Spring 2018 Contents
New Titles 5
Collector’s Editions 41
Toiletpaper 61
Backlist 67
Photography 68 Fashion & Lifestyle 83 Contemporary Art 85 Music 89 Urban Art 89 Architecture & Design 90 Antiques & Collectibles 91
Spazio Damiani 92
Contacts 93
Distributors 94 New Titles Photography
Astrid Kirchherr Astrid Kirchherr with the Beatles
The young photographer Astrid Kirchherr met the Beatles for the first time in 1960 at Kaiserkeller, one of the many clubs on the Reeperbahn in which the young British band played Rock ‘n’ Roll. Back then, the line-up of the band was John Lennon, voice and guitar, Paul McCartney, voice and guitar, George Harrison, guitar, Pete Best, drums and Stuart Sutcliffe, bass guitar; five boys from Liverpool – Harrison (English) was still underage – who had met at school and ware looking for places in which to play and earn some money. Astrid Kirchherr with the Beatles presents more than seventy images and materials, retracing the close and intimate relationship between the photographer and the group as well as the history of a place and a fundamental moment for the band that changed the history of pop music.
Astrid Kirchherr was born in 1938 in Hamburg, Germany. In the 1960s, she was a student at the Meisterschule für Mode, Werkschule für Textil, Grafik und Werbung and Introduction by Vladislav Ginzburg became assistant to the photographer Reinhart Wolf. 21 x 26 cm | 8 ¼ x 10 ¼ inches 96 pages, 71 color and b&w, hardbound At the time Astrid also became romantically involved ISBN 978-88-6208-574-8 (English) with Klaus Voormann, who played an important part ISBN 978-88-6208-575-5 (Italian) in the Hamburg music scene and in the history of the February 2018 $30 | £22.5 Beatles. In 1960, Astrid befriended the Beatles and began to photograph them. There was an instant attraction to Stuart Sutcliffe, the band’s bassist, to whom she soon
became engaged. Sutcliffe left the band to marry Astrid, (Italian) and they lived in Hamburg until his sudden death. Astrid continued her work as a photographer shooting portraits of several leading musicians. She ultimately found success promoting her photographs from the 1960s with manager Ulf Krüger. Astrid has sold her archive and copyrights and they are managed by Vladislav Ginzburg. With him, Astrid continues to serve in an advisory role.
New Titles 7 Photography
Michael Stipe Volume 1
Volume 1 is the first in a series of publications presenting different aspects of Michael Stipe’s multifaceted artistic practice. Volume 1 includes a focused presentation of 35 images, bringing together 37 years of Stipe’s practice of creating and collecting photographic materials, in addition to posing as a subject in the photographs of others. The book centers around his unconventional and deeply personal understanding of queerness, conflating figures in his own life with those in American history and popular culture. Throughout the book, the formal qualities of images often relate in a poetic or lyrical way, allowing for unlikely juxtapositions and connections to emerge between subjects. These relationships transcend logical associations between time, place, and social structures. Volume 1 is produced in collaboration with artist Jonathan Berger and 22.9 x 33 cm | 9 x 13 inches designer Julian Bittiner. 72 pages, 35 color and b&w, hardbound ISBN 978-88-6208-591-5 May 2018 As an undergraduate studio art major at University of $45 | £34 Georgia, Michael Stipe (born 1960) studied photography and painting before leaving school upon the formation of R.E.M., the band for which he served as frontman and singer/songwriter until its dissolution in 2011. The sensibility that he began to develop during his time as an art student transferred to the spectrum of his work for R.E.M., from art directing all graphic, video and stage design, to writing, composing and performance, and his iconoclastic personal style. Stipe’s visibility as a media figure in the popular culture of the 1980s and ‘90s left an indelible mark on the aesthetic trends of the time, many of which have trickled down to contemporary culture.
New Titles 9 Photography
Susan Meiselas Mediations
This exhaustive monograph of Susan Meiselas will be released on the occasion of the retrospective to take place at the Fundació Tàpies in Barcelona, Jeu de Paume in Paris and SFMOMA in San Francisco. Mediations is published by Damiani/Jeu de Paume/Fundació Tàpies. This exhibition and monograph propose a selection of works from the 1970s to today, revealing Susan Meiselas’s special approach (English) to the underlying reasons for making photographs, how the image concerns its subject as much as the photographer and the role that these images can have at different levels in society and particularly in photojournalism. She questions the relationship between the image and the subject in such a way as to include the people portrayed in the image in the image-making process. There is nothing systematic in her approach: each work expresses in a very strong manner the notion that context is vital to the understanding of photography. Therefore, her work is specific to the persons portrayed, to the notion of community to which they belong and to the geographic and political localities that the artist explores. The way of showing the work is equally a part of the thought process. How does the spectator behold the 17.5 x 24 cm | 6 ⅞ x 9 ⅖ inches 192 pages, 100 color and b&w, flexibound artwork? It often comprises many parts, made in different ISBN 978-88-6208-569-4 (English) media: each “layer” is used to document a level of meaning. ISBN 978-88-6208-568-7 (French) For Meiselas, one should be able to grasp why the image February 2018 $35 | £25 was taken. Both the subject of the image and the context in
which the images are shown are taken into account in the (French) elaboration of each project.
Susan Meiselas, born in Baltimore, Maryland in 1948, received her BA from Sarah Lawrence College and her MA in visual education from Harvard University. Meiselas joined Magnum Photos in 1976 and has worked as a freelance photographer since then.
New Titles 11 Photography
Hiroshi Sugimoto Portraits
At first glance, Hiroshi Sugimoto’s photographic portrait of King Henry VIII of England is arresting: his camera has captured the tactility of Henry’s luxurious furs and silks, the elaborate embroidery of his doublet, and the light reflecting off of each shimmering jewel. The contours of the king’s face are so lifelike that he appears to be almost three- dimensional. It seems as though the twenty-first century artist has traveled back in time nearly five hundred years to photograph his royal subject. While Sugimoto’s portraits of historical figures appear to capture a lived moment in time, they are fictions. These portraits are in fact at least twice removed from the subject: his photograph captures a wax figure that has been created by a sculptor from either a photographic portrait or a painted one. The portraits of wax figures, which in this volume are presented alongside a handful of portraits of living subjects and memento mori, 25.2 x 27.8 cm | 10 x 11 inches call into question what it is the portrait captures. As with 120 pages, 70 b&w, clothbound with jacket his other major bodies of work—Dioramas, Seascapes, ISBN 978-88-6208-582-3 April 2018 Theaters—Sugimoto’s Portraits address the passage of time $50 | £35 and history. We take it for granted that a photograph of a living subject is true, but what does that mean?
Hiroshi Sugimoto has defined what it means to be a multi- disciplined contemporary artist, blurring the lines between photography, painting, installation, and architecture. Preserving and picturing memory and time is a central theme of Sugimoto’s photography, including the ongoing series Dioramas, Theaters, and Seascapes. His work is held in numerous public collections including The Metropolitan Museum of Art, New York; Museum of Contemporary Art, Tokyo; The National Gallery, London; The National Museum of Modern Art, Tokyo; Smithsonian Institute of Art, Washington, D.C., and Tate, London, among others.
New Titles 13 Photography
Kenro Izu Seduction
The act of making photographs is challenged constantly by the seduction of “taking a nice picture”, instead of my purpose of capturing the “spirit” of the subject. The “spirit” may be replaced by the word “life”. Whether the subject by flora, fruits or the human body, it constitutes an interesting effort to hold myself at the very edge (before falling into the dark hole of seduction), while admiring a beauty of the subject which existed before my eyes in the inevitable sensual world. The series of photographs were all taken with a large-format film camera of 8 x 10 inch to 14 x 20 inch and contact-printed in platinum.
Kenro Izu was born in Osaka, Japan in 1949. In 1971 Izu visited New York and opened the Kenro Izu Studio in New York City in 1974. He started his life-long project of Sacred Places since 1979 and still continue. Since a photographic journey to Cambodia in 1993, his interests in South East Asia and Himalayan countries have stimulated him to photograph sacred places of the region. Izu started a project 24 x 30 cm | 9 ½ x 11 ⅘ inches of photographing Bhutan's sacred places in 2003. During 160 pages, 100 color, hardbound ISBN 978-88-6208-579-3 the five years of photography in Bhutan, he sought to March 2018 photograph the nation's people, and he has begun pointing $50 | £35 his camera at people as well as the sacred places since then. From 2013 to 2016, he produced a documentary project, Eternal Light, showing the people who live at the fringe of Indian society. Since 2015, he has worked on Requiem, portraying the city and people that vanished nearly 2000 years ago in Pompeii.
New Titles 15 Photography
Adam Fuss Water
Adam Fuss has been exploring the subject of water for more than thirty years and is perhaps best known for life-size photograms of this essential element. Here for the first time is a book dedicated solely to the theme of water in Fuss’s oeuvre. Included here are pictures that are now iconic in the history of contemporary photography, such as the swimming snakes, the splashing newborn baby, and Fuss’s studies of concentric circles created by drops. Alongside these are many unpublished images, all exquisitely reproduced. The primary influence for Fuss is the personal observation of nature – nature being the underlying subject of all his work. The pictures in this volume were chosen by the artist and are the direct manifestations of the interaction of water and light. The scientific precision with which he renders his subject using photographic materials achieves greater acuity and distinctiveness than one could achieve with a camera and traditional photo-based techniques. This unique working 27.3 x 33 cm | 10 ¾ x 13 inches process has influences that date back to the 19th-century 120 pages, 80 color and b&w, clothbound with jacket work of pioneers such as William Henry Fox Talbot, Eugène ISBN 978-88-6208-587-8 Atget and Anna Atkins. May 2018 $55 | £39 Adam Fuss was born in London in 1961 and grew up in rural England, where he first began to document the natural environment through photography. This led to an experimentation with unconventional photographic processes and his eventual abandonment of the camera altogether. Fuss’s work is distinctive for its contemporary reinterpretation of photography’s earliest techniques, particularly the camera-less methods of the daguerreotype and photogram. Fuss’s work is represented in the collections of the Metropolitan Museum of Art, New York; Museum of Modern Art, New York; Whitney Museum of American Art, New York; Los Angeles County Museum of Art and Victoria and Albert Museum, London amongst many others.
New Titles 17 Toiletpaper
Martin Parr, Maurizio Cattelan and Pierpaolo Ferrari ToiletMartin PaperParr
ToiletMartin PaperParr is a new, special edition of Toiletpaper published by Damiani. This unique edition celebrates a new suite of pictures presenting a back-to-back of images made in collaboration with Maurizio Cattelan and Pierpaolo Ferrari on the one side and Martin Parr on the other. The recipe is very tasty: the founders of Toiletpaper hosted Martin Parr as a special guest and asked him to form a dialogue with Toiletpaper images, coming back to them with a photograph from his archive for each image. The result is a rapid succession of images in which irony, subversion and provocation force the viewer to the impelling discovery of the next pair of images. And if you are not yet satiated by the end of this issue, you have only to start once more at the beginning.
Martin Parr is one of the best-known documentary photographers of his generation. He published over 100 books and edited another 30. He has curated two photography
22.5 x 29 cm | 8 ⅞ x 11 ½ inches festivals, Arles in 2004 and Brighton Biennial in 2010. In 2016 40 pages, 22 color, softcover Parr curated the Barbican exhibition, Strange and Familiar. He ISBN 978-88-6208-589-2 has been a member of the Magnum agency since 1994 and May 2018 was President from 2013 - 2017. Parr’s work has been collected $18 | £13 by many major museums. Parr established the Martin Parr Foundation in 2017.
Maurizio Cattelan has exhibited internationally in leading institutions and has participated numerous times in the Venice Biennale. He curated the 4th Berlin Biennale with Massimiliano Gioni and Ali Subotnick. Cattelan also founded the art magazines Permanent Food and Charley. Since retiring from art, after the acclaimed 2011 retrospective at the Guggenheim Museum in New York City, he has committed himself to publishing Toiletpaper magazine.
Pierpaolo Ferrari is a fashion and advertising photographer and creative researcher. In 2007, he began a collaboration with L’Uomo Vogue which offered him the chance to explore the portrait’s potential and radically change its codes. In 2009, he teamed with Maurizio Cattelan to create Toiletpaper.
New Titles 19 Toiletpaper
Maurizio Cattelan and Pierpaolo Ferrari Toiletpaper 16
Toiletpaper is an artists’ magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari and born out of a shared passion for images. The magazine contains no text. Each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialisation of the artists’ mental outbursts. Since the first issue in June 2010, Toiletpaper has created a world that (Trade edition) (Trade displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art which, through its accessible form as a magazine, and through its wide distribution, challenges the limits of the contemporary art economy.
Maurizio Cattelan has exhibited internationally in leading institutions and has participated numerous times in the Venice Biennale. He curated the 4th Berlin Biennale with 22.5 x 29 cm | 8 ⅞ x 11 ½ inches Massimiliano Gioni and Ali Subotnick. He collaborated on 40 pages, 22 color, softcover No Soul for Sale–A Festival of Independents, which took place ISBN 978-88-6208-585-4 May 2018 in the Turbine Hall of the Tate Modern in 2010. Cattelan also $16 | £10 conceived the art magazines Permanent Food and Charley. Since retiring from art, after the acclaimed 2011 retrospective at the Guggenheim Museum in New York City, he has committed himself to publishing Toiletpaper magazine.
Pierpaolo Ferrari is a fashion and advertising photographer
and creative researcher. In 2007 he began a collaboration (Limited edition) with L’Uomo Vogue that offered him the chance to explore the portrait’s potential and radically change its codes. In 2009, he teamed with Maurizio Cattelan to create Toiletpaper. When he is not shooting, he can be found
Limited edition of 700 copies with a surprise... surfing in Costa Rica. ISBN 978-88-6208-586-1 $45 | £35
New Titles 21 Photography
Ed Thompson and Julien Roubinet Ice Cream Headaches Surf Culture in New York & New Jersey
Little known to many who live there and to the throngs of tourists who pass through each year, New York and New Jersey are home to a diverse and vibrant cold water surfing community. Ice Cream Headaches captures a snapshot of this often overlooked facet of America’s most dense metropolis. Over a span of four years, writer Ed Thompson and photographer Julien Roubinet have logged more than 5,000 miles from Eastern Long Island to Cape May in South Jersey to interview and photograph forty surfers, surfboard shapers, artists and documentarians of the culture personally. From local legend and Montauk fisherman Charlie Weimar to Pulitzer-prize-winning author William Finnegan and professional surfers with global followings such as Quincy Davis, Mikey De Temple and Balaram Stack, this new monograph highlights surfers who experiment with new forms, materials, ideas or surfing styles. Across 192 pages, the book features four essays rich with quotes and anecdotes, over 150 photographs, and a foreword by iconic portrait and surf photographer Michael 21.5 x 27.8cm | 8 ½ x 11 inches 192 pages, 100 color, hardbound Halsband. Ice Cream Headaches takes the reader inside the ISBN 978-88-6208-573-1 surf breaks and stomping grounds of the surfers who call May 2018 New York and New Jersey home, surfers who are willing $45 | £32 to pull on a 5mm wetsuit, wade through a foot of snow on the beach, and battle thirty mile per hour winds for a few fleeting moments inside a yawning barrel.
Ed Thompson and Julien Roubinet met surfing New York’s closest surf spot, Rockaway Beach. Originally from the UK, Thompson learned to surf on summer holidays in Cornwall. Roubinet, originally from France, took to the ocean at Rockaway’s famous 67th Street break, where surfers habitually arrive by subway from the city. With their shared outsider’s perspectives and passion for their adopted New York home, the two friends immerse readers in the stories of those hardy souls who live in dedicated pursuit of frigid Atlantic waves.
New Titles 23 Photography
Jill Freedman Resurrection City, 1968
In May of 1967, Martin Luther King, Jr. announced the Poor People’s Campaign to demand economic and human rights for poor Americans of diverse backgrounds. The Campaign was organised by King and the Southern Christian Leadership Conference, and carried out under the leadership of Ralph Abernathy in the wake of Dr. King’s assassination. After presenting an organised set of demands to Congress and executive agencies, participants set up a 3,000-person protest camp called Resurrection City on the Washington Mall, where they stayed for six weeks in the spring of 1968. Published in 1970, Old News: Resurrection City was photographer Jill Freedman’s first book. The book documents the encampment in all its complexity. Freedman lived in the encampment for its entire six weeks, photographing the residents, their daily lives, their protests, and their eventual eviction. The new 50th anniversary edition of the book, titled Resurrection City, 1968 will reprint most of the pictures from the original publication, presenting them in a more vivid printing and 24.5 x 30 cm | 9 ⅗ x 11 ⅘ inches 176 pages, 140 b&w, hardbound design. Freedman’s hard-hitting original text will be included, ISBN 978-88-6208-583-0 as well as, two new introductory essays by John Edwin Mason, April 2018 historian of African history and the history of photography $45 | £35 at the University of Virginia, and by Aaron Bryant, Mellon Curator of Photography, at the National Museum of African American History and Culture.
Jill Freedman (born 1939, Pittsburgh) is an acclaimed New York City documentary photographer. Her photographs are held in the permanent collections of major art institutions including the Museum of Modern Art, New York, the ICP, New York, the New York Public Library, the Jewish Museum, New York, the George Eastman House, Rochester, the Smithsonian American Art Museum, Washington D.C., the Museum of Fine Arts, Houston and the Bibliothèque Nationale de France. Freedman is best known for her street and documentary photography, recalling the work of André Kertész, W. Eugene Smith, Dorothea Lange, and Cartier-Bresson. She has published seven books: Old News: Resurrection City; Circus Days; Firehouse; Street Cops; A Time That Was: Irish Moments; Jill’s Dogs and Ireland Ever.
New Titles 25 Photography
Jean Pagliuso In Plain Sight. The Photographs 1968-2017
This monograph entitled In Plain Sight is a survey of the multifaceted career of Jean Pagliuso who began her career in fashion and quickly rose to collaborate with film studios and directors. Her images, such as the unforgettable American Gigolo, have found their place in the visual history of the Motion Picture Industry. Always present in the last two decades of her work is a backdrop of subtle theatricality that has continually seeped into her expansive landscapes and even into the subtle Poultry Suite, showing portraits of chickens. An extensive traveller, Pagliuso examines the mystery of place. Her willing subjects become the temples and pyramids of Egypt, Peru, Mali, Cambodia, Burma and in the deserts of New Mexico. These fragile structures have inspired her to employ an equally sensitive approach to printing. The result is a unique process of hand-applied silver gelatin on rice paper.
24 x 29 cm | 9 ½ x 11 ½ inches The book contains photos with text by the photographer 256 pages, 200 color and b&w, hardbound with jacket and with a text edit by Joan Tewkesbury who scripted the ISBN 978-88-6208-578-6 award-winning film, Nashville. February 2018 $70 | £54 Jean Pagliuso was born in California in 1941. She moved to New York in 1974 and in her forty-year career was published in Mademoiselle, NY Magazine, Italian Harper Bazaar, Vogue, Time, Rolling Stone, New York Times Magazine, Italian Vogue, Interview Magazine... In addition to her work in fashion, she photographed many movie posters, notably White Palace, American Gigolo, Dillinger, Thieves like Us, Three Women, and Splash. In 1995, Pagliuso’s attention turned to places of ritual and endangered environments. Pagliuso’s recent series are series of strictly formalised portraits of birds. The Poultry Suite is one of her most well- known works. She decided to take these chicken portraits in honor and memory of her father after his passing. He had raised chickens when she was a little girl.
New Titles 27 Contemporary Art
Ryan McGinness #metadata
#metadata features new paintings, sculptures, and installations by Ryan McGinness. The paintings depict various scenes from the studio, including tools, sketches, paint containers, materials typical of the studio, and finished paintings. The sculptures take the tools of production as well as studio detritus out of the paintings and into the viewer’s personal space. The installations bring the paintings and the objectified references to the production of those paintings together into site-specific environments. Included are installation views from McGinness’s exhibitions at Deitch Projects in New York, Kohn Gallery in Los Angeles, Quint Gallery in San Diego, La Casa Encendida in Madrid, Ron Mandos Gallery in Amsterdam, Virginia Museum of Fine Arts, and the Cranbrook Art Museum in Michigan.
Ryan McGinness is an American artist, living and working in New York City. He grew up in the surf and skate culture of Virginia Beach, Virginia, and then studied at Carnegie Essays by Dieter Buchhart, Andrew Blauvelt, Ben Sutton, Carlo McCormick, Bill Powers Mellon University in Pittsburgh, Pennsylvania, as an 21.6 x 28 cm | 8 ½ x 11 inches Andrew Carnegie Scholar. During college, he interned at 168 pages, 100 color, hardbound the Andy Warhol Museum as a curatorial assistant. Known ISBN 978-88-6208-572-4 March 2018 for his extensive vocabulary of original graphic drawings $40 | £29 that use the visual language of public signage, corporate logos, and contemporary symbology, McGinness is credited with elevating the status of the icon to fine art through the creation of his paintings, sculptures, installations, and books. The New York Times noted, “In the past decade, McGinness has become an art star, thanks to his Warholian mix of pop iconography and silk-screening.” Vogue declared, “Ryan McGinness is a leading pioneer of the new semiotics.” His work is in the permanent public collections of the Museum of Modern Art, The Metropolitan Museum of Art, Virginia Museum of Fine Arts, Museum of Contemporary Art San Diego, Cincinnati Art Museum, MUSAC in Spain, and the Taguchi Art Collection in Japan.
New Titles 29 Photography
Joseph Szabo Lifeguard
This series of photographs illustrates Joseph Szabo’s meeting and friendship with lifeguards from 1990-2015. His first connection with them started in the late 1960s when he first discovered Jones Beach. In this exploration using photography as art form and documentary tool, the purpose is to express more fully the lives of people that Szabo has come to know and respect. These photographs are, in the widest sense, portraits that illustrate aspects of preparation, teamwork, recharging, camaraderie, duty and responsibility.
Joseph Szabo studied photography at the Pratt Institute where he received his MFA. He taught photography at 29 x 23.5 cm | 11 ⅖ x 9 ¼ inches a high school in Long Island, New York, from 1972 to 96 pages, 60 b&w, hardbound 1999 and at the International Center of Photography ISBN 978-88-6208-542-7 March 2018 in New York for more than twenty years. Szabo’s first $40 | £29 book, Almost Grown (1978), was praised by the American Library Association as one of its “Best Books of the Year.” His second collection, Teenage, was published in 2003 to even more acclaim. In 2015 he published Rolling Stones Fans with Damiani. He is the beneficiary of a National Endowment for the Visual Arts Fellowship, and his work resides in many permanent collections, including those of the Museum of Modern Art, the Metropolitan Museum of Art, ICP, the Bibliothèque Nationale in Paris, and Yale University, and has been exhibited at the Venice Biennale and at the Brooklyn Museum, among other institutions.
New Titles 31 Photography
Jessica Antola Circadian Landscape
Jessica Antola’s first monograph is a vibrant journey through Sub-Saharan Africa. Travelling mostly by car, she captures the distinctive style and beauty of everyday life in Benin, Burkina Faso, Côte d’Ivoire, Ghana, Ethiopia, Senegal, and Togo. Her striking portraits, landscapes, and vignettes offer an intimate view of life lived in rural villages, big cities, and along the remote roadways between the two. Men dressed head to toe in elaborate African wax textiles share a motorcycle, ancestral spirits bridge earthly and supernatural worlds in masked dances, the rich red soil dusts the lush tropical jungle, a girl in an oversized straw hat steers her boat with a boldly patterned patchwork sail, and a gold jewellery-clad Kumasi king performs a warrior dance. Just as Antola is captivated by how people around the world express themselves in relation to their environments, so do these images reflect this: the astonishing variety of ways people create and define themselves daily, over and over again, through dress and 23.5 x 28.6 cm | 9 ¼ x 11 ¼ inches 128 pages, 69 color, clothbound ritual, work and play. ISBN 978-88- 6208-580-9 March 2018 Jessica Antola was born and raised in Los Angeles, $40 | £29 California. She earned degrees in fine art and photography from Cornell University and the Art Center College of Design. Antola’s photography career began during her years living in Paris, where she shot portraits, fashion, and global travel stories for W, Madame Figaro, T: The New York Times Style Magazine, Vanity Fair and Condé Nast Traveler, among others. For more than twenty years, Antola’s travels have informed and inspired her work – from West Papua to Antarctica, from Tibet to Myanmar, and finally Sub- Saharan Africa, the focus of this monograph. Antola’s work has been the subject of solo and group exhibitions internationally. She lives in Brooklyn, New York.
New Titles 33 Photography
Chris Craymer American Romance
The study and interpretation of relationships has been a lifelong passion of Craymer. As a British photographer living in the USA he wanted to explore this favourite subject of his on this side of the 'pond'. He has always been attracted to storytelling. He likes to explore the intimacy and connection between couples and seek to portray their love and attraction for one another. He creates these pictures by encouraging his subjects to express themselves in an authentic way. The idea of this book is to explore that romance is alive and well in the USA as we head towards the end of this second decade of the 21st century. He could only reach a small number of couples but has attempted to reflect a cross section of relationships where love and laughter were the uniting qualities in every relationship he explored. The book is a celebration of human interaction and what it is to be alive and engaged with another person.
24 x 30.5 cm | 9 ½ x 12 inches Chris Craymer, a native Londoner, is a photographer 200 pages, 170 color, hardbound and director. With a sharp eye for authenticity, he ISBN 978-88-6208-584-7 April 2018 captures moments that are grounded in reality and $50 | £34 infused with spontaneous charm and energy. He focuses on relationships–between his subjects themselves and between him and his subjects, and seeks to capture our collective human spirit: unbound curiosity, passionate dedication, how we love each other, and the way we connect with our world. In addition to collaborating with numerous editorial clients and global brands, he has also published three books: the first, entitled Romance, is a glimpse into the romantic lives of real couples found throughout his worldwide travels. His second book, In London is a portraiture series exploring subjects who make up the heart of London. His most recent book From The Heart examines 12 people who inspire him in photo-essay style. He has exhibited his work in London, Paris, New York, and Hong Kong.
34 New Titles 35 Photography
Marius Schultz A Conversation with Nature
An immersive view of nature’s vastness and purity that reminds us from where we have come from. The first monograph by the Norwegian photographer Marius Schultz is a long-term project – 12 years of images – started in 2005 and set in the surroundings of Oslo, where both human interference and noise are absent. We are presented with a timeless story, both sensory and evanescent, in which the main characters are the trees and their greatness. They interact harmoniously with the deep water, the endless sky, the open landscapes and the intense colours of the seasons. The photographer tells simultaneously a universal tale, of the power of these trees that are the custodians of world history, and a personal narrative of the microcosm in which the photographer and his children were born and live every day. His family lives in constant dialogue with two red-headed girls, icons of purity and simplicity who articulate the stages of life and the seasons. An obsession with trees creates a strong feeling of disorientation and wonder, which forces us to look closely and carefully at nature. The act of seeing draws the readers in to this magical and faraway world, and invites them to
20 x 30 cm | 7 ⅞ x 11 ⅘ inches take part in this poetic story. 160 pages, 80 color, hardcover ISBN 978-88-6208-588-5 Marius Schultz (Oslo, 1962) attended Brooks Institute of May 2018 $40 | £29 Photography in Santa Barbara, California. He is a member of the Norwegian collective Forbundet Frie Fotografer. He has exhibited in different galleries and festivals such as “Høstutstillingen”. He won the LensCulture portfolio award 2014. Nature and water have always fascinated him and he returns to Norwegian nature when seeking the close and calm. He is attracted by the pictorial qualities of it. He also explores the human body in landscapes, creating metaphors for the cycle of life. The abstraction creates a separation between what one really sees and what is merely a playful and poetic composition made by nature; the reflection of the sky, the shadows of the reeds and the rippled surface complement each other and create aesthetic expressions.
New Titles 37 Architecture & Design
R & Company 20 Years of Discovery
For the past twenty years, New York-based design gallery R & Company has been a pioneer in discovering, curating, archiving, and presenting rare, exceptional, and iconic works to individuals and institutions. Through their groundbreaking exhibitions and publications, the gallery has been at the forefront of the collectible design movement. Published on the occasion of R & Company’s twentieth anniversary, this book offers new critical perspectives on the designers, themes, and emerging trends R & Company has uncovered, re-discovered, and elevated, including: the emergence of a market for Brazilian design; the championing of un-heralded American mid-century masters; the fostering of a material-focused contemporary design program; and the gallery’s passion for so-called “difficult” design. Unfolding through essays from leading writers on art, design, and craft, and illustrated by hundreds of archival, new, and behind-the-scenes gallery images, 22.8 x 29.2 cm | 9 x 11 ½ inches interior photos of collectors’ homes, and designers’ studios, 240 pages, 200 color, hardbound ISBN 978-88-6208-581-6 it is a dynamic overview of the design market’s explosive April 2018 past two decades, and its vibrant future. $50 | £34 Featured designers include Wendell Castle, Rogan Gregory, Greta Magnusson Grossman, The Haas Brothers, Sergio Rodrigues, Katie Stout, Studio65, Joaquim Tenreiro, Thaddeus Wolfe, Jeff Zimmerman and many more.
New Titles 39 Collector’s Editions Hiroshi Sugimoto Joel Meyerowitz Snow White Cézanne's Objects
Some years ago, while working on a book commission about Snow White is a unique collector’s edition book containing 76 Provence, Joel Meyerowitz visited Cézanne’s studio in Aix-en- artworks by Hiroshi Sugimoto. All of the photographs in Snow Provence. While there, he experienced a flash of understanding White are from his Theaters series and include many of his well about Cézanne’s art. Cézanne had painted the studio walls known photographs of classic movie palaces and drive-ins, along a dark grey, mixing the color himself. Consequently, every with new photographs of Italian opera houses and abandoned object in the studio seemed to be absorbed into the grey of the Edition of 400 signed and numbered books theaters. Sugimoto began the Theaters series four decades ago. To Text by Hiroshi Sugimoto background. There were no telltale reflections around the edges 34 x 27.1 cm | 13 ½ x 10 ¾ inches make these images, he exposes the film inside the dark theater (or of the objects, so there was nothing that could separate them 160 pages, 76 b&w, silkbound with aluminum slipcase in the case of the drive-ins, outside at night) for the duration of the from the background itself. Meyerowitz suddenly saw how ISBN 978-88-6208-520-5 movie. The running movie is the only source of light bringing out $750 | £580 Cézanne, making his small, patch-like brush marks, moved the architectural details of these spaces.The Disney movie Snow Edition of 25 signed and numbered prints from the object to the background, and back again to the White was running when Sugimoto photographed Palace Theater, Pitcher, 2011 objects, without the illusion of perspective. After all, Cézanne Gary, 2013, one of the abandoned theaters that is reproduced Archival digital print Image size: 22.8 x 28 cm | 9 x 11 inches was the original voice of “flatness.” For this collector’s edition of here. In this book, Sugimoto reveals for the first time the movies Sheet size: 25.4 x 30.5 cm | 10 x 12 inches Cézanne's Objects, Joel Meyerowitz has printed an edition of 25 that were screened when he took these photographs and the of the photograph Pitcher. exposure time of each photograph. Each artwork in Snow White Text by Joel Meyerowitz, Maggie Barrett 25.4 x 32 cm | 10 x 12 ⅝ inches is accompanied by the name of the movie, its running time, and a 116 pages, 65 color, clothbound short text about each written by Sugimoto. The black-and-white ISBN 978-88-6208-571-7 photographs are hand-tipped onto the pages. $1,000 | £750
Hiroshi Sugimoto Joel Meyerowitz The Long Never Morandi’s Objects
The Long Never is a unique collector’s edition book containing In the spring of 2015, the photographer Joel Meyerowitz sat at 65 artworks by Hiroshi Sugimoto. Composed of photographs the work table in Giorgio Morandi’s Bologna home, in the exact from five series—Meteorites, Dioramas, Pre-Photographic spot where the painter sat for 40 years making his quiet, sublime Time Recording Devices, Lightning Fields, and Seascapes—the still lifes. Here Meyerowitz looked at, touched, studied, and sequence of images conjures a natural history of the planet, connected with the more than 250 objects that Morandi painted. perhaps even one untouched by humans. The black-and- Using only the warm natural light in the room, he photographed white photographs are hand-tipped onto the pages of the Morandi’s objects: vases, shells, pigment-filled bottles, silk book, which is wrapped in silk cloth. Celebrated author flowers, tins, cans, funnels, watering cans. In the photographs, Edition of 25 signed and numbered prints Jonathan Safran Foer has written an original story. Foer’s text White Bottles, 2015 each object sits on Morandi’s table, which still bears the marks Edition of 360 signed and numbered books Archival digital print Text by Jonathan Safran Foer sits on the page underneath each artwork, so the reader must the painter drew to set the positions of his subjects. In the Image size: 20.3 x 25.4 cm | 8 x 10 inches 26.6 x 35.5 cm | 10 ½ x 14 inches lift up each photograph in order to read the story background is the same paper that Morandi left on the wall, Sheet size: 25.4 x 30.5 cm | 10 x 12 inches 140 pages, 65 b&w, silkbound with aluminum slipcase now brittle and yellow with age. For this collector’s edition of ISBN 978-88-6208-384-3 Text by Joel Meyerowitz, Maggie Barrett $750 | £500 Morandi’s Objects, Joel Meyerowitz has printed an edition of 25 25.4 x 32 cm | 10 x 12 5/8 inches of the photograph White Bottles. 116 pages, 65 color, clothbound ISBN 978-88-6208-473-4 $1,000 | £750
42 Collector’s Editions 43 Jack Pierson Martin Parr The Hungry Years Think of Scotland
The Hungry Years collects Jack Pierson’s 1980s’ photographs, This stunning limited edition of 50 copies includes a print numbered which have increasingly captured the attention of the art and signed by Martin Parr. The image is entitled Gourock Lido, world since they were first published as a collection in 1990. 2004, and features the Gourock Outdoor Pool, the oldest heated Informed in part by his artistic emergence in the era of AIDS, swimming pool in Scotland. The swimmer in the print of Gorouck Pierson’s work is moored by melancholy and introspection, lido says about the Martin Parr’s photograph: “It must have been a yet his images are often buoyed by a celebratory aura of particularly wild night – there’d obviously just been a rainstorm. The seduction and glamour. Sometimes infused with a sly sense colours work beautifully—that gray against that aquamarine—and of humor, Pierson’s work is inherently autobiographical; Edition of 50 signed and numbered prints the photograph captures something of our Scottish eccentricity: the Gourock Lido, 2004 often using his friends as models and referencing traditional Pigment print storm clouds and the rain, and the eccentric local who decided to go Edition of 30 signed and numbered prints Americana motifs, his bright yet distanced imagery reveals Image size: 22.9 x 18.4 cm | 9 x 7 inches swimming when no one else would.” Pink Road, 2017 the undercurrents of the uncanny in the quotidian. Fueled Sheet size: 25.3 x 20.2 cm | 10 x 8 inches Pigment print by the poignancy of emotional experience and by the Image size (full bleed): 23 x 31.5 cm | 9 x 12 ½ inches 35.5 x 23.8 cm | 14 x 9 ⅜ inches sensations of memory, obsession, and absence, Pierson’s 144 pages, 100 color, hardbound subject is ultimately, as he states, “hope." This limited edition ISBN 978-88-6208-551-9 20.3 x 24.1 cm | 8 x 9 ½ inches $500 | £400 104 pages, 70 color, hardbound of 30 copies includes the book The Hungry Years and a print ISBN 978-88-6208-576-2 numbered and signed by Jack Pierson. $600 | £490
Tria Giovan David Goldes The Cuba Archive Electricities Photographs 1990-1996
Tria Giovan first traveled to Cuba in 1990. Over the next six Electricity is the energy that runs nearly everything. We are years she took twelve month-long trips, traversing the island dependent on it for light, heat, and communications as well numerous times, and making more than 25,000 images. as powering the innumerable devices and machines that Immersing herself in Cuba’s history, literature, and politics, shape and support our lives. To investigate and build on she photographed interiors of homes and businesses, city our historical understanding into the nature of electricity, streets, rural landscapes, signs and billboards, and, most David Goldes constructs and photographs what he calls, of all, the people, creating a compelling body of work that “performing still lifes.” This stunning limited edition of 25 Edition of 15 signed and numbered prints captures the subtleties and layered complexities of day-to- copies plus 4 artist proofs includes the book Electricities and Malecon-Gibara, Cuba 1993 Archival inkjet print day Cuba born from complete engagement and informed a gelatin silver print signed and numbered by the artist. The Edition of 25 signed and numbered prints Image size: 33.5 x 22.9 cm | 13 ⅕ x 9 inches perspective. This stunning limited edition of 15 copies print is entitled Electricity + Water lll, 1993. Electricity + Water III, 1993 Sheet size: 35.6 x 24.7 cm | 14 x 9 ¾ inches includes the book The Cuba Archive. Photographs 1990-1996 Gelatin silver print Image size: 29.2 x 22.86 cm | 11 ½ x 9 inches 29.3 x 21 cm | 11 ½ x 8 ¼ inches and a print signed and numbered by Tria Giovan. Sheet size: 35,6 x 28 cm | 14 x 11 inches 168 pages, 125 color, hardbound ISBN 978-88-6208-577-9 24.75 x 30.5 cm | 9 ¾ x 12 inches $500 | £390 160 pages, 100 color, hardbound ISBN 978-88-6208-561-8 $900 | £680
44 Collector’s Editions 45 Pamela Hanson Carrie Mae Weems Private Room Kitchen Table Series
Private Room is a series of photographs of eight different Kitchen Table Series is the first publication dedicated solely to women whom Pamela Hanson photographed between 2012 this early and important body of work by the American artist and 2014 at Lafayette House, a small hotel in New York Carrie Mae Weems. The 20 photographs and 14 text panels City. Beginning when she photographed Camille Rowe that make up Kitchen Table Series tell a story of one woman’s in 2012, the photographs in Private Room progressed into life, as conducted in the intimate setting of her kitchen. The a series of nudes and semi-nudes. Hanson was inspired kitchen, one of the primary spaces of domesticity and the to shoot in the Lafayette House because of its European traditional domain of women, frames her story, revealing to feeling. A brownstone built in the 19th century, the hotel is Edition of 25 signed and numbered prints us her relationships—with lovers, children, friends—and Untitled (Man Reading Newspaper), 1990/1999 Edition of 25 signed and numbered prints a place of forgotten beauty, with walls lined in gold-leafed her own sense of self, in her varying projections of strength, Gelatin silver print Kayleigh Crying #1, 2012 wallpaper. It is charming, sexy, romantic, and private. Women vulnerability, aloofness, tenderness, and solitude. Weems Image size: 25.2 x 25.2 cm (9 ⅞ x 9 ⅞ inches) Archival inkjet print photographed by a woman: the intimate and feminine Sheet size: 27.7 x 35.5 cm | 11 x 14 inches herself is the protagonist of the series, though the woman she Image size: 35 x 27.8 cm | 13¾ x 10 ⅞ inches Sheet size: 45 x 37.8 cm | 17 ¾ x 14 ⅞ inches environment captures the essence of each subject. Hanson depicts is an archetype. Kitchen Table Series seeks to reposition collaborated with stylist Susan Winget, and together they Text by Sarah Lewis and Adrienne Edwards and reimagine the possibility of women and the possibility 24.8 x 34.3 cm | 9 ¾ x 13 ½ inches Text by Jack Pierson cast each woman for her individual beauty and personality. 86 pages, 34 b&w, hardbound with jacket of people of color, and has to do with, in the artist’s words, 17.1 x 22.9 cm | 6 ¾ x 9 inches ISBN 978-88-6208-471-0 96 pages, 60 color, clothbound This collector's edition of 25 copies includes a signed and “unrequited love.” The collector’s edition of Kitchen Table $3,000 | £2,200 ISBN 978-88-6208-508-3 numbered print. Series includes a signed and numbered silver gelatin print of $500 | £380 Untitled (Man Reading Newspaper), 1990/1999.
Antoine Le Grand Jamel Shabazz Portraits Sights in the City New York Street Photographs
Portraits is the first monograph on the work of Antoine During the summer of 1980, under the direction of his father, Le Grand and spans the 20-year career of this acclaimed a photographer, Jamel Shabazz armed himself with a Canon celebrity photographer. Taken from the pages of leading AE1 SLR camera and passionately photographed the urban fashion and lifestyle magazines such as Vogue, W, GQ, landscape that he called home. New York City—the city that and Vanity Fair, Le Grand’s images provide an astonishing never sleeps—was the ideal epicenter to photograph because collection of portraits of the actors, musicians, and of its 24-hour subway system and the many businesses that Edition of 15 signed and numbered prints personalities who enliven our culture. Through his irony, are open late into the night. New York’s energy inspired him Iggy Pop, 2002 Edition of 25 signed and numbered prints to use the streets as a canvas for the majority of his work for Archival inkjet print witty storytelling, and concise visual aesthetic, Le Grand Street Photographers of Times Square, 1982 over 35 years. This limited edition of Sights in the City: New Image size: 28 x 28 cm | 11 x 11 inches has created indelible imagery of celebrities such as Iggy Archival inkjet print Sheet size: 38 x 38 cm | 15 x 15 inches Pop, Gilbert and George, Harrison Ford, Al Pacino, Tim Image size: 25.4 x 20.3 cm | 10 x 8 inches York Street Photographs includes a signed and numbered print Sheet size: 35.6 x 25.4 cm | 14 x 10 inches of Street Photographers of Times Square. Introduction by Jean-Paul Goude Burton, Woody Allen, and Jean Nouvel. The book includes 27.5 x 27.5 cm | 11 x 11 inches more than 250 portraits and an introduction by the French 30.5 x 24.1 cm | 12 x 9 ½ inches 316 pages, 280 color and b&w, hardbound visionary Jean-Paul Goude. This collector's edition of 15 160 pages, 100 color and b&w, hardbound ISBN 978-88-6208-509-0 ISBN 978-88-6208-527-4 $500 | £380 copies includes a signed and numbered print. $950 | £750
46 Collector’s Editions 47 Peter Schlesinger David Leventi A Photographic Memory 1968–1989 Opera
The photographs of artist Peter Schlesinger are a visual diary Photographing the interiors of some of the most storied and of an extraordinary life that has intersected with some of the illustrious opera houses around the world, David Leventi brightest names in the worlds of art, fashion, and society. has constructed an arresting, visually rich survey of grand Schlesinger’s remarkable journey began in 1966 when, as architecture. Opera brings together in one publication images an 18-year-old student at UCLA, he met the artist David from more than 40 opera houses, spanning four continents Hockney. The couple moved to London, where Schlesinger and 400 years of history, and includes a foreword by Plácido met and photographed luminaries including Cecil Beaton, Domingo. Taken over an eight-year period and shot on a large format camera, the images demonstrate Leventi’s meticulous Edition of 30 signed and numbered prints Paloma Picasso, and Manolo Blahnik. This monograph The Deck at La Piscine Deligny, 1975 presents the full range of Schlesinger’s photographic work. approach to his subject, revealing these temples of music C-print Edition of 15 signed and numbered prints in all their wealth of architectural detail and design. The The collector's edition includes a signed and numbered color Image size: 30. 5 x 22.8 cm | 12 x 9 inches Palais Garnier, 2009 collector’s edition of Opera includes a color print of Palais Sheet size: 35.5 x 28 cm | 14 x 11 inches print of The Deck at La Piscine Deligny, 1975. C-print Image size: 35.6 x 28.2 cm | 14 x 11 inches Garnier, 2009. Text by Peter Schlesinger, Hilton Als Sheet size: 38.1 x 30.5 cm | 15 x 12 inches 24.8 x 28.6 | 9 ¾ x 11 ¼ inches 176 pages, 150 color, hardbound Text by Plácido Domingo, Marvin Heiferman, ISBN 978-88-6208-459-8 Thomas Mellins $500 | £300 33.8 x 28 cm | 13 ¼ x 11 inches 120 pages, 40 color, clothbound with jacket ISBN 978-88-6208-440-6 $700 | £490
Dennis Hopper Ricky Adam Colors. The Polaroids Belfast Punk. Warzone Centre 1997—2003
In 1987, Dennis Hopper began to use a Polaroid camera Limited edition of 15 copies, each comprising a first edition to document gang graffiti. Hopper transformed the book housed in a slipcase with a single beautiful print. As a instantaneous, disposable nature of Polaroid film into young photographer, Ricky Adam documented the late '90s' pictures as deliberate and final as images achieved by punk scene in Belfast, Northern Ireland, inside the infamous an artist painting on canvas. This limited edition of punk venue, the Warzone Centre. These images offer a unique Colors. The Polaroids includes a numbered print of Untitled fly on the wall snapshot of D.I.Y. punk culture at a certain (Diamonds), 1987, which has been certified authentic by time and place in the city of Belfast. Hopper Art Trust. Edition of 15 signed and numbered prints Edition of 25 numbered prints Untitled, 2000 Untitled (Diamonds), 1987 Epson archival inks on Hahnemuhle fine art archival paper (glossy) Giclée print Image size: 26.9 x 20 cm | 10 ⅝ x 7 ⅞ inches Image size: 19.1 x 19.3 cm | 7 ½ x 7 ⅝ inches Sheet size: 29.7 x 21 cm | 11 ¾ x 8 ¼ inches Sheet size: 21.5 x 25.5 cm | 8 ½ x 10 inches 25.5 x 30 cm | 10 x 11 ¾ inches Text by Aaron Rose 176 pages, 85 b&w, hardbound 23.5 x 20.3 cm | 9 ¼ x 8 inches ISBN 978-88-6208-552-6 132 pages 120 color, clothbound $200 | £150 ISBN 978-88-6208-488-8 $500 | £350
48 Collector’s Editions 49 Joseph Szabo Dan Martensen Rolling Stones Fans Wolves Like Us: Portraits of the Angulo Brothers
On June 17th, 1978, Joe Szabo accompanied two of his high In 2010, photographer Dan Martensen was introduced to the school students to a Rolling Stones concert. The kids needed Angulo brothers by filmmaker Crystal Moselle, who had just the ride from Philadelphia to JFK Stadium in Long Island, begun work on her hit documentary The Wolfpack. The film New York, and Szabo thought he would be able to take some chronicles the lives of six home-schooled boys, who gained good photographs. Thirty-five years after the event, Szabo most of their knowledge of the outside world from the movies selected the best shots from that day when 90,000 fans they watched at home. Confined to their four-bedroom gathered to hear the Stones and presents them here in Rolling apartment in New York City’s Lower East Side for 14 years, Edition of 20 signed and numbered prints Stones Fans. This collector’s edition is limited to 20 copies and the siblings recreated cult-classic films, fashioning props Delight, 1978 includes a signed and numbered print, Delight. as well as costumes from the contents of their apartment. Gelatin silver print Edition of 25 signed and numbered prints Image size: 25.4 x 33 cm | 10 x 13 inches Mukunda as Death in the Graveyard, 2015 Martensen photographed the boys, capturing the cinema- Sheet size: 27.9 x 33.5 cm | 11 x 14 inches C-print inspired world they had created, while also documenting Image size: 20.5 x 26.5 cm | 8 x 10 ½ inches their first forays into the world outside. The collection of 24.5 x 22.5 cm | 9 ¾ x 9 inches Sheet size: 21.6 x 28 cm | 8 ½ x 11 inches 104 pages, 100 b&w, hardbound intimate portraits and still lifes in Wolves Like Us adds another ISBN 978-88-6208-435-2 Text by Crystal Moselle, Joseph Akel layer to the captivating story of the Angulo brothers, and is a $650 | £450 21.6 x 28 cm | 8 ½ x 11 inches testament to the enduring spirit of creativity. The collector’s 160 pages, 168 color, softcover ISBN 978-88-6208-461-1 edition of Wolves Like Us includes a signed and numbered $300 | £200 color print of Mukunda as Death in the Graveyard, 2015.
Matthew Brookes Matthew Brandt Les Danseurs Lakes & Reservoirs
Matthew Brookes’s style of photography leans toward the For his series Lakes & Reservoirs, Matthew Brandt natural, raw emotion of his subjects. In his first book, Brookes photographed lakes and reservoirs in the western United has turned his lens on the professional male ballet dancers of States and then submerged each print in water collected from Paris. For a year in the life of these dancers, he took them out the subject of the photograph. Prints are soaked for days, of their regular environment of rehearsals and performances weeks, or even months, and this process influences the layers and photographed them in a raw space, where they were of color that comprise the image. The resulting photographs allowed to explore the physicality of dance in its essential range from mostly representational to completely abstract. form. Brookes’s stunning series of portraits depicts the pure This series considers the current condition not only of our physicality of the male dancer. This collector’s edition includes Edition of 17 unique signed lakes and reservoirs, but also of traditional color photography. a signed and numbered black-and-white print of Feet I, 2014. and numbered prints, matted This edition of Lakes & Reservoirs is limited to 17 copies and Edition of 25 signed and numbered prints Container, 2014 Feet I, 2014 includes the book and a unique matted print numbered and C-print C-print Image size: 28.4 x 35.4 cm | 11 x 14 inches signed by the artist. Each of the 17 prints in the Lakes & Image size: 20. 5 x 26.5 cm | 8 ⅛ x 10 ⅜ inches Sheet size: 37 x 44.5 cm | 14 x 17 ½ inches Reservoirs series is titled Container, plus its unique number. Sheet size: 21.6 x 28 cm | 8 ½ x 11 inches The prints comprising this collector’s edition are not 35 x 28 cm | 13 ¾ x 11 inches Text by Marie-Agnès Gillot 176 pages, 120 color, hardbound reproduced in the book. 21.5 x 28.7 cm | 8 ½ x 11 ¼ inches ISBN 978-88-6208-375-1 68 pages, 40 b&w, hardbound $3,000 | £2,000 ISBN 978-88-6208-467-3 $450 | £290
50 Collector’s Editions 51 Julian Wasser Andrew Moore The Way We Were: The Photography Detroit Disassembled of Julian Wasser
This long-overdue monograph presents an astonishing For Andrew Moore, the wonder of Detroit’s transformation is panorama of a bygone Los Angeles from photographer Julian its demonstration of nature’s power to devour, and, through Wasser. The Way We Were is replete with iconic images such destruction, to renew. He has remarked, “One could say as a 1968 shot of Joan Didion leaning against a Corvette Edition of 50 signed and numbered prints that Detroit has become America’s version of an open city. Stingray in Hollywood. But photographs of Jack Nicholson Waiting Room with Snowdrift, 2008 It’s been left undefended against an onslaught of scrappers, Archival C-print and Angelica Huston at Nicholson’s Mulholland Drive Image size: 28 x 35.5 cm | 11 x 14 inches vandals, and the forces of nature. It’s a city of hundreds, if not home, or the Fonda family lined up on the family sofa, paint Sheet size: 30.5 x 38 cm | 12 x 15 inches thousands, of empty homes, apartment buildings, factories, Edition of 50 signed and numbered prints a picture of a very private Hollywood of the 1960s and '70s, libraries, hospitals, schools, and churches. All are abandoned Marcel Duchamp and Eve Babitz, 1963 Text by Andrew Moore, Philip Levine Silver gelatin print when privacy was possible and celebrity culture had not yet 34.5 x 27 cm | 13 ½ x 10 ½ inches and most are unguarded, barely salvageable, and slated for Image size: 30.7 x 20.5 cm | 12 x 8 inches completely consumed the country. This collector’s edition 128 pages, 70 color, hardbound with jacket and slipcase demolition that gets delayed year after year.” His depiction Sheet size: 32 x 24.7 cm | 12 ⅝ x 9 ¾ inches includes a numbered and signed photograph and is issued ISBN 978-88-6208-140-5 of Detroit questions what the changing, precarious future of $ 750 | £500 Edited by Brad Elterman in a cloth slipcase. Wasser’s famous print captures Marcel America holds. 24.1 x 31.7 cm | 9 ½ x 12 ½ inches Duchamp playing chess with a naked Eve Babitz at his 144 pages, 150 b&w, hardbound with slipcase ISBN 978-88-6208-377-5 seminal 1963 exhibition at the Pasadena Art Museum. $700 | £420
Andrew Moore Andrew Moore Dirt Meridian Cuba
The acclaimed photographer Andrew Moore takes to the air Cuba offers a series of poignant interiors that display the to create an intimate vision of the High Plains. The title refers changing fortunes of the country over its 500-year history, to the 100th meridian, the longitude that neatly bisects the with portraits and landscapes that hint at the changes coming United States and has long been considered the dividing line to this island nation. Originally published as Inside Havana between the fertile green East and the dry brown West. Much in 2002 to wide acclaim, this new version expands that of the meridian traverses America’s “flyover country,” those book with finer and larger reproductions, older photographs remote and sparsely populated landscapes with a long history never before seen or published, as well as new work made of repeated drought and failed dreams. Yet other parts of the specifically for this edition. This collector’s edition includes a meridian overlap bustling and contentious zones such as signed and numbered photograph and is housed in a slipcase. Edition of 50 signed and numbered prints Edition of 25 signed and numbered prints the heavily fracked Bakken formation in North Dakota. Dirt Cash Meier Barn, 2012 Casa de Verano, El Vedado, 1999 Archival inkjet print Meridian interweaves both these stories: the enduring myths Archival inkjet print Image size: 35.5 x 27.7 cm | 14 x 11 inches and rich history of a place where so little meets the eye, Image size: 28.5 x 36 cm | 11 ¼ x 14 ⅛ inches Sheet size: 30 x 38 cm | 11 ¾ x 15 inches Sheet size: 50.8 x 40.6 cm | 20 x 16 inches alongside a portrayal of those who continue to live amidst its
Text by Kent Haruf, Toby Jurovics, Inara Verzemnieks vast and severe magnificence. The collector’s edition of Dirt Text by Joel Smith, Orlando Luis Pardo Lazo 24.8 x 34.3 cm (9 ¾ x 13 ½ inches) Meridian includes a signed and numbered color print of Cash 40 x 30 cm | 15 ¾ x 11 ¾ inches 128 pages, 68 color, hardbound with slipcase 140 pages, 73 color, hardbound Meier Barn, 2012. ISBN 978-88-6208-470-3 ISBN 978-88-6208-258-7 $600 | £450 $750 | £500
52 Collector’s Editions 53 Richard Corman Derek Ridgers Madonna NYC 83 78–87 London Youth
Madonna NYC 83 celebrates a moment in early 1980s New Taken in the streets, clubs, basements, and bars of London York that has been reappraised in recent years for its fecund between 1978 and 1987, this book brings together an interactions and overlaps between the worlds of fashion, art, incredible series of images from the British photographer and music. The vital, edgy restlessness in the city spawned Derek Ridgers. Since first picking up a camera in 1971, Ridgers adventurous personal styles and music that merged rap, funk, has felt compelled to record the characters that make up punk, and pop. Madonna represented this sensibility like no the social scenes around him. These photographs bridge the one else, and she was determined to define a look for herself, extremities of youth culture in the U.K., from punk through and to carve out a space in the public imagination. After the birth of acid house, and document the changing faces Edition of 50 signed and numbered prints Edition of 15 signed and numbered prints Cinderella, 1983 her countless subsequent incarnations over the past three Tuinol Barry, Kings Road, 1983 of fashion, music, and culture through individuals and Archival pigment print decades, it is extraordinary to revisit these early years. This C-print influential social scenes in a time of DIY attitudes. This Image size: 23.5 x 31.2 cm | 9 ¼ x 12 ¼ inches collector’s edition is housed in a silk slipcase and includes a Image size: 28.5 x 36 cm | 11 ¼ x 14 ¼ inches collector’s edition includes the numbered and signed print Sheet size: 24.9 x 32.5 cm | 9 ¾ x 12 ¾ inches Sheet size: 36.6 x 44.3 cm | 14 ⅜ x 17 ½ inches signed and numbered print, Cinderella. Tuinol Barry, Kings Road. 24 x 31.5 cm | 9 ½ x 12 ½ inches Text by John Maybury 96 pages, 80 color and b&w, clothbound with slipcase 21.5 x 31.5 cm | 8 ½ x 12 ⅜ inches ISBN 978-88-6208-346-1 160 pages, 120 b&w, hardbound $750 | £500 ISBN 978-88-6208-405-5 $650 | £450
Ari Marcopoulos Tom Bianchi Shit and Die: Maurizio Cattelan Fire Island Pines: Polaroids 1975–1983 Photographed by Ari Marcopoulos
Shit and Die: Maurizio Cattelan Photographed by Ari Marcopoulos Growing up in the 1950s, Tom Bianchi would head into is a limited edition that includes a portrait of Maurizio downtown Chicago and pick up 25-cent “physique” Cattelan by Ari Marcopoulos, the book Shit and Die, and magazines at newsstands. In one, he found a photograph a zine by Marcopoulos. Shit and Die was published to of bodybuilder Glenn Bishop on Fire Island. Years later, accompany an exhibition of the same name at Palazzo Bianchi began traveling to New York and was invited to Cavour in Turin, curated by Cattelan, Myriam Ben Salah, spend a weekend at Fire Island Pines, where he encountered and Marta Papini in 2014. Marcopoulos’s zine documents the a community of gay men. Using an SX-70 Polaroid camera, exhibition backstage. Bianchi documented his friends’ lives in the Pines, amassing Edition of 67 signed and numbered prints Edition of 25 signed and numbered prints, matted Untitled, 250, 1978 an image archive of people, parties, and private moments. Maurizio Cattelan by Ari Marcopoulos, 2014 Giclée print These photos, accompanied by Bianchi’s moving memoir of C-print Image size: 19.1 x 19.3 cm | 7 ½ x 7 ⅝ inches the era, record the birth and development of a new culture. Image size: 27.6 x 41.2 cm | 10 ⅞ x 16 ½ inches Sheet size: 21.5 x 25.5 cm | 8 ½ x 10 inches Sheet size: 30.5 x 45.6 cm | 12 x 18 inches Soaked in sun, sex, camaraderie, and reverie, Fire Island Pines Edited by Ben Smales. Text by Edmund White, conjures a magical bygone era. This collector’s edition of 67 Edited by Maurizio Cattelan, Myriam Ben Salah, Tom Bianchi numbered copies comes in an orange cloth slipcase with a Marta Papini 21.5 x 25.5 cm | 8 ½ x 10 inches 23 x 29 cm | 9 x 11 ½ inches 212 pages, 350 color, hardcover with jacket and slipcase tipped-in cover image and contains a signed and numbered 160 pages, 120 color, softcover ISBN 978-88-6208-314-0 giclée print. ISBN 978-88-6208-409-3 $750 | £500 $500 | £350
54 Collector’s Editions 55 Nick Waplington Ed Templeton Alexander McQueen: Working Process Deformer
In 2008, Alexander McQueen commissioned the photographer Eleven years in the making, and compiling more than 30 years' Nick Waplington to document the creation of his Fall 2009 worth of material, Ed Templeton’s Deformer is a multimedia collection—all the way from inception to runway showing. scrapbook of his upbringing in suburban Orange County, Unfortunately, this fall/winter collection was to be the last California. Its photographs give a sun-drenched glimpse of that McQueen would stage before his untimely death. Every what it might be like to be young and alive in what Templeton step of the creative process is documented in fascinating refers to as “the suburban domestic incubator.” Deformer detail, and readers receive a rare insight into the inner intertwines photographs, paintings, drawings, sketchbook Edition of 100 signed and numbered prints Untitled, 2009 workings of McQueen’s creative process. Waplington was pages, disciplinary letters from his grandfather, and religious C-print given unprecedented access to McQueen and his staff, Edition of 200 signed and numbered prints notes from his mother into a magnificent narrative of teenage Image size: 15.8 x 23.4 cm | 6 ¼ x 9 ¼ inches including Sarah Burton, the current creative director. Most Cross, 2004 isolation and social criticism. This collector’s edition includes Sheet size: 23.8 x 29.4 cm | 9 ⅜ x 11 ½ inches notably, McQueen edited the sequence of photographs in the C-print a signed and numbered photograph. Image size: 20.3 x 29 cm | 8 x 11 ⅜ inches Edited by Alexander McQueen, Nick Waplington. book’s layout. This collector’s edition includes a signed and Sheet size: 20.3 x 29 cm | 8 x 11 ⅜ inches Text by Susannah Frankel numbered print and is housed in a linen slipcase. 26.3 x 30.5 cm | 10 ⅜ x 12 inches 24 x 29 cm | 9.5 x 11.5 inches 304 pages, 200 color, hardbound with jacket and slipcase 176 pages, 150 color, hardbound ISBN 978-88-6208-356-0 ISBN 978-88-6208-060-6 $1,500 | £990 $600 | £300
Jessica Todd Harper Xavier Guardans The Home Stage Windows
The title of Jessica Todd Harper’s The Home Stage has a Windows is the debut volume of photographer Xavier double meaning: it alludes to both the homebound lifestyle Guardans. The photographs in Windows were taken in 2006 of families with small children and the idea that home is the while he was exploring the Kenyan bush. Guardans’ portraits stage on which children first learn how to live. Her nuanced of Turkana, Samburu, Masai, Rendille, Gabra, and Pokot treatment of her subjects and environs, coupled with her people were shot through the window of his Toyota Land elegant compositions, unique color palette, and theatrical Cruiser. His world is both dark and light, expressed elegantly handling of light, transforms each room and yard into a through black-and-white film. The balance in these images is Edition of 15 signed and numbered prints stage set. No detail is left untouched by her eye. Private but both solid and ephemeral. This collector’s edition is housed in Self Portrait with Nicholas, Becky, and Marshall, 2009 Inkjet pigment print universal, she is genuine, tender, uninhibited, and humorous. a slipcase and includes a signed and numbered print. Image size: 35.5 x 28 cm | 14 x 11 inches This collector’s edition includes the signed and numbered Edition of 25 signed and numbered prints Sheet size: 38 x 30.5 cm | 15 x 12 inches print Self Portrait with Nicholas, Becky, and Marshall. Nangorot. Turkana, Loiyangalani, 2006 Archival pigment print Text by Alain de Botton, Alison Nordström Image size: 26.8 x 26.8 cm | 10 ½ x 10 ½ inches 28 x 24 cm | 11 x 9 ½ inches Sheet size: 28 x 28 cm | 11 x 11 inches 112 pages, 50 color, hardbound ISBN 978-88-6208-406-2 Text by Christopher Harth, Amanda Schmitt $650 | £450 28 x 28 cm | 11 x 11 inches 80 pages, 25 b&w, clothbound with jacket and slipcase ISBN 978-88-6208-350-8 $390 | £250
56 Collector’s Editions 57 Tierney Gearon Michael Thompson Alphabet Book Portraits
This book by Tierney Gearon takes the form of a children’s Portraits spans the twenty-year career of acclaimed fashion and alphabet book. Each letter of the alphabet is illustrated with a celebrity photographer Michael Thompson. This collector's photograph by Gearon that animates the letter: A is “Airplane edition includes a signed and numbered color print. Adventure,” B is “Bear Boy,” C becomes “Clown Car,” and Edition of 50 signed and numbered prints so on. At once an inventive photo book and an enchanting Tuinol Barry, Kings Road, 1983 take on the classic children’s alphabet book, this volume is Image size: 30.4 x 24.1 cm | 12 x 9 ½ inches Gearon’s most charming and lighthearted work to date. This Sheet size: 44.5 x 35.9 cm | 17 ½ x 14 ⅛ inches
collector’s edition includes a signed and numbered color print. 26 x 33 cm | 10 x 13 inches Edition of 100 signed and numbered prints 216 pages, 200 color, hardbound Instant Incognito, 2010 ISBN 978-88-6208-157-3 Archival pigment print $750 | £500 Image size: 21.8 x 16.3 cm | 8 ⅝ x 6 ⅜ inches Sheet size: 24 x 18 cm | 9 ½ x 7 inches
23.5 x 16.5 cm | 9 ¼ x 6 ½ inches 56 pages, 25 color, hardcover with jacket and slipcase ISBN 978-88-6208-351-5 $490 | £330
Nick Haymes Terry Richardson GabeTM Kibosh
“Kibosh is the most important book of my career. This is Nick Haymes first met Gabe Nevins on an editorial my life's work. From the age of 16 when I first started to assignment in the summer of 2007. Gabe had just wrapped photograph for fun and then as a profession, I have always up his lead role in Gus Van Sant’s Paranoid Park, in which he thought of Kibosh as the summary of my career.” This had played a teenage skateboarder who accidentally kills a collector's edition includes the book Kibosh and the print security guard. This collector’s edition includes a signed and Edition of 500 signed and numbered prints Untitled, 2004 signed and numbered by Terry Richardson. numbered color print. Untitled, 2004 C-print Image size: 24.7 x 16.4 cm | 9 ¾ x 6 ½ inches Sheet size: 25.4 x 20.3 cm | 7 ½ x 7 ⅝ inches Edition of 25 signed and numbered prints Untitled, 2008 24 x 32.5 cm | 9 ½ x 15 ½ inches Ultrachrome inkjet print 320 pages, 250 color, hardbound Print size: 16.1 x 20.3 cm | 6 ⅜ x 8 inches ISBN 978-88-89431-30-6 Sheet size: 24.1 x 25.3 cm | 9 ½ x 10 inches $400 | £250
Introduction by Gus Van Sant 22 x 28 cm | 8 ½ x 11 inches 128 pages, 85 color and b&w, hardcover ISBN 978-88-6208-225-9 $350 | £220
58 Collector’s Editions 59
Toiletpaper
Toiletpaper was founded in 2010 by Maurizio Maurizio Cattelan and Maurizio Cattelan and Maurizio Cattelan and Pierpaolo Ferrari Pierpaolo Ferrari Cattelan and Pierpaolo Ferrari with the art direction Pierpaolo Ferrari Toiletpaper 12 Toiletpaper 15 of Micol Talso as a picture-based magazine. Photos Toiletpaper 7 22.5 x 29 cm | 9 x 11 ½ inches 22.5 x 29 cm | 9 x 11 ½ inches published in the magazine have been applied to 22.5 x 29 cm | 9 x 11 ½ inches 40 pages, 22 color, softcover 40 pages, 22 color, softcover 40 pages, 22 color, softcover ISBN 978-88-6208-428-4 ISBN 978-88-6208-556-4 a variety of products and media, exploring the ISBN 978-88-6208-280-8 $16 | £10 $16 | £10 multiple possibilities for images to live beyond the $16 | £10 pages. Each picture in a Toiletpaper publication springs from an idea, often simple, but through a complex orchestration of people it becomes the materialization of the artists’ mental outbursts. The resulting publications are themselves works of art Maurizio Cattelan and Maurizio Cattelan and Maurizio Cattelan and that, through the accessible and widely distributed Pierpaolo Ferrari Pierpaolo Ferrari Pierpaolo Ferrari Toiletpaper 8 Toiletpaper 13 Toiletpaper 15 media of magazines and books, challenge the limits 22.5 x 29 cm | 9 x 11 ½ inches 22.5 x 29 cm | 9 x 11 ½ inches Limited edition of 700 copies of the contemporary art economy. 40 pages, 22 color, softcover 40 pages, 22 color, softcover with Toiletpaper foulard ISBN 978-88-6208-286-0 ISBN 978-88-6208-490-1 22.5 x 29 cm | 9 x 11 ½ inches $16 | £10 $16 | £10 40 pages, 22 color, softcover Maurizio Cattelan has exhibited internationally in ISBN 978-88-6208-557-1 leading institutions and has participated numerous $45 | £35 times in the Venice Biennale. He curated the 4th Berlin Biennale with Massimiliano Gioni and Ali Subotnick. He collaborated on No Soul for Sale–A
Festival of Independents, which took place in the Maurizio Cattelan and Maurizio Cattelan and Maurizio Cattelan and Turbine Hall of the Tate Modern in 2010. Cattelan Pierpaolo Ferrari Pierpaolo Ferrari Pierpaolo Ferrari also conceived the art magazines Permanent Food and Toiletpaper 9 Toiletpaper 13 Toiletpaper 16 22.5 x 29 cm | 9 x 11 ½ inches Limited edition of 650 copies 22.5 x 29 cm | 9 x 11 ½ inches Charley. Since retiring from art, after the acclaimed 40 pages, 22 color, softcover with Toiletpaper fan 40 pages, 22 color, softcover 2011 retrospective at the Guggenheim Museum ISBN 978-88-6208-294-5 22.5 x 29 cm | 9 x 11 ½ inches ISBN 978-88-6208-585-4 $16 | £10 40 pages, 22 color, softcover $16 | £10 in New York City, he has committed himself to ISBN 978-88-6208-501-4 publishing Toiletpaper magazine. $45 | £35
Pierpaolo Ferrari is a fashion and advertising photographer and creative researcher. In 2007 he began a collaboration with L’Uomo Vogue that offered him the chance to explore the portrait’s potential and Maurizio Cattelan and Maurizio Cattelan and Maurizio Cattelan and Pierpaolo Ferrari Pierpaolo Ferrari Pierpaolo Ferrari radically change its codes. In 2009, he teamed with Toiletpaper 10 Toiletpaper 14 Toiletpaper 16 Maurizio Cattelan to create Toiletpaper. When he is 22.5 x 29 cm | 9 x 11 ½ inches 22.5 x 29 cm | 9 x 11 ½ inches Limited edition of 700 copies with not shooting, he can be found surfing in Costa Rica. 40 pages, 22 color, softcover 40 pages, 22 color, softcover a surprise... ISBN 978-88-6208-339-3 ISBN 978-88-6208-536-6 22.5 x 29 cm | 9 x 11 ½ inches $16 | £10 $16 | £10 40 pages, 22 color, softcover ISBN 978-88-6208-586-1 $45 | £35
Maurizio Cattelan and Maurizio Cattelan and Martin Parr, Maurizio Cattelan and Pierpaolo Ferrari Pierpaolo Ferrari Pierpaolo Ferrari Toiletpaper 11 Toiletpaper 14 ToiletMartin PaperParr 22.5 x 29 cm | 9 x 11 ½ inches Limited edition of 650 copies 22.5 x 29 cm | 9 x 11 ½ inches 40 pages, 22 color, softcover with Toiletpaper bag 40 pages, 22 color, softcover ISBN 978-88-6208-394-2 22.5 x 29 cm | 9 x 11 ½ inches ISBN 978-88-6208-589-2 $16 | £10 40 pages, 22 color, softcover $18 | £13 ISBN 978-88-6208-537-3 $45 | £35
62 Toiletpaper 63 Maurizio Cattelan and Kenzine is a collaboration between Toiletpaper Kenzo and Toiletpaper Pierpaolo Ferrari Kenzine Vol. 1 Toiletpaper Calendar 2017 magazine and the Parisian clothing label Kenzo. 22.5 x 29 cm | 9 x 11 ½ inches 21 x 28 cm | 8 ¼ x 11 inches Founder Kenzo Takada is known for his synthesis of 40 pages, 22 color, softcover 13 pages, 13 color, wire-O Japanese style with Parisian high fashion. The current ISBN 978-88-6208-343-0 ISBN 978-88-6208-517-5 $35 | £25 $20 | £16.99 creative directors, Humberto Leon and Carol Lim, embarked on the Kenzine project with Kenzo’s avant- garde aesthetic sense. Set in a graphic and futuristic universe, the magazine conveys an optimistic utopia with an element of surprise. The images in Kenzine contain subtle visual tricks that become more Maurizio Cattelan and powerful the longer you are exposed to them. Kenzo and Toiletpaper Pierpaolo Ferrari Kenzine Vol. 2 Toiletpaper Calendar 2018 22.5 x 29 cm | 9 x 11 ½ inches 21 x 28 cm | 8 ¼ x 11 inches The fashion house of Kenzo was started in 1970 as 40 pages, 22 color, softcover 13 pages, 13 color, wire-O Jungle Jap, a boutique in Paris at Galerie Vivienne ISBN 978-88-6208-371-3 ISBN 978-88-6208-555-7 where the founder Kenzo Takada, sold his handmade $35 | £25 $20 | £16.99 women’s collection. The flagship Kenzo store was opened at 3 Place des Victoires in 1976, and the brand expanded into a full Parisian fashion house. In 1993, Kenzo joined the LVMH Group. In 1999, Kenzo marked its 30th anniversary and the
Maurizio Cattelan and retirement of its Artistic Director Kenzo Takada. In Kenzo and Toiletpaper Pierpaolo Ferrari July 2011, Carol Lim & Humberto Leon, founders Kenzine Vol. 3 Toiletpaper Volume II: of the Opening Ceremony fashion retail stores and 22.5 x 29 cm | 9 x 11 ½ inches Platinum Collection 40 pages, 22 color, softcover 23.8 x 34.5 cm | 9 ½ x 13 ½ inches private label collection were appointed Creative ISBN 978-88-6208-385-0 240 pages, 200 color, hardbound Directors of Kenzo. $35 | £25 Limited to 1,000 copies Includes Toiletpaper watch ISBN 978-88-6208-445-1 Toiletpaper is an artists’ magazine created and $150 | £100 manufactured by Maurizio Cattelan and Pierpaolo Ferrari, born out of a passion/ obsession they both cultivate. This is the first campaign that Toilet Paper have created with a fashion house. The magazine Maurizio Cattelan and Kenzo and Toiletpaper Pierpaolo Ferrari was founded in 2010 by artist Maurizio Cattelan and Kenzine Vol. 4 Toiletpaper Volume II photographer Pierpaolo Ferrari as an exploration of 22.5 x 29 cm | 9 x 11 ½ inches 22.9 x 30.5 cm | 9 x 12 inches society’s obsession with imagery. 40 pages, 22 color, softcover 240 pages, 200 color, hardbound ISBN 978-88-6208-430-7 ISBN 978-88-6208-427-7 $35 | £25 $65 | £45
64 Toiletpaper 65 Backlist Photography
Mark Abrahams Tom Atwood Eric Boman Kristin Capp Text by James Frey Kings & Queens in Their Castles A Wandering Eye. Brasil 24 x 31.4 cm | 9 ½ x 12 ½ inches 24.8 x 31.8 cm | 9 ¾ x 12 ½ inches Photographs 1975–2005 Text by Paulo Venancio Filho, 304 pages, 150 b&w, clothbound 144 pages, 135 color, hardbound Edition of 1,200 numbered copies Sergio Alcides Rights world except Germany ISBN 978-88-6208-516-8 Text by Kevin Moore 22.5 x 22.5 cm | 8 ⅞ x 8 ⅞ inches ISBN 978-88-6208-138-2 $45 | £35 23.5 x 17.1 cm | 9 ¼ x 6 ¾ inches 120 pages, 98 b&w, hardbound $70 | £45 128 pages, 120 color, hardbound English & Portuguese ISBN 978-88-6208-487-1 ISBN 978-88-6208-455-0 $45 | £30 $40 | £25
Ricky Adam Stephanie Berger Matthew Brandt James Casebere Belfast Punk. Warzone Centre Merce Cunningham: Beyond Lakes & Reservoirs Works 1975–2010 1997-2003 the Perfect Stage 35 x 28 cm | 13 ¾ x 11 inches Edited and with text by Okwui 25.5 x 30 cm | 10 x 11 ¾ inches Text by Nancy Dalva 176 pages, 120 color, hardbound Enwezor. Text by Toni Morrison, 176 pages, 85 b&w, hardbound 22.8 x 22.8 cm | 9 x 9 inches ISBN 978-88-6208-374-4 Hal Foster, Ford Morrison ISBN 978-88-6208-510-6 96 pages, 100 color, hardbound $65 | £40 29.8 x 29.8 cm | 11 ¾ x 11 ¾ inches $40 | £30 with slipcase 320 pages, 250 color, hardbound ISBN 978-88-6208-465-9 with jacket $50 | £35 ISBN 978-88-6208-186-3 $80 | £50
Elizabeth Albert Monica Biancardi Robin Broadbent Gusmano Cesaretti Silent Beaches, Untold Stories: RiMembra The Photographic Work of Fragments of Los Angeles, New York City’s Forgotten Waterfront 24 x 32 cm | 9 ½ x 12 ½ inches Robin Broadbent 1969–1989 Edited by Elizabeth Albert 72 pages, 50 color, hardbound 21.6 x 28 cm | 9 x 11 ¾ inches In association with Alleged Press 24 x 30 cm | 9 ½ x 11 ⅞ inches ISBN 978-88-6208-514-4 184 pages, 160 color and b&w, Edited by Aaron Rose. Text by SILENT BEACHES. UNTOLD STORIES NEW YORK CITY’S FORGOTTEN WATERFRONT 128 pages, 80 color and b&w, $30 | £25 hardbound with jacket Jeffrey Deitch, Michael Mann softcover ISBN 978-88-6208-530-4 24 x 30.5 cm | 9 ½ x 12 inches ISBN 978-88-6208-500-7 $50 | £38 164 pages, 100 b&w, hardbound $39.95 | £30 ISBN 978-88-6208-275-4 $50 | £35
Mariam Amurvelashvili Tom Bianchi Matthew Brookes Gian Butturini Endless Questions Fire Island Pines: Polaroids Les Danseurs London 22.2 x 22.2 cm | 8 ¾ x 8 ¾ inches 1975–1983 Text by Marie-Agnès Gillot Edited by Martin Parr. Text by 112 pages, 70 b&w, hardbound Edited by Ben Smales. Text by 21.5 x 28.7 cm | 8 ½ x 11 ¼ inches Martin Parr, Allen Ginsberg, ISBN 978-88-6208-447-5 Edmund White, Tom Bianchi 68 pages, 40 b&w, hardbound Gian Butturini, Luciano Mondini Tom Bianchi was born and raised in the suburbs of Chicago and graduated from Northwestern University School of Law in 1970. He became a corporate attorney, eventually working with Columbia Pictures in New York, painting and Growing up in the 1950s, Tom Bianchi would head into downtown Chicago and drawing on weekends. His artwork came to the attention of Betty Parsons and pick up 25-cent “physique” magazines at newsstands. In one such magazine, Carol Dreyfuss and they gave him his first one-man painting show in 1980. In $35 | £24 21.5 x 25.5 cm | 8 ½ x 10 inches ISBN 978-88-6208-433-8 25,4 x 30.5 cm | 10 x 12 inches he found a photograph of bodybuilder Glenn Bishop on Fire Island. “Fire Island 1984, he was given his first solo museum exhibition at the Spoleto Festival. After sounded exotic, perhaps a name made up by the photographer,” he recalls in Bianchi’s partner died of AIDS in 1988, he turned his focus to photography, the preface to his latest monograph. “I had no idea it was a real place. Certainly, producing Out of the Studio, a candid portrayal of gay intimacy. Its success led I had no idea then that it was a place I would one day call home.” In 1970, to producing numerous monographs, including On the Couch, Deep Sex and In fresh212 out of law school,pages, Bianchi began traveling to150 New York, and wascolor, invited hardbound $45 | £30 104 pages, 78 b&w, hardbound Defense of Beauty. In 1993 Tom co-founded CytoDyn, a biotech company with to spend a weekend at Fire Island Pines, where he encountered a community the mission of developing new H.I.V./AIDS therapies. Tom was the Director of the of gay men. Using an SX-70 Polaroid camera, Bianchi documented his friends’ company responsible for funding the research through 2000. lives in the Pines, amassing an image archive of people, parties and private moments.with These images, jacketpublished here for the first time, and accompanied by with jacket Bianchi’s moving memoir of the era, record the birth and development of a new culture. Soaked in sun, sex, camaraderie and reverie, Fire Island Pines conjures a ISBNmagical bygone era. 978-88-6208-270-9 ISBN 978-88-6208-558-8 These photographs are at once formal and intimate for they bring both rigor and tenderness to glimpses of real people. Edmund White $50 | £35 $45 | £34
$ 50.00 | £ 35.00
Marco Anelli Cass Bird Susan Burnstine Luca Campigotto Portraits in the Presence of Rewilding Absence of Being Iconic China Marina Abramović Text by Sally Singer, Text by Del Zogg, Chantel Paul, Text by William M. Hunt Text by Marina Abramović, Jack Halberstam Susan Burnstine 34 x 26 cm | 13 ⅜ x 10 inches Klaus Biesenbach, Chrissie Iles 18 x 24 cm | 7 x 9 ½ inches 24 x 24 cm | 9 ½ x 9 ½ inches 84 pages, 40 color, hardbound 22.6 x 22.6 cm | 8 ⅞ x 8 ⅞ inches 88 pages, 42 b&w, clothbound 96 pages, 80 b&w, hardbound ISBN 978-88-6208-566-3 192 pages, 1,600 color, softcover ISBN 978-88-6208-218-1 ISBN 978-88-6208-475-8 $45 | £35 ISBN 978-88-6208-249-5 $35 | £20 $50 | £35 $40 | £25
68 Backlist 69 Ludovic Cesari Alessandro Cosmelli Marco Craig Simon Eeles Text by Phil Bicker and Gaia Light NYC Marathon: Do Not Cross Far Far Rockaway 24 x 28 cm | 9 ½ x 11 inches Brooklyn Buzz Text by Federico Rampini 24.1 x 30.5 cm | 9 ½ x 12 inches 160 pages, 100 color, hardbound Text by Gavin Keeney, Jamie Wellford 30.5 x 22.9 cm | 12 x 9 inches 96 pages, 60 color, clothbound ISBN 978-88-6208-421-5 16.8 x 23.8 cm | 6 ⅝ x 9 ⅜ inches 80 pages, 60 color, hardbound ISBN 978-88-6208-543-4 $40 | £25 208 pages, 94 color, softcover ISBN 978-88-6208-497-0 $35 | £25 ISBN 978-88-6208-241-9 $45 | £30 $40 | £25
Michel Comte Alessandro Cosmelli Philip-Lorca diCorcia Sasha Eisenman Michel Comte and MILK: and Gaia Light Eleven California Girls A Collaboration 1996–2016 Havana Buzz Edited by Dennis Freedman 24.2 x 30 cm | 9 ½ x 11 ¾ inches Interview by Bobby Woods 10.2 x 15.5 cm | 4 x 6 ⅛ inches Interview by Jeff Rian 240 pages, 200 color, softcover 24.1 x 34 cm | 9 ½ x 13 ⅜ inches 224 pages, 170 color, softcover 24.8 x 33 cm | 9 ½ x 13 inches ISBN 978-88-6208-366-9 336 pages, 265 color, clothbound with jacket 272 pages, 144 color, hardbound $50 | £35 with jacket ISBN 978-88-6208-560-1 with jacket ISBN 978-88-6208-446-8 $30 | £25 ISBN 978-88-6208-167-2 $75 | £50 $70 | £50
Mariana Cook Alessandro Cosmelli Terence Donovan Brad Elterman Justice: Faces of the Human and Gaia Light Portraits Dog Dance. The Photographs Rights Revolution Milano Buzz Text by Philippe Garner of Brad Elterman Text by Anthony Lewis 17.1 x 22.8 cm | 6 ¾ x 9 inches 24.5 x 28 cm | 9 ¾ x 11 inches Edited by Sandy Kim 25 x 29.2 cm | 9 ⅞ x 11 ½ inches 208 pages, 120 color, softcover 176 pages, 160 color and b&w, Text By Olivier Zahm 216 pages, 99 b&w, clothbound ISBN 978-88-6208-393-5 hardbound 16.8 x 23.8 cm | 6 ½ x 9 ½ inches with jacket $40 | £25 ISBN 978-88-6208-482-6 96 pages, 100 color and b&w, ISBN 978-88-6208-261-7 $50 | £35 hardbound $50 | £35 ISBN 978-88-6208-297-6 $35 | £25
Mariana Cook Chris Craymer Cheryl Dunn Deborah Feingold Stone Walls: Personal Boundaries From the Heart Festivals Are Good Music Text by Wendell Barry, Susan 24.1 x 30.5 cm | 9 ½ x 12 inches In association with Standard Press Introduction by Anthony Allport, Lucy Breathitt, Thomas 192 pages, 48 color, 87 b&w, 29.2 x 19 cm | 11 ½ x 7 ½ inches DeCurtis Cummins, Robert O. Paxton, et al hardbound 128 pages, 80 color, hardbound 25.4 x 25.4 cm | 10 x 10 inches 28 x 28 cm | 11 x 11 inches ISBN 978-88-6208-452-9 ISBN 978-88-6208-466-6 108 pages, 60 b&w, hardbound 192 pages, 82 b&w, hardbound $50 | £35 $40 | £25 ISBN 978-88-6208-311-9 with jacket $45 | £30 ISBN 978-88-6208-169-6 $50 | £35
Richard Corman Stéphane Coutelle Simon Eeles Hans Feurer Madonna NYC 83 Insomnies Australiana Text by Gianni Jetzer 24 x 31.5 cm | 9 ½ x 12 ½ inches 24 x 17 cm | 9 ½ x 6 ¾ inches 24.1 x 30.5 cm | 9 ½ x 12 inches 24 x 34 cm | 9 ½ x 13 ½ inches 96 pages, 80 color and b&w, 160 pages, 100 color, clothbound 96 pages, 60 color, clothbound 200 pages, 175 color, clothbound clothbound ISBN 978-88-6208-303-4 ISBN 978-88-6208-499-4 ISBN 978-88-6208-292-1 ISBN 978-88-6208-288-4 $40 | £25 $35 | £25 $65 | £40 $49.95 | £34
70 Backlist 71 Larry Fink Deborah Goodman Davis Torkil Gudnason Jessica Todd Harper Fink on Warhol: New York PhotoRx: Pharmacy in Body Vase Interior Exposure Photographs of the 1960s Photography Since 1850 25.4 x 30.5 cm | 10 x 12 inches Text by Larry Fink Text by Kevin Moore Edited by Shawn Waldron. 80 pages, 70 color, clothbound Interview by Sarah A. McNear 24.8 x 29.8 cm | 9 ¾ x 11 ¾ inches Text by David Campany ISBN 978-88-6208-296-9 28 x 24 cm | 11 x 9 ½ inches 128 pages, 80 b&w, clothbound 24 x 29 cm | 9 ½ x 11 ½ inches $40 | £25 112 pages, 50 color, hardbound ISBN 978-88-6208-515-1 160 pages, 100 color and b&w, English & Italian $50 | £38 clothbound ISBN 978-88-6208-016-3 ISBN 978-88-6208-554-0 $45 | £24.99 $45 | £35
Fischerspooner Greg Gorman Philippe Halsman Elizabeth Heyert Egos Outside the Studio Philippe Halsman’s Jump Book The Outsider Edited by Meredith Mowder Text by James Nachtwey, 22 x 28 cm | 8 ⅝ x 11 inches Text by Madeleine Thien Text by Klaus Biesenbach, Greg Gorman 96 pages, 194 b&w, hardbound 29.85 x 30.48 cm | 11 ¾ x 12 inches Gavin Brown, Jeffrey Deitch, 30.5 x 30.5 cm | 12 x 12 inches with jacket 96 pages, 43 b&w, hardbound Warren Fischer, Casey Spooner 156 pages, 140 b&w, hardbound ISBN 978-88-6208-420-8 ISBN 978-88-6208-544-1 24.2 x 28 cm | 9 ½ x 11 inches with jacket $45 | £30 $30 | £25 96 pages, 70 color, hardbound ISBN 978-88-6208-391-1 ISBN 978-88-6208-429-1 $50 | £30 $45 | £30
Ron Galella Xavier Guardans Pamela Hanson Dennis Hopper New York Self-Portraits Private Room Colors. The Polaroids Edited by Nick Vogelson Text by Emilie Lee, Edition of 1,500 numbered copies Text by Aaron Rose Text by William Van Meter Sarita Louise Moore, Text by Jack Pierson 23.5 x 20.3 cm | 9 ¼ x 8 inches 22.8 x 28 cm | 9 x 11 inches Anja Skidan, Grace Villamil 17.1 x 22.9 cm | 6 ¾ x 9 inches 132 pages 120 color, clothbound 176 pages, 150 b&w, hardbound 28 x 28 cm | 11 x 11 inches 96 pages, 60 color, clothbound ISBN 978-88-6208-476-5 ISBN 978-88-6208-355-3 96 pages, 46 b&w, clothbound ISBN 978-88-6208-491-8 $45 | £30 $49.95 | £34 with jacket $40 | £30 ISBN 978-88-6208-484-0 $50 | £35
Tierney Gearon Xavier Guardans Charles Harbutt Dennis Hopper Alphabet Book Traveling Lights Departures and Arrivals Drugstore Camera 23.5 x 16.5 cm | 9 ¼ x 6 ½ inches Text by Amelia Rina 24 x 29 cm | 10 ½ x 11 ½ inches Edited by Michael Schmelling 56 pages, 26 color, hardbound 27.9 x 27.9 cm | 11 x 11 inches 120 pages, 93 b&w, clothbound Text by Marin Hopper with jacket 84 pages, 39 b&w, clothbound ISBN 978-88-6208-243-3 23.5 x 20.3 cm | 9 ¼ x 8 ½ inches ISBN 978-88-6208-320-1 ISBN 978-88-6208-387-4 $50 | £35 96 pages, 60 b&w, clothbound $40 | £25 $50 | £30 ISBN 978-88-6208-403-1 $45 | £30
Tria Giovan Xavier Guardans Jessica Todd Harper Ruth Kaplan The Cuba Archive Windows The Home Stage Bathers Photographs 1990-1996 Text by Christopher Harth, Text by Alain de Botton, 24.7 x 30,5 cm | 9 ¾ x 12 inches Essey by Silvana Paternostro Amanda Schmitt Alison Nordström 112 pages, 70 b&w, clothbound 29.3 x 21 cm | 11 ½ x 8 ¼ inches 28 x 28 cm | 11 x 11 inches 28 x 24 cm | 11 x 9 ½ inches ISBN 978-88-6208-548-9 168 pages, 125 color, hardbound 80 pages, 25 b&w, clothbound 112 pages, 50 color, hardbound $50 | £35 ISBN 978-88-6208-545-8 ISBN 978-88-6208-323-2 ISBN 978-88-6208-364-5 $40 | £30 $60 | £39 $45 | £30
72 Backlist 73 David Lykes Keenan Gillian Laub Lima, Peru Ari Marcopoulos Fair Witness Southern Rites Edited by Mario Testino. Out & About Text by Eli Reed 24.1 x 26.7 cm | 9 ½ x 10 ½ inches Text by Mario Vargas Llosa In association with Alleged Press 24.1 x 20.3 cm | 9 ½ x 8 inches 160 pages, 100 color, clothbound 23 x 33 cm | 9 x 13 inches Edited by Aaron Rose 160 pages, 100 b&w, hardbound ISBN 978-88-6208-413-0 224 pages, 190 color, hardbound 24 x 31.5 cm | 9 ½ x 12 ½ inches ISBN 978-88-6208-389-8 $50 | £35 English, Italian & Spanish 248 pages, 200 b&w, clothbound $45 | £29 ISBN 978-88-89431-92-4 with sleeve $65 | £35 Italian & English ISBN 978-88-89431-13-9 $55 | £35
Daniel King Antoine Le Grand Lipstick Flavor: Caleb Cain Marcus Ukraine Youth, Between Days Portraits A Contemporary Art Story Goddess 22.8 x 30.5 cm | 9 x 12 inches Introduction by Jean-Paul Goude with Photography Text by Richard Ford 96 pages, 80 color, hardbound 27.5 x 27.5 cm | 11 x 11 inches Edited by Jérôme Sans, Marla 25 x 29.1 cm | 8 ½ x 11 ½ inches ISBN 978-88-6208-398-0 316 pages, 280 color and b&w, Hamburg Kennedy 116 pages, 90 color, hardbound $40 | £25 hardbound 24.4 x 31.7 cm | 9 ⅜ x 12 ½ inches ISBN 978-88-6208-418-5 ISBN 978-88-6208-503-8 174 pages, 120 color and b&w, $50 | £35 $50 | £35 hardbound ISBN 978-88-6208-426-0 $50 | £35
Jeremy Kost David Leventi Alexi Lubomirski Sarai Mari Fractured Opera Diverse Beauty Speak Easy Interview by Franklin Sirmans. Text by Plácido Domingo, Marvin Text by Lupita Nyong’o, Alexi 21 x 27 cm | 8 ¼ x 10 ½ inches Text by Glenn O’Brien, Garrett Neff Heiferman, Thomas Mellins Lubomirski 160 pages, 100 color, hardbound 23 x 28 cm | 9 x 11 inches 33.8 x 28 cm | 13 ¼ x 11 inches 25 x 34.5 cm | 9 ⅞ x 13 ½ inches ISBN 978-88-6208-507-6 208 pages, 180 color, hardbound 120 pages, 40 color, clothbound 192 pages, 135 color and b&w, $45 | £35 ISBN 978-88-6208-363-8 with jacket hardbound $49.95 | £35 ISBN 978-88-6208-397-3 ISBN 978-88-6208-479-6 $50 | £30 $50.00 | £35
Lionel Koretzky Julien Levy Magnum Photos with Reda: 150 Dan Martensen 1000 Cars of NYC. Every Day Is Doomsday 24 x 28 cm | 9 ½ x 11 inches Photographs from the American 15.9 x 15.9 cm | 6 ¼ x 6 ¼ inches 28 x 19 cm | 11 x 7 ½ inches 180 pages, 102 color and b&w, Southwest 288 pages, 1000 color, hardbound 144 pages, 110 color, hardbound clothbound 30 x 24.5 cm | 11 ¾ x 9 ½ inches ISBN 978-88-6208-546-5 ISBN 978-88-6208-442-0 ISBN 978-88-6208-408-6 100 pages, 60 color, clothbound $35 | £25 $50 | £35 $50 | £35 ISBN 978-88-6208-232-7 $50 | £35
David Lachapelle Joan Liftin Eric Maillet Dan Martensen Landscape Marseille Silent Conversations Wolves Like Us: Portraits Text by Shana Nys Dambrot, 30.5 x 23.5 cm | 12 x 9 ¼ inches Text by Jérôme Sans of the Angulo Brothers Paul Watson 112 pages, 64 b&w, hardbound 24.6 x 30.5 cm | 9 ¾ x 12 inches Text by Crystal Moselle, Joseph 33 x 30 cm | 13 x 11 ¾ inches ISBN 978-88-6208-449-9 192 pages, 150 color and b&w, Akel 88 pages, 80 color, softcover $50 | £35 hardbound 21.6 x 28 cm | 8 ½ x 11 inches ISBN 978-88-6208-331-7 ISBN 978-88-6208-415-4 160 pages, 168 color, softcover $45 | £29 $50 | £35 ISBN 978-88-6208-443-7 $35 | £24
74 Backlist 75 Happy Massee William Meyers Carlo Mollino Tom Munro Diary of a Set Designer Outer Boroughs: New York Polaroids Text by Madonna. Interview with 21 x 26 cm | 8 ¼ x 10 ¼ inches Beyond Manhattan Text by Fulvio Ferrari, Pierre Alexandre de Looz 160 pages, 140 color, clothbound 22.2 x 19.7 cm | 8 ¾ x 7 ¾ inches Napoleone Ferrari, James Crump, 24 x 34 cm | 9 ½ x 13 inches ISBN 978-88-6208-485-7 208 pages, 160 b&w, hardbound Silvio Curto 240 pages, 127 color and b&w, $50 | £35 with jacket 21.5 x 26.5 cm | 8 ½ x 10 ½ inches clothbound with jacket ISBN 978-88-6208-401-7 288 pages, 400 color, hardbound ISBN 978-88-6208-125-2 $50 | £30 ISBN 978-88-6208-378-2 $75 | £50 $65 | £40
Rania Matar Bart Michiels Andrew Moore Joan Myers L’Enfant-Femme The Course of History Cuba Fire and Ice: Timescapes Introduction by Her Majesty Text by Sonja Fessel, Simon Text by Joel Smith, Orlando Luis Text by Joan Myers, Kathleen Queen Noor. Text by Lois Lowry, Schama Pardo Lazo Stewart Howe Kristen Gresh 31.5 x 27 cm | 12 ⅜ x 10 ⅝ inches 40 x 30 cm | 15 ¾ x 11 ¾ inches 31.1 x 24.1 cm | 12 ¼ x 9 ½ inches 24.1 x 31.7 cm | 9 ½ x 12 ½ inches 156 pages, 70 color, clothbound 128 pages, 68 color, hardbound 160 pages, 140 color, hardbound 152 pages, 97 color, clothbound ISBN 978-88-6208-305-8 ISBN 978-88-6208-252-5 ISBN 978-88-6208-392-8 ISBN 978-88-6208-450-5 $65 | £39 $75 | £50 $50 | £30 $50 | £35
Toni Meneguzzo Sabine Mirlesse Andrew Moore Joan Myers and Nathaniel Tarn Gauchillos As If It Should Have Been a Quarry Detroit Disassembled The Persephones Text by Toni Meneguzzo, Andrés Text by Eduardo Cadara 22.5 x 33 cm | 10 x 13 inches Edition of 500 numbered copies Sala, Daphné Anglès, Jean 30 x 24 cm | 11 ¾ x 9 ½ inches 136 pages, 70 color, hardbound Text by Nathaniel Tarn Blanchaert, Tommaso Basilio 64 pages, 60 color, clothbound ISBN 978-88-6208-118-4 18 x 23.8 cm | 7 x 9 inches 28 x 21.2 cm | 11 x 8 ½ inches ISBN 978-88-6208-310-2 $50 | £34.95 60 pages, 30 color, clothbound 184 pages, 140 color, hardbound $40 | £25 ISBN 978-88-6208-498-7 ISBN 978-88-6208-513-7 $40 | £30 $35 | £25
Joel Meyerowitz Klaus Mitteldorf Andrew Moore Hans Neumann Cézanne’s Objects Next Dirt Meridian and Gabriel Rivera-Barraza Text by Joel Meyerowitz, Text by Joseph Akel Text by Kent Haruf, Toby Jurovics, Nuevo New York Maggie Barrett 25 x 30.5 cm | 9 ⅞ x 12 inches Inara Verzemnieks 25.5 x 30 cm | 10 x 11 ⅞ inches 25.4 x 32 cm | 10 x 12 ⅝ inches 96 pages, 60 color, hardbound 34.5 x 27.9 cm | 13 ½ x 11 inches 176 pages, 98 color and b&w, 116 pages, 50 color, clothbound ISBN 978-88-6208-456-7 132 pages, 60 color, hardbound hardbound ISBN 978-88-6208-564-9 $50 | £35 ISBN 978-88-6208-412-3 ISBN 978-88-6208-495-6 $50 | £35 $50 | £35 $50 | £35
Joel Meyerowitz Klaus Mitteldorf Motus Marc Ohrem-Leclef Morandi’s Objects Work: Photographs 1983–2013 Hello Stranger Olympic Favela Text by Joel Meyerowitz, 24 x 30 cm | 9 ½ x 11 ¾ inches 21.6 x 25.4 cm | 8 ½ x 10 inches Text by Luis Perez-Oramas, Maggie Barrett 360 pages, 800 color and b&w, 274 pages, 150 color, hardbound Itamar Silva, David Kelley 25.4 x 32 cm | 10 x 12 ⅝ inches softcover ISBN 978-88-6208-518-2 24.1 x 31.1 cm | 11 x 11 inches 116 pages, 65 color, clothbound English & Portuguese $35 | £25 88 pages, 50 color, hardbound ISBN 978-88-6208-453-6 ISBN 978-88-6208-291-4 ISBN 978-88-6208-338-6 $50 | £35 $50 | £35 $50 | £30
76 Backlist 77 Christine Osinski Giuseppe Pino Peter Schlesinger David Benjamin Sherry Summer Days Staten Island The Way They Were: Portraits A Photographic Memory 1968–1989 It’s Time Interview by A. H. Data. & Stories from the 20th Century Text by Peter Schlesinger, Hilton Als Text by Neville Wakefield Text by Paul Moakley 30 x 30 cm | 11 ¾ x 11 ¾ inches 24.8 x 28.6 cm | 9 ¾ x 11 ¼ inches 22 x 30 cm | 9 x 12 inches 30.5 x 24.1 cm | 12 x 9 ½ inches 304 pages, 250 b&w, hardbound 176 pages, 150 color, hardbound 96 pages, 60 color, clothbound 96 pages, 51 b&w, hardbound ISBN 978-88-6208-341-6 ISBN 978-88-6208-436-9 ISBN 978-88-6208-093-4 ISBN 978-88-6208-448-2 $70 | £45 $50 | £35 $50 | £29.99 $40 | £25
Martin Parr Norma I. Quintana Mark Segal David Benjamin Sherry Think of Scotland Circus: A Traveling Life Cheetah Quantum Light 23 x 31.5 cm | 9 x 12 ½ inches Text by Mona Simpson 35 x 24 cm | 13 ¾ x 9 ½ inches Text by Collier Schorr 144 pages, 100 color, hardbound 28 x 28 cm | 11 x 11 inches 240 pages, 180 color and b&w, 21 x 27 cm | 8 ¼ x 10 ⅝ inches ISBN 978-88-6208-549-6 144 pages, 120 b&w, hardbound clothbound 72 pages, 70 color, clothbound $40 | £30 ISBN 978-88-6208-365-2 ISBN 978-88-6208-523-6 ISBN 978-88-6208-213-6 $60 | £39 $120 | £90 $50 | £30
Elizabeth Peyton Terry Richardson David Seltzer Jacqueline Roberts Portrait of an Artist: Terrywood Knowledge of the Raw Nebula Photographs 1994–2008 Text by Jeffrey Deitch, Al Moran Text by Eric Fischl Text by Frank Kalero Text by Richard Klein, 25 x 30 cm | 10 x 12 inches 24.1 x 30.4 cm | 9 ½ x 12 inches 25.5 x 30 cm | 10 x 11 ⅞ inches Rirkrit Tiravanija 228 pages, 150 color, hardbound 160 pages, 100 color and b&w, 144 pages, 87 b&w, clothbound 28 x 20 cm | 11 x 8 inches with jacket hardbound ISBN 978-88-6208-486-4 112 pages, 62 color, clothbound ISBN 978-88-6208-251-8 ISBN 978-88-6208-417-8 $45 | £30 ISBN 978-88-6208-077-4 $60 | £40 $45 | £30 $45 | £24.99
Jack Pierson Curt Richter Andres Serrano Lynn Saville The Hungry Years Thousand Words. Portraits Holy Works Dark City: Text by Eileen Myles from the Key West Literary Seminar Text by Germano Celant, Urban America at Night Quote by Stephen Shore Text by Ann Beattie James Frey Text by Geoff Dyer 20.3 x 24.1 cm | 8 x 9 ½ inches 29.8 x 29.8 cm | 11 ¾ x 11 ¾ inches 24 x 31 cm | 9 ½ x 12 inches 33.8 x 27 cm | 13 ¼ x 10 ⅝ inches 104 pages, 70 color, hardbound 96 pages, 48 b&w, hardbound 112 pages, 60 color, clothbound 128 pages, 80 color, hardbound ISBN 978-88-6208-562-5 ISBN 978-88-6208-478-9 ISBN 978-88-6208-209-9 ISBN 978-88-6208-411-6 $40 | £30 $45 | £30 $50 | £30 $50 | £35
Jean Pigozzi Derek Ridgers Jamel Shabazz Portraits of an Urban Hymn David Scheinbaum ME + CO. The Selfies: 1972-2016 78–87 London Youth Sights in the City: New York Hip Hop: Portraits of an Text by Ash Carter Text by John Maybury Street Photographs HIP HOP Urban Hymn
14 x 19.7cm | 5 ½ x 7 ¾ inches 21.5 x 31.5 cm | 8 ½ x 12 ½ inches 30.5 x 24.1 cm | 12 x 9 ½ inches PHotograPHs 26 x 30 cm | 10 ¼ x 11 ¾ inches DaviD scHeinbaUm 168 pages, 160 illustrations, hardbound 160 pages, 120 b&w, hardbound 160 pages, 120 color and b&w, 160 pages, 100 color and b&w, ISBN 978-88-6208-550-2 ISBN 978-88-6208-359-1 hardbound hardbound $40 | £25 $50 | £30 ISBN 978-88-6208-522-9 ISBN 978-88-6208-273-0 $50 | £38 $50 | £34
78 Backlist 79 Erica Simone Hiroshi Sugimoto Michael Thompson Mariano Vivanco Nue York: Self-Portraits of a Dioramas Portraits Portraits Nudes Flowers Bare Urban Citizen 25.2 x 27.8 cm | 10 x 11 inches Edited by Vince Aletti Foreword by Domenico Dolce, NUE YORK 30.5 x 24.7 cm | 12 x 9 ¾ inches 118 pages, 56 b&w, clothbound 26 x 33 cm | 10 x 13 inches Stefano Gabbana. ERICA SIMONE 88 pages, 48 color, hardbound with jacket 216 pages, 147 color, clothbound Introduction by Tim Blanks. English & French Rights world except France with jacket Conversation with Janet Mock ISBN 978-88-6208-464-2 ISBN 978-88-6208-327-0 English, Italian & French 24.5 x 32.6 cm | 9 ¾ x 12 ⅞ inches $40 | £25 $65 | £40 Rights world except Germany and Asia 224 pages, 200 color, clothbound ISBN 978-88-6208-156-6 ISBN 978-88-6208-489-5 $65 | £45 $50 | £35
Brian Bowen Smith Hiroshi Sugimoto Charles H. Traub Julian Wasser Projects Seascapes Dolce Via: Italy in the 1980s The Way We Were: The 24 x 30.5 cm | 9 ½ x 12 ½ inches 25.2 x 27.8 cm | 10 x 11 inches Text by Max Kozloff, Luigi Ballerini Photography of Julian Wasser 168 pages, 100 b&w, hardbound 272 pages, 213 b&w, clothbound 30 x 24 cm | 11 ¾ x 9 ½ inches Edited by Brad Elterman. ISBN 978-88-6208-263-1 with jacket 112 pages, 60 color, hardbound Text by Julian Wasser $60 | £40 Rights world except France ISBN 978-88-6208-344-7 24.1 x 31.7 cm | 9 ½ x 12 ½ inches and Japan $50 | £30 144 pages, 150 b&w, hardbound ISBN 978-88-6208-416-1 ISBN 978-88-6208-349-2 $70 | £45 $60 | £39
Randi Malkin Steinberger Hiroshi Sugimoto Charles H. Traub Ben Watts No Circus Theaters Lunchtime Montauk Dreaming Text by D.J. Waldie Text by Hiroshi Sugimoto 21.5 x 21.5 cm | 8 ½ x 8 ½ inches 22.2 x 22.2 cm | 8 ¾ x 8 ¾ inches 22.9 x 17.8 cm | 9 x 7 inches 25.2 x 27.8 cm | 10 x 11 inches 140 pages, 100 color, hardbound 144 pages, 140 color, hardbound 128 pages, 69 color, hardbound 176 pages, 130 b&w, clothbound ISBN 978-88-6208-423-9 ISBN 978-88-6208-388-1 ISBN 978-88-6208-480-2 with jacket $45 | £30 $45 | £29 $35 | £25 Rights world except France ISBN 978-88-6208-477-2 $60.00 | £40
Aaron Stern Joseph Szabo Diego Uchitel Jork Weismann I Woke Up in My Clothes Rolling Stones Fans Polaroids Asleep at the Chateau Text by David Wagoner, Rich Appel 24.5 x 22.5 cm | 9 ¾ x 9 inches Text by Diane von Furstenberg Text by Bret Easton Ellis 24 x 30 cm | 9 ½ x 11 ¾ inches 104 pages, 100 b&w, hardbound 25 x 31.5 cm | 9 ¾ x 12 ½ inches 33 x 24 cm | 12 x 9 inches 96 pages, 50 color, clothbound ISBN 978-88-6208-399-7 240 pages, 200 color and b&w, 184 pages, 87 color, clothbound ISBN 978-88-6208-352-2 $39 | £25 clothbound ISBN 978-88-6208-242-6 $45 | £25 ISBN 978-88-6208-239-6 $50 | £35 $50 | £35
Joni Sternbach Alexey Titarenko Carlo Van de Roer James Welling Surf Site Tin Type The City Is a Novel The Portrait Machine Project Glass House Text by Lyle Rexer, April M. Watson, Text by Alexey Titarenko, Gabriel 24,5 x 30.5 cm | 9 ¾ x 12 inches Text by Noam Elcott, Sylvia Lavin Chris Malloy, Johnny Abegg Bauret, Brett Abbott, Sean Corcoran 88 pages, 40 color, clothbound 32.2 x 24.8 cm | 12 ¾ x 9 ¾ inches 30.5 x 24.8 cm | 12 x 9 ¾ inches 24.1 x 26.7 cm | 9 ½ x 10 ½ inches ISBN 978-88-6208-268-6 112 pages, 45 color, hardbound 192 pages, 123 b&w, hardbound 208 pages, 122 b&w, clothbound $40 | £25 ISBN 978-88-6208-161-0 ISBN 978-88-6208-380-5 with jacket $50 | £35 $45 | £29 ISBN 978-88-6208-414-7 $60 | £40
80 Backlist 81 Fashion & Lifestyle
Amani Willett Ara Gallant Christopher Niquet Disquiet Edited by David Wills. Text by Models Matter 16.5 x 24 cm | 6 ½ x 9 ½ inches Anjelica Huston Edited with text by Christopher 128 pages, 60 color, clothbound 23.5 x 31 cm | 9 ½ x 12 ½ inches Niquet. Preface by Steven Meisel ISBN 978-88-6208-274-7 260 pages, 100 color, hardbound 22 x 28 cm | 8 ½ x 11 inches $40 | £25 ISBN 978-88-6208-120-7 (English) 120 pages, 70 color and b&w, $60 | £39 softcover ISBN 978-88-6208-519-9 $40 | £30
Stephan Würth Embroidery Italian Fashion James Moore Ikinga Text by Giusy Ferra, Valentino, Photographs 1962-2006 Text by Joseph Akel Gianfranco Ferre, Anna Molinari, 25 x 33.5 cm | 10 x 13 ¼ inches 24.1 x 24.1 cm | 9 ½ x 9 ½ inches Roberto Cavalli, et al 278 pages, 190 color and b&w, 72 pages, 31 color, clothbound 24 x 31.5 cm | 9 ½ x 12 ½ inches hardbound ISBN 978-88-6208-444-4 280 pages, 240 color, clothbound ISBN 978-88-6208-494-9 $45 | £30 with embroidery $75 | £60 ISBN 978-88-89431-23-8 (English) $99 | £60
Brian Young Fashion at the Time of Fascism: Landon Nordeman The Train NYC, 1984 Italian Modernist Lifestyle, 1922–1943 Out of Fashion 30 x 29.8 cm | 8 ¼ x 11 ¾ inches Edited by Mario Lupano, 23.5 x 16 cm | 9 ¼ x 6 ¼ inches 112 pages, 80 color, hardbound Alessandra Vaccari 128 pages, 112 color, clothbound ISBN 978-88-6208-492-5 23 x 29.5 cm | 9 x 11 ½ inches ISBN 978-88-6208-496-3 $45 | £30 400 pages, 700 color and b&w, $50 | £30 hardbound ISBN 978-88-6208-051-4 (English) ISBN 978-88-6208-061-3 (Italian) $60 | £39
Dan Ziskie Franco Gobbi Harri Peccinotti Cloud Chamber Fragile H.P. 30 x 24 x cm | 11 ¾ x 9 ½ inches 22,2 x 22,2 cm | 8 ¾ x 8 ¾ inches Text by Derek Birdsall 108 pages, 65 color, hardbound 160 pages, 70 color and b&w, 23 x 30 cm | 9 ½ x 12 inches ISBN 978-88-6208-547-2 clothbound 228 pages, 200 color, hardbound $35 | £25 ISBN 978-88-6208-529-8 with jacket $70 | £55 ISBN 978-88-6208-074-3 $60 | £34
Maripol Bob Recine Little Red Riding Hood Alchemy Of Beauty Text by Maripol. Conversation Text by René Ricard. Photographs with Marc Jacobs by Mario Sorrenti, Robbie Fimmano 24 x 30 cm | 9 ½ x 11 ½ inches and Bob Recine 268 pages, 350 color, hardbound 24 x 31.2 cm | 9 ½ x 12 inches ISBN 978-88-6208-136-8 (English) 164 pages, 130 color and b&w, ISBN 978-88-6208-143-6 (French) hardbound with jacket $60 | £40 ISBN 978-88-6208-212-9 $65 | £40
$ 65,00 £ 40,00
82 Backlist 83 Contemporary Art
Stephen Sprouse: Xerox / Rock / Jennifer Bartlett Andy Denzler Art: An Archive of Drawings and Epic Systems Fragmented Identity Ephemera 1970s–1980s Text by Barry Schwabsky 28 x 32 cm | 11 x 12 ⅝ inches Edited by Carol McCranie, Javier 28.5 x 28.5 cm | 11 ¼ x 11 ¼ inches 216 pages, 105 color, hardbound Magri. Text by Debbie Harry, 88 pages, 75 color, clothbound ISBN 978-88-6208-559-5 Carol McCranie ISBN 978-88-6208-410-9 $55 | £40 21.5 x 28 cm | 8 ½ x 11 inches $45 | £30 208 pages, 200 color, hardbound ISBN 978-88-6208-370-6 $50 | £35
Nick Waplington Valérie Belin Dzine Alexander McQueen: Working Process 21 x 27 cm | 8 1⁄4 x 10 1⁄2 inches Nailed: The History of Nail Edited by Alexander McQueen 288 pages 122 color and b&w, Culture and Dzine and Nick Waplington. Text by softcover with flaps In association with Standard Press Susannah Frankel ISBN 978-88-6208-511-3 (English) 24.4 x 29.3 cm | 9 ½ x 11 ½ inches 24 x 29 cm | 9 ½ x 11 ½ inches ISBN 978-88-6208-512-0 (French) 216 pages, 290 color, hardbound 304 pages, 160 color, hardbound $55 | £40 ISBN 978-88-6208-205-1 with jacket $45 | £30 ISBN 978-88-6208-295-2 $60 | £40
Nick Waplington Daniel Brush Electrical Banana: Masters of The Isaac Mizrahi Pictures: Text by Oliver Sacks, David Psychedelic Art New York City 1989–1993 Revere McFadden, Brett Littman. Text by Paul McCartney, Norman 25 x 28.4 cm | 9 ⅞ x 11 ¼ inches Interview by Paul Keegan Hathaway, Dan Nadel 168 pages, 119 color, hardbound 34.2 x 33 cm | 13 ½ x 13 inches 23.5 x 26 cm | 9 ½ x 10 ¼ inches ISBN 978-88-6208-451-2 276 pages, 250 color, hardbound 208 pages, 150 color, softcover $50 | £35 with jacket ISBN 978-88-6208-204-4 Rights world except USA $39.95 | £27 ISBN 978-88-6208-278-5 $85 | £50
Vivienne Westwood Colors: A Book About a Magazine FAQ Shoes About the Rest of the World Edited by Maurizio Cattelan, Edited by Luca Beatrice, Text by Francesco Bonami. Myriam Ben Salah Matteo Guarnaccia Interview with Luciano Benetton 15.5 x 21 cm | 6 x 8 ¼ inches 24 x 31.5 cm | 9 ½ x 12 ½ inches and Oliviero Toscani 120 pages, 80 color, accordion fold 192 pages, 120 color, hardbound 24.5 x 33.8 cm | 9 ⅝ x 13 ¼ inches ISBN 978-88-6208-502-1 with sleeve 240 pages, 300 color, clothbound $35 | £25 ISBN 978-88-89431-84-9 (English) with jacket $65 | £39 ISBN 978-88-6208-424-6 $50 | £35
Johan Creten David Goldes In association with Galerie Perrotin Electricities Text by Jan Hoet. Interview by Léa 24.75 x 30.5 cm | 9 ¾ x 12 inches Chauvel-Lévy 160 pages, 100 color, hardbound 21 x 27 cm | 8 ¼ x 10 ½ inches ISBN 978-88-6208-553-3 264 pages, 200 color, hardbound $50 | £35 ISBN 978-88-6208-308-9 $50 | £34
84 Backlist 85 Okwui Enwezor and Chris Johanson Gianni Motti José Parlá Chika Okeke-Agulu Please Listen I Have Something In association with Galerie Perrotin Segmented Realities Contemporary African Art to Tell You About What Is Text by Elisabeth Lebovici, Françoise Text by Michael Rooks, Rey Parlá, Since 1980 In association with Alleged Press Ninghetto, Marie-Olivier Wahler, Steve Swieter, Mike Jensen, Farzad 24 x 31.5 cm | 9 ½ x 12 ½ inches 24 x 31.5 cm | 9 ½ x 12 ½ inches Jade Lindgaard, Fabrice Stroun, et al 24 x 29.2 cm | 9 ½ x 11 ½ inches 368 pages, 400 color, softcover 208 pages, 180 color, hardbound 21 x 27 cm | 8 ¼ x 10 ⅝ inches 96 pages, 70 color, hardbound ISBN 978-88-6208-092-7 English & Italian 240 pages, 200 color and b&w, ISBN 978-88-6208-422-2 $60 | £45 ISBN 978-88-89431-45-0 hardbound $45 | £30 $50 | £27.50 ISBN 978-88-6208-361-4 $50 | £34
Monir Shahroudy Farmanfarmaian JR and Art Spiegelman Kaz Oshiro Paola Pivi Cosmic Geometry The Ghosts of Ellis Island In association with Galerie Perrotin In association with Galerie Perrotin Edited by Hans Ulrich Obrist, Karen 21.7 x 27 cm | 8 ½ x 10 ½ inches Text by Michael Duncan, Ed Schad Text by Massimiliano Gioni, Jens Marta. Text by Nader Ardalan, Media 120 pages, 90 color, hardbound 21 x 27 cm | 8 ¼ x 10 ½ inches Hoffmann Farzin, Eleanor Sims. Conversation ISBN 978-88-6208-395-9 144 pages, 120 color, hardbound 21 x 27 cm | 8 ¼ x 10 ½ inches with Hans Ulrich Obrist $39.95 | £25 ISBN 978-88-6208-342-3 192 pages, 100 color, hardbound 24.5 x 29.4 cm | 9 ½ x 11 ½ inches $40 | £25 ISBN 978-88-6208-319-5 296 pages, 200 color, clothbound $50 | £34 ISBN 978-88-6208-175-7 $70 | £45
Daniel Firman JR and José Parlá Parallel Views: Italian and Japanese Carlos Rolon In association with Galerie Perrotin The Wrinkles of the City: Art from the 1950s, 60s and 70s Boxed: A Visual History and Text by Emmanuel Latreille, Thierry Havana Cuba Edited by by Allan Schwartzman the Art of Boxing Raspail. Interview by Hou Hanru In association with Standard Press 28 x 30.5 cm | 11 x 12 inches Edited and with text by Carlos Dzine 21 x 27 cm | 8 ¼ x 10 ½ inches 30 x 30 cm | 11 ¾ x 11 ¾ inches 408 pages, 249 color, clothbound Rolon. Text by Franklin Sirmans 192 pages, 250 color, hardbound 160 pages, 150 color, hardbound with jacket 24 x 29.2 cm | 9 ½ x 11 ½ inches ISBN 978-88-6208-309-6 with jacket ISBN 978-88-6208-400-0 208 pages, 150 color, hardbound $40 | £25 ISBN 978-88-6208-250-1 $75 | £45 ISBN 978-88-6208-354-6 $49.95 | £35 $60 | £39
Fischerspooner: New Truth Barry McGee José Parlá Claude Rutault Edited with text by Meredith In association with Alleged Press In Medias Res In association with Galerie Perrotin Mowder. Text by Klaus Biesenbach, Edited by Aaron Rose Text by Manon Slome, Greg Text by Claude Rutault. Gavin Brown, Jeffrey Deitch, 24 x 31.5 cm | 9 ½ x 12 ½ inches Tate, Carlo McCormick, Michael Interview by Hans Ulrich Obrist Warren Fischer, Casey Spooner 204 pages, 200 color, hardbound Betancourt, Isolde Brielmaier, et al 21 x 27 cm | 8 ¼ x 10 ⅝ inches 24.2 x 28 cm | 9 ½ x 11 inches ISBN 978-88-6208-096-5 24 x 29.2 cm | 9 ½ x 11 ½ inches 238 pages, 200 color, hardbound 256 pages, 220 color, hardbound $49.95 | £29.99 256 pages, 220 color, hardbound ISBN 978-88-6208-321-8 ISBN 978-88-6208-328-7 ISBN 978-88-6208-362-1 $50 | £34 $50 | £35 $60 | £39
Natalie Frank Mike Mills José Parlá Kenny Scharf Tales of the Brothers Grimm Graphics / Films Roots Kolors Drawings by Natalie Frank. Edited In association with Alleged Press 24.4 x 29.3 cm | 9 ⅝ x 11 ½ inches In association with Standard Press by Karen Marta. Text by Claire 24 x 31.5 cm | 9 x 12 inches 96 pages, 101 color, hardbound Text by Jeffrey Deitch Gilman, Linda Nochlin, Julie 164 pages, 100 b&w, hardbound ISBN 978-88-6208-563-2 21.6 x 26.7 cm | 8 ½ x 10 ½ inches Taymor, Jack Zipes English & Italian $45 | £35 96 pages, 68 color, hardbound 22.8 x 30.5 cm | 9 x 12 inches ISBN 978-88-6208-075-0 ISBN 978-88-6208-287-7 272 pages, 250 color, hardbound $50 | £24.99 $40 | £25 ISBN 978-88-6208-386-7 $60 | £40
86 Backlist 87 Music Urban Art
John Severson Ed Templeton Keziah Jones and Native Maqari Chaz Bojorquez John Severson’s Surf Deformer Captain Rugged The Art and Life of Chaz Text by Gerry Lopez, Drew Kampion. In association with Alleged Press 16.5 x 24 cm | 6 ½ x 9 ½ inches Bojorquez Interview by Nathan Howe 24 x 29 cm | 9 ½ x 11 ½ inches 120 pages, 110 color, hardbound, Edited by Mario Klefisch, 24 x 31 cm | 9 ½ x 12 ¼ inches 176 pages, 150 color and b&w, includes a card to download an Alberto Scabbia. Text by François 212 pages, 200 color and b&w, hardbound album by Keziah Jones Chastenet, Greg Escalante, hardbound ISBN 978-88-6208-050-7 ISBN 978-88-6208-340-9 (English) Usugrow ISBN 978-88-6208-326-3 $55 | £25 ISBN 978-88-6208-336-2 (French) 24 x 28 cm | 9 ½ x 13 inches $45 | £29 $45 | £29 160 pages, 140 color, hardbound ISBN 978-88-6208-121-4 $50 | £30
Shit and Die Cy Twombly Moby Dumbo Edited by Maurizio Cattelan, Paradise Destroyed Acts of Vandalism and Stories Myriam Ben Salah, Marta Papini Edited by Julie Sylvester. Text by 29 x 22.8 cm | 11 ½ x 9 inches of Love 23 x 29 cm | 9 x 11 ½ inches Walter Hartsarich, Gabriella Belli, 128 pages, 55 color, hardback, Text by Barry McGee, Federico 152 pages, 100 color, softcover Philip Larratt-Smith includes Destroyed CD Sarica, Kyri Chenven English & Italian 25 x 34.5 cm | 9 ¾ x 13 ½ inches English, Italian, German, 20 x 29 cm | 8 x 11 ½ inches ISBN 978-88-6208-402-4 172 pages, 90 color, clothbound Spanish & French 136 pages, 130 color, hardbound $30 | £19 with jacket ISBN 978-88-6208-155-9 English & Italian ISBN 978-88-6208-376-8 $39.95 | £25 ISBN 978-88-89431-95-5 $60 | £39 $35 | £19
Gary Simmons Carrie Mae Weems Sound & Vision Alex Fakso Paradise Kitchen Table Series Texts by Luca Beatrice, Fast or Die Text by Gwen Allen, Nancy Text by Sarah Lewis and Alberto Campo Text by Andrea Caputo, Princenthal, Charles Wylie. Adrienne Edwards 20 x 28 cm | 8 x 11 inches Alessandro Zuek Simonetti Conversation with Okwui Enwezor 24.8 x 34.3 cm | 9 ¾ x 13 ½ inches 260 pages, 200, softcover 24 x 31 cm | 9 ½ x 12 ½ inches 24.2 x 29.2 cm | 9 ½ x 11 ½ inches 86 pages, 34 b&w, hardbound ISBN 978-88-89431-98-6 (English) 112 pages, 60 color, softcover 192 pages, 150 color, clothbound with jacket $35 | £22 ISBN 978-88-6208-164-1 ISBN 978-88-6208-240-2 ISBN 978-88-6208-462-8 $35 | £19.95 $50 | £35 $50 | £35
Berndnaut Smilde Peter Zimmermann Sound Zero Alex Fakso Builded Remnants In association with Galerie Perrotin Texts by Fabio de Luca, Uwe Husslein, Heavy Metal 28.5 x 22.8cm | 11 ¼ x 9 inches 21 x 27 cm | 8 ¼ x 10 ½ inches Aaron Rose, Valerio Dehò Text by Alex Fakso, Giovanna 112 pages, 50 color, hardbound 96 pages, 250 color, hardbound 16.5 x 23 cm | 6 ½ x 9 inches Calvenzi, Jamel Shabazz ISBN 978-88-6208-532-8 ISBN 978-88-6208-307-2 200 pages, 150 color, hardbound 30 x 18 cm | 12 x 7 inches $50 | £38 $40 | £25 ISBN 978-88-89431-63-4 (German) 164 pages, 100 color, hardbound $48 | £27.50 ISBN 978-88-89431-49-8 $35 | £19
Tabboo! The Art of Stephen Roger Harris Frontier: The Line of Style Tashjian This Is My Generation. Edited by Claudio Musso, Fabiola Edited by Lia Gangitano. Text Rock Legends of the 1950s, 60s, 70s Naldi. Text by Mubi Brighenti, by Jack Pierson, Elisabeth Kley, and 80s on Stage Today Claire Calogirou, Dado, Stewart Lia Gangitano Text by Bob Eisenberg, Roger Harris Home, Christian Omodeo, et al 24 x 30.5 cm | 9 ½ x 12 inches 22.9 x 22.9 cm | 9 x 9 inches 16.5 x 23 cm | 6 ½ x 9 inches 224 pages, 150 color, hardbound 96 pages, 80 color, softcover 176 pages, 100 color, softcover ISBN 978-88-6208-264-8 ISBN 978-88-6208-493-2 English & Italian $50 | £35 $30 | £20 ISBN 978-88-6208-300-3 $40 | £25
88 Backlist 89 Architecture & Design Antiques & Collectibles
Phil Frost Diller Scofidio + Renfro Qualities of Duration: The Longines Watches Text by Pushead, Carlo McCormick Lincoln Center Inside Out Architecture of Phillip Smith Edited by John Goldberger. 28 x 28 cm | 11 x 11 inches 23.8 x 31.8 cm | 9 ⅜ x 12 ½ inches and Douglas Thompson Text by Giampiero Negretti 162 pages, 164 color, hardbound 288 pages, 800 color, clothbound Text by Alastair Gordon 21 x 29 cm | 8 ½ x 11 ½ inches English & Italian ISBN 978-88-6208-244-0 22.9 x 22.9 cm | 9 x 9 inches 304 pages, 280 color, hardbound ISBN 978-88-6208-024-8 $85 | £50 222 pages, 357 color, hardbound ISBN 978-88-89431-47-4 (French) $45 | £24.99 ISBN 978-88-6208-231-0 $99 | £60 $50 | £35
ISBN 978-88-6208-244-0
9 788862 082440 >
Rae Martini Stewart Grimshaw Thomas R. Schiff John Goldberger 24 Carat Dirt The Loveliest Valley: Prospect Patek Philippe Steel Watches 24 x 30 cm | 9 ½ x 11 ½ inches A Garden in Sussex Text by Michael Speaks, Ann Cotter Limited edition of 300 copies 208 pages, 150 color, hardbound 30 x 25 cm | 11 ¾ x 9 ⅞ inches 42.5 x 24.8 cm | 16 ½ x 10 inches numbered and signed by the author ISBN 978-88-6208-207-5 240 pages, 265 color, hardbound 304 pages, 250 color, clothbound 24 x 32.5 cm | 9 ½ x 12 ¾ inches $40 | £25 with jacket with jacket 440 pages, 900 color, hardbound ISBN 978-88-6208-441-3 ISBN 978-88-6208-195-5 with cork, plexiglass slipcase $65 | £40 $80 | £50 ISBN 978-88-6208-304-1 $800 | £500
Stefano Pane The Haas Brothers Walter Vallini Manfred Rössler People Think I’m Cool: The Life Haas Brothers Walter Vallini Architect: Zenith and Art of Pane Text by Laura Dern, Vincent Gallo, Works 2000–2012 21 x 29 cm | 8 ½ x 11 ½ inches 23 x 28.7 cm | 9 ½ x 11 inches Simon and Nikolai Haas 19 x 22 cm | 7 ¾ x 8 ¾ inches 328 pages, 700 color, hardbound 208 pages, 140 color, hardbound 22 x 29 cm | 8 ½ x 11 ½ inches 96 pages, 80 color, hardbound English & Italian English & Italian 176 pages, 150 color, softcover ISBN 978-88-6208-279-2 ISBN 978-88-6208-069-9 (English) ISBN 978-88-6208-183-2 ISBN 978-88-6208-373-7 $30 | £20 ISBN 978-88-6208-068-2 (Italian) $39 | £24.95 $50 | £35 $150 | £80
Raptuz The Haas Brothers Village: One Land Two Systems Mother Road Haas Brothers Volume II: Afreaks and Platform Paradise Text by Lorenzo Bonini, Raptuz 21.6 x 29.2 cm | 8 ½ x 11 ½ inches Edited and with text by Malkit 22.8 x 22.8 cm | 9 x 9 inches 160 pages, 120 color, softcover Shoshan, Maurizio Bortolotti 144 pages, 100 color, hardbound ISBN 978-88-6208-434-5 16.5 x 24 cm | 6 ½ x 9 ½ inches ISBN 978-88-6208-229-7 $50 | £35 256 pages, 200 color, softcover $35 | £20 ISBN 978-88-6208-254-9 $30 | £19
ISBN 978-88-6208-229-7
9 788862 082297 >
Tsang Tsou Choi Maria Pergay Jeff Zimmerman The King of Kowloon: The Art Complete Works 1957–2010 Text by John Drury. Interview by of Tsang Tsou Choi Text by Suzanne Demisch, Sean Kelly Edited by David Spalding Stephane Danant, Adam Lindeman 24 x 28 cm | 9 ½ x 11 inches 24.5 x 27 cm | 9 ⅝ x 10 ⅝ inches 25.4 x 29.8 cm | 10 x 11 ¾ inches 224 pages, 210 color, hardbound 240 pages, 150 color, hardbound 290 pages, 300 color, hardbound ISBN 978-88-6208-358-4 English & Chinese with jacket $60 | £39 ISBN 978-88-6208-271-6 ISBN 978-88-6208-174-0 $50 | £35 $70 | £50
90 Backlist 91 Contacts
Damiani Press Offices In June 2015, Damiani opened a new gallery space, Spazio Damiani. Via dello Scalo, 3/2 ABC Via dello Scalo, 3/2 ABC Europe Past exhibitions include Morandi’s Objects by Joel Meyerowitz, 40131 Bologna, Italy 40131 Bologna, Italy [email protected] Tel. +39 051 438 07 47 Dirt Meridian by Andrew Moore, Opera by David Leventi, T: +39 051 635 68 58 Fink on Warhol: New York Photographs of the 1960s by Larry Fink, [email protected] [email protected] London The City is a Novel by Alexey Titarenko and Electricities by David Goldes. www.spaziodamiani.com www.damianieditore.com Claire Sawford [email protected] Spazio Damiani offers a continuing programme of exhibitions devoted to President and Publisher T: +44 (0)20 7722 4114 showcasing the work of significant contemporary artists along with lectures Andrea Albertini and other events. [email protected] New York Artbook | D.A.P. Open to the public from Monday to Friday, 12.00 to 6.00 pm, and by appointment. Editorial Office Luke P. Brown Eleonora Pasqui [email protected] [email protected] 75 Broad Street, Suite 630 New York, NY 10004 Sales and Marketing T: +1 212 627 1999 Enrico Farinazzo F: +1 212 627 9484 [email protected] www.artbook.com
Printed in October 2017 by Grafiche Damiani – Faenza Group SpA, Italy.
Unless otherwise indicated, all photographs are copyright the artists.
Cover: Astrid Kirchherr, John Lennon with Ringo Starr in Astrid’s cap, (detail), 1964. From Astrid Kirchherr with the Beatles (p. 7) Pages 4–5: Martin Parr, Martin Parr kisses some of his favourite mugs, Bristol, England, (detail), 2005 © Martin Parr / Magnum Photos. From ToiletMartin PaperParr (p. 19) Pages 40–41: Tria Giovan, Malecon-Gibara, Cuba (detail), 1993. From The Cuba Archive. Photographs 1990-1996 (p. 44) Pages 60–61: Concept and images by Maurizio Cattelan and Pierpaolo Ferrari. From Toiletpaper (pp. 62–65) Pages 66–67: Gian Butturini, untitled, (detail). From London (p. 69)
Information in this catalogue was accurate when going to press. Prices, specifications, and terms are subject to change without notice.
92 93 Distributors
Artbook | D.A.P. Michelle Strickland EUROPE AFRICA ASIA AUSTRALASIA Key Accounts Manager North, Central, and South America T: +44 (0)20 7845 5000 Austria, Germany and Switzerland Africa (excluding South) China (PRC), Hong Kong and Macau Australia, New Zealand, Papua New Guinea Elisa Nadel F: +44 (0)20 7845 5055 Michael Klein Ian Bartley Thames & Hudson China Ltd & the Pacific Islands Vice President, Director of Publisher Services [email protected] c/o Vertreterbuero Wuerzburg Export Sales Department Units B&D 17/F Thames & Hudson (Australia) Pty Ltd T: +1 212 627 1999 T: +49 931 17 405 Thames & Hudson Ltd Gee Chang Hong Centre 11 Central Boulevard F: +1 212 627 9484 David Howson [email protected] [email protected] 65 Wong Chuk Hang Road Portside Business Park [email protected] London Aberdeen Fisherman’s Bend T: +44 (0)20 7845 5000 Belgium, Netherlands and Luxembourg South Africa, Swaziland, Lesotho, Namibia, Hong Kong Victoria 3207 Jane Brown F: +44 (0)20 7845 5055 Bas van der Zee Botswana and Zimbabwe T: +852 2 553 9289 T: +61 (03) 9646 7788 Sales Director [email protected] T: + 31 (0) 623137695 Peter Hyde Associates F: +852 2 554 2912 F: +61 (03) 9646 8790 T: +1 212 627 1999 London: E1-E18, EC1-4, N1-22, SE1, SW3, E: [email protected] 5 &7 Speke Street [email protected] [email protected] F: +1 212 627 9484 SW7, W1, W2, W8, W11, WC2 (Corner Nelson Street) [email protected] Eastern Europe Observatory 7925 For China enquiries: For countries not mentioned above, Dawn Shield Sara Ticci Cape Town Marc Zhang, Beijing & Northern China please contact: Books Import London T: + 44 7952 919866 T: +27 (021) 447 5300 [email protected] T: +44 (0)20 7845 5000 [email protected] F: +27 (021) 447 1430 Ian Bartley Italy F: +44 (0)20 7845 5055 [email protected] Taiwan Head of Export Sales Books Import [email protected] Eastern Mediterranean, Bulgaria, Romania Ms Helen Lee, Taipei Thames & Hudson Ltd via Achille Maiocchi, 11 London: NW1-NW11 Stephen Embrey MIDDLE EAST [email protected] 181A High Holborn 20129 Milano, Italy T: + 44 7952 919866 London WC1V 7QX T: +39 02 29400478 Leslie Bolt [email protected] Middle East incl. Egypt Shanghai UK F: +39 02 29515254 T: +44 7984 034496 Stephen Embrey Zita Chan T: +44 (0)20 7845 5035 [email protected] [email protected] France T: + 44 7952 919866 [email protected] F: +44 (0)20 7845 5055 Bedfordshire, Berkshire, Cambridgeshire, Interart S.A.R.L. [email protected] [email protected] Dorset, Essex, Hampshire, Hertfordshire, 1 rue de l’Est Japan Thames & Hudson Kent, Middlesex, Norfolk, Suffolk, Surrey, 75020 Paris Iran Scipio Stringer East Sussex, West Sussex, Wiltshire, T : +33 (1) 43 49 36 60 Book City Co. (PJS) Export Sales Department UK SALES OFFICE Worcestershire, Oxford, London SW4-6, SW8- F: +33 (1) 43 49 41 22 P.O. Box 158757341 Thames & Hudson Ltd 20, SE2-26, W3-7, W9-14 [email protected] 743 Shariati St. [email protected] Christian Frederking Tehran 16396 Group Sales Director Karim White Ireland T: +98 21 88459950 Korea T: +44 (0)20 7845 5000 T: +44 7740 768900 Karim White F: +98 21 88459949 Zita Chan F: +44 (0)20 7845 5055 [email protected] T +44 7740 768900 [email protected] [email protected] [email protected] Cheshire, Cleveland, Cumbria, Co. Durham, [email protected] Lancashire, Greater Manchester, Merseyside, Lebanon Malaysia Ben Gutcher Northumberland, Sheffield, Tyne & Wear, Spain and Portugal Levant Distributors Thames & Hudson Singapore Pte Ltd Head of UK Sales Yorkshire, Ireland, Scotland Natasha Ffrench PO Box 11-1181 c/o APD Kuala Lumpur T: +44 (0)20 7845 5000 Export Sales Department Sin-El-Fil, Al Qalaa Area No 22, 24 & 26 Jalan SS3/41 F: +44 (0)20 7845 5055 Mike Lapworth Thames & Hudson Ltd Sector No. 5 47300 Petaling Jaya E: [email protected] T: +44 7745 304 088 [email protected] Bldg #31, 53rd Street Selangor Darul Ehsan [email protected] Beirut T: +60 37877 6063 Andrius Juknys Buckinghamshire, Derbyshire, Herefordshire, Scandinavia, Baltic States, Russia and the CIS T: +961 (01) 488 035 F: +60 37877 3414 Head of Distributed books Leicestershire, Lincolnshire, Northants, Per Burell F: +961 (01) 510 659 [email protected] T: +44 (0)20 7845 5000 Nottinghamshire, Oxon (except Oxford), T: + 46 (0) 70 725 1203 [email protected] F: +44 (0)20 7845 5055 Shropshire, Staffordshire, Warwickshire, West [email protected] Singapore and South-East Asia [email protected] Midlands, Worcestershire APD Singapore Pte Ltd 52 Genting Lane Mark Garland Ian Tripp #06-05, Ruby Land Complex Manager, Distributed Books T: +44 7970 450162 Singapore 349560 T: +44 (0)20 7845 5000 [email protected] T: +65 6749 3551 F: +44 (0)20 7845 5055 Channel Islands Cornwall, Devon, F: +65 6749 3552 [email protected] Gloucestershire, Somerset, Wales [email protected]
Victoria Hutton India, Nepal, Bangladesh and Bhutan UK TERRITORY MANAGERS T: +44 7899 941010 Kapil Kapoor [email protected] Roli Books Gethyn Jordan London Gift Accounts T +91 11 4068 2000 Key Accounts Manager F + 91 11 2921 7185 National Wholesalers James Denton [email protected] T: +44 (0)20 7845 5000 T: +44 7765 403182 F: +44 (0)20 7845 5055 [email protected] Pakistan and Sri Lanka [email protected] South and South East Gift Accounts Scipio Stringer Thames & Hudson Ltd Colin Macleod [email protected] T: +44 7710 852197 E: [email protected] South West gift Accounts
94 95