Philippe Bianconi

Total Page:16

File Type:pdf, Size:1020Kb

Philippe Bianconi WAKE FOREST UN I VERS I TY PHILIPPE BIANCONI Tuesday, October 14, 1986 8:00 pm Brendle Recital Hall COMING EVENTS AT WAKE FOREST UNIVERSITY Music October 28 Reynalda House/Wake Forest Chamber Music Society: Michael Newman-Laura Oltman, two guitars November 6 Concert Choir and Choral Union Concert Brendle Hall November 13 Faculty Chamber Music Concert Brendle Hall Theatre November 14/ 15 The Rivals, by Sheridan 19/22 Dance November 18 Martha Graham Dance Company Reynolds High School Auditorium Art September 29/Nov 2 Glass Invitational University Gallery Opening Reception October 2 at 7pm Artists Series November 11 King's Singers, British vocal sextet Wait Chapel December 3 Christopher Parkening, guitar Brendle Hall February 10 Czech Philharmonic Orchestra Wait Chapel March 26 Elmar Oliveira, violin Wait Chapel All events begin at 8pm unless otherwise noted. For detailed information about these events call the sponsoring Department, or the Wake Forest Information Desk at 571-5255 . PROGRAM Sonata in C minor, KV 45 7 Wolfgang Amadeus Mozart Molto Allegro (1756-1791) Adagio Allegro assai Gaspard de la nuit Maurice Ravel Ondine (1875-1937) Le gibet Scarbo INTERMISSION Funerailles Franz Liszt Sonetti 47, 104, 123 del Petrarca (1811-1886) Mephisto Waltz Baldwin Piano PHILIPPE BIANCONI Philippe Bianconi, as the Silver Medal Winner of the Seventh Van Cliburn International Piano Competition, is not only entitled to a substantial cash prize but to a Carnegie Hall debut recital and a string of public concerts spread out over the next 2½ years. He was born in Nice, on the Azure Coast of France, in 1960 and attended the National Conservatory in that city for his first instruction in music. Subsequently he studied in Paris, where his teachers were Gabriel Tacchino and Gaby Casadesus. A colleague in one of his recent audiences chose a key word for Blanconi 's way with music: elegance. The grace of his fingers has been compared to "that of the legs of Fred Astaire, producing music of sparkling clarity (Mozart) aristocratic romanticism (Liszt) and rhapsodic atmosphere (Ravel)." He is a tall man with a slenderness that contributes to this air of elegance, and gives the feeling that he is at ease with contrasting styles from several different cultures. Philippe Bianconl made his orchestral debut with the Nice Philharmonic at the age of fifteen, also appearing with orchestras in Monte Carlo, Lille, Cleveland and other cities in the United States. He has performed recitals in such far-flung locations as Paris, Vienna, Milan the Netherlands and in many cities in this country. Despite his youth, he is praised for his confidence in many styles, his ability to achieve favorable technical results that puts his audiences at ease, and a natural eloquence that few pianists of any nationality can equal. Bianconi's personal interests include opera, movies and the theater. He now makes his home in Paris. Management by: Van Cliburn Foundation 3505 West Lancaster Fort Worth, Texas 76107 Flash photography and unauthorized recording forbidden. Ushers courtesy of Alpha Phi Omega Fraternity. For single tickets to an Artists Series event, call 761-5757 or Stevens Center Box Office 721-1945 .
Recommended publications
  • The Conservatoire Américain a History
    06-549_00_FM.qxd 10/30/06 6:29 AM Page i CORE Metadata, citation and similar papers at core.ac.uk Provided by Humanities Commons The Conservatoire Américain A History Kendra Preston Leonard THE SCARECROW PRESS, INC. Lanham, Maryland • Toronto • Plymouth, UK 2007 06-549_00_FM.qxd 10/30/06 6:29 AM Page ii SCARECROW PRESS, INC. Published in the United States of America by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.scarecrowpress.com Estover Road Plymouth PL6 7PY United Kingdom Copyright © 2007 by Kendra Preston Leonard All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Leonard, Kendra Preston. The Conservatoire américain : a history / Kendra Preston Leonard. p. cm. Includes bibliographical references (p. ) and index. ISBN-13: 978-0-8108-5732-2 (pbk. : alk. paper) ISBN-10: 0-8108-5732-4 (pbk. : alk. paper) 1. Conservatoire américain—History. I. Title. MT5.F66C66 2007 780.71'14437—dc22 2006026100 ϱ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Manufactured in the United
    [Show full text]
  • Cds by Composer/Performer
    CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H.
    [Show full text]
  • Week 13 Andris Nelsons Music Director
    bernard haitink conductor emeritus seiji ozawa music director laureate 2014–2015 Season | Week 13 andris nelsons music director season sponsors Table of Contents | Week 13 7 bso news 17 on display in symphony hall 18 bso music director andris nelsons 20 the boston symphony orchestra 23 a brief history of the bso 29 this week’s program Notes on the Program 30 The Program in Brief… 31 Wolfgang Amadè Mozart 37 Anton Bruckner 49 To Read and Hear More… Guest Artist 53 Lars Vogt 56 sponsors and donors 80 future programs 82 symphony hall exit plan 83 symphony hall information the friday preview talk on january 16 is given by elizabeth seitz of the boston conservatory. program copyright ©2015 Boston Symphony Orchestra, Inc. program book design by Hecht Design, Arlington, MA cover photo of Andris Nelsons by Marco Borggreve cover design by BSO Marketing BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617)266-1492 bso.org andris nelsons, ray and maria stata music director bernard haitink, lacroix family fund conductor emeritus seiji ozawa, music director laureate 134th season, 2014–2015 trustees of the boston symphony orchestra, inc. William F. Achtmeyer, Chair • Paul Buttenwieser, President • Carmine A. Martignetti, Vice-Chair • Arthur I. Segel, Vice-Chair • Stephen R. Weber, Vice-Chair • Theresa M. Stone, Treasurer David Altshuler • George D. Behrakis • Ronald G. Casty • Susan Bredhoff Cohen, ex-officio • Richard F. Connolly, Jr. • Diddy Cullinane • Cynthia Curme • Alan J. Dworsky • William R. Elfers • Thomas E. Faust, Jr. • Michael Gordon • Brent L. Henry • Susan Hockfield • Barbara Hostetter • Charles W.
    [Show full text]
  • Four-Hand Piano Music • 2
    DEBUSSY Four-Hand Piano Music • 2 Prélude à l’Après-midi d’un faune La Mer • Images Jean-Pierre Armengaud Olivier Chauzu Claude Debussy (1862–1918) undulating arabesques complemented by an expressive Written between 1905 and December 1908, Ibéria was Music for Piano Four Hands • 2 theme which is followed by a new, melancholy figure treated the first of the Images to be completed. Debussyʼs only visit contrapuntally in the upper register; the second is to Spain consisted of a single afternoon spent in San Symbolist poet Stéphane Mallarméʼs eclogue, or pastoral is impassioned, almost Wagnerian in tone. The central dominated by dotted rhythms and sees the reappearance Sebastián, just across the border. There are no quotations poem, LʼAprès-midi dʼun faune (The Afternoon of the Faun; section introduces the third theme, which is marked of the cyclical theme. The music then becomes more or borrowings from pre-existing music here, the work pub. 1876) was quick to capture the imagination of expressif et très soutenu and wreathed in arabesques, serene, ending with a solemn, chorale-like theme. drawing instead on a kind of imagined folk tradition in which Debussy, who even gave a copy of its second edition to triplets and arpeggios. Jeux de vagues (Play of the waves) acts as the scherzo all the melodies stem from the composerʼs own mind, fellow composer Paul Dukas in May 1887. Mallarmé, who in This arrangement was made by Ravel in early 1910, in here, with a central episode whose main function is that of although they are based on modal or ornamental cellular 1885 had written a prose article entitled Richard Wagner, response to a commission from the publisher Fromont.
    [Show full text]
  • June 2019 Catalogue Issue 38 Prices Valid Until Friday 26 July 2019 Unless Stated Otherwise
    June 2019 Catalogue Issue 38 Prices valid until Friday 26 July 2019 unless stated otherwise Birmingham Town Hall in an 1830s engraving, 0115 982 7500 similar to that featured on the cover of ‘Mendelssohn in Birmingham vol.5’, released by Chandos this month (CHSA5235). [email protected] Your Account Number: {MM:Account Number} {MM:Postcode} {MM:Address5} {MM:Address4} {MM:Address3} {MM:Address2} {MM:Address1} {MM:Name} 1 Welcome! Dear Customer, Young Norwegian soprano Lise Davidsen has gradually been garnering attention in recent years, perhaps making the leap to a wider awareness following her award of Gramophone’s ‘Young Artist of the Year’ in 2018 and her sublime performance of Strauss’s ‘Morgen’ at the ceremony. Ariadne was her major role last year; 2019 sees her take on the part of Elisabeth in Tannhauser - Zurich and Munich have already had the pleasure and she will be taking it to Bayreuth in July, under the baton of Valery Gergiev in a brand new production. Pleasingly for those of us who won’t manage to catch her live, her debut album on Decca has just been released, featuring two arias from Tannhauser plus orchestral lieder (and one aria) by Richard Strauss. We have been hugely impressed, especially considering her mere 32 years of age, making it a clear choice for Disc of the Month. Please see our website for our full review. Other new releases to highlight for June include a second lieder recital from Decca, performed by none other than Renee Fleming; Hyperion issue the latest in their series of ‘Romantic Violin Concertos’, this volume featuring works by Lassen, Scharwenka and Langgaard; the Vaughan Williams Society offer us his works for viola and piano via the Albion label; the final instalment in the Halle’s superb Ring Cycle (Siegfried) is released on the Halle’s own label; and stunning vocal ensemble Vox Luminis give us a treat in the shape of works by the Bach Family.
    [Show full text]
  • Connecticut Daily Campus I Serving Storrs Since 1896 V^»
    Connecticut Daily Campus I Serving Storrs Since 1896 v^» VOL. CXVL No. 35 STORRS. CONNECTICUT THURSDAY, NOVEMBER 1, 1962 Increasing Shelters: Standards Lowered In reaction to the Cuban crisis, ately in initial radiation, heat, the office of Civil Defense has re- and blast. The remaining ten per quested that civil defense prepara- tions be speeded up. It called for cent shows up later as fine radia- nearly doubling the amount of ation dust particles. Eventually shelter space available by lower- they fall to earth. ing Hie standards now required Within the local area surround- for shielding from radiation. ing the target, roughly 80 per New Ruling cent of the falout will descend to According to the State Civil De- the ground in a matter of hours. fense Director, Captain William L. Schatzman, this lowering of The remainnig 20 per cent will Standards will "work out very circle the globe and may take well." He noted that with the new months or even years to fall. ruling, more people will be shield- Alway A Threat ed from the danger of a nuclear blast. Captain Schatzman pointed Fallout shelters are needed now out that safety in case of radio- as much as ever, according to active fallout will not be lessened Capt. Schatzman. He referred to but it might reduce the chances the trouble spots in Berlin. South- for survival in cases of a close east Asia and Cuba. "We should fire flash. "However, it's the only! thing we have," he added. always be prepared." he said. George F. Robinson, the Civilj "There is always a threat." Defense Director for the Town of i Mr.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 82, 1962-1963
    :') >i BOSTON SYMPHONY ORCHESTRA FOUNDED IN I88I BY HENRY LEE HIGGINSON it )lf 24 vi '^7- fy J ^^\ -^ .J '~^u I \,.. -^- ^J--«i!i:^.^ ^x\ ••—ieCS^; \'\ EIGHTY-SECOND SEASON 1962-1963 ADIVARI created for all time a perfect marriage of precision and beauty for both the eye and the ear. He had the unique genius to combine a thorough knowledge of the acoustical values of wood with a fine artist's sense of the good and the beautiful. Unexcelled b<r anything before or after, his violins have such purity of tone, they are said to speak with the voice of a lovely soul within. In business, as in the arts, experience audi ability are invaluable. We suggest you take advantage of our extensive insurance background by letting us review youf needs either business or personal and counsel you to an intelligent program. W^e respectfully invite your inquiry. CHARLES H. WATKINS & CO. Richard P. Nvquist — Charles G. Carleton — Robert G. Jennings 147 MILK STREET BOSTON 9, MASSACHUSETTS LIBERTY 2-1250 Associated With OBRION, RUSSELL & CO. Insurance of Every Description EIGHTY-SECOND SEASON, 1962-1963 Boston Symphony Orchestra ERICH LEINSDORF, Music Director Richard Burgin, Associate Conductor CONCERT BULLETIN with historical and descriptive notes by John N. Burk Copyright, 1963, by Boston Symphony Orchestra, Inc. The trustees of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Talcott M. Banks Vice-President Richard C. Paine Treasurer Abram Berkowitz Henry A. Laughlin Theodore P. Ferris John T. Noonan Francis W. Hatch Mrs. James H. Perkins Harold D. Hodgkinson Sidney R. Rabb C.
    [Show full text]
  • October 2017 New Releases
    new releases october 2017 2 LABELS p.9 p.30 p.10 p.30-32 p.10-17 p.32-33 p.17-19 p.33 p.19-20 p.68 p.21 p.34 p.21 p.35 p.22-23 p.36 p.65-67 p.36 p.23 p.37 p.24 p.25-26 p.38-39 p.27-28 p39 p.28 p.68-69 p.28-29 p.39 p.29 p.40-41 LABELS p.41 p.69-70&74 see attachment p.52-53 p.73 p.41-42 p.54 p.43 see attachment p.54 p.54-55 p.43-44 p.55 p.45 p.56 p.45 p.56-58 p.58-60 p.46-47 p.47-48 p.61 p.48-49 p.49-50 p.51 BREAKING NEWS Hello everybody, Starting October Outhere Music will do the honour to distribute our label in the Benelux. Then we would like to introduce you briefly Bonsaï Music. Bonsaï Music takes its first steps in 2004 in the music industry and has been quickly catalogued as a “Jazz record label”. However this image is a little simplistic because we believe that “Jazz” is more a musical philosophy than a specific musical genre. For thirteen years our work consisted in reconciling jazz and popular music and then promote and release Artists albums that can be enjoyed by jazz fans and lay people with this musical genre. The characteristics that most defines Bonsaï Music is our constant search of melody and/or great voices.
    [Show full text]
  • WNIB Program Schedule December 1971
    u 1 , 1 The Advent Mode! 201 Tape Deck is, to our way of thinking, the ideal source for playing music in the home. It combines the important characteristics of a high-performance open-reel tape recorder with the convenience of cassettes. The Advent I Model 201 wit! make recordings that are indistinguishable from most source material, including the best stereo records and FM broadcasts. Of equal importance, the Mode! 201 realizes the full potential of the new "Dolbyized" commercially recorded cassettes, the most significant source I of recorded music since the introduc­ tion of the stereo disc. The best of the "Dolbyized" pre-recorded cas­ settes are easily the equivalent of the best disc recordings, and the number of releases will be continually in­ creasing. The Mode! 201 has the ruggedness and day-to-day operating dependability of the best home recorders, and wi!I maintain its original performance over long and constant use. $2 Beverly Near North Morton Grove Oak Park 2035 W. 95 th 48 E.Oak 5700 W Dempster 7045 W. North The performance of the Model 201 337-4\50 967-6690 38'.l-7006 is the result of several important departures in the design and manu­ 1\JfS()AY. WHJN(Sl)AY FRIDA.¥ & SATURDAY JOAM- 6 PM; MONDAY & THURSDAY 1D AM-9l'M facture of a cassette recorder. "Seigneur, dans votre main''; Louis BROQUET ''Beau Chevalier''; Otto BARBLAN "Hymne a la PROGRAM HEDUlE patrie"; Robert MERMOUD "Pour toi, pays"; Carlo HEMMERLING "0 petit pays"; Gustave DORET "Priere du Ruetli"; Carlo BOLLER I fm December, 1971 "Chant du drapeau"; Emile JAQUES-DALCROZE "Los Vieux11 ; Jean APOTHELOZ "Grand Guillau­ me"; Joseph BOVET "L'Alpee"; Hermann LANG "Mon pays, rustique sejour''; Henri PLUMHOF "La chanson des etoiles"; Joseph BOVET "La montee a l'alpage"; Gustave DORET "Le peuple des bergers" - Choeurs d'homrnes remands/ Andre Charlet (Swiss Composers CT 64-28) WNIB P rog-ram Schedule is published by Radio Station WNIB, 25 East Chestnut, Chicago, Illinois 60611.
    [Show full text]
  • WNIB Program Schedule April 1972
    PROGRAM SCHEDULE WNIB 97.1 fm April, 1972 The TEAC 12 3 0 STEREO DECK ... Regular List $399.50 NOW $349.50 NEAR NORTH NORTH WEST SOUTH SUBURBAN SOUTH 48 E. OAK 5700 W. DEMPSTER 7045 W. NORTH AVE. 2035 W. 95th ST. 18100 S. HALSTED 337-4150 967-6690 383-7006 779-6500 799-2400 MONDAY & THURSDAY 10- 9 TUESDAY, WEDNESDAY, FRIDAY & SATURDAY 10-6 WI aµ &ZWM1•11waa; ow;,..._.,. i R WW// "t"'1i~f¼'•••po,:,ow,'§i!i4"¾€Piiii!!W)!/!•,~ 1,' Werner Andreas Albert (Electrola C063,-28'180) PROG~AM I SCHEQULE 6 PM , RACUM,ANINOFF (born on this date in 1873) "Aleko" 86.ite - ·Orch/Ahdre Kostelanetz · (Col ,MS 716)!) , 97,1 hrL RACHMANINOFF 3 "Etude,-Tableaux April, 1972 (in'e~; in C; &tn D) - Vl~dffi!ir IIorowitz,p , (Cql M 3046'!1,) , /. .·, RACHMANINOFF Vocallse, Op. 34#2 - Anni Moffo, s (RCA 2795) . ' ,! RACHMANINOFF 3 Russian Folksol\gs (f1Across the Swift Little Rirern; "Oh, Y?u Van­ I·. , . ' , ' , , ·., .··. '. ,, , . ka''; & ''M;y Powdered Rosy'~lush','s''), -,St. Am,­ , WNIB Program. Schei;lule is published by Radio Station WNIB, 25 East Chestnut, brose Cath~dral Ghoir.;New Philh/Igor.Bllketdff Chicag?, Illillois-60611. Phone:, 337,?252, SubsStipfiop. rates: pne,sear ~5,. 00; (RCA 3051) , , ,. , . ... ' two years $9. 00; Jhree years ~1~'.10~. · ,: ' RACHMANINOFF Prelude Ing'#, Op. ' I' 32#12; & Prelude in c#, Op, 3#2 ~ ,Gary Graff- 1t1an, p (Col MS 7508) C:::OVJm:. The Reading Room iof the firstChicagi> Pt1bUc Library ... a kater fank that survived the GreatJ!hicago Fire, , The Book Rown in the Old 'I'ank was the 7 PM MfG 197~.
    [Show full text]
  • French Performance Practices in the Piano Works of Maurice Ravel
    Studies in Pianistic Sonority, Nuance and Expression: French Performance Practices in the Piano Works of Maurice Ravel Iwan Llewelyn-Jones Submitted in partial fulfillment of the requirements for the degree Doctor of Philosophy School of Music Cardiff University 2016 Abstract This thesis traces the development of Maurice Ravel’s pianism in relation to sonority, nuance and expression by addressing four main areas of research that have remained largely unexplored within Ravel scholarship: the origins of Ravel’s pianism and influences to which he was exposed during his formative training; his exploration of innovative pianistic techniques with particular reference to thumb deployment; his activities as performer and teacher, and role in defining a performance tradition for his piano works; his place in the French pianistic canon. Identifying the main research questions addressed in this study, an Introduction outlines the dissertation content, explains the criteria and objectives for the performance component (Public Recital) and concludes with a literature review. Chapter 1 explores the pianistic techniques Ravel acquired during his formative training, and considers how his study of specific works from the nineteenth-century piano repertory shaped and influenced his compositional style and pianism. Chapter 2 discusses Ravel’s implementation of his idiosyncratic ‘strangler’ thumbs as articulators of melodic, harmonic, rhythmic and textural material in selected piano works. Ravel’s role in defining a performance tradition for his piano works as disseminated to succeeding generations of pianists is addressed in Chapter 3, while Chapters 4 and 5 evaluate Ravel’s impact upon twentieth-century French pianism through considering how leading French piano pedagogues and performers responded to his trailblazing piano techniques.
    [Show full text]
  • Debussy Rare Piano Music
    WORLD PREMIÈRE RECORDINGS THE UNKNOWN DEBUSSY RARE PIANO MUSIC NICOLAS HORVATH CLAUDE DEBUSSY (1862–1918) THE UNKNOWN DEBUSSY RARE PIANO MUSIC NICOLAS HORVATH, piano Catalogue Number: GP822 Recording Dates: 7–9 July 2019 Recording Venue: La Fabrique des Rêves Recording Studio, Misy-sur-Yonne, France Producer and Engineer: Paul Metzger Piano: Steinway, Model C (1926) (number 248200) Piano Technician: Brice Savine Booklet Notes: Robert Orledge, Marie-Lise Babonneau, Régis Campo, David Christoffel, Yannis Constantinidès Publisher: Musik Fabrik (1–11, 15–16), Durand DB 15685 (12–14) Artist Photograph: Perla Maarek Cover Art: Andy Julia www.andyjulia.com Une traduction française du livret est disponible à l’adresse suivante : https://www.naxos.com/sharedfiles/PDF/GP822_booklet_French.pdf PRÉLUDES OUBLIÉS * 23:25 1 L’Enfant prodigue (1884, revised 1907–08) (version for piano) 02:46 2 Rodrigue et Chimène (1890–93) (version for piano) 04:58 3 Préludes, Book 1 – No. 8. La Fille au cheveux de lin (first version in B flat major, 1907) 00:46 4 Prélude à l’Histoire de Tristan’ (1907, completed 2011) (version for piano) 04:26 5 Préludes, Book 2 – No. 5. Bruyères (first version, 1912) 03:47 6 Toomai des éléphants (1913, completed 2006) (new edition) 06:33 7 PETITE VALSE (c.1915, completed 2006) 02:07 FÊTES GALANTES 8 Tableau 1 – Les Masques (commencement) (1915, completed 2006) * 07:08 LE MARTYRE DE SAINT SÉBASTIEN 9 Act 3: Le Concile des faux dieux: La Passion (unused movement, first draft) (1911, completed 2014) * 04:28 NO-JA-LI (LE PALAIS DU SILENCE) 0 Chinese ballet in one act (eight scenes) (version with narration) (1914, completed 2005/2014) * 17:17 Text: George de Feure (1868–1943) Narrator: Florient Azoulay LE ROI LEAR (1904–08, completed 2004/2018) 12:05 ! Prélude * 03:52 @ [autre] Fanfare * 00:58 # Le Sommeil de Lear * 03:36 $ La Mort de Cordélia * 03:36 % UN JOUR AFFREUX AVEC LE DIABLE DANS LE BEFFROI (version with narration) (1902–03, transcribed 2018) * 11:37 Text: Robert Orledge (b.
    [Show full text]