DOCSLIB.ORG

Boston Symphony Orchestra Concert Programs, Season 82, 1962-1963

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

:') >i BOSTON SYMPHONY ORCHESTRA FOUNDED IN I88I BY HENRY LEE HIGGINSON it )lf 24 vi '^7- fy J ^^\ -^ .J '~^u I \,.. -^- ^J--«i!i:^.^ ^x\ ••—ieCS^; \'\ EIGHTY-SECOND SEASON 1962-1963 ADIVARI created for all time a perfect marriage of precision and beauty for both the eye and the ear. He had the unique genius to combine a thorough knowledge of the acoustical values of wood with a fine artist's sense of the good and the beautiful. Unexcelled b<r anything before or after, his violins have such purity of tone, they are said to speak with the voice of a lovely soul within. In business, as in the arts, experience audi ability are invaluable. We suggest you take advantage of our extensive insurance background by letting us review youf needs either business or personal and counsel you to an intelligent program. W^e respectfully invite your inquiry. CHARLES H. WATKINS & CO. Richard P. Nvquist — Charles G. Carleton — Robert G. Jennings 147 MILK STREET BOSTON 9, MASSACHUSETTS LIBERTY 2-1250 Associated With OBRION, RUSSELL & CO. Insurance of Every Description EIGHTY-SECOND SEASON, 1962-1963 Boston Symphony Orchestra ERICH LEINSDORF, Music Director Richard Burgin, Associate Conductor CONCERT BULLETIN with historical and descriptive notes by John N. Burk Copyright, 1963, by Boston Symphony Orchestra, Inc. The trustees of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Talcott M. Banks Vice-President Richard C. Paine Treasurer Abram Berkowitz Henry A. Laughlin Theodore P. Ferris John T. Noonan Francis W. Hatch Mrs. James H. Perkins Harold D. Hodgkinson Sidney R. Rabb C. D. Jackson Charles H. Stockton E. Morton Jennings, Jr. John L. Thorndike Raymond S. Wilkins TRUSTEES EMERITUS Palfrey Perkins Lewis Perry Edward A. Taft Oliver Wolcott Thomas D. Perry, Jr., Manager Norman S. Shirk Rosario Mazzeo James J. Brosnahan Assistant Manager Personnel Manager Business Administrator SYMPHONY HALL BOSTON [ 1475 ] Erich J^insdorf conducts The "Boston (Symphony ' ' The Aristocrat of Orchestras Under Mr. Leinsdorf's direction, this season tiie Processed in Dynagroove — the magnificent new Boston Symphony has been heard in many brilliant sound developed by RCA Victor, it is like having performances. The Mahler First Symphony the best seats in Symphony Halll Hear also the brought cheers when played in concert. You will be delightful Bartok Concerto for Orchestra. Both pleasantly surprised by the RCA Victor recording. in Living Stereo, Monaural Hi-Fi and on Tape. DIahler/Syinphony No. 1 Boston Symphony Orch. Erich Leinsdorf 'Jw '^inr'.i^/n^.'/^Jnxrj/rai RCA VICTOR OKHITHE MOST TRUSTED NAME IN SOUND [1476] CONTENTS Program 1481 Notes Brahms (Symphony No. 3) . 1484 Entr'actes What Wagner Owed to Weber (by Erich Leinsdorf) . 1496 From the Heart to the Heart (by Desmond Shaw e -Taylor) 1510 Notes Wagner (Excerpts from "Parsifal") 1518 EXHIBITIONS The exhibitions shown in the Gallery through the past season were loaned by the following artists and associations: New Hampshire Art Association (Sep- tember 2I-October 7) Watercolors by Eliot O'Hara, Glenn MacNutt and Benjamin Rowland, Jr., loaned by Doll and Richards I October 12-November 5) Pictures from the Shore Galleries (November 9-December 3) Subscribers' Exhibition (December 7- January 1) Paintings by Roger W. Curtis, Aldro Thompson Hibbard, Ken Gore and William James Flynn (January 4- January 29) Contemporary paintings, Boris Mirski Gallery (February 1-February 24) Boston Society of Watercolor Painters J^prinafprina /Vfr^oSei February 28-March 16) Pink, Blue or Yellow Roses printed Pictures from the Gallery of Tyring- ham, Massachusetts (March 28- on cotton sateen. Our Hostess April 13) Coat in sizes 8-18. $17.95 The bronze head of Charles Munch, 416 BOYLSTON STREET 54 CENTRAL STREET now in the Ancient Instrument Room, BOSTON 16 WELLESLEY is the gift of the conductor. It was made KEnmore 6-6238 CEdar 5-3430 in 1939 by Irene Codreano. [ 1477 ] LIST OF ARTICLES Charles Munch - International Conductor 837 3ini Memoriam - Joseph Leibovici. 5 The Council of Friends 838 The Lincoln Center Opening .... 5 Berj Zamkochian 902 The Orchestra on Television 6 When Debussy Answered a A Bronze Head of Beethoven ... 69 Questionnaire 965 John Browning 69 Henryk Szeryng 1029 70 New Players A Full Life of Folksong (Kodaly) 1029 Erich Leinsdorf and Boston 133 Lorin Hollander 1093 A Notable Book on Acoustics. 197 Reserved Seats for the United Nations Day 262 "Rush Line" 1094 The New York Opening 325 Samuel Mayes 1157 Geza Anda 389 Joan Carlyle Portrait of Gericke 390 Hermann Prey 1221 Joseph de Pasquale 453 Joshua Hecht Two Notable Broadcasts 454 A Gift 1221 List of Casts in Symphony Hall. 517 Grand Prix du Disque 1222 The Statues in Symphony Hall. 518 Ferenc Fricsay 1222 Mahler and Boston 581 Symphony Week 1285 A Composer's Praise (Irving Leinsdorf and the Berkshire Fine), by Aaron Copland 645 Music Center 1285 "Inside Symphony Hall" 646 A Continuing Career Cyrus W. Durgin 709 (Pierre Monteux) 1349 Gabriel Tacchino 710 Joseph Silverstein 1413 The Earliest Memories 774,838, To Teach and to Be Taught, 902, 1157 by Louis Chapin 1413 at Cj(/d6jGu^ ucumci CAo^ucA u€/u/ccj^ \^_ Sunday Services 10 :45 a.m. and 7 :30 p.m. Sunday School (also nursery) 10:45 a.m. ^> Wednesday Testimony Meetings 7 :30 p.m. \ ^ ~-^ 7^ 9l^6t/a^C/uMwA THE FIRST CHURCH OF CHRIST, SCIENTIST, IN BOSTON — Falmouth and Norway Streets (Symphony Station) [H78] all beautiful curves the cowl neckline drops to a deep scoop in back; demure across the table, dashing on the dance floor. The bloused top and softly rounded skirt with tucks at the top to release the easy fullness. In white, strawberry or black rayon and acetate. 8 to 14 by Hannah Troy. Filene's French Shops, seventh floor, Boston. $110 1479] Love of music can't be passed on by your will — unlike a prized Chip- pendale chair or your grandfather's watch fob. But you can do some- thing even better for your children — or grandchildren. You can give them the financial security which leaves them free to follow their own interests and develop their own preferences. Setting up a trust is one way — and a good way — to go about it. We at Old Colony are old hands at planning long-range security. Our trust department is the largest in New England. And our services are both personal and flexible ; they can be tailored to suit your specific needs. The next time you're in the vicinity of One Federal Street, by all means stop in and have a talk with us. Meanwhile, let us send you a copy of "The Living Trust." It de- scribes one of the many ways that Old Colony can be of help to you. Old Colony Trust Company [14801 EIGHTY-SECOND SEASON • NINETEEN HUNDRED SIXTY-TWO -SIXTY-THRBB Twenty-fourth Program THURSDAY AFTERNOON, April ii, at 2:15 o'clock SATURDAY EVENING, April 13, at 8:30 o'clock Brahms Symphony No. 3, in F major. Op. 90 I. Allegro con brio II. Andante III. Poco allegretto IV. Allegro INTERMISSION Wagner Excerpts from "Parsifal" Prelude to Act I Transformation Scene, Act I Prelude to Act II Prelude, Good Friday Music, and Finale, Act III These concerts will end about 4:10 o'clock on Thursday Afternoon; 10:25 o'clock on Saturday Evening. BALDWIN PIANO rCA VICTOR RECORDS [ 1481 ] LONGWOOD SHOP for young misses B 3 o E o >#» o 3 en *C CL 3 t. O >^ o o E o O MD o CI fi^'i Boston Chestnut Hill u) [ 1482 J TANGLEWOOD The BERKSHIRE FESTIVAL by the Boston Symphony Orchestra, Erich Leinsdorf, Music Director, will take place in Tanglewood, Lenox, Massachusetts, from July 5 through August 25, 1963, with concerts each Friday and Saturday evening, and Sunday afternoon. There will be two weeks of Mozart programs, one of music by Bach and Haydn, and five weeks of concerts by the full Orchestra. A feature of the repertory will be music by Prokofiev in observance of the tenth anniversary of his death.* The BERKSHIRE MUSIC CENTER, maintained by the Orchestra at Tanglewood for the advanced study of music, will have Mr. Leinsdorf as its Director and will hold its twenty-first session from June 30 through August 25. For the programs of the Berkshire Festival or the catalogue of the Berkshire Music Center, please address Berkshire Music Center, Sym- phony Hall, Boston 15, Massachusetts. * For programs see page 1525 cP ^i o9oO ^ come see how hurwitch reflects its S> lighthear+ed mood in our . souffle tweeds . textured silks 4''' I menswear worsteds . , I lir/lllrrn '" ^^^ superb collection of cAj<i\j\J I w I u vlb suits, coats, and gowns TWENTY NEWBURY BOSTON for spring 1963 [1483] SYMPHONY NO. 3, IN F MAJOR, Op. 90 By Johannes Brahms Born in Hamburg, May 7, 1833; died in Vienna, April 3, 1897 Composed in 1883, the Third Symphony was first performed at a concert of the Vienna Philharmonic Orchestra, December 2, 1883, Hans Richter conducting. The first American performance was in New York, October 24, 1884, at a Novelty Concert by Mr. Van der Stucken. The first performance in Boston was by the Boston Sym- phony Orchestra, under Wilhelm Gericke, on November 8, 1884. The most recent performances in this series were on December 24-25, 1954, when Guido Cantelli conducted. The Symphony is scored for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons and contra- bassoon, 4 horns, 2 trumpets, 3 trombones, timpani and strings. 'TpHE world which had waited so many years for Brahms' First Sym- ^ phony was again aroused to a high state of expectancy when six years elapsed after the Second before a Third was announced as written and ready for performance.
Recommended publications
  • Cds by Composer/Performer

    Cds by Composer/Performer

    CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H.
  • Week 13 Andris Nelsons Music Director

    Week 13 Andris Nelsons Music Director

    bernard haitink conductor emeritus seiji ozawa music director laureate 2014–2015 Season | Week 13 andris nelsons music director season sponsors Table of Contents | Week 13 7 bso news 17 on display in symphony hall 18 bso music director andris nelsons 20 the boston symphony orchestra 23 a brief history of the bso 29 this week’s program Notes on the Program 30 The Program in Brief… 31 Wolfgang Amadè Mozart 37 Anton Bruckner 49 To Read and Hear More… Guest Artist 53 Lars Vogt 56 sponsors and donors 80 future programs 82 symphony hall exit plan 83 symphony hall information the friday preview talk on january 16 is given by elizabeth seitz of the boston conservatory. program copyright ©2015 Boston Symphony Orchestra, Inc. program book design by Hecht Design, Arlington, MA cover photo of Andris Nelsons by Marco Borggreve cover design by BSO Marketing BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617)266-1492 bso.org andris nelsons, ray and maria stata music director bernard haitink, lacroix family fund conductor emeritus seiji ozawa, music director laureate 134th season, 2014–2015 trustees of the boston symphony orchestra, inc. William F. Achtmeyer, Chair • Paul Buttenwieser, President • Carmine A. Martignetti, Vice-Chair • Arthur I. Segel, Vice-Chair • Stephen R. Weber, Vice-Chair • Theresa M. Stone, Treasurer David Altshuler • George D. Behrakis • Ronald G. Casty • Susan Bredhoff Cohen, ex-officio • Richard F. Connolly, Jr. • Diddy Cullinane • Cynthia Curme • Alan J. Dworsky • William R. Elfers • Thomas E. Faust, Jr. • Michael Gordon • Brent L. Henry • Susan Hockfield • Barbara Hostetter • Charles W.
  • Four-Hand Piano Music • 2

    Four-Hand Piano Music • 2

    DEBUSSY Four-Hand Piano Music • 2 Prélude à l’Après-midi d’un faune La Mer • Images Jean-Pierre Armengaud Olivier Chauzu Claude Debussy (1862–1918) undulating arabesques complemented by an expressive Written between 1905 and December 1908, Ibéria was Music for Piano Four Hands • 2 theme which is followed by a new, melancholy figure treated the first of the Images to be completed. Debussyʼs only visit contrapuntally in the upper register; the second is to Spain consisted of a single afternoon spent in San Symbolist poet Stéphane Mallarméʼs eclogue, or pastoral is impassioned, almost Wagnerian in tone. The central dominated by dotted rhythms and sees the reappearance Sebastián, just across the border. There are no quotations poem, LʼAprès-midi dʼun faune (The Afternoon of the Faun; section introduces the third theme, which is marked of the cyclical theme. The music then becomes more or borrowings from pre-existing music here, the work pub. 1876) was quick to capture the imagination of expressif et très soutenu and wreathed in arabesques, serene, ending with a solemn, chorale-like theme. drawing instead on a kind of imagined folk tradition in which Debussy, who even gave a copy of its second edition to triplets and arpeggios. Jeux de vagues (Play of the waves) acts as the scherzo all the melodies stem from the composerʼs own mind, fellow composer Paul Dukas in May 1887. Mallarmé, who in This arrangement was made by Ravel in early 1910, in here, with a central episode whose main function is that of although they are based on modal or ornamental cellular 1885 had written a prose article entitled Richard Wagner, response to a commission from the publisher Fromont.
  • El Camino De Verdi Al Verismo: La Gioconda De Ponchielli the Road of Verdi to Verism: La Gioconda De Ponchielli

    El Camino De Verdi Al Verismo: La Gioconda De Ponchielli the Road of Verdi to Verism: La Gioconda De Ponchielli

    Revista AV Notas, Nº8 ISSN: 2529-8577 Diciembre, 2019 EL CAMINO DE VERDI AL VERISMO: LA GIOCONDA DE PONCHIELLI THE ROAD OF VERDI TO VERISM: LA GIOCONDA DE PONCHIELLI Joaquín Piñeiro Blanca Universidad de Cádiz RESUMEN Con Giuseppe Verdi se amplificaron y superaron los límites del Bel Canto representado, fundamentalmente, por Rossini, Bellini y Donizetti. Se abrieron nuevos caminos para la lírica italiana y en la evolución que terminaría derivando en la eclosión del Verismo que se articuló en torno a una nutrida generación de autores como Leoncavallo, Mascagni o Puccini. Entre Verdi y la Giovane Scuola se situaron algunos compositores que constituyeron un puente entre ambos momentos creativos. Entre ellos destacó Amilcare Ponchielli (1834-1886), profesor de algunos de los músicos más destacados del Verismo y autor de una de las óperas más influyentes del momento: La Gioconda (1876-1880), estudiada en este artículo en sus singularidades formales y de contenido que, en varios aspectos, hacen que se adelante al modelo teórico verista. Por otra parte, se estudian también cuáles son los elementos que conserva de los compositores italianos precedentes y las influencias del modelo estético francés, lo que determina que la obra y su compositor sean de complicada clasificación, aunque habitualmente se le identifique incorrectamente con el Verismo. Palabras clave: Ponchielli; Verismo; Giovane Scuola; ópera; La Gioconda; Italia ABSTRACT With Giuseppe Verdi, the boundaries of Bel Canto were amplified and exceeded, mainly represented by Rossini, Bellini and Donizetti. New paths were opened for the Italian lyric and in the evolution that would end up leading to the emergence of Verismo that was articulated around a large generation of authors such as Leoncavallo, Mascagni or Puccini.
  • October 2017 New Releases

    October 2017 New Releases

    new releases october 2017 2 LABELS p.9 p.30 p.10 p.30-32 p.10-17 p.32-33 p.17-19 p.33 p.19-20 p.68 p.21 p.34 p.21 p.35 p.22-23 p.36 p.65-67 p.36 p.23 p.37 p.24 p.25-26 p.38-39 p.27-28 p39 p.28 p.68-69 p.28-29 p.39 p.29 p.40-41 LABELS p.41 p.69-70&74 see attachment p.52-53 p.73 p.41-42 p.54 p.43 see attachment p.54 p.54-55 p.43-44 p.55 p.45 p.56 p.45 p.56-58 p.58-60 p.46-47 p.47-48 p.61 p.48-49 p.49-50 p.51 BREAKING NEWS Hello everybody, Starting October Outhere Music will do the honour to distribute our label in the Benelux. Then we would like to introduce you briefly Bonsaï Music. Bonsaï Music takes its first steps in 2004 in the music industry and has been quickly catalogued as a “Jazz record label”. However this image is a little simplistic because we believe that “Jazz” is more a musical philosophy than a specific musical genre. For thirteen years our work consisted in reconciling jazz and popular music and then promote and release Artists albums that can be enjoyed by jazz fans and lay people with this musical genre. The characteristics that most defines Bonsaï Music is our constant search of melody and/or great voices.
  • WNIB Program Schedule December 1971

    WNIB Program Schedule December 1971

    u 1 , 1 The Advent Mode! 201 Tape Deck is, to our way of thinking, the ideal source for playing music in the home. It combines the important characteristics of a high-performance open-reel tape recorder with the convenience of cassettes. The Advent I Model 201 wit! make recordings that are indistinguishable from most source material, including the best stereo records and FM broadcasts. Of equal importance, the Mode! 201 realizes the full potential of the new "Dolbyized" commercially recorded cassettes, the most significant source I of recorded music since the introduc­ tion of the stereo disc. The best of the "Dolbyized" pre-recorded cas­ settes are easily the equivalent of the best disc recordings, and the number of releases will be continually in­ creasing. The Mode! 201 has the ruggedness and day-to-day operating dependability of the best home recorders, and wi!I maintain its original performance over long and constant use. $2 Beverly Near North Morton Grove Oak Park 2035 W. 95 th 48 E.Oak 5700 W Dempster 7045 W. North The performance of the Model 201 337-4\50 967-6690 38'.l-7006 is the result of several important departures in the design and manu­ 1\JfS()AY. WHJN(Sl)AY FRIDA.¥ & SATURDAY JOAM- 6 PM; MONDAY & THURSDAY 1D AM-9l'M facture of a cassette recorder. "Seigneur, dans votre main''; Louis BROQUET ''Beau Chevalier''; Otto BARBLAN "Hymne a la PROGRAM HEDUlE patrie"; Robert MERMOUD "Pour toi, pays"; Carlo HEMMERLING "0 petit pays"; Gustave DORET "Priere du Ruetli"; Carlo BOLLER I fm December, 1971 "Chant du drapeau"; Emile JAQUES-DALCROZE "Los Vieux11 ; Jean APOTHELOZ "Grand Guillau­ me"; Joseph BOVET "L'Alpee"; Hermann LANG "Mon pays, rustique sejour''; Henri PLUMHOF "La chanson des etoiles"; Joseph BOVET "La montee a l'alpage"; Gustave DORET "Le peuple des bergers" - Choeurs d'homrnes remands/ Andre Charlet (Swiss Composers CT 64-28) WNIB P rog-ram Schedule is published by Radio Station WNIB, 25 East Chestnut, Chicago, Illinois 60611.
  • French Performance Practices in the Piano Works of Maurice Ravel

    French Performance Practices in the Piano Works of Maurice Ravel

    Studies in Pianistic Sonority, Nuance and Expression: French Performance Practices in the Piano Works of Maurice Ravel Iwan Llewelyn-Jones Submitted in partial fulfillment of the requirements for the degree Doctor of Philosophy School of Music Cardiff University 2016 Abstract This thesis traces the development of Maurice Ravel’s pianism in relation to sonority, nuance and expression by addressing four main areas of research that have remained largely unexplored within Ravel scholarship: the origins of Ravel’s pianism and influences to which he was exposed during his formative training; his exploration of innovative pianistic techniques with particular reference to thumb deployment; his activities as performer and teacher, and role in defining a performance tradition for his piano works; his place in the French pianistic canon. Identifying the main research questions addressed in this study, an Introduction outlines the dissertation content, explains the criteria and objectives for the performance component (Public Recital) and concludes with a literature review. Chapter 1 explores the pianistic techniques Ravel acquired during his formative training, and considers how his study of specific works from the nineteenth-century piano repertory shaped and influenced his compositional style and pianism. Chapter 2 discusses Ravel’s implementation of his idiosyncratic ‘strangler’ thumbs as articulators of melodic, harmonic, rhythmic and textural material in selected piano works. Ravel’s role in defining a performance tradition for his piano works as disseminated to succeeding generations of pianists is addressed in Chapter 3, while Chapters 4 and 5 evaluate Ravel’s impact upon twentieth-century French pianism through considering how leading French piano pedagogues and performers responded to his trailblazing piano techniques.
  • Debussy Rare Piano Music

    Debussy Rare Piano Music

    WORLD PREMIÈRE RECORDINGS THE UNKNOWN DEBUSSY RARE PIANO MUSIC NICOLAS HORVATH CLAUDE DEBUSSY (1862–1918) THE UNKNOWN DEBUSSY RARE PIANO MUSIC NICOLAS HORVATH, piano Catalogue Number: GP822 Recording Dates: 7–9 July 2019 Recording Venue: La Fabrique des Rêves Recording Studio, Misy-sur-Yonne, France Producer and Engineer: Paul Metzger Piano: Steinway, Model C (1926) (number 248200) Piano Technician: Brice Savine Booklet Notes: Robert Orledge, Marie-Lise Babonneau, Régis Campo, David Christoffel, Yannis Constantinidès Publisher: Musik Fabrik (1–11, 15–16), Durand DB 15685 (12–14) Artist Photograph: Perla Maarek Cover Art: Andy Julia www.andyjulia.com Une traduction française du livret est disponible à l’adresse suivante : https://www.naxos.com/sharedfiles/PDF/GP822_booklet_French.pdf PRÉLUDES OUBLIÉS * 23:25 1 L’Enfant prodigue (1884, revised 1907–08) (version for piano) 02:46 2 Rodrigue et Chimène (1890–93) (version for piano) 04:58 3 Préludes, Book 1 – No. 8. La Fille au cheveux de lin (first version in B flat major, 1907) 00:46 4 Prélude à l’Histoire de Tristan’ (1907, completed 2011) (version for piano) 04:26 5 Préludes, Book 2 – No. 5. Bruyères (first version, 1912) 03:47 6 Toomai des éléphants (1913, completed 2006) (new edition) 06:33 7 PETITE VALSE (c.1915, completed 2006) 02:07 FÊTES GALANTES 8 Tableau 1 – Les Masques (commencement) (1915, completed 2006) * 07:08 LE MARTYRE DE SAINT SÉBASTIEN 9 Act 3: Le Concile des faux dieux: La Passion (unused movement, first draft) (1911, completed 2014) * 04:28 NO-JA-LI (LE PALAIS DU SILENCE) 0 Chinese ballet in one act (eight scenes) (version with narration) (1914, completed 2005/2014) * 17:17 Text: George de Feure (1868–1943) Narrator: Florient Azoulay LE ROI LEAR (1904–08, completed 2004/2018) 12:05 ! Prélude * 03:52 @ [autre] Fanfare * 00:58 # Le Sommeil de Lear * 03:36 $ La Mort de Cordélia * 03:36 % UN JOUR AFFREUX AVEC LE DIABLE DANS LE BEFFROI (version with narration) (1902–03, transcribed 2018) * 11:37 Text: Robert Orledge (b.
  • JUNE, 1969 60C WASHINGTON/ BALTIMORE EDITION

    JUNE, 1969 60C WASHINGTON/ BALTIMORE EDITION

    JUNE, 1969 60c WASHINGTON/ BALTIMORE EDITION THE FM LISTENING GUIDE . r . 'n YG} itas-er".175ro ó _o °.. - i ,1!11 (! TV 1151,!S~ .. ha...,.. .,wv . _ . v '7.] gl "The Sony 6060 is the brightest thing that happened to stereo in a long while. If outshines receivers costing hundreds more." i///,ompoo.11 111111111IIIt111Í11111SM\\\\\\\\\\\ SONY FM 88 90 92 94 96 98 100 102104 10E 108 MHz at I 1UNING .lN"WI, 1 .. .r. I STEREO RECEIVER 0060 SO110 STATE Sony Model STR-6060 FW AM/FM Stereo Receiver MANUFACTURER'S SPECIFICATIONS- 0.5°/o. FM Stereo Separation: More :han 0.2°/o at rated output; under 0.15°/o at FM Tuner Section-IHF Usable Sensitivity: 40 dB @ 1 kHz. AM Tuner Section-Sensi- 0.5 watts output. Frequency Response: 1.8 /t, V. S/N Ratio: 65 dB. Capture Ratio: tivity: 160 µ,V (built-in antenna); 10 µ,V Aux, Tape: 20 Hz to 60 kHz +0, -3 dB. 1.5 dB. IHF Selectivity: 80 dB. Antenna: (external antenna). S/N Ratio: 50 dE @ S/N Ratio: Aux, Tape: 100 dB; Phono: 70 300 ohm & 75 ohm. Frequency Response: 5 mV input. Amplifier Section Dynamic dB; Tape Head; 60 dB. Tone Control 20 to 20,000 Hz ±1 dB. Image Rejection: Power Output: 110 watts (total), 8 ohms. Range: Bass: ±10 dB @ 100 Hz; Treble: 80 dB. IF Rejection: 90 dB. Spurious Rejec- RMS Power Output: 45 watts per charnel, ±10 dB @ 10 kHz. General-Dimensions: tion: 90 dB. AM Suppression: 50 dB. Total 8 ohms.
  • Mississippi Opera Association–Artistic Excellence

    Mississippi Opera Association–Artistic Excellence

    2 MISSISSIPPI OPERA 4 MISSISSIPPI OPERA FROM THE BOARD PRESIDENT elcome to the fall production of Mississippi Opera’s 73rd season. Thank you for investing Win Mississippi’s only professional opera company, the 9th oldest in the United States. Our productions would not be possible without the commitment of our supporters, performers, Guild volunteers, individual and corporate contributions. I encourage you to be part of something truly magical by renewing or purchasing your season tickets as soon as possible, I can assure you, that the best seats will go quickly. Nothing touches my soul like opera—music, theatre and dance all rolled into one glorious art form. Opera provides avenues for music lovers of all ages. Whether you know opera from years of study or a casual passing, the outstanding national and local voices, together with members of the Mississippi Opera Orchestra and Chorus are dedicated to sharing their talents with you—our valued patron. The season has something for every music lover, the fun series at Duling Hall; which runs the gambit from Frank Sinatra to Nat King Cole to Carole King. Coming in April, 2019 be ready for one of the world’s favorite operas, Puccini’s beautiful La bohème at Thalia Mara Hall. There are opera stars, leads and divas, but no one plays a more important part than you. Please consider making a tax-deductible charitable contribution or ponder the possibility of a legacy gift of a life insurance policy or estate gift. Elbert Bivins Board President Mississippi Arts Commission 2017 Governor’s Arts Awards Recipients The Mississippi Opera Association–Artistic Excellence MISSISSIPPI OPERA 5 FROM THE GENERAL DIRECTOR Dear Friends of Mississippi Opera, It is my pleasure to welcome you to our 73rd season of the Mississippi Opera.
  • Boston Symphony Orchestra Concert Programs, Season 82, 1962

    Boston Symphony Orchestra Concert Programs, Season 82, 1962

    V -J es ;...,- .--->-'-;.. s - __. BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON THE BROOKLYN ACADEMY OF MUSIC c^ iSsX «^ EIGHTY-SECOND SEASON 1962-1963 1962-1963 9 The Women s Committee for the Boston Symphony Orchestra Concerts in Brooklyn Mrs. Andrew L. Gomory, Chairman Mrs. Laurance E. Frost Mrs. James B. Donovan Mrs. Albert C. Magee * Vice-Chairman Vice- Chairman Vice-Chairman Mrs. John W. Faison, Jr. Mrs. James Vincent Keogh Mrs. John R. Bartels Treasurer Secretary Membership Chairman Mrs. Irving G. Idler Mrs. Robert F. Warren Box Chairman Subscription Chairman Mrs. Elias J. Audi Mrs. John T. Gallagher Miss Helen M. McWilliams Mrs. Bernard S. Barr Mrs. Edwin L. Garvin Mrs. Alfred L. Megill Mrs. H. Haughton Bell * Mrs. Elizabeth L. Giddings Mrs. Harold R. Merwarth Mrs. Milton S. Berman Mrs. R. Whitney Gosnell Mrs. Philip T. Morehouse Mrs. George M. Billings Mrs. D. Frank Guarini Miss Emma Jessie Ogg Mrs. John R. H. Blum Mrs. Warren L. Hafely Mrs. Harold L. Ostergren Mrs. Robert E. Blum Mrs. Arthur C. Hallan Mrs. William B. Parker Mrs. Lawrence J. Bolvig Mrs. J. Victor Herd Mrs. Raymond King Pendleton Mrs. Walter Bruchhausen Mrs. William B. Hewson Mrs. Edward T. Reilly Mrs. Otis Swan Carroll Mrs. James M. Hills Mrs. Allan G. Richtmyer Mrs. Francis T. Christy Mrs. John W. Hoffmann Mrs. Abraham M. Sands Mrs. Benjamin J. Conroy Mrs. David S. Hunter Mrs. Eliot H. Sharp Mrs. Donald M. Crawford Mrs. Raymond V. lngersoll Mrs. Donald G. C. Sinclair Mrs. Russell V. Cruikshank Mrs. Henry A. Ingraham Mrs.
  • Deutsche Nationalbibliografie 2014 T 11

    Deutsche Nationalbibliografie 2014 T 11

    Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2014 T 11 Stand: 19. November 2014 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2014 ISSN 1613-8945 urn:nbn:de:101-ReiheT11_2014-8 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde.