Hampton Hawes Trio, Vol. 1 Mp3, Flac, Wma

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Hampton Hawes Trio Hampton Hawes Trio, Vol. 1 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Hampton Hawes Trio, Vol. 1 Country: US Released: 1987 Style: Bop, Hard Bop, Swing MP3 version RAR size: 1277 mb FLAC version RAR size: 1321 mb WMA version RAR size: 1996 mb Rating: 4.4 Votes: 188 Other Formats: MOD DTS TTA DMF AHX RA VOC Tracklist Hide Credits I Got Rhythm A1 3:15 Written-By – Ira & George Gershwin* A2 What Is This Thing Called Love 4:44 A3 Blues The Most 5:43 A4 So In Love 3:54 A5 Feelin' Fine 3:01 B1 Hamp's Blues 3:38 Easy Living B2 4:47 Written-By – Leo Robin, Ralph Rainger All The Things You Are B3 4:57 Written-By – Jerome Kern & Oscar Hammerstein 2nd* These Foolish Things (Remind Me Of You) B4 4:47 Written-By – Harry Link, Holt Marvell, Jack Strachey Carioca B5 2:21 Written-By – Edward Eliscu, Gus Kahn, Vincent Youmans Credits Bass – Red Mitchell Design [Cover] – Pauline Annon Drums – Chuck Thompson Engineer [Recording] – John Palladino Photography By [Cover] – Alex De Paola Piano – Hampton Hawes Supervised By, Liner Notes – Lester Koenig Written-By – Cole Porter (tracks: 2, 4), Hampton Hawes (tracks: 3, 5, 6) Notes Test Press white labels, track listing A4 sheet plain white pressing plant cover Barcode and Other Identifiers Matrix / Runout (Runout Side A): DMM B-4284 A-1/2-86S II Matrix / Runout (Runout Side B): DMM B-4284 B-1/2-86S II Other versions Category Artist Title (Format) Label Category Country Year Hampton Hawes Hampton Contemporary C3505 Trio, Vol. 1 (LP, C3505 US 1955 Hawes Trio Records Album, Mono) Hampton Hawes Hampton Contemporary C3505 Trio, Vol. 1 (LP, C3505 Spain 1987 Hawes Trio Records Album, RE) Hampton Hawes Hampton Contemporary P-7580 Trio, Vol. 1 (LP, P-7580 Japan Unknown Hawes Trio Records Album, Mono, RE) Original Jazz OJC20 OJC20 Hampton Trio Vol. 1 (CD, Classics, 316-2, 316-2, Europe Unknown Hawes Trio Album, RE, RM) Contemporary C-3505 C-3505 Records Hampton Hawes Hampton Contemporary LAX-3001 Trio, Vol. 1 (LP, LAX-3001 Japan 1974 Hawes Trio Records Album, Mono, RE) Related Music albums to Hampton Hawes Trio, Vol. 1 by Hampton Hawes Trio Hampton Hawes, Herbie Nichols, John Mehegan, Paul Smith - I Just Love Jazz Piano! Howard Rumsey's Lighthouse All-Stars Barney Kessel Hampton Hawes' Trio With Shelly Manne - Lighthouse At Laguna Howard Rumsey's Lighthouse All-Stars ✳ Barney Kessel ✳ Hampton Hawes' Trio With Shelly Manne - Lighthouse At Laguna Hampton Hawes - This Is Hampton Hawes Vol. 2: The Trio Hampton Hawes Trio - Here And Now Hampton Hawes - Hamp's Piano Hampton Hawes - Night In Tunisia Hampton Hawes Quartet - All Night Session, Vol. 1 Hampton Hawes - This Guy's In Love With You Hampton Hawes, Cecil McBee, Roy Haynes - Live At The Jazz Showcase In Chicago Volume Two.

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PDF (V.57:30 June 1, 1956)
TheCaliforniaTech California Institute of Technology Volume LVII Pasadena, California, Friday, June I, 1956 Number 30 Notice how to read these cause of the the print whi- hroughout on difficult it' is headlines be- similarity of ch is used t- these stories theatre "Will Success Spoil Rock tIes the troupe back to Moscow by Mike Milder year, only students in the upper only to be rescued by the omni "Will Success Spoil Rock Hunter?" will close Saturday, Caltech maintains a wide half of their class have been present agent. Hunter?" is a sexplosion of June 23. She Carthay Circle spread program of shcolarship eligible to apply for scholarship aid for its students, a program laughs. The comedy, by George Theatre is Located at 6316 San George S. Kaufman, Leveen aid. Funds have always been Axelrod, is a satire of Holly. Vicente Blvd in Los Angeles. MacGrath and Abe Burrows dig that is perhaps one of the most availiable sufficent to extend extensive of its type of any col· aid to virtually very such eli wood's literacy, wealth, ethics Curtain is at 8:30 each evening into this melee and come up and sex. Take'offs on film life, and tickets are priced from with some clever, fast moving lege in the country. But the gible student who has shown need. its money, its work and its past· $i.10 to $3.30 with top on week· dialogue. Cole Porter catches Committee on Undergraduate Scholarships and Honors has times·are not exactly new, dif· ends. Dark Sunday. Tickets for the spirit of things with his mu· For next year, the Scholar announced changes in policy ferent or exciting, but somehow the weekend performances sic and lyrics which help the ship Committee has decided to that promise still to improve the show provides a barrage of should be purchased about three show move along briskly.
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Washington Rucker Drummer Clarence Dixon Told Rucker “This Pair of Sticks Will Take You All Over the World If You Want to Go,” and They Did
Washington Rucker Drummer Clarence Dixon told Rucker “this pair of sticks will take you all over the world if you want to go,” and they did. Chapter 01 – 1:30 Introduction Announcer: Washington Irving Rucker was born in Tulsa, Oklahoma on March 5th, 1937 and attended local schools through graduation from Booker T. Washington High School, developing a talent for the drums along the way. By his teens, Washington was working with bluesman Jimmy “Cry Cry” Hawkins and was soon off to UCLA to study and get into the Los Angeles music scene. A man of many talents, Washington got a degree in history and side careers in acting and cosmetology while playing drums with bands in a variety of genres. Rucker has worked with artists as diverse as Stevie Wonder, Ray Charles, Gospel artists Rev. James Cleveland and Shirley Caesar, Jazz greats like Dizzy Gillespie, Sonny Stitt, Hampton Hawes, and Freddie Hubbard and singers Nancy Wilson and Linda Hopkins. He has also appeared regularly in film and television as a character actor, most notably in Martin Scorsese’s “New York, New York” and Clint Eastwood’s “Bird”. Drummer Clarence Dixon once told him “This pair of sticks will take you all over the world if you want to go” and those words became Washington Rucker’s reality. He is a 1998 inductee of the Oklahoma Jazz Hall of Fame. The song used for this introduction is titled Lucky and is one of many songs written by Washington. You can hear Lucky in its entirety at the end of this interview.
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Of Audiotape
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. DAVID N. BAKER NEA Jazz Master (2000) Interviewee: David Baker (December 21, 1931 – March 26, 2016) Interviewer: Lida Baker with recording engineer Ken Kimery Date: June 19, 20, and 21, 2000 Repository: Archives Center, National Museum of American History Description: Transcript, 163 pp. Lida: This is Monday morning, June 19th, 2000. This is tape number one of the Smithsonian Jazz Oral History Project interview with David Baker. The interview is being conducted in Bloomington, Indiana, [in] Mr. Baker’s home. Let’s start with when and where you were born. David: [I was] born in Indianapolis, December 21st, 1931, on the east side, where I spent almost all my – when I lived in Indianapolis, most of my childhood life on the east side. I was born in 24th and Arsenal, which is near Douglas Park and near where many of the jazz musicians lived. The Montgomerys lived on that side of town. Freddie Hubbard, much later, on that side of town. And Russell Webster, who would be a local celebrity and wonderful player. [He] used to be a babysitter for us, even though he was not that much older. Gene Fowlkes also lived in that same block on 24th and Arsenal. Then we moved to various other places on the east side of Indianapolis, almost always never more than a block or two blocks away from where we had just moved, simply because families pretty much stayed on the same side of town; and if they moved, it was maybe to a larger place, or because the rent was more exorbitant, or something.
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Stardigio Program
スターデジオチャンネル:４４５モダンジャズ放送日：２０１９/０５/２０～２０１９/０５/２６｢番組案内（３時間サイクル）｣開始時間：4：00～/7：00～/10：00～/13：00～/16：00～/19：00～/22：00～/25：00～楽曲タイトル演奏者名 ■スプリング・ジャズ・セレクション(12) ～ベスト・ウェスト・コースト・ジャズ：コンテンポラリー・レコード名演集～ YARDBIRD SUITE HAMPTON HAWES HOW HIGH THE MOON SONNY ROLLINS WHEN THE RED, RED ROBIN COMES BOB, Barney Kessel with Shelly Manne & Ray Brown BOB BOBBIN' ALONG LANDSLIDE THE CURTIS COUNCE GROUP SQUATTY ROO SHELLY MANNE & HIS FRIENDS BLUES IT BENNY GOLSON THE DART GAME SHELLY MANNE & HIS MEN JAZZ CITY BLUES BUDDY COLLETTE ROSIE RED ANDRE PREVIN'S TRIO PAUL'S PAL RED MITCHELL BEGIN THE BLUES (mono) BARNEY KESSEL THERE IS NO GREATER LOVE SONNY ROLLINS GET ME TO THE CHURCH ON TIME SHELLY MANNE & HIS FRIENDS [教会に間に合うように行ってくれ] SATIN DOLL THE POLL WINNERS YOU'D BE SO NICE TO COME HOME TO ART PEPPER I'M BEGINNING TO SEE THE LIGHT ANDRE PREVIN'S TRIO JAZZ WALKIN' ART PEPPER + ELEVEN JET SONG ANDRE PREVIN & HIS PALS WHIMS OF CHAMBERS ART PEPPER THAT'S ALL BARNEY KESSEL HOW CAN YOU LOOSE BENNY CARTER I COULD WRITE A BOOK ANDRE PREVIN & HIS PALS HAMP'S BLUES Hampton Hawes Trio(Hampton Hawes, Red Mitchell, Chuck Thompson) AFRODESIA SHELLY MANNE & HIS MEN EMBRACEABLE YOU Hampton Hawes Trio(Hampton Hawes, Red Mitchell, Chuck Thompson) S'POSIN' VICTOR FELDMAN THE MAN I LOVE ART PEPPER FOR CARL Phineas Newborn Jr. LOVE WALKED IN RAY BROWN, CEDAR WALTON, ELVIN JONES JUST SQUEEZE ME (mono) Hampton Hawes Trio (Hampton Hawes, Red Mitchell, Chuck Thompson) A NICE DAY BUDDY COLLETTE IF I SHOULD FIND YOU ANDRE PREVIN'S TRIO *著作権法上、番組の録音は個人的に楽しむ場合を除き禁じられています。.
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Savoy and Regent Label Discography
Discography of the Savoy/Regent and Associated Labels Savoy was formed in Newark New Jersey in 1942 by Herman Lubinsky and Fred Mendelsohn. Lubinsky acquired Mendelsohn’s interest in June 1949. Mendelsohn continued as producer for years afterward. Savoy recorded jazz, R&B, blues, gospel and classical. The head of sales was Hy Siegel. Production was by Ralph Bass, Ozzie Cadena, Leroy Kirkland, Lee Magid, Fred Mendelsohn, Teddy Reig and Gus Statiras. The subsidiary Regent was extablished in 1948. Regent recorded the same types of music that Savoy did but later in its operation it became Savoy’s budget label. The Gospel label was formed in Newark NJ in 1958 and recorded and released gospel music. The Sharp label was formed in Newark NJ in 1959 and released R&B and gospel music. The Dee Gee label was started in Detroit Michigan in 1951 by Dizzy Gillespie and Divid Usher. Dee Gee recorded jazz, R&B, and popular music. The label was acquired by Savoy records in the late 1950’s and moved to Newark NJ. The Signal label was formed in 1956 by Jules Colomby, Harold Goldberg and Don Schlitten in New York City. The label recorded jazz and was acquired by Savoy in the late 1950’s. There were no releases on Signal after being bought by Savoy. The Savoy and associated label discography was compiled using our record collections, Schwann Catalogs from 1949 to 1982, a Phono-Log from 1963. Some album numbers and all unissued album information is from “The Savoy Label Discography” by Michel Ruppli.
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Legends of West Brochure
JAZZ AID P U.S. POSTAGE presents WEST NONPROFIT ORG. PERMIT NO. 1260 LONG BEACH, CA. COAST 3 LEGENDS OF THE WEST 17 Concerts 8 Panel Discussions A Four Day 5 Film Showings Jazz Festival September 29 ~ October 2, 2005 8-0038 Four Points Sheraton-LAX NG BEACH, CA 9080 CA BEACH, NG .O. BOX 8038.O. BOX LO THE ANGELES LOS JAZZ INSTITUTE P WAY OUT WEST 1957 BY WILLIAM CLAXTON lajazzinstitute.org Bud Shank | Johnny Mandel | Chico Hamilton Quintet | Paul Horn BONUS EVENT Frank Morgan | Buddy Collette | Med Flory | Howard Rumsey In our continuing effort to pay tribute to the Lennie Niehaus | Jack Costanzo | Dave Pell Octet | Herb Geller brilliant artists who have Allyn Ferguson’s Chamber Jazz Sextet | Anthony Ortega | Bill Trujillo been significant figures of the Los Angeles Jazz Scene, FEATURING Claude Williamson | Chuck Flores | John Pisano | Fred Katz we are pleased to announce Jazz West Coast 3- ABOUT THE Legends of the West. Festival Los Angeles Legends of the West is a musical celebration of Facts Jazz Institute both the musicians and The Los Angeles Jazz Institute houses the behind the scenes people Dates and maintains one of the largest whose innovative explorations SEPTEMBER 29-OCTOBER 2, 2005 jazz archives in the world.All styles created a unique jazz scene and eras are represented with a here on the west coast. Place special emphasis on the preservation The Four Points Sheraton at LAX and documentation of jazz in southern In addition to 17 concerts, 9750 Airport Blvd., California. Many artists personal there will also be film showings, Los Angeles, CA 90045 collections are being preserved at panel discussions, photo exhibits The special convention rate is the Institute including the archives and special presentations where $82 and $92 per night.
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Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron.
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Primary Sources: an Examination of Ira Gitler's
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Syll Standards 5
6.5. Strike up the band En 1927, les frères Gershwin signent la musique et les lyrics d’une nouvelle comédie musicale. Une comédie qui, en 1930, est transformée en une satire contre les tendances belligérantes des Etats-Unis. A noter que le célèbre film de 1940, avec Judy Garland et Mickey Roney, n’a, titre excepté, rien à voir avec ce spectacle. Cette fois encore, faisons connaissance avec la chanson de Gershwin à travers la version du musical : en enchainement, un minuscule extrait de film dans lequel Gershwin lui-même joue le thème au piano : Musical : Strike up the Band Jason Graae (voc) + orch (extr de CM Strike up the band) Video. George Gershwin : Strike up the Band George Gershwin (pn solo) ; rec 1928 ? Comme c’est souvent le cas, les premières versions de Strike up the band enregistrées sur disques sont le fait du tandem Wiener et Doucet en 1929. Dès 1930, Red Nichols enregistre la première version jazz, à la tête d’un mini big band qui sonne plutôt comme une formation dixieland que comme un big band en tant que tel. Pour mémoire, les disques de Nichols furent les premiers à être largement diffusés en Europe, bien avant ceux d’Armstrong, du Duke ou même de Bix Beiderbecke, et à ce titre, ses disques sont des documents historiques importants. Ils le sont aussi, avec le recul, lorsqu’on réalise que dans cette formation, on trouve quelques uns des plus fameux leaders de la swing craze : jugez plutôt : Glenn Miller et Tommy Dorsey aux trombones, Jimmy Dorsey au sax, Gene Krupa à la batterie, pour ne citer que ceux là ! Red Nichols : Strike up the Band Red Nichols, Ruby Weinstein, Charlie Teagarden (tp) Tommy Dorsey, Glenn Miller (tb) Jimmy Dorsey, Sid Stoneburn, Babe Russin, Larry Binyon (sax, cl) Jack Russin (pn) Teg Brown (bjo) Gene Krupa (dms) x (voc) ; rec NY janv 1930 N’insistons pas trop lourdement sur les versions swing (assez rares de toute manière) de ce thème aux accents corny évidents pour en venir à celles, autrement intéressantes, des musiciens modernes, bop et surtout cool.
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Drummerissue
APRIL 2016—ISSUE 168 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM drumMER issue BILLYBILLY COBHAMCOBHAM DRUMDRUM SPECTRUMSPECTRUM DAVE CHAD BERNARD DONALD WECKL TAYLOR PURDIE BAILEY Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2016—ISSUE 168 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Dave Weckl 6 by ken micallef [email protected] Andrey Henkin: [email protected] Artist Feature : Chad Taylor 7 by ken waxman General Inquiries: [email protected] On The Cover : Billy Cobham 8 by john pietaro Advertising: [email protected] Encore : Bernard Purdie by russ musto Editorial: 10 [email protected] Calendar: Lest We Forget : Donald Bailey 10 by donald elfman [email protected] VOXNews: LAbel Spotlight : Amulet by mark keresman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by suzanne lorge US Subscription rates: 12 issues, $40 Canada Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or money order to the address above FESTIVAL REPORT or email [email protected] 13 Staff Writers CD Reviews 14 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Stuart Broomer, Thomas Conrad, Miscellany 36 Ken Dryden, Donald Elfman, Philip Freeman, Kurt Gottschalk, Event Calendar Tom Greenland, Anders Griffen, 38 Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, As we head into spring, there is a bounce in our step.
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2017-03-22 Oklahoma– Inte Bara Musical.Xlsx
Spår Albumartist Titel Insp.datum Komp./text Album 1 Alfred Drake Oklahoma! 1950 Rodgers/Hammerstein 2 Chet Baker Love Nest 1956-11-06 Louis A. Hirsch Chet Baker/Russ Freeman Quartet 3 Steve Lacy San Fransisco Holiday 1961-11-14 Thelonious Monk Evidence 4 Jimmy Rushing Blues in the Dark 1938-01-03 Jimmy Rushing Do You Wanna Jump 5 Pee Wee Russell D.A.Blues 1944-09-30 Milt Gabler Pee Wee Russell's Hot Four 6 Jay McShann Moten Swing 1940-12-02 Bennie Moten / Buster Moten Broadcast "KFBI", Wichita, Kansas 7 Jackie Mills/Stan Hasselga Swedish Pastry 1948-01-05 Barney Kessel Stan Hasselgard-Jammin´at Jubilee 8 Charlie Parker Carvin´ the Bird 1947-02-26 Kessel?-Howard McGhee? Parker- The Legendary Dial Masters, vol.1 9 Chico Marx (Ben Pollack) Swing Stuff 1942-02-26 10 Artie Shaw Grabtown Grapple 1945-01-09 Artie Shazw/Buster Harding Artie Shaw aznd Hnis Gramercy Five 11 Charlie Christian Sdwing to Bop(tonad) 1941-05-12 Ch Christian ("Topsy"-Eddie Durham) Ch Christian-Jazz Immortal 12 Barney Kessel Salute to Charlie Christian 1953-12-19 Barney Kessel ("Topsy") Barney Kessel- Easy Like 13 Oscar Peterson Night and Day 1952-12 Cole Porter Oscar Peterson- Piano Power 14 Julie London Cry Me a River 1955-07 Arthur Hamilton Julie London- Julie is her name 15 Barney Kessel You Stepped Out of a Dream 1955-09-12 Nacio Herb Brown/Gus Kahn Kessel Plays Standards 16 The Poll Winners-Barney KOn Green Dolphin Street 1957-03 Bronislaw Kaper/Ned Washington The Poll Winners 17 Barney Kessel Tiger Rag 1957-08-06 The Original Dixieland Jass Band/Harry Da Barney
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KC PITCH PAGE 3 Letters
ALL THE NEWS THAT'S FIT TO PITCH FREE FREE CZ\gnsas Citt's Music ani 'Lnttrtainmtnt ~srartr ISSUE 20 AUGUST 1982 AKITOSHI-TABACkIN'S FREE BIG BAND JAZZ HITS THE PLAZA By John Geier monlC. He immediately Lew Tabackin, she leads an or sitions and arrangements of Aki his to Norman chestra which many critics con yoshi. Featured soloists have The Toshiko Akiyoshi-Lew Taback who shortly there- sider to be the most exciting included trumpeters Steven Huff after. and original in existence. As stetter and Bobby Shew, reedmen in Big Band will give a free composer and arranger, Akiyoshi Gary Foster and Dick Spencer, stirred much makes the orchestra her instru trombonists Jimmy Knepper and concert at Brush Creek on the among jazz lovers in ment, as did Ellington before Bill Reichenbach, and of course was soon to do the her. Akiyoshi enjoys experi the leaders themselves. The Country Club Plaza, Sunday, AInerica. Her piano art menting and giving her work an the :voters in the was described by Leonard oriental flavor. the band draws September at PM. It as "firey, powerfullv very reactions ,from 5, 7: 00 audiences and critics al ike. will be the band's first appear RECOMMENDED RECORDINGS BY TOSHI KO AKIYOSHI: ance in Kansas City since its triumphant performance at the 1978 Women I s Jazz Festi val. City Parks "Music in wi 11 bring money play exercises. free charge. cal impact. I'm very careful not to go into a contemporar'( music direction, where the sound gets complicated. That can and SUMMER has been, done by serious musi Tabackin is a virtuoso of the cians t, contemporary musicians, in and it' s nothing new.
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