Propaganda Posters of World War I: Analyzing the Methods Behind the Images
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Pop Art Media Group
Pop Art Media Group Outdoor Advertising, Event Publicity and Print June 2018 Pop Art Media Group Window Graphics Festival Advertising 6-sheet Illuminated Lamppost units 48-sheet, Hyde Park Corner Pop Art is the Leeds specialist for masterminding outdoor and experiential advertising campaigns. We first set up shop in 1991, printing and distributing posters for local gigs amid a burgeoning Leeds 90’s music scene. We have since evolved into a team of experienced professionals collaborating with clients in various market sectors from local businesses to some of the largest global brands. Students A GeneraǗon Y Pop Art Media Group C Youth B GeneraǗon X Street Sites Poster Drums Advertising Trailers 4-sheet Trinity Arcade T-Shirts Our established portfolio of high profile sites across Leeds and other major UK cities, as well as on-site media opportunities at local events and the UK’s most loved national festivals has helped us build a reputation for highly targeted, cost effective campaigns. Our full in-house production enables fast turnaround and keeps costs down. Our portfolio and range of services has grown over the last six months with the addition of new large format outdoor locations in Leeds and increased printing capacity. Pop Art Media Group Stage backdrops Digital Display Promotional Events Internal Poster Sites Portfolio capacity as follows; 8m x 2m full motion digital billboard 96 sheet billboards x 2 48-sheet billboards x 3 16-sheet billboards x 1 6-sheet illuminated panels x 140 4-sheet poster drum and framed sites x 600+ • Combined Opportunity-to-see (OTS) figures in excess of 2 million per week • Discounts available for multiple bookings across our media network. -
The Evocative and Persuasive Power of Loaded Words in the Political Discourse on Drug Reform
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenEdition Lexis Journal in English Lexicology 13 | 2019 Lexicon, Sensations, Perceptions and Emotions Conjuring up terror and tears: the evocative and persuasive power of loaded words in the political discourse on drug reform Sarah Bourse Electronic version URL: http://journals.openedition.org/lexis/3182 DOI: 10.4000/lexis.3182 ISSN: 1951-6215 Publisher Université Jean Moulin - Lyon 3 Electronic reference Sarah Bourse, « Conjuring up terror and tears: the evocative and persuasive power of loaded words in the political discourse on drug reform », Lexis [Online], 13 | 2019, Online since 14 March 2019, connection on 20 April 2019. URL : http://journals.openedition.org/lexis/3182 ; DOI : 10.4000/ lexis.3182 This text was automatically generated on 20 April 2019. Lexis is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Conjuring up terror and tears: the evocative and persuasive power of loaded w... 1 Conjuring up terror and tears: the evocative and persuasive power of loaded words in the political discourse on drug reform Sarah Bourse Introduction 1 In the last few years, the use of the adjective “post-truth” has been emerging in the media to describe the political scene. This concept has gained momentum in the midst of fake allegations during the Brexit vote and the 2016 American presidential election, so much so that The Oxford Dictionary elected it word of the year in 2016. Formerly referring to the lies at the core of political scandals1, the term “post-truth” now describes a situation where the objective facts have far less importance and impact than appeals to emotion and personal belief in order to influence public opinion2. -
Master Artist of Art Nouveau
Mucha MASTER ARTIST OF ART NOUVEAU October 14 - Novemeber 20, 2016 The Florida State University Museum of Fine Arts Design: Stephanie Antonijuan For tour information, contact Viki D. Thompson Wylder at (850) 645-4681 and [email protected]. All images and articles in this Teachers' Packet are for one-time educational use only. Table of Contents Letter to the Educator ................................................................................ 4 Common Core Standards .......................................................................... 5 Alphonse Mucha Biography ...................................................................... 6 Artsits and Movements that Inspired Alphonse Mucha ............................. 8 What is Art Nouveau? ................................................................................ 10 The Work of Alphonse Mucha ................................................................... 12 Works and Movements Inspired by Alphonse Mucha ...............................14 Lesson Plans .......................................................................................... Draw Your Own Art Nouveau Tattoo Design .................................... 16 No-Fire Art Nouveau Tiles ............................................................... 17 Art Nouveau and Advertising ........................................................... 18 Glossary .................................................................................................... 19 Bibliography ............................................................................................. -
Pictorial Modernism PICTORIAL MONDERNISM
ANM102 | HISTORY OF GRAPHIC AND WEB DESIGN CHAPTER 14 Pictorial Modernism PICTORIAL MONDERNISM The Beggarstaffs • Brothers-on-law, James Pryde and William Nicholson opened an advertising design studio in 1894 and to protect their reputations as fine artists, they named it The Beggarstaff Brothers. They developed a new technique that was later called collage. By cutting pieces of paper, moving them around and pasting in position on a board, they created flat plans of color where the edges of the shapes were “drawn” with scissors. • Unlike Art Nouveau, the Beggarstaffs forged a new beginning of design focused on powerful colored shapes and silhouettes rather than organic and decorative form. PICTORIAL MODERNISM 2 PICTORIAL MONDERNISM Poster Design in Europe • The European poster in the first half of the 20th century was greatly influenced by the modern-art movements surrealism, cubism, and dadaism. Designers were aware of the need to use pictorial references in their posters as a way to visually enhance and ultimately communicate more persuasively their views. Influenced mostly by cubism and constructivism, poster artists combined expressive and symbolic images as well as total visual organization on the picture plane. William Pickering, title page for the Book of Common Prayer, 1844. PICTORIAL MODERNISM 3 POSTER DESIGN The Beggarstaffs • poster for Harper’s Magazine, 1895 PICTORIAL MODERNISM 4 POSTER DESIGN The Beggarstaffs • poster for Don Quixote, 1896 • never printed because the director/producer of the play felt the image was a bad likeness of Quixote. PICTORIAL MODERNISM 5 POSTER DESIGN Dudley Hardy • British painter who joined The Beggarstaffs in creating posters and advertising design • Theatrical poster for The Gaiety Girl, 1898 • Developed a formula for theatre poster design where letters and images appeared on a flat plane of color PICTORIAL MODERNISM 6 PICTORIAL MONDERNISM Plakastijl • A design school originating in Germany— the name means “poster style.” • The traits of Plakastijl are usually bold, straight lettering with a very simple design. -
The Art of Reading: American Publishing Posters of the 1890S
6. Artist unknown 15. Joseph J. Gould Jr. 19. Joseph Christian Leyendecker 35. Edward Penfield 39. Edward Penfield CHECKLIST The Delineator October, 1897 (American, ca. 1876–after 1932) (American, 1875–1951) (American, 1866–1925) (American, 1866–1925) All dimensions listed are for the sheet size; Color lithograph Lippincott’s November, 1896 Inland Printer January, 1897 Harper’s July, 1897 Harper’s March, 1899 9 9 height precedes width. Titles reflect the text 11 /16 × 16 /16 inches Color lithograph Color lithograph Color lithograph Color lithograph 9 1 1 1 3 3 as it appears on each poster. The majority Promised Gift of Daniel Bergsvik and 16 /16 × 13 /8 inches 22 /4 × 16 /4 inches 14 × 19 inches 15 /8 × 10 /4 inches of posters were printed using lithography, Donald Hastler Promised Gift of Daniel Bergsvik and Promised Gift of Daniel Bergsvik and Museum Purchase: Funds Provided by Promised Gift of Daniel Bergsvik and but many new printing processes debuted Donald Hastler Donald Hastler the Graphic Arts Council Donald Hastler 7. William H. Bradley during this decade. Because it is difficult or 2019.48.2 (American, 1868–1962) 16. Walter Conant Greenough 20. A. W. B. Lincoln 40. Edward Henry Potthast THE ART OF READING impossible to determine the precise method Harper’s Bazar Thanksgiving Number (American, active 1890s) (American, active 1890s) 36. Edward Penfield (American, 1857–1927) of production in the absence of contemporary 1895, 1895 A Knight of the Nets, 1896 Dead Man’s Court, 1895 (American, 1866–1925) The Century, July, 1896 documentation, -
Lesson 2-Resource 2.2 Propaganda Techniques
ELA Grade 6 Plugging into Propaganda, Lesson 2 Resource 2.2 Propaganda Techniques “Propaganda Techniques,” Holt Literature & Language Arts, Introductory Course, 2003, pp. 643-645 1 Propaganda techniques appeal more to your emotions than to common sense or logic. Like persuasive techniques, they are used to convince you to think, feel, or act a certain way. The difference is that a propagandist, a person who uses propaganda techniques, does not want you to think critically about the message. 2 For example, when you hear the name of a product or see its logo* associated with your favorite football team, your excitement for that team is being used to sell that product. If you connect your excitement about the team with the product enough times, this propaganda technique, known as transfer, may eventually persuade you to buy the product. Your decision would be based not on logical reasons for buying the product but on your emotional response to the propaganda technique. 3 The following chart gives definitions and examples of other common propaganda techniques found in television ads and programs. As you watch TV, look for the given clues to identify these techniques in every kind of programming you watch. PROPAGANDA TECHNIQUES USED ON TELEVISION Techniques Clues Examples Bandwagon tries to convince you Listen for slogans that use the While being interviewed on a talk to do something or believe words everyone, everybody, all, or show, an author might encourage something because everyone else in some cases, nobody. viewers to join the thousands of does. other people who have benefited from his new diet book. -
Fake News Detection for the Russian Language
Fake news detection for the Russian language Gleb Kuzmin∗ Daniil Larionov∗ Moscow Institute of Physics and Technology Federal Research Center / Dolgoprudny, Russia ”Computer Science and Control” [email protected] / Moscow, Russia [email protected] Dina Pisarevskaya∗ Ivan Smirnov Federal Research Center Federal Research Center ”Computer Science and Control” ”Computer Science and Control” / Moscow, Russia / Moscow, Russia [email protected] [email protected] Abstract In this paper, we trained and compared different models for fake news detection in Russian. For this task, we used such language features as bag-of-n-grams and bag of Rhetorical Structure Theory features, and BERT embeddings. We also compared the score of our models with the human score on this task and showed that our models deal with fake news detection better. We investigated the nature of fake news by dividing it into two non-overlapping classes: satire and fake news. As a result, we obtained the set of models for fake news detection; the best of these models achieved 0.889 F1-score on the test set for 2 classes and 0.9076 F1-score on 3 classes task. 1 Introduction Fake news detection becomes a more significant task. It is connected with an increasing number of news in media and social media. To prevent rumors and misinformation from spreading in this news, we need to have a system able to detect fake news. It also could be useful because it’s hard for people to recognize fake news. Approaches to this task are being developed for English. However, fake news texts can be written originally in different ’source’ languages, i.e. -
Neural Architectures for Fine-Grained Propaganda Detection in News
Neural Architectures for Fine-Grained Propaganda Detection in News Pankaj Gupta1,2, Khushbu Saxena1, Usama Yaseen1,2, Thomas Runkler1, Hinrich Schutze¨ 2 1Corporate Technology, Machine-Intelligence (MIC-DE), Siemens AG Munich, Germany 2CIS, University of Munich (LMU) Munich, Germany [email protected] | [email protected] Abstract techniques in news articles at sentence and frag- ment level, respectively and thus, promotes ex- This paper describes our system (MIC-CIS) plainable AI. For instance, the following text is a details and results of participation in the propaganda of type ‘slogan’. fine-grained propaganda detection shared task Trump tweeted: ‘`BUILD THE WALL!" 2019. To address the tasks of sentence (SLC) | {z } and fragment level (FLC) propaganda detec- slogan tion, we explore different neural architectures Shared Task: This work addresses the two (e.g., CNN, LSTM-CRF and BERT) and ex- tasks in propaganda detection (Da San Mar- tract linguistic (e.g., part-of-speech, named en- tino et al., 2019) of different granularities: (1) tity, readability, sentiment, emotion, etc.), lay- Sentence-level Classification (SLC), a binary clas- out and topical features. Specifically, we have sification that predicts whether a sentence con- designed multi-granularity and multi-tasking tains at least one propaganda technique, and (2) neural architectures to jointly perform both the Fragment-level Classification (FLC), a token-level sentence and fragment level propaganda de- (multi-label) classification that identifies both the tection. Additionally, we investigate different ensemble schemes such as majority-voting, spans and the type of propaganda technique(s). relax-voting, etc. to boost overall system per- Contributions: (1) To address SLC, we de- formance. -
Media Bias, the Social Sciences, and NLP: Automating Frame Analyses to Identify Bias by Word Choice and Labeling
Media Bias, the Social Sciences, and NLP: Automating Frame Analyses to Identify Bias by Word Choice and Labeling Felix Hamborg Dept. of Computer and Information Science University of Konstanz, Germany [email protected] Abstract Even subtle changes in the words used in a news text can strongly impact readers’ opinions (Pa- Media bias can strongly impact the public per- pacharissi and de Fatima Oliveira, 2008; Price et al., ception of topics reported in the news. A dif- 2005; Rugg, 1941; Schuldt et al., 2011). When re- ficult to detect, yet powerful form of slanted news coverage is called bias by word choice ferring to a semantic concept, such as a politician and labeling (WCL). WCL bias can occur, for or other named entities (NEs), authors can label example, when journalists refer to the same the concept, e.g., “illegal aliens,” and choose from semantic concept by using different terms various words to refer to it, e.g., “immigrants” or that frame the concept differently and conse- “aliens.” Instances of bias by word choice and label- quently may lead to different assessments by ing (WCL) frame the referred concept differently readers, such as the terms “freedom fighters” (Entman, 1993, 2007), whereby a broad spectrum and “terrorists,” or “gun rights” and “gun con- trol.” In this research project, I aim to devise of effects occurs. For example, the frame may methods that identify instances of WCL bias change the polarity of the concept, i.e., positively and estimate the frames they induce, e.g., not or negatively, or the frame may emphasize specific only is “terrorists” of negative polarity but also parts of an issue, such as the economic or cultural ascribes to aggression and fear. -
Advertising-And-Publicity-Release.Pdf
Cargill, Incorporated (707560) Cargill Animal Nutrition Business Unit NAME, LIKENESS AND/OR TESTIMONIAL RELEASE FOR ADVERTISEMENT AND/OR PUBLIC RELATIONS PURPOSES I, , residing at hereby grant to Cargill, Incorporated and/or its subsidiaries, agents, representatives, dealers, successors, assigns and licensees (collectively, “Cargill”) the permission to use my name, likeness, photograph or testimonial, or that of my minor child, as more specifically described in Exhibit A attached hereto, for any legitimate business purpose in Cargill’s sole discretion, including without limitation such purposes as marketing, advertising or general publicity, whether in tangible form or as a component of Cargill’s website. The grant includes the assignment of any rights, including copyrights, I may have in the same and includes the right to make alterations without restriction as long as such alteration does not materially change the photograph, likeness, and/or testimonial I have provided. I warrant and represent that the provisions of this Release are not in conflict with and do not violate any commitment, agreement, obligation or understanding that I now have or will in the future have with any other person or entity. I hereby release and discharge Cargill for any claims, losses, damages or liabilities incurred by me to the extent arising from Cargill’s use of the photograph, likeness, and/or testimonial within the scope of my consent set forth herein. This Release shall be governed by and construed in accordance with Minnesota law, without respect to its conflict of laws principles, and any disputes hereunder shall be brought in the state or federal courts in Hennepin County, Minnesota. -
Classification of Propaganda on Fragment Level: Using Logistic Regression with Handcrafted Contextual Features
Classification of Propaganda on Fragment Level: Using Logistic Regression with Handcrafted Contextual Features Author Supervisor S. (Sylvain) Maissan Dong Nguyen Second Examiner Frans Adriaans June 26, 2020 1 Abstract Propaganda in the media has become a rising problem, especially after automation. The ease of which propaganda can be created and spread is astonishing. A way to combat this is an automated propaganda detection system. The goal of fine-grained propaganda detection is to determine whether a given sentence uses a propaganda technique, or to recognize which techniques are used on the fragment level. In this paper we try to analyze the effects of contextual features on the fragment level when training a propaganda classifier. Using a logistic regression model I created some handcrafted features that solely depend on contextual information. The results showed no significant impact on the performance. The features based on the propagandistic fragment itself prove to be the top features in this setting. In future research it is recommended to create either more complex contextual features or to create features that are able to discern whether the fragment is Loaded Language or Name Calling. Keywords: Propaganda Classification, Fragment Level, Contextual Features, 2 Contents 1. Introduction 4 2. Related Work 6 3. Datasets 8 4. Methods 11 4.1. Preprocessing 11 4.2. Features 12 4.3. Baseines 14 4.4. Evaluation 15 5. Results 16 6. Discussion 18 7. Conclusion 19 3 1 Introduction Propaganda aims at influencing people’s mindset with the purpose of advancing a specific agenda. It uses psychological and rhetorical techniques to persuade the public. -
Fake News Is a Topic That We All Know Well, and That Continues to Play a Prominent Role in the Social Harms Besieging the Globe Today
MUSHROOMING LIKE CORONAVIRUS? TACKLING THE MENACE OF FAKE NEWS BY WAY OF AN EPISTEMIC, LEGAL & REGULATORY DISCOURSE AAYUSH1 Fake news is a topic that we all know well, and that continues to play a prominent role in the social harms besieging the globe today. From the recent storming of the Capitol Hill in the United States to the siege of Red fort over Farm-laws in India, online disinformation via social media platforms was the main driving force catapulting the protestors far and wide. In the backdrop of such social harms, this Research Article examines the epistemic, legal and regulatory discourse surrounding the disinformation bubble in India and asks for the deployment of ‘Lessing’s Decentred Regulatory Model’ — the potential Framework solution to regulate social media platforms in order to curb the menace of ‘fake news’. KEY-WORDS: FAKE NEWS, EPISTEMOLOGY, FOUCAULT, CONSTITUTION OF INDIA, INFORMATION REGULATION, SOCIAL MEDIA PLATFORMS, REGULATORY HARBOUR MODEL TABLE OF CONTENTS I. INTRODUCTION ........................................................................................... 1 II. FAKE NEWS – CONCEPT & EPISTEMIC FEATURES ....................................... 3 III. WHY REGULATION OF SOCIAL MEDIA PLATFORMS IS NECESSARY? ……………… ………………………………………………………………………………………………....................6 A. EXPLOITATION OF PSYCHOLOGICAL DRIVES ............................................... 6 B. PROMOTION OF NEO-LIBERAL LOGICS OF CONTROL ...................................... 7 C. MITIGATION OF OBJECTIVE TRUTH ............................................................ 9 D. COLLAPSE OF TRADITIONAL NARRATIVES, INSTITUTIONS & FALL OF DEMOCRACY 11 1 Aayush is a Law Graduate (2020) of Symbiosis Law School, NOIDA. The views of the author in this article are personal and do not constitute legal / professional advice. For any further queries or follow up, please contact him at [email protected]. 1 IV. LEGAL REMEDIES: REGULATION OF FAKE NEWS ......................................... 13 A.