Black History Month in Southwark
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March 2009.Pmd
Number 157 March 2009 The newsletter of London Drama Two Primary Reviews for your diary There are currently for further learning two prestigious reviews at the secondary LONDON DRAMA of the Primary stage’ rather than by Courses & Workshops Curriculum going on at their intrinsic value.” the moment: The Wed 4 Mar; 7-9pm Cambridge Primary The Cambridge Voices in the Park (Primary) Review initiated by the report identifies University of Cambridge areas of at Central School in 2006 and led by convergence with Professor Robin the interim Rose * * * Alexander; and the report (like the need Government’s to regroup the Wed 11 Mar; 6.30-8.30pm Independent Review of primary curriculum Drama with EAL Students the Primary Curriculum into areas of study at Central School led by Sir Jim Rose. rather than Each report is due to traditional subjects) * * * be published this year. but also important differences which reflect the reviews’ Sat 14 Mar; 10-1.15pm Is there a difference between the contrasting remits, scope, Half Day Workshop: two reports, and if so, what is it? evidence and degrees of Hoipolloi & WebPlay According to the authors of the independence. The Cambridge at Unicorn Theatre Cambridge Review, the answer is review is rather less sanguine one of remit and focus: about the problems of the existing * * * primary curriculum, and does not “..there is a sense in which the exempt current policies from Thurs 19 Mar; 6.30-8.30pm very focused remit of Rose, and comment. It asks whether the Drama & SEN students (KS1/2) the number of matters which are Rose review is more about at Bloomsbury Theatre apparently to be taken as given, curriculum rearrangement than may encourage the view that the reform, with educational aims * * * two enquiries are incompatible – added after the event rather than though we hope not. -
THE JUNGLE by Joe Murphy & Joe Robertson Directed by Stephen Daldry & Justin Martin
PRESS RELEASE – Monday 11 June 2018 IMAGES CAN BE DOWNLOADED HERE Twitter/ Facebook / Instagram @TheJungleLDN TheJunglePlay.co.uk A NATIONAL THEATRE AND YOUNG VIC CO-PRODUCTION WITH GOOD CHANCE THEATRE THE JUNGLE by Joe Murphy & Joe Robertson directed by Stephen Daldry & Justin Martin FULL CAST ANNOUNCED FOR CRITICALLY ACCLAIMED THE JUNGLE AND REHEARSAL PICTURES RELEASED TODAY THEATRE TRANSFORMATION UNDERWAY IN ORDER TO ACCOMMODATE MIRIAM BUETHER’S UNIQUE SET DESIGN FROM THE YOUNG VIC NEW FOR PLAYHOUSE AUDIENCES, THE DRESS CIRCLE WILL BE TRANSFORMED INTO ‘CLIFFS OF DOVER’, WITH UNIQUE AND INTIMATE VIEWS OVER THE SPACE BELOW ENHANCED BY SCREENS RELAYING CLOSE-UP ‘LIVE NEWS BROADCAST’ STYLE FOOTAGE OF THE ACTION AS IT HAPPENS THE JUNGLE WILL PREVIEW FROM 16 JUNE AT THE PLAYHOUSE THEATRE IN LONDON’S WEST END Following critical acclaim, and a sold-out run at the Young Vic, producers Sonia Friedman Productions, Tom Kirdahy and Hunter Arnold are delighted to announce the full cast for the West End transfer of Joe Murphy and Joe Robertson’s The Jungle, a National Theatre and Young Vic co-production with Good Chance Theatre, directed by Stephen Daldry and Justin Martin. The production is set in Europe’s largest unofficial refugee camp, the Calais Jungle, which in 2015, became a temporary home for more than 10,000 people. Previewing from 16 June, with World Refugee Day on 20 June, The Jungle will have an Opening Night on 5 July at the Playhouse Theatre, with rehearsal photography released today. Cast transferring from the Young Vic include Mohammad Amiri, Elham Ehsas, Trevor Fox, Moein Ghobsheh, Ammar Haj Ahmad, Alex Lawther, Jo McInnes, John Pfumojena, Rachel Redford, Rachid Sabitri, Mohamed Sarrar, Ben Turner and Nahel Tzegai. -
THE VALUE of SMALL GRANTS a Review by Peter Minet Trust and United St Saviour’S Charity March 2018 INTRODUCTION
THE VALUE OF SMALL GRANTS A review by Peter Minet Trust and United St Saviour’s Charity March 2018 INTRODUCTION United St Saviour’s Charity (UStSC) and Peter Minet Trust (Peter Minet) have been awarding small grants in South London for many years. In 2017 they joined forces to commission Rocket Science to review their grants programmes to better understand the impact that they make and to help the two organisations think about how to develop them for the future. Peter Minet supports organisations in Lambeth and Southwark with grants of up to £5,000. UStSC only works in Southwark and has two grants programmes; a ‘Community Investment’ programme’ of over £5,000 for larger strategic projects and a ‘Community Engagement’ programme of small grants. Only the latter was the subject of this review which looked back at the past three years of grant-making. Measuring the impact of small grants is inherently challenging and it was never the intention to produce a full-blown evaluation. However, both organisations set out to understand whether relatively small grants were of value to the groups and charities they fund. This document summarises the main findings of the review. In many ways it is a celebration of the two programmes and the difference that they make. 2 INVESTMENT OVER THREE YEARS COMBINED United St Saviour’s Charity 321 206 GRANTS AWARDED GRANTS £440,366 INVESTED 149 DIFFERENT ORGANISATIONS FUNDED £853,873 TOTAL INVESTMENT Peter Minet Trust 115 GRANTS AWARDED 243 £413,507 INVESTED DIFFERENT ORGANISATIONS 94 DIFFERENT ORGANISATIONS FUNDED -
Film Suggestions to Celebrate Black History
Aurora Film Circuit I do apologize that I do not have any Canadian Films listed but also wanted to provide a list of films selected by the National Film Board that portray the multi-layered lives of Canada’s diverse Black communities. Explore the NFB’s collection of films by distinguished Black filmmakers, creators, and allies. (Link below) Black Communities in Canada: A Rich History - NFB Film Info – data gathered from TIFF or IMBd AFC Input – Personal review of the film (Nelia Pacheco Chair/Programmer, AFC) Synopsis – this info was gathered from different sources such as; TIFF, IMBd, Film Reviews etc. FILM TITEL and INFO AFC Input SYNOPSIS FILM SUGGESTIONS TO CELEBRATE BLACK HISTORY MONTH SMALL AXE I am very biased towards the Director Small Axe is based on the real-life experiences of London's West Director: Steve McQueen Steve McQueen, his films are very Indian community and is set between 1969 and 1982 UK, 2020 personal and gorgeous to watch. I 1st – MANGROVE 2hr 7min: English cannot recommend this series Mangrove tells this true story of The Mangrove Nine, who 5 Part Series: ENOUGH, it was fantastic and the clashed with London police in 1970. The trial that followed was stories are a must see. After listening to the first judicial acknowledgment of behaviour motivated by Principal Cast: Gary Beadle, John Boyega, interviews/discussions with Steve racial hatred within the Metropolitan Police Sheyi Cole Kenyah Sandy, Amarah-Jae St. McQueen about this project you see his 2nd – LOVERS ROCK 1hr 10 min: Aubyn and many more.., A single evening at a house party in 1980s West London sets the passion and what this production meant to him, it is a series of “love letters” to his scene, developing intertwined relationships against a Category: TV Mini background of violence, romance and music. -
Celebrating 20 Years of the Camberwell Arts Festival
Celebrating 20 years of the Camberwell Arts Festival CATALOGUING CAMBERWELL 1 This year, the Camberwell Arts Festival celebrated its 20th birthday. From its infancy, the festival has brought life to little known locations, enabling new, emerging and established artists to take to the streets and create a narrative about the area we live and work in. And in 2014 it was all about the number 20! From pubs to parks, cafes to crypts, the whole of Camberwell becomes the gallery and performance space, inviting residents and visitors alike to explore the area in new and unexpected ways. As Camberwell evolves, so too does the organisation: Camberwell Arts prides itself on placing partnership at its heart. This year’s festival and the catalogue showcase this: from our work with Southwark Pensioners to the inclusion of Literary Kitchen, we’re open to all – and are committed to maintaining this going forward. As we look to the next 20 years, we’ve expanded our board and are casting the net even wider during these challenging times for the arts. Planning is already underway for the 2015 Festival, which will take place from 20–28 June; what happens during that week is as much up to you as it is to us! To find out more, submit an idea or get involved visit us at: www.camberwellarts.org.uk Michael Armstrong, Chair of Camberwell Arts 2 NEIGHBOURPUD WATCH TICKETS PLEASE! Eating our way around Camberwell seemed Margaret Thatcher was wrong to knock too good to be true – and Miss Cakehead’s people who travel on buses. -
Production Notes
PRODUCTION NOTES A Note from the Director The seed of Small Axe was sown 11 years ago, soon after my first film, Hunger. Initially, I had conceived of it as a TV series, but as it developed, I realized these stories had to stand alone as original films yet at the same time be part of a collective. After all, Small Axe refers to an African proverb that means together we are strong. The anthology, anchored in the West Indian experience in London, is a celebration of all that that community has succeeded in achieving against the odds. To me, it is a love letter to Black resilience, triumph, hope, music, joy and love as well as to friendship and family. Oh, and let’s not forget about food too! I recall each of these stories being told to me either by my parents, my aunt, and by experiencing racial discrimination myself growing up in the 70s and 80s. These are all our stories. I feel personally touched by each and every one of them. My five senses were awoken writing with Courttia Newland and Alastair Siddons. Images, smells, textures and old customs came flooding back. All five films take place between the late 60s and mid 80s. They are just as much a comment on the present moment as they were then. Although they are about the past, they are very much concerned with the present. A commentary on where we were, where we are and where we want to go. When the Cannes Film Festival selected Mangrove and Lovers Rock earlier this year, I dedicated both to George Floyd and all the other Black people that have been murdered, seen or unseen, because of who they are in the US, UK and elsewhere. -
Our Eggcellent Easter Issue!
HIGHAM LANE SCHOOL Issue 38 April 2017 Welcome to our eggcellent Easter issue! DEAR Parents/Carers/Students, news from some subjects, plus a round- Welcome to the Easter edition of HLS up of all the latest sports successes, Express! I know you will all enjoy topped by the Year 11 netball team being reading about the Sixth Form charity sky fifth-best in the country! dive, the highly-acclaimed school Happy Easter to you all! production of `Little Shop of Horrors’, PHIL KELLY, Headteacher Charity sky dive raises HIGH JUMP! £6,026! TWELVE brave souls from Higham Lane School’s Sixth Form are jumping for joy after raising more than £6,000 for charity! The fearless group, comprising 11 students and the intrepid Head of Sixth Form, Hanif Ladha, travelled to Hinton Airfield, located on the Northamptonshire/ Oxfordshire border, to participate in a county wide tandem sky dive challenge set by the Warwickshire Association of Youth Clubs (WAYC). The aim was to raise money for youth work across Warwickshire and Coventry. With nerves jangling, the skydivers waited patiently in the rain for the clouds to lift before finally receiving the go-ahead to jump. After climbing to a heady height of 13,300ft, the parachutists exited the plane and reached speeds of over 120mph in free fall prior to deploying their ’chutes. Happily, all 12 landed safely back on terra firma, much to the relief of apprehensive ● BACK DOWN TO EARTH! Sky divers Abigail, Charlotte and Jack. families and friends who had been watching nervously below. After the jump, a relieved but proud Mr For more information about Higham Lane The challenge, now in its second year, Ladha commented: ``The students have Sixth Form or Warwickshire Association saw seven schools and colleges taking been fully behind this challenge from the of Youth Clubs please check out their part and, out of the £13,000+ total raised, start. -
VIBRANT 2012 – a FESTIVAL of FINBOROUGH PLAYWRIGHTS Twelve New Plays, Twelve Finborough Playwrights…
Press Information presents VIBRANT 2012 – A FESTIVAL OF FINBOROUGH PLAYWRIGHTS Twelve new plays, twelve Finborough playwrights… Curated by Finborough Theatre Artistic Director Neil McPherson. Produced by Chris Foxon and Luke Holbrook. Craig Adams Bekah Brunstetter Pamela Carter Chris Dunkley Dawn King Anders Lustgarten Colleen Murphy Matt Roberts Nona Shepphard Chris Thompson Simon Vinnicombe Joy Wilkinson Alexandra Wood Directed by Justin Audibert. Sarah Bedi. Robert Hastie. Louise Hill. Stephen Keyworth. Alex Marker. Blanche McIntyre. David Mercatali. Donnacadh O’Briain. Max Pappenheim. Amelia Sears. Nona Shepphard. “The Earl's Court play-generating boiler room...The Finborough's achievement is a mighty one, doing more for new writing on little or no money than some other, better-funded theatres.” Lyn Gardner, The Guardian The multi-award-winning Finborough Theatre presents Vibrant 2012 – A Festival of Finborough Playwrights, its annual festival of Finborough Playwrights, running between 4–22 November 2012. The festival features twelve staged readings of twelve new works for the stage by twelve UK and international playwrights, discovered, developed or championed by the Finborough Theatre. Following the hugely successful Vibrant – A Festival of Finborough Playwrights in October 2009, Vibrant – An Anniversary Festival of Finborough Playwrights in 2010 which saw 30 Finborough playwrights present 30 new works in 30 days and Vibrant – A Festival of Finborough Playwrights in July 2011, we return for the fourth year to introduce you to some of the fascinating, diverse and vibrant voices we have nurtured. Vibrant – A Festival of Finborough Playwrights is another great opportunity to see the fruits of the work that happens behind the scenes at the Finborough Theatre as we continue to discover and develop a new generation of theatre makers through our acclaimed Literary Department, our internship programme, our Resident Assistant Director Programme, and our partnership with the National Theatre Studio through their Bursary for Emerging Directors. -
A Data Report 2018-19 Getting Started
Equality, Diversity and the Creative Case A Data Report 2018-19 Getting started Read a Foreword from our Chair, Sir Nicholas Serota; find out more about where the data in this report is from; and get the key findings from the Executive Summary. EQUALITY, DIVERSITY AND THE CREATIVE CASE A DATA REPORT: 2018-19 2 Foreword Foreword by Sir Nicholas Serota, Chair, Arts Council England In 2017, we announced a new This is the first report to focus on this new analysis, review of reports, conversations To fully embrace these opportunities, the National Portfolio and it’s also the first time and two national consultations. A core cultural sector needs to apply its creativity National Portfolio of organisations we’ve been able to look deeper into the detail. principle of the investment that will be made to all aspects of its business and activities. that would receive regular funding This reveals more information across different under the 2020-30 Strategy is the need to Organisations need to continue to change parts of the country and different types of diversify the cultural sector – the leadership, and develop, to innovate, to explore and to for the period 2018-22. Libraries organisations. We’ve also been able to release workforce and governance of organisations; progress. Diversity of thought, experience and Museums were integrated more granular data looking across disciplines, the audiences and visitors influencing and and perspective are vital, and inclusivity and including individual Creative Case ratings. experiencing the creative and cultural offer; relevance are therefore driving principles in into the portfolio for the first and the artists, creatives and producers. -
James Sutherland
JAMES SUTHERLAND Spotlight view pin: 7019-0164-3379 Agent: Lovett Logan Associates Telephone: 0207 495 6400 / 0131 478 7878 Playing 49-59 Build: Slim Vocal Range: Bass/Baritone Range: Height: 6’1” Hair: Greying Natural Accent: Scottish (Edinburgh) Eyes: Hazel Origin: Scottish Other Accents: RP, General American, Irish (N&S), Yorks, London, Geordie, Glasgow & Highlands Training: Rose Bruford College of Speech & Drama: 1992 – 1995 BA (Hons) Degree in Acting Telford College, Edinburgh, 1 Year Foundation Course in Acting 1990 - 1991 Year Television / Film Role Company 2019 The Samaritans Richard Tim Butcher / The Samaritans 2017 Armchair Detectives Tony Harrow Martin Smith / Tiger Aspect Prods / BBC 1 2017 Father Brown The Panama Man Di Patrick / BBC Drama Prods / BBC 1 2016 Murder Maps (Season 2) Humphreys QC Daniel Kontur / 3DD Prods / Yesterday Ch 2016 Passport to Murder John McCluskey Bill Thomas / Sky Vision / Sony Crime Ch 2016 Saved ‘Submarine’ Alistair Neill Jonathan Rudd / The Garden Prods / ITV 2013 Fear of Water Steve Kate Lane / M4West Media 2013 The Widower Grampian DI Paul Whittington / Octagon Films / ITV 2012 Night in a Hotel James Daniel Kontur / Bold Turtle Productions 2010 The Tudors (Season 4) Lord Maxwell Ciaran Donnelly / SW Productions / BBC 2 2009 Stockwell Trojan 80 Jonathan Rudd / ITV Productions / ITV 2008 Plus One Tramp Sarah O’Gorman / Kudos / Channel 4 2006 Taggart Eddie Monroe Justin Molotnikov / Scottish Television 1999 Taggart Thompson Mike Brayshaw / Scottish Television Year Theatre Role Director / Company -
40 More Theatres Supported with Final Theatre Reopening Fund Grants
Theatres Trust supports 40 more theatres with final Theatre Reopening Fund grants The national public advisory body for theatre has awarded a further £155,265 of grants to help theatres with costs of Covid-secure reopening, including changes to the building to reduce congestion, improvements to ventilation systems and simple measures like installing hand sanitisers and screens. The theatres supported reflect the vital elements that make up the theatre ecosystem with awards made to significant producing theatres – Hampstead Theatre, Lyric Hammersmith, Pitlochry Festival Theatre, Theatre Royal Bath – major receiving houses Capital Theatres and Worthing Theatres, venues specialising in dance (Northern Ballet), new writing (Traverse, New Diorama, Gate Theatre) and one of the country’s few puppet theatres, Upfront Theatre. Community theatres across the country have received grants, including young people-focused Blue Elephant Theatre and Hanger Farm Arts Centre, which works with people with learning disabilities. Theatres Trust has also given grants to help reopen every type of theatre building, including the country’s last remaining Regency theatre, Theatre Royal Bury St Edmunds, theatres in converted cinemas (People’s Theatre and Blackburn Empire) and former churches (Headgate Theatre and Lowestoft Players Theatre), pub theatres (Jack Studio Theatre), outdoor theatre (Rutland Open Air) and even a travelling theatre – Paines Plough. Theatres Trust Director Jon Morgan says, We are beginning to look forward to a time when theatres can reopen, welcome audiences back inside and continue to play a vital role in their communities. It has been a difficult year, but Theatres Trust is pleased to have been able to support so many theatres through this grant scheme as well as our free advice service and the #SaveOurTheatres Crowdfunding campaign. -
Nita Mistry Sag-E
NITA MISTRY SAG-E FILM Beneath It All (US) Lead Relentless Films Girls Like Magic (US) Supporting Wow Now Entertainment Robin (US) Supporting Manari Productions The Only Flight (US) Lead Buenos Diaz Productions Genesis (US) Supporting Ghetto Film Productions (NY) Crossing Over Supporting Twisted Love Productions Romeo Vs Juliet (Bangladesh) Supporting Eskay Movies Ruth Lead Dir: Ollie Wiggins One Crazy Thing Supporting Canary Wharf Films On The Line Lead Yasmeen Arden Playing Dead Lead Dir: Pratibha Parmer What A Girl Wants (US) Supporting Warner Bros, Dir: Dennie Gordan The King of Bollywood Supporting iDream Productions Elias Lead London Film Academy TELEVISION Mental (US) Recurring DIY Productions Eat Up Guest Star BBC3 Casualty Guest Star ITV New Tricks Guest Star BBC1 The Bill Guest Star ITV THEATRE The Nightclub Hampstead Theatre London Byzantium Soho Theatre London Dubai Land Finborough Theatre London Elexion Theatre 503 London Make and Model Bush Theatre London Aida/Nabucco Theatre Royal Windsor Windsor It’s Complicated Blue Elephant Theatre London Dispute Hen & Chicken Theatre London Merchant of Venice Mountview Theatre London Romeo and Juliet Mountview Theatre London COMMERCIAL “List available upon request” PRINT/HOST ICAP Stockbrokers Print/Online CIMA Accountants Print/Online QVC Host London B4U Sky Channel Host London/India TRAINING Audition Intensive The Markland Studios – John Markland, Los Angeles Audition intensive BGB Studios – Jami Rudofsky, Steve Braun, Tim Conlon, Los Angeles Advanced Level Killians Commercial Workshop, Los Angeles Acting Intensive Anthony Meindl London Audition Intensive Sarah Mornell, Los Angeles Acting Course *Mountview Theatre Academy – Top 10 accredited School - London, UK SKILLS Moped Rider, Audio Drama, Motion Capture, Autocue, Story Telling, TV Presenting, Voice Overs, Animation, Roleplay, Impeccable British accent including all regions.