LOS ANGELES PHILHARMONIC ASSOCIATION Fact Sheet

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LOS ANGELES PHILHARMONIC ASSOCIATION Fact Sheet Founded by William Andrews Clark, Jr., a 42-year-old amateur musician, lawyer, and art patron, the Los Angeles Philharmonic performed its first concert on Friday, October 24, 1919, in Trinity Auditorium with its first Music Director, Walter Henry Rothwell. The Philharmonic’s premiere audience heard Dvorák's New World Symphony, Liszt's Les Préludes , the Overture to Weber's Oberon , and Chabrier's España . The Philharmonic gave concerts in Philharmonic Auditorium from 1920 through the end of the 1963/64 season. In 1964, the orchestra moved to the Dorothy Chandler Pavilion of the Los Angeles Music Center, which was its winter home until their final performances there in May 2003. The orchestra moved to its new home, the 2,265-seat Walt Disney Concert Hall when it opened in October 2003 for the Inaugural season in 2003/2004. The Music Directors of the Philharmonic: Walter Henry Rothwell 1919-1927 Georg Schnéevoigt 1927-1929 Artur Rodzinski 1929-1933 Otto Klemperer 1933-1939* Alfred Wallenstein 1943-1956 Eduard van Beinum 1956-1959* Zubin Mehta 1962-1978 Carlo Maria Giulini 1978-1984* André Previn 1985-1989* Esa-Pekka Salonen 1992- present * During the periods when the orchestra had no music director, the orchestra performed under the direction of guest conductors. The orchestra consists of 105 musicians: Violins: 34 Flutes (incl. Piccolo): 4 Horns: 6 Violas: 13 Oboes (incl. English Horn): 4 Trumpets: 4 Cellos: 12 Clarinets (incl. Bass Clarinet): 4 Trombones: 4 Basses: 9 Bassoons (incl. Contrabassoon): 4 Tuba: 1 Harp: 1 Timpani and Percussion: 4 Keyboards: 1 BUDGET: The Los Angeles Philharmonic Association's budget for the 2006/07 fiscal year was approximately $82 million. Ticket sales and other earned income represent approximately 75% of the budget. 1.07 .

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LOS ANGELES PHILHARMONIC Short History
LOS ANGELES PHILHARMONIC Short History The Los Angeles Philharmonic is defining the concept of a “21 st century orchestra” with innovation and exuberance under the dynamic leadership of Esa-Pekka Salonen, music director since 1992 and a distinguished composer in his own right. Now in its 88th season, the Philharmonic is recognized as one of the world’s outstanding orchestras, and is received enthusiastically by audiences and critics alike. Both at home and abroad, journalists agree that,”…in 2006, [it] tops the list of America’s premier orchestras and serves as a lesson in how to update an august cultural institution without cheapening its work.” (The New York Times) This view is shared by more than one million listeners who experience live performances by the Philharmonic each year. The Philharmonic demonstrates a breadth and depth of programming unrivaled by other orchestras and cultural institutions, performing or presenting nearly 300 concerts throughout the year at its two iconic venues: Walt Disney Concert Hall and the Hollywood Bowl, a popular summer tradition since 1922. The orchestra’s involvement with Los Angeles also extends far beyond regular symphony concerts in a concert hall, embracing schools, churches, and neighborhood centers of a vastly diverse community. The Los Angeles Philharmonic was founded by William Andrews Clark, Jr., a multi-millionaire and amateur musician, who established the city’s first permanent symphony orchestra in 1919. Walter Henry Rothwell became its first music director, serving until 1927 and, since then, nine renowned conductors have served in that capacity: Georg Schnéevoigt (1927-29); Artur Rodzinski (1929-33); Otto Klemperer (1933-39); Alfred Wallenstein (1943-56); Eduard van Beinum (1956-59); Zubin Mehta (1962-78); Carlo Maria Giulini (1978- 84); André Previn (1985-89); and, since the 1992-93 season, Esa-Pekka Salonen.
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The Center & Clark Newsletter
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T H E P Ro G
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Los Angeles Philharmonic Celebrating
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Senza Sordino, October 2013, Volume 51 Number 3
Official Publication of the International Conference of Symphony and Opera Musicians VOLUME 56 NO. 2 JUNE 2018 The LA Philharmonic In This Issue Cleveland Centennials The LA Philharmonic By Joela Jones, TCO ICSOM Delegate Centennial Centennial ..................... 1 By John Lofton, LA Phil ICSOM Cleveland Centennials .. 1 hat do the Cleveland Orchestra and Chairperson’s Report .... 2 former assistant principal oboist Delegate Changing culture Robert Zupnik have in common? President’s Report ........ 3 W n 1919, a copper scion, arts enthusiast, At 100, they are both alive and very well, indeed! and amateur violinist by the name of Wil- Concrete action Cleveland-born Bob Zupnik was already a on diversity liam Andrews Clark Jr. founded the first Courtesy of the Cleveland Orchestra year old when the Cleve- I Secretary’s Report ......... 3 permanent symphony orchestra in the City of An- land Orchestra presented The true nature of an Courtesy of the Author Courtesy of the gels and named it the Los ICSOM conference its first concert in Gray’s Angeles Philharmonic. His The Win/Win/Win/Win Armory on December 11, statement, “We want to be Alzheimer’s Project ....... 4 1918. Much later as a young the best orchestra in Amer- Phoenix’s new initiative college student, Bob played ica,” perhaps reflective of benefits patients when needed as an extra in and musicians the optimistic 1920s era, the orchestra, and in 1946 The End of an Era ........ 6 was nonetheless a commit- JoAnn Falletta announces after serving in the Second ment he took on personally her Virginia retirement World War, he returned to by becoming the LA Phil’s Newslets .......................
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The Concerts at Lewisohn Stadium, 1922-1964
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Kaiser Permanente 2019 Rose Parade Media
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Los Angeles Philharmonic
THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN Los Angeles Philharmonic CARLO MARIA GIULINI Music Director and Conductor TUESDAY EVENING, DECEMBER?, 1982, AT 8:30 HILL AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Symphony No. 4 in C minor ("Tragic"), D. 417 .................... SCHUBERT Adagio molto, allegro vivace Andante Menuetto: allegro vivace Allegro INTERMISSION Symphony No. 9 in D minor ................................... BRUCKNER (Nowak Edition) Feierlich, misterioso (solemn, mysterious) Scherzo: bewegt, lebhaft (agitated, lively) Adagio: langsam, feierlich (slow, solemn) Deutsche Grammophon, CBS Masterworks, and London Records. This concert by the Los Angeles Philharmonic has been underwritten, in part, by Michigan Bell I'M association with the Bell System as part of its "American Orchestras on Tour" program. Twentieth Concert of the 104th Season 104th Annual Choral Union Series PROGRAM NOTES by ORRIN HOWARD Symphony No. 4 in C minor, D. 417 ....................... FRANZ SCHUBERT (1797-1828) It would have been difficult if not impossible for a Viennese composer growing up in the first two decades of the 19th century to have avoided going through a Beethoven period. As a teenager, however, as he went about developing his own singular musical voice in hundreds of compositions, Schubert at one point in time must have thought himself the heir-apparent to the mighty Beethoven. That point was in 1816, when at nineteen and apparently under the Ludwig spell, he wrote his Fourth Symphony, later subtitling it Tragic. The work, if somewhat self-consciously dramatic, is still distinctive and compelling in its own right and stands high in the affections of any Schubertphile. In spite of its Beethoven mannerisms of rhythm and accent and of orchestral dynamism, and even though its key is C minor, one of Beethoven's favorites for fist-clenched urgency, the Symphony is less tragic than merely emotional and thus largely begs the issue of its subtitle.
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Network Notebook
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<3Ntetfiatipnal ~
<3ntetfiatipnal~ THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN Los Angeles Philharmonic CARLO MARIA GIULINI Music Director and Conductor SUNDAY EVENING, NOVEMBER 23, 1980, AT 8:30 HILL AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Symphony No. 94 in G major ("Surprise") ...... HAYDN Adagio, vivace Andante (theme and four variations) Menuetto: allegro Allegro Quiet City, for Trumpet, English Horn, and String Orchestra . COPLAND THOMAS STEVENS, Trumpet ROBERT COWART, English Horn Overture to La Forza del destino ......... VERDI INTERMISSION Symphony No. 2 in D major, Op. 73 ........ BRAHMS Allegro non troppo Adagio non troppo Allegretto grazioso, quasi andantino Allegro con spirito RCA, Deutsche Grammophon, London, and Columbia Records. This evening's concert by the Los Angeles Philharmonic, its third in Ann Arbor, is presented in cooperation with Michigan Bell, with partial funding by the Bell System under its "American Orchestras on Tour" program. 102nd Season Twenty-seventh Concert 102nd Annual Choral Union Series PROGRAM NOTES by ORRIN HOWARD Symphony No. 94 in G major ("Surprise") .... JOSEPH HAYDN (1732-1809) In observing that some 29 of Haydn's 104 symphonies have a name affixed to them, one is moved to paraphrase Shakespeare by saying that "a Haydn symphony by no name at all would sound as sweet." Whether aptly or gratuitously titled, the named works stand completely on their own very remarkable merit, needing no extra-musical suggestion to enhance, define, justify or distinguish them. Perhaps the least well-considered title is the one, "Surprise," appended by English audiences to the Symphony No. 94 simply because of the single loud chord occurring at the end of the quiet second sentence of the Andante movement; after all, dynamic contrast was a thoroughly established musical element long before Haydn closed a soft string passage with a loud, full orchestra (including timpani) exclamation point.
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Los Angeles Philharmonic Gustavo Dudamel, Conductor
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LA Philharmonic How a Little Los Angeles Orchestra Became a National Icon
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