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Boston Symphony Orchestra Concert Programs, Season 62,1942-1943, Subscription

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Boston Symphony Orchestra Concert Programs, Season 62,1942-1943, Subscription SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephone, Commonwealth 1492 SIXTY-SECOND SEASON, 1942-1943 CONCERT BULLETIN of the Boston Symphony Orchestra SERGE KOUSSEVITZKY, Conductor Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk COPYRIGHT, 1943, BY BOSTON SYMPHONY ORCHESTRA, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Jerome D. Greene . President Henry B. Sawyer . Vice-President Henry B. Cabot . Treasurer Philip R. Allen M. A. De Wolfe Howe John Nicholas Brown Roger I. Lee Reginald C. Foster Richard C. Paine Alvan T. Fuller William Phillips N. Penrose Hallowell Bentley W. Warren G. E. Judd, Manager C. W. Spalding, Assistant Manager [9*7 ] \ #'7 "1 3$ ^ ***.: I i CWC^ A PRETTY P/NK r7 W/TH SPR/NG PASTELS Candy Cane is as right for spring as pussywillows and daffodils. A rosy shade . fresh as early morning. You'll want to repeat its happy shade in rouge Lipstick, Cream Rouge, and Nail Polish in a Candy Cane Harmony Box, 3.50 Candy Cane Lipstick, 1 .00 Candy Cane Cream Rouge, 1 .25 to 4.00 In the same sunshiny mood is Light Rosetta Bronze Powder ... so wonderful with Candy Cane, 1.75 Prices plus taxes C. F. HOVEY CO. [918] SYMPHONIANA RACHMANINOFF Koussevitzky and Rachmaninoff, of equal age, were closely associated as friends and musical collaborators in the early chapters of their careers. The Boston conductor has written the fol- lowing tribute: "In Rachmaninoff the world of music mourns a master of towering stature, who was a symbol of dignity, integrity and inmost conscience in music. Indeed, he will be thus remembered. DOUBLE TAKE A. photogenic dress of fine rayon sheer for Sum- "Admired and esteemed as he was mer Sundays and lunch- throughout the world, he remained un- eon. As winsome in its assuming, reserved, outwardly detached pastels. ..pink, blue, beige, yet inwardly aching for suffering hu- aqua, white... as its polka manity. Only those who were close to dotted group in shocking, him know the full measure of his tender devotion. aqua, beige, gray or green. "These last years of world cataclysm Misses' Sizes, 29.90 weighed heavily upon him, so sensitive and great was his heart. "To him, death comes as a delivery from the nightmare into which the pres- ent war has thrown the world. IttttJ&Xfitta* "To us, the loss is even greater to bear because today of all times one like Sergei Rachmaninoff—an artist of his unique genius and his profound con- science—cannot be spared." [9*9] POSTLUDE TO RACHMANINOFF (Editorial in the Boston Globe, March 30, 1943) He looked like a gentle Mephistoph- eles. Tall, gaunt, a V of black hair point- ing down the middle of his forehead, give him rapier and cloak and he might UNEXCELLED have been ready to step out on the stage as companion to Faust. But there WHISKEY the resemblance ceased. For Rachmani- noff, instead of being a spirit that denied, was a spirit that abundantly created, and although he might ride the broomstick of his imagination to Witches' Sabbath in a thousand concert halls, the rites on his Brocken summit were white magic. It was a broomstick gallopade that took him all over the world. You might run into him anywhere. Stepping out one summer night to mail a letter at Bayreuth, Germany, during a Wagnerian festival, whom should one meet but this slightly melancholy Mephisto, bare- headed, hands clasped behind back, stalking up and down on the cobble- stones for the cool of the evening before bedtime. He had come to hear "Die Meister singer" on the morrow. My last previous glimpse of him had been on the floor of Symphony Hall. The prelude to these encounters had come in 1909 at the Hotel Brunswick on the occasion of his first appearance with the Boston Symphony Orchestra. He was young and jolly. Armed with a German pocket dictionary to consult when stuck for a word, our conversa- tion was animated. Tchaikovsky was still his god. "Yes, but didn't he hope to surpass his master?" No. If ever he wrote music nearly as good he would be ( 0lecckcfo V §ft/db&Ci€)€€a/i quite content. His encouragement had, INCORPORATED however, been excellent. As a boy at the BALTIMORE, MARYLAND Moscow Conservatory one of his com- been ex- ESTABL ISH E D 18 85 positions, marked "A," had amined by Tchaikovsky, who said, "It THE STRAIGHT WHISKIES IN THIS ought to be marked so:" and added plus PRODUCT ARE 6 YEARS OR MORE OLD after, and on top of signs ( + ) before, the A. Rachmaninoff was already a world [ 920 ] figure in 1917 when the Russian Revolu- tion cleaned him out. In 1918 it seemed like a rift in the cloud-wrack of war to read, however briefly, in a newspaper that he was in Sweden and rewriting his Second Pianoforte Concerto. That work, especially its slow movement which speaks so unerringly to the heart, is answer to these modern composers of Rancid Symphonies: let them write anything as good and we will no longer dissemble our love and stop kicking them downstairs. The secret of such writing may be in a single word to which Rachmaninoff kept recurring that Sunday noon at the Brunswick. Queer sounds had already begun emanating from symphony orchestras, some of the queerest having been written by country- men of his own. He said modestly, "I do not understand such music, but the question I ask myself, not only about theirs but also about my own, is 'Hat es Aufrichtigkeit?'" (See pocket diction- THE PERFECT RING Ah, yes. "Is it sincere?" ary.) THE PERFECT GIRL The question is a large one. For if a FOR man is to bare his soul, what sort of soul is it that he bares? Some souls do not undress well. But as touching his own music, there is but a single answer: Yes. And the music of other composers, past and present, he played, both as — orchestral conductor and as virtuoso Z~« your sentiments Dress come pianist, with such sincerity and under- Why not perfS ovet in standing that you might have supposed & and look them he had written it himself. Sofoutthteeptivate-o- Certme Let us seize this occasion to cast up have three We you. accounts. Rachmaninoff was one of our Gemologists to serve distinguished refugees. Since 1914 flanked by they Diamond solitaire d.amonds, sei have come to America as the Byzantine two baguette $475. Other sol- scholars after the fall of Constantinople rP latinum up. itaires from $55 in 1453 flocked to Italy, inseminating tax) (Prices include the Renaissance. What the debit of our epoch is we know all too well, for it is Shreve entered in a red not of ink. But there COMPANY is a credit column too, not so easy to CRUMP & LOW ESTMSUiHtD 1800 read, because entered in an ink invisible AT ARLINGTON ST. except in such moments as this when BOYLSTON Death unrolls the palimpsest, and we WEEK DAYS OPEN P.M. read, FROM 9-45A.M. TO 5-45 "Sergei Vassilievitch Rachmaninoff: American citizen." [921 ] Old Colony Trust Company ONE FEDERAL STREET, BOSTON Investment and Management of Property DIRECTORS Hobart Ames Trustee William Amory Trustee Francis H. Appleton, Jr Trustee Charles F. Ayer. .Director New England Tel. & Tel. Co. Frederick Ayer Boston George R. Brown. Vice-Pres. United Shoe Mach. Corp. Amory Coolidge. Vice-Pres. Pepperell Manufacturing Co. T. Jefferson Coolidge Chairman Channing H. Cox President William J. Davidson Trustee Russell G. FESSENDEN,iV<?.r. Boston Five Cents Savings Bank W. Cameron Forbes J. M. Forbes & Co. Reginald Foster Vice-Pres. and Counsel New Eng. Mut. Life Ins. Co. G. Peabody Gardner Trustee J. Reed Morss. .Vice-Pres. Boston Five Cents Savings Bank Richard S. Russell Wm. A. Russell & Brother S. Parkman Shaw Vice-President Joseph A. Skinner Treasurer Wm. Skinner & Sons Charles H. Stockton Attorney James J. Storrow Trustee Charles W. Whittier C. W. Whittier •& Bro. Oliver Wolcott Vice-President and Counsel Cornelius A. Wood Trustee CUSTODIAN • TRUSTEE * GUARDIAN * EXECUTOR ^Allied with The First National Bank of Boston [922 ] SIXTY-SECOND SEASON . NINETEEN HUNDRED FORTY-TWO AND FORTY-THREE Twenty-first ^Programme FRIDAY AFTERNOON, April 9, at 2:30 o'clock SATURDAY EVENING, April 10, at 8:15 o'clock Bach .Two Preludes (arranged for String Orchestra by Riccardo Pick-Mangiagalli) I. Adagio II. Vivace Mozart. .Concerto for Pianoforte in E-flat major (Koechel No. 271) I. Allegro II. Andantino III. Rondo: Presto Copland "A Lincoln Portrait" Speaker: Will Geer INTERMISSION Rachmaninoff. Symphony in E minor, No. 2, Op. 27 I. Largo; Allegro moderato II. Allegro molto III. Adagio IV. Allegro vivace (April 2, 1873—March 28, 1943) SOLOIST EMMA BOYNET STEINWAY PIANO This programme will end about 4:30 on Friday Afternoon 10:15 o'clock on Saturday Evening Symphony Hall is organized for your protection in case of a blackout. The auditorium and the corridors will remain lighted. You are requested to keep your seats. Above all, keep calm. [923 1 JORDAN MARSH COMPANY A rare opportunity for music- lovers to acquire recordings which will become cherished additions to their libraries at insignificantly small cost. < U^konoa riatiri <^/\sco%a± 1 0-inch records, originally 53c each 12-inch records, originally 79c each 3 FOR 1.00 Stock your record library with the music you enjoy and keep your stay-at-home life stimulated with the works of the masters. The list of selec- tions is extensive. Come in and discover for yourself what a remarkable event this is. JORDAN MARSH — NINTH FLOOR — ANNEX [924 ] TWO PRELUDES (Arranged by Riccardo Pick-Mangiagalli for String Orchestra) By Johann Sebastian Bach Born at Eisenach, March 21, 1685; died at Leipzig, July 28, 1750 (Pick-Mangiagalli was born at Strakonitz, July 10, 1882) •1 The first of the two preludes transcribed for string orchestra by Pick-Mangiagalli is from the Prelude and Fugue in D minor for organ (No.
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