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Boston Symphony Orchestra Concert Programs, Summer, 1961-1962

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Boston Symphony Orchestra Concert Programs, Summer, 1961-1962 BERKSHIRE MUSIC CENTER CHARLES MUNCH, Director Contemporary Music PRESENTED UNDER THE AUSPICES OF THE Fromm Music Foundation at TANGLEWOOD LENOX, MASSACHUSETTS 1961 Seminar in Contemporary Music Aspects of New Music, Lecture-Concerts The Composers Participating As Lecturers Fridays at 3: 15 CHAMBER MUSIC HALL July 7 — Roberto Gerhard Woodwind Quintet (1928) Nonet (1957) July 14 — Billy Jim Layton Three Studies for Piano (1957) String Quartet (1956) Septet (1958-60) July 21 — William Schuman String Quartet No. 4 (1950) Te Deum (1944) Four Rounds on Famous Words (1957) Carols of Death (1958) July 28 — Yehudi Wyner Passover Offering, for Four Instruments (1959) Concert Violin Duo , for and Piano (1955-57) Serenade, for Seven Instruments (1958) August 4 — Seymour Shifrin Serenade, for Five Instruments (1956) Lament for Oedipus, Cantata (1955) August 11 — Wolfgang Fortner String Trio (1954) Cantata after Holderlein (1949) Woodwind Quintet (1960) August 18 — Salvatore Martirano 0, 0, 0, 0, That Shakespeherian Rag (1958-59) Chansons Innocentes (1957) A Concert of Contemporary Chamber Music PERFORMED BY MEMBERS OF THE BOSTON SYMPHONY ORCHESTRA and GUEST ARTISTS Monday, July 10 at 8:30 . Theatre Concert Hall Program String Quartet No. 3 (1948) Wolfgang Fortner (b. 1907) I Allegro moderato II Allegro poco scherzando; Trio III Largo IV Presto (First Performance in the United States) Time Cycle (1959-60), for Soprano and Four Instruments Lukas Foss (b. 1922) I We're Late (W. H. Auden) II When the Bells Justle (A. E. Housman) III Sechzehnter Januar (Franz Kafka) IV O Mensch, gib Acht (Friedrich Nietzsche) (Chamber Music Version Prepared for 1961 Aspen Music Festival) First Performance INTERMISSION Nonet for Solo Strings (1960) Aaron Copland (b. 1900) (Conducted by the Composer) Concerto for Harpsichord, Strings, and Percussion (1956) Roberto Gerhard (b. 1896) I Allegro maestoso II Largo III Vivace spiritoso (First Public Concert Performance in the United States) Soprano: Adele Addison Harpsichord: Frank Pelleg Members of the Boston Symphony Orchestra Richard Burgin, Concertmaster and Associate Conductor born in Leipzig, WOLFGANG FORTNER, The Fromm Music Foundation . Germany, has made valuable contributions to is dedicated to the furtherance of contemporary the music and musical life of our time as com- music. Wishing to bring the living flow of poser, conductor and teacher. Among his musical creation closer to the public, the compositions, which are frequently performed Foundation aims to return the initiative to the in Europe, are five operas and numerous sym- composer and to strengthen the phonic and chamber music works. most vital source of a healthy musical culture: composi- ROBERTO GERHARD, who has made his tion. To foster the realization of this aim, the Foundation commissions new works, awards home in England since 1936, was born in Spain prizes for existing works, and sponsors the of Swiss parentage. His Gatalonian education study, performance, publication, and recording of and musical studies under Felipe Pedrell, and con- temporary music. The Foundation is headed his work in Vienna with Arnold Schoenberg, have influenced Gerhard's music. His works by Paul Fromm of Chicago, its founder and Schneider, its include two symphonies, concertos for violin President, and Alexander Asso- Director. Music and piano, a string quartet, an opera, ballets ciate The Fromm Foundation and other theater and film music. program at Tanglewood was begun in 1956. The Berkshire Music Center . + was established by the Boston Symphony Orchestra in 1940, the realization of a long held THE FROMM aim of Serge Koussevitzky, then the Orchestra's Music Director. It is devoted principally to the FELLOWSHIP PLAYERS study of ensemble performance under a faculty whose nucleus is a group of twenty-two mem- are a group of young musicians whose special bers of the Orchestra. The Composition De- interest and skills have earned them the Fromm partment faculty, headed by Aaron Copland, Music Foundation Fellowships for the study, has included Milton Babbitt, Samuel Barber, teaching and performance of contemporary Luciano Berio, Boris Blacher, Carlos Chavez, music at the Berkshire Music Center. The Luigi Dallapiccola, Irving Fine, Lukas Foss, Fromm Fellows, and students from other Berk- Wolfgang Former, Roberto Gerhard, Paul shire Music Center divisions, are heard in the Hindemith, Arthur Honegger, Jacques Ibert, Seminar in Contemporary Music, the Aspects of Leon Kirchner, Nicolai Lopatnikoff, Bohuslav New Music series, and the Composers' Forums Martinu, Olivier Messiaen, Darius Milhaud, (Chamber Music Hall, Mondays at 8:30, Goffredo Petrassi, Roger Sessions, and Ernst July 17, 24, 31, and August 14). Toch on its roster. Violin Peter Marsh, The Boston Symphony Orchestra . Violin Theodora Mantz, since its establishment in 1881 has figured Paul Hersh, Viola prominently in the introduction of new music. Its early conductors, Gericke, Muck, Monteux, Donald McCall, Violoncello helped establish the music of Brahms, Strauss, John Perras, Flute Debussy, and Stravinsky in the orchestral reper- David Perkett, Oboe toire. More recently, under the direction of Serge Koussevitzky (1924-1949) and Charles Arthur Bloom, Clarinet Munch (since 1949), the Orchestra has main- Jane Taylor, Bassoon tained and strengthened its historic position through its commissions, awards, and per- William Brown, French Horn formances and in the operation of the Berkshire Paul Jacobs, Piano Music Center Composition Department. Marianne Weltman, Soprano BALDWIN PIANO RCA VICTOR RECORDS PRINTEB IN U.S.A..
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