joy. ii ACKNOWLEDGEMENTS First and foremost, I would like to thank my dissertation supervisor, Dr. Jana Hawley, for inspiring and challenging me without fail. I will remain eternally grateful as well to Dr. Laurel Wilson & Dr. Kitty Dickerson, for their patience, insight, and guidance. I must also recognize Dr. Jean Hamilton, whose courses I will never forget because her ability to communicate a passion for research sparked my path to this dissertation. Dr. Julie Caplow built upon the appreciation for qualitative research that began with Dr. Hamilton, and I thank her for her support. Without Peter Carman I would not have had a platform for connecting with the French industry interviewees. I thank my family for their support, and all those who took time from their professional obligations to discuss technology and creativity with me. -
Branding the Iconic Ideals of Vivienne Westwood, Barack Obama, and Pope Francis
PUNK, OBAMACARE, AND A JESUIT: BRANDING THE ICONIC IDEALS OF VIVIENNE WESTWOOD, BARACK OBAMA, AND POPE FRANCIS AIDAN MOIR A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN COMMUNICATION & CULTURE YORK UNIVERSITY TORONTO, ONTARIO April 2021 © Aidan Moir, 2021 Abstract Practices of branding, promotion, and persona have become dominant influences structuring identity formation in popular culture. Creating an iconic brand identity is now an essential practice required for politicians, celebrities, global leaders, and other public figures to establish their image within a competitive media landscape shaped by consumer society. This dissertation analyzes the construction and circulation of Vivienne Westwood, Barack Obama, and Pope Francis as iconic brand identities in contemporary media and consumer culture. The content analysis and close textual analysis of select media coverage and other relevant material on key moments, events, and cultural texts associated with each figure deconstructs the media representation of Westwood, Obama, and Pope Francis. The brand identities of Westwood, Pope Francis, and Obama ultimately exhibit a unique form of iconic symbolic power, and exploring the complex dynamics shaping their public image demonstrates how they have achieved and maintained positions of authority. Although Westwood, Obama, and Pope Francis initially were each positioned as outsiders to the institutions of fashion, politics, and religion that they now represent, the media played a key role in mainstreaming their image for public consumption. Their iconic brand identities symbolize the influence of consumption in shaping how issues of public good circulate within public discourse, particularly in regard to the economy, health care, social inequality, and the environment. -
The Politics of Vision, Visibility, and Visuality in Vogue
Race as Aesthetic: The Politics of Vision, Visibility, and Visuality in Vogue Italia’s “A Black Issue” Character count (with spaces): 66,505 Character count (without spaces): 56,391 Introduction In July 2008, Vogue Italia, the least commercial of all Vogue editions, released “A Black Issue” (ABI) exclusively featuring black models as well as commentary on topics that would seemingly interest a black American audience (e.g., profiles of First Lady Michelle Obama, Spike Lee’s film Miracle at St. Anna, and pieces about Ebony and Essence magazines). All of the images were photographed in the United States yet represented a global production of black beauty, using models from the United States, Europe, and Latin America; American and European photographers; and an Italian magazine using English headings and Italian text. ABI quickly became the highest grossing issue of Vogue Italia. The first run of the July 2008 issue sold out in the United States and Britain, which led Vogue Italia to reprint several thousand copies for American and British audiences–it did not sell particularly well in Italy. This was the first time a Condé Nast magazine was reprinted to satisfy high demand. The issue provoked multiple conversations online and in print on the topic of race and racism in the fashion industry. Those who celebrated the issue praised its focus on positive representations in a world that so easily attaches to negative and stereotypical depictions of black women. In particular, the 1 magazine was heralded for shining a spotlight on the notion that beauty comes in various colors, shapes, and sizes.1 ABI also sparked controversy among detractors who spoke against the issue’s tokenism, which could be seen as a way to overlook the lack of diversity in the high fashion industry.