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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Compositions-By-Frank-Zappa.Pdf
Compositions by Frank Zappa Heikki Poroila Honkakirja 2017 Publisher Honkakirja, Helsinki 2017 Layout Heikki Poroila Front cover painting © Eevariitta Poroila 2017 Other original drawings © Marko Nakari 2017 Text © Heikki Poroila 2017 Version number 1.0 (October 28, 2017) Non-commercial use, copying and linking of this publication for free is fine, if the author and source are mentioned. I do not own the facts, I just made the studying and organizing. Thanks to all the other Zappa enthusiasts around the globe, especially ROMÁN GARCÍA ALBERTOS and his Information Is Not Knowledge at globalia.net/donlope/fz Corrections are warmly welcomed ([email protected]). The Finnish Library Foundation has kindly supported economically the compiling of this free version. 01.4 Poroila, Heikki Compositions by Frank Zappa / Heikki Poroila ; Front cover painting Eevariitta Poroila ; Other original drawings Marko Nakari. – Helsinki : Honkakirja, 2017. – 315 p. : ill. – ISBN 978-952-68711-2-7 (PDF) ISBN 978-952-68711-2-7 Compositions by Frank Zappa 2 To Olli Virtaperko the best living interpreter of Frank Zappa’s music Compositions by Frank Zappa 3 contents Arf! Arf! Arf! 5 Frank Zappa and a composer’s work catalog 7 Instructions 13 Printed sources 14 Used audiovisual publications 17 Zappa’s manuscripts and music publishing companies 21 Fonts 23 Dates and places 23 Compositions by Frank Zappa A 25 B 37 C 54 D 68 E 83 F 89 G 100 H 107 I 116 J 129 K 134 L 137 M 151 N 167 O 174 P 182 Q 196 R 197 S 207 T 229 U 246 V 250 W 254 X 270 Y 270 Z 275 1-600 278 Covers & other involvements 282 No index! 313 One night at Alte Oper 314 Compositions by Frank Zappa 4 Arf! Arf! Arf! You are reading an enhanced (corrected, enlarged and more detailed) PDF edition in English of my printed book Frank Zappan sävellykset (Suomen musiikkikirjastoyhdistys 2015, in Finnish). -
The Big List of Who Hates Guns » Print
The Daily Caller » The Big List of Who Hates Guns » Print http://dailycaller.com/2012/03/01/the-big-list-of-who-hates-guns/?print=1 - The Daily Caller - http://dailycaller.com - The Big List of Who Hates Guns Posted By Mike Piccione On 2:25 PM 03/01/2012 @ 2:25 PM In Featured,Gun Laws & Legislation,Guns and Gear | 6 Comments I was cruising the web reading gun articles and then I started wondering about writing an article on anti-gun organizations and people. Since anti-gunners are always saying “no one wants to take your guns away” or they want me to live under their take of “sensible gun laws” (neither of which I believe to be prudent, sensible or anything remotely truthful) I figured I would go to the NRA’s Institute of Legislative Action to find out who are the people that want to be sure that I can’t defend my home or go shooting my .22 in the woods (both heinous acts of human behavior to be sure). So, hats off the the NRA-ILA team for compiling this list. Here is what the NRA-ILA team had to say. The following organizations have lent monetary, grassroots or some other type of direct support to anti-gun organizations. In many instances, these organizations lent their name in support of specific campaigns to pass anti-gun legislation such as the March 1995 HCI “Campaign to Protect Sane Gun Laws.” Many of these organizations were listed as “Campaign Partners,” for having pledged to fight any efforts to repeal the Brady Act and the Clinton “assault weapons” ban. -
Frankly, It's Dweezil
AI Z BON R. M Frankly, It’s Dweezil By mr. Bonzai he year 2006 has shaped up to be a big one for Dweezil Zappa. He’s releasing his first solo album since 2000’s Automatic (Favored Nations), he completely remodeled the control room T of the renowned Zappa studio—the Utility Muffin Research Kitchen—and he launched a full-scale tour of entirely Frank Zappa compositions, called “Zappa Plays Zappa” (aka the Zappa the “Tour de Frank”). Joining the touring band are Frank Zappa alumni Steve Vai, Terry Bozzio, and Napoleon Murphy Brock (see Fig. 1). younger on Dweezil and I met in the studio as he was finishing two months of rehearsals and putting the final touches on the album,Go with What You Know (Zappa Records, 2006; see Fig. 2), which engineering his comprises Dweezil’s compositions as well as Frank Zappa’s “Peaches en Regalia,” a tune origi- nally recorded in 1969 and altered in 2006 with the Dweezil touch. The album will be released new CD, revamp- during the final leg of the tour, which stretches throughout Europe and America. ing his dad’s I was listening to you playing a part that Frank wrote. Is that in preparation for your tour? studio, and the Yes, we are preparing for the “Zappa Plays Zappa” tour. It’s the first official event that we’ve been able to put together where we’re actually going to go out and play Frank’s “Tour de Frank.” music. We’ll have other elements as well. The 25-minute opening of the concert will include excerpts from a documentary film about Frank’s work as a composer as well as some rare FZ concert footage. -
Official Biography
Neil Zaza 212OFFICIAL BIOGRAPHY Not only has guitarist Neil Zaza helped to define the genre of melodic instrumental guitar, he has become a worldwide ambassador for the instrument itself. His melodic compositions have changed the way musicians play, and what audiences worldwide demand out of their guitar heroes. With fiery technical brilliance and breathtaking musical interpretation, Neil Zaza has defined himself as the instrumental guitarist with an unparalleled ability to combine solid, catchy songwriting with a keen melodic sense and technical fury. From his virtuoso rock solos, to laying a funk groove, to demonstrating his classical prowess by performing Bach and Mozart compositions, Zaza’s extreme versatility has been showcased worldwide in concerts, clinics, festivals, as well as on his own solo instrumental albums. Zaza has shared the bill with Joe Satriani, Steve Vai, Dweezil Zappa, Steve & Mike Porcaro (Toto), Yngwie Malmsteen, Vinnie Moore, and Andy Summers. He has performed on albums by Dweezil Zappa, Eric Carmen, Michael Stanley and also supplied guitar tracks for a Stewart Copeland-produced movie soundtrack. It all began... in Akron, Ohio, where Neil Zaza was born, and still resides. Zaza started playing guitar at the age of 10 and went on to study classical guitar at The University of Akron under renowned educator and performer Stephen Aron. Zaza began to teach guitar, and in 1987 he formed the rock band Zaza, which quickly became one of the hottest U.S. touring bands at that time. After a successful run and even a hit song “Maybe Tomorrow”, the band disbanded and a brilliant solo career began. -
Bryan Beller Is Suddenly Every- Where at Once
PHOTOS BY GRIFF PETERS, SCOTT CHATFIELD, JT LAMBERT/STAGES PHOTOGRAPHY, GLEN LAFERMAN PHOTOGRAPHY, JT LAMBERT/STAGES CHATFIELD, GRIFF PETERS, SCOTT BY PHOTOS 28 bassplayer.com / october2012 QUICKENINGTHE AFTER 20 YEARS OF METICULOUSLY CRAFTING A MULTI-FACETED CAREER, BRYAN BELLER IS SUDDENLY EVERY- WHERE AT ONCE. BY E.E. BRADMAN IT’S 12:30 ON A WEDNESDAY AFTERNOON, AND I’M TALKING TO BRYAN BELLER, who’s on his way to the helicopter that will take him to tonight’s sold-out Dethklok show. Klokateers, the band’s hooded helpers, will be at the door to pass out Dethklok tattoos, and bartenders will serve drinks with specially made cocktail napkins. Eight hours later, the band is scheduled to take the stage, kick ass, and accept the adulation of the thousands of rabid fans who snapped up tickets in time. Beller’s got a million things on his mind—there are albums to mix, sessions to plan, and tours in the balance—but his primary job tonight will be to make William Murderface, the bassist of Dethklok, sound good to a Comic-Con audience full of hardcore metal fans. And as anyone who’s ever seen Adult Swim’s hit cartoon series Metalocalypse knows, that’s a mighty Herculean task. Lucky for him, Beller has a skill set heavy enough to inspire a fictional character: He’s a rocker’s rocker bassplayer.com / october2012 29 CS BRYAN BELLER with superhuman chops, ears of gold, a tone all his own, an intense work ethic, and a sense of humor that just won’t quit. -
Come Enjoy the Music! 6 North Coast Voice Magazine | Northcoastvoice.Com • (440) 415-0999 | November 4 - 18, 2015
Live Music Weekends OPEN Sun-Thurs 12-6 ALL Winery Open daily at Noon YEAR! Year Round Visit us for your next Vacation or Get-Away! Four Rooms Complete with Private Hot Tubs 4573 Rt. 307 East, Harpersfi eld, Ohio Three Rooms at $80 & Outdoor Patios 440.415.0661 One Suite at $120 www.bucciavineyard.com JOIN US FOR LIVE ENTERTAINMENT ALL Live Entertainment Fridays & Saturdays! WEEKEND! Appetizers & Full Entree www.debonne.com Menu See Back Cover See Back Cover For Full Info For Full Info www.grandrivercellars.com 2 North Coast Voice Magazine | northcoastvoice.com • (440) 415-0999 | November 4 - 18, 2015 Ohio Wines Trunk Program Ferrante Winery & Ristorante November 9, 7-8:30pm Join the Ferrante staff and Donniella Winchell of the Ohio Wine Producers for an evening of fun and education. The ‘Ohio Wines Trunk’ program is patterned after a very popular California Women for Winesense project. You will discover a bit about the history of our industry, understand why wine glasses’ shapes make a difference, learn why bottles are shaped and colored differently, realize why some wines have ‘real’ corks and others screwcaps, see an Fall/Winter Tasting Room hours: actual grapevine and understand why great wines are born in the vineyard and much much more. Closed Mondays Connect 534 This 90 minute program will conclude with a tasting of a selection of fi ne Ferrante wines. You’ll Open Tuesday-Sunday 11-6 was designed around take home recipes to match the wines you tasted and lots of other little ‘goodies.’ Please join JOIN US FOR LUNCH! creating and marketing us at 7 pm on November 9 for a fun fi lled and informative evening at their lovely Grand River Tuesday-Saturday 11-4pm Valley winery. -
Estta861990 12/01/2017 in the United States
Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA861990 Filing date: 12/01/2017 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Proceeding 91231132 Party Plaintiff Dweezil Zappa Correspondence MARIA CRIMI SPETH Address JABURG & WILK PC 3200 NORTH CENTRAL AVE STE 2000 PHOENIX, AZ 85012 UNITED STATES Email: [email protected] Submission Other Motions/Papers Filer's Name Maria Crimi Speth Filer's email [email protected] Signature /mariacrimispeth/ Date 12/01/2017 Attachments Zappa Amended Notice of Opposition.pdf(42171 bytes ) UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Dweezil Zappa, ) ) Opposition No. 91231132 Opposer, ) ) Mark: ZAPPA v. ) Serial No. 86918908 ) International Class: 041 Trustees of the Zappa Family Trust, ) Filed: February 24, 2016 ) Published: July 12, 2016 Applicant ) ) ) AMENDED NOTICE OF OPPOSITION Pursuant to the Board’s Order mailed November 1, 2017 granting Opposer Dweezil Zappa (“Opposer”) leave to file and serve an amended notice of opposition, Opposer, an individual with an address of 101 West Elm, Suite 500, Conshohocken, PA 19428, submits the following Amended Notice of Opposition. Opposer believes he will be damaged by the registration of the above identified mark filed by The Trustees of the Zappa Family Trust Administrative Trust (“Applicant”), comprised of Ahmet Zappa, an individual, and Diva Zappa and individual (together, “Trustees”), with an address of 3940 Laurel Canyon Blvd., Suite 859, Studio City, CA 91604, and hereby opposes such registration. As grounds for the opposition, it is alleged that: 1. ZAPPA is the legal surname of Opposer and Trustees, all of whom are siblings. -
Table of Contents
Table of Contents Frank Zappa/Mothers Of Invention Singles 23 How Could I Be Such A Fool? I Help, I'm A Rock, Third Movement: It Can't Happen Here 23 How Could I Be Such A Fool? I It Can't Happen Here 29 Trouble Comin' Every Day / Who Are The Brain Police? 31 Who Are The Brain Police? I Trouble Comin' Every Day 34 Big Leg Emma I Why Don't You Do Me Right? 36 Son Of Suzy Creamcheese I Big Leg Emma 46 Lonely Little Girl I Mother People 48 Motherly Love /1 Ain't Got No Heart 51 Ruben And The Jets: Deseri / Jelly Roll Gum Drop 52 Anyway The Wind Blows I Jelly Roll Gum Drop - USA Promo 56 My Guitar I Dog Breath 57 My Guitar Wants To Kill Your Mama / The Orange County Lumber Truck - Venezuela Promo 64 Peaches En Regalia / Peaches En Regalia - USA Picture Sleeve Only 64 WPLJ / My Guitar 65 Tell Me You Love Me / Will You Go All The Way For The U.S.A.? 68 Mi Guitarra (Quiere Matar A Tu Mama) / Desde Mi Corazon Hacia Ti 69 Tears Began To Fall [Mono] / Tears Began To Fall [Stereo] 71 Tears Began To Fall / Junier Mintz Boogie 72 Tears Began To Fall / Happy Together - France 83 Magic Fingers I Magic Fingers - USA Promo 85 Magic Fingers I Daddy, Daddy, Daddy 86 Daddy, Daddy, Daddy I Magic Fingers 88 What Will This Evening Bring Me This Morning?I Daddy, Daddy, Daddy 90 Cletus Awreetus-Awrightus [Stereo] / Cletus Awreetus-Awrightus [Mono] - USA Promo 93 Cletus Awreetus-Awrightus / Eat That Question 94 I'm The Slime / Montana 96 Cosmik Debris I Uncle Remus 101 Don't Eat The Yellow Snow [Stereo] I Don't Eat The Yellow Snow [Mono] Promo 103 Don't Eat The Yellow Snow I Cosmik Debris 104 Don't Eat The Yellow Snow / Camarillo Brillo 106 Du Bist Mein Sofa / Stinkfoot 107 Find Her Finer [Stereo] I Find Her Finer [Mono] - USA Promo 108 Find Her Finer I Zoot Allures - USA 109 Disco Boy [Stereo] I Disco Boy [Mono] - USA Promo 110 Disco Boy I Ms. -
December 1987
VOLUME 11, NUMBER 1 2, ISSUE 98 Cover Photo by Jaeger Kotos EDUCATION IN THE STUDIO Drumheads And Recording Kotos by Craig Krampf 38 SHOW DRUMMERS' SEMINAR Jaeger Get Involved by by Vincent Dee 40 KEYBOARD PERCUSSION Photo In Search Of Time by Dave Samuels 42 THE MACHINE SHOP New Sounds For Your Old Machines by Norman Weinberg 44 ROCK PERSPECTIVES Ringo Starr: The Later Years by Kenny Aronoff 66 ELECTRONIC INSIGHTS Percussive Sound Sources And Synthesis by Ed Mann 68 TAKING CARE OF BUSINESS Breaking In MANU KATCHE by Karen Ervin Pershing 70 One of the highlights of Peter Gabriel's recent So album and ROCK 'N' JAZZ CLINIC tour was French drummer Manu Katche, who has gone on to Two-Surface Riding: Part 2 record with such artists as Sting, Joni Mitchell, and Robbie by Rod Morgenstein 82 Robertson. He tells of his background in France, and explains BASICS why Peter Gabriel is so important to him. Thoughts On Tom Tuning by Connie Fisher 16 by Neil Peart 88 TRACKING DRUMMING AT DISNEY Studio Chart Interpretation by Hank Jaramillo 100 WORLD DRUM SOLOIST When it comes to employment opportunities, you have to Three Solo Intros consider Disney World in Florida, where 45 to 50 drummers by Bobby Cleall 102 are working at any given time. We spoke to several of them JAZZ DRUMMERS' WORKSHOP about their working conditions and the many styles of music Fast And Slow Tempos that are represented there, by Peter Erskine 104 by Rick Van Horn 22 CONCEPTS Drummers Are Special People STEVE HOUGHTON by Roy Burns 116 He's known for his big band work with Woody Herman, EQUIPMENT small-group playing with Scott Henderson, and his teaching at SHOP TALK P.I.T. -
FRANK ZAPPA at the ROUNDHOUSE a Celebration of His Life and Music Marking the 70Th Anniversary of His Death 5-7 November 2010 F
The Roundhouse in association with Gail Zappa and The Zappa Family Trust present... FRANK ZAPPA AT THE ROUNDHOUSE A celebration of his life and music marking the 70th anniversary of his death 5-7 November 2010 ‘Information is not knowledge. Knowledge is not wisdom. Wisdom is not truth. Truth is not beauty. Beauty is not love. Love is not music. Music is the Best’ - Frank Zappa Celebrating one of the 20th century’s most remarkable musicians and composers, Frank Zappa at the Roundhouse features a kaleidoscopic exploration of his music and influences. Performances by Dweezil Zappa, members of Frank's touring and recording bands, the UK’s best contemporary classical ensembles and an appearance by Gail Zappa, are accompanied by talks, films and exhibitions. Frank Zappa at the Roundhouse has been made possible by the generosity and collaboration of Gail Zappa and The Zappa Family Trust, and offers a tribute to his amazing music and continuing legacy… ‘anything any time any place for no reason at all’. TICKETS www.roundhouse.org.uk or 0844 482 8008 --------------------------------------------------------------------------------------------------------------------------- Friday 5 November Main Space / Doors 7pm (performance 7.30pm) / £10 - £25 Gail Zappa – On Stage and Off Gail Zappa makes a rare and much anticipated appearance to introduce this celebration of Frank Zappa’s amazing music and incredible influence on musicians from all genres. Gail will share her observations and talk about the challenges of being married to one of the 20th century’s most prolific and influential composers. As a champion of copyright and licensing protection, and guardian of Frank Zappa’s legacy, Gail and The Zappa Family Trust have made possible a weekend which will offer a unique insight into the life of a remarkable artist. -
1 PAUL CARR Le Zappa Family Trust
! PAUL CARR Le Zappa Family Trust : Exemple de gestion autocratique des droits d’auteur musicaux ? À la mort de Frank Zappa, une bataille juridique s’est engagée entre le Zappa Family Trust (ZFT) et les groupes musicaux appelés « tribute bands » qui, en hommage au compositeur, œuvrent à faire connaître sa musique à travers des concerts et des enregistrements. Créé par l’épouse de Frank Zappa, Gail, peu après la disparition de celui-ci, le « ZFT » détient à ce jour les droits d’auteur et d’exploitation commerciale de tous ses enregistrements « officiels », et l’obstination farouche avec laquelle cette institution protège la propriété intellectuelle dont elle a la garde a suscité un nombre incalculable d’injonctions « de cessation et d'abstention », adressées essentiellement aux « tribute artists », propagateurs de l’œuvre de Zappa aux États-Unis et en Europe. Jusqu’à une date récente, le conflit le plus ancien était celui opposant le ZFT au « Zappanale Festival » de Bad Doberan, en Allemagne, hommage le plus important rendu au musicien dans le monde. Suivant une procédure engagée par le ZFT à l’encontre des organisateurs (l’Arf Society) début 2008 pour usurpation de marques commerciales, la justice allemande trancha en faveur du festival en juin 2010, statuant que le ZFT n’avait pas apporté la preuve que le festival se soit livré à une exploitation active desdites marques en Allemagne. Outre les problématiques d’usurpation de marques commerciales, le Zappa Family Trust s’oppose, pour l’essentiel, au droit des musiciens, propriétaires de salles et autres organisateurs de festivals à interpréter les œuvres musicales de Zappa, une arme juridique qu’il continue de brandir à ce jour.