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12 Page CGN November 2014
A MISSION TRIP TO KOINONIA FARM ... PAGES 6, 7 AND 10 CGN! Caldwell Good News! November 2014 Our Adult Christian Cold nights mean the Las Posada is a New members break One of our members Education (ACE) homeless need to be chance for Caldwell bread - well, actually as a ‘moo-ving’ class studies what we safely housed and to celebrate the birth it was pizza - together experience during her can learn from other cared for. Our Room of Christ and walk at Hawthorne’s. trek to Koinonia religions. in the Inn team could with our Latino Page 9 Farm. Page 2 use your help to bring brothers and sisters. Page 12 comfort to others in Mark Dec. 19 on your need. calendar for this Page 3 solemn but festive occasion. Pages 4 - 5 CALDWELL PRESBYTERIAN CHURCH CHARLOTTE, NORTH CAROLINA CALDWELL GOOD NEWS! CALDWELLPRESBY.ORG$ NOVEMBER 2014 Pastor John What can we learn from other religions? Cleghorn’s column will This series encourages understanding. return in December. There’s considerable misunderstanding about other faiths but our ACE class is doing something about it by studying What Christians Can Learn fom Other Religions. Islam Few religions are as misunderstood as Islam. But an open dialogue can bridge the knowledge gap that tends to isolate one religion from another. “A lot of what you accept is the Imam Wogaman said “When we look at things from a standpoint of culture you grew up in and we reject what God wants ... we could engage about what he has given us.” cultures we don’t know,” Muslim Imam J. -
Page Luca Shivendra Om Today
PipTrump Club 4 May 4 2014 Luca Shivendra Om Today: big wheels big deals Khadijah Carolyn They are leaving their compass behind. Or they had to use it to make a wheel. Two solstices, the equinox, the arctic circle. The middle becomes the compass rose. They seem to be coming east west, so they had to "come past" or navigate this huge coin. Aurora Díaz Fernández Empty and full / looking for and found / liberty of movement versus confinement / first step do and behold / two sides of a coin / two ways of perceiving a situation / same but different If an object: a bicycle. Or pirate eyes. Luca Shivendra Om To move VS to rest "in place" —the continuous movement of life stops —the stillness of death —maybe a treasure of another kind is still waiting to be discovered Paul Nagy FEEL HOW RUNT FOCI FOE OCEANS: the pirate eye patch curse. The Military Industrial Complex. A fleet of battleships arranged for attack. 1 | P a g e PipTrump Club 4 May 4 2014 A cyclone, hurricane, tornado, whirlwind. The animals escaped the zoo. Ecological disaster. Earthquakes, tectonic plates move and undermined what we see and how we think. The sun is given a cosmetic facelift to become a smiling flower. Cataracts. A sty of the eyelid. One miscalculates the odds or is visited with unexpected goods. The world resets itself despite our worst or best efforts at upsetting it. Luca Shivendra Om Money can change your life or A simpler life? Astrologically speaking: earth sign Audrey Layden The random churning of ambitions/uneven, tied to makeshift structures/is engulfed, run over by the rolling juggernaut/of natural force. -
Rezension Im Erweiterten Forschungskontext: ESC 2016
Repositorium für die Medienwissenschaft Christoph Oliver Mayer Rezension im erweiterten Forschungskontext: ESC 2016 https://doi.org/10.17192/ep2016.1.4446 Veröffentlichungsversion / published version Rezension / review Empfohlene Zitierung / Suggested Citation: Mayer, Christoph Oliver: Rezension im erweiterten Forschungskontext: ESC. In: MEDIENwissenschaft: Rezensionen | Reviews, Jg. 33 (2016), Nr. 1. DOI: https://doi.org/10.17192/ep2016.1.4446. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung 3.0/ Lizenz zur Verfügung gestellt. Nähere Attribution 3.0/ License. For more information see: Auskünfte zu dieser Lizenz finden Sie hier: https://creativecommons.org/licenses/by/3.0/ https://creativecommons.org/licenses/by/3.0/ Hörfunk und Fernsehen 99 Rezension im erweiterten Forschungskontext: ESC Christine Ehardt, Georg Vogt, Florian Wagner (Hg.): Eurovision Song Contest: Eine kleine Geschichte zwischen Körper, Geschlecht und Nation Wien: Zaglossus 2015, 344 S., ISBN 9783902902320, EUR 19,95 Der Sieg von Conchita Wurst beim Triebel 2011; Goldstein/Taylor 2013) Eurovision Song Contest (ESC) 2014 sowie von einzelnen Wissenschaft- und die sich daran anschließenden ler_innen unterschiedlicher Disziplinen europaweiten Diskussionen um Tole- (z.B. Sieg 2013; Mayer 2015) angesto- ranz und Gleichberechtigung haben ßen wurden. eine ganze Palette von Publikationen Gemeinsam ist all den neueren über den bedeutendsten Populärmusik- Ansätzen ein gesteigertes Interesse für Wettbewerb hervorgerufen (z.B. Wol- Körperinszenierungen, Geschlech- ther/Lackner 2014; Lackner/Rau 2015; terrollen und Nationsbildung, denen Vogel et al. 2015; Kennedy O’Connor sich auch der als „kleine Geschichte“ 2015; Vignoles/O’Brien 2015). Nur untertitelte Sammelband der Wie- wenige wissenschaftliche Monografien ner Medienwissenschaftler_innen (z.B. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
Eurovision Song Contest: Lena-Meyer Landrut Verpasst Mit „Taken by a Stranger“ Die Charts-Spitze
09.03.2011 http://www.derwesten.de/nachrichten/Lena-Meyer-Landrut-verpasst-mit-Taken-By-A-Stranger- die-Charts-Spitze-id4397104.html Eurovision Song Contest Lena-Meyer Landrut verpasst mit „Taken By A Stranger“ die Charts-Spitze Nachrichten, 09.03.2011, Ingmar Kreienbrink Lena Meyer-Landrut wird für Deutschland beim Eurovision Song Contest mit dem Song „Taken By A Stranger“ das Projekt Titelverteidigung angehen. (Foto: © Sandra Ludewig / Universal Music 2011) Essen. Die Bilanz ist auf den ersten Blick beeindruckend: Mit fünf Singles aus ihrem neuen Album landete Lena Meyer-Landrut gleichzeitig in den Deutschen Charts. Doch „Taken by a stranger“ - ihr Song für den Eurovision Song Contest - landet hinter „Grenade“ von Bruno Mars „nur“ auf Platz 2. Bei dem vorherigen Medienhype durch die ARD/ProSieben-Kooperations-Sendung „Unser Song für Deutschland“ ist das kleine Überraschung. Schließlich sprang ihr Sieger-Lied „Satellite“ vor einem Jahr ebenso von Null auf 1 wie zahlreiche andere Songs aus anderen Casting-Shows wie etwa „Deutschland sucht den Superstar“ (DSDS). „Mittleres Chart-Fiasko für Plattenfirma Universal“ Jetzt diskutieren die Fans über die Folgen und die Außenwirkung durch die „Schlappe“. Schließlich ist „Taken by a Stranger“ für den Eurovision Song Contest „Unser Song für Deutschland“. In einem Blog ist unter anderem von einem mittleren Chart-Fiasko für die Plattenfirma „Universal“ die Rede. Doch die Gründe für das Ergebnis scheinen wesentlich komplexer. So hat es offenbar in der Startwoche eine Verkaufssperre für den Titel bei wichtigen Downloadshops vom Media Markt, Saturn, MedionMusic und Jamba gegeben. „Download-Verkäufe machen rund 85 Prozent der offiziellen deutschen Single Charts aus“, erläutert Hans Schmucker von media control auf DerWesten-Anfrage. -
English Song Booklet
English Song Booklet SONG NUMBER SONG TITLE SINGER SONG NUMBER SONG TITLE SINGER 100002 1 & 1 BEYONCE 100003 10 SECONDS JAZMINE SULLIVAN 100007 18 INCHES LAUREN ALAINA 100008 19 AND CRAZY BOMSHEL 100012 2 IN THE MORNING 100013 2 REASONS TREY SONGZ,TI 100014 2 UNLIMITED NO LIMIT 100015 2012 IT AIN'T THE END JAY SEAN,NICKI MINAJ 100017 2012PRADA ENGLISH DJ 100018 21 GUNS GREEN DAY 100019 21 QUESTIONS 5 CENT 100021 21ST CENTURY BREAKDOWN GREEN DAY 100022 21ST CENTURY GIRL WILLOW SMITH 100023 22 (ORIGINAL) TAYLOR SWIFT 100027 25 MINUTES 100028 2PAC CALIFORNIA LOVE 100030 3 WAY LADY GAGA 100031 365 DAYS ZZ WARD 100033 3AM MATCHBOX 2 100035 4 MINUTES MADONNA,JUSTIN TIMBERLAKE 100034 4 MINUTES(LIVE) MADONNA 100036 4 MY TOWN LIL WAYNE,DRAKE 100037 40 DAYS BLESSTHEFALL 100038 455 ROCKET KATHY MATTEA 100039 4EVER THE VERONICAS 100040 4H55 (REMIX) LYNDA TRANG DAI 100043 4TH OF JULY KELIS 100042 4TH OF JULY BRIAN MCKNIGHT 100041 4TH OF JULY FIREWORKS KELIS 100044 5 O'CLOCK T PAIN 100046 50 WAYS TO SAY GOODBYE TRAIN 100045 50 WAYS TO SAY GOODBYE TRAIN 100047 6 FOOT 7 FOOT LIL WAYNE 100048 7 DAYS CRAIG DAVID 100049 7 THINGS MILEY CYRUS 100050 9 PIECE RICK ROSS,LIL WAYNE 100051 93 MILLION MILES JASON MRAZ 100052 A BABY CHANGES EVERYTHING FAITH HILL 100053 A BEAUTIFUL LIE 3 SECONDS TO MARS 100054 A DIFFERENT CORNER GEORGE MICHAEL 100055 A DIFFERENT SIDE OF ME ALLSTAR WEEKEND 100056 A FACE LIKE THAT PET SHOP BOYS 100057 A HOLLY JOLLY CHRISTMAS LADY ANTEBELLUM 500164 A KIND OF HUSH HERMAN'S HERMITS 500165 A KISS IS A TERRIBLE THING (TO WASTE) MEAT LOAF 500166 A KISS TO BUILD A DREAM ON LOUIS ARMSTRONG 100058 A KISS WITH A FIST FLORENCE 100059 A LIGHT THAT NEVER COMES LINKIN PARK 500167 A LITTLE BIT LONGER JONAS BROTHERS 500168 A LITTLE BIT ME, A LITTLE BIT YOU THE MONKEES 500170 A LITTLE BIT MORE DR. -
Identity, Spectacle and Representation: Israeli Entries at the Eurovision
Identity, spectacle and representation: Israeli entries at the Eurovision Song Contest1 Identidad, espectáculo y representación: las candidaturas de Israel en el Festival de la Canción de Eurovisión José Luis Panea holds a Degree in Fine Arts (University of Salamanca, 2013), and has interchange stays at Univer- sity of Lisbon and University of Barcelona. Master’s degree in Art and Visual Practices Research at University of Castilla-La Mancha with End of Studies Special Prize (2014) and Pre-PhD contract in the research project ARES (www.aresvisuals.net). Editor of the volume Secuencias de la experiencia, estadios de lo visible. Aproximaciones al videoarte español 2017) with Ana Martínez-Collado. Aesthetic of Modernity teacher and writer in several re- views especially about his research line ‘Identity politics at the Eurovision Song Contest’. Universidad de Castilla-La Mancha, España. [email protected] ORCID: 0000-0002-8989-9547 Recibido: 01/08/2018 - Aceptado: 14/11/2018 Received: 01/08/2018 - Accepted: 14/11/2018 Abstract: Resumen: Through a sophisticated investment, both capital and symbolic, A partir de una sofisticada inversión, capital y simbólica, el Festival the Eurovision Song Contest generates annually a unique audio- de Eurovisión genera anualmente un espectáculo audiovisual en la ISSN: 1696-019X / e-ISSN: 2386-3978 visual spectacle, debating concepts as well as community, televisión pública problematizando conceptos como “comunidad”, Europeanness or cultural identity. Following the recent researches “Europeidad” e “identidad cultural”. Siguiendo las investigaciones re- from the An-glo-Saxon ambit, we will research different editions of cientes en el ámbito anglosajón, recorreremos sus distintas ediciones the show. -
Which Tipsters Get It Right?
W Post 12-2005 25/9/07 4:53 PM Page 1 Memorable Quotes... Lester Piggott on his retirement from the saddle in October 1985 T HE REGULAR NEWSLETTER FROM H OMEBRED R ACING 1/2006 told the assembled press “Eating is going to be a whole new ball game - I may even have to buy a Know your rules: new pair of trousers!” Which tipsters Claiming get it right? and selling Did you know? races Snaafi Dancer is one of the The ideal job must be to be The Racing Post Naps most expensive equine flops of a weather forecaster - no Competition lists 52 tipsters and All horses which have come under all time.A bidding duel between one ever expects you to get their league table reveals no less starters orders in Claiming and Robert Sangster and Sheikh it right! Being a tipster must than 44 of them showing a loss to Selling races may be claimed at the Mohammed forced his auction be very much the same £1 level stake on their selections. period showing a profit of advertised price - excepting the Racing Post Ratings was the only £164.00 to £10 each way staked price to a staggering $10.2 although there’s a much winner of a selling race which is million for the yearling son of ‘industry’ tipster doing well (2nd on every selection.This follows offered for sale after the race by greater sense of expectation place) whilst Farrington of the on from results for the previous Northern Dancer. Sadly Snaafi attached to predictions. -
Eurovision Karaoke
1 Eurovision Karaoke ALBANÍA ASERBAÍDJAN ALB 06 Zjarr e ftohtë AZE 08 Day after day ALB 07 Hear My Plea AZE 09 Always ALB 10 It's All About You AZE 14 Start The Fire ALB 12 Suus AZE 15 Hour of the Wolf ALB 13 Identitet AZE 16 Miracle ALB 14 Hersi - One Night's Anger ALB 15 I’m Alive AUSTURRÍKI ALB 16 Fairytale AUT 89 Nur ein Lied ANDORRA AUT 90 Keine Mauern mehr AUT 04 Du bist AND 07 Salvem el món AUT 07 Get a life - get alive AUT 11 The Secret Is Love ARMENÍA AUT 12 Woki Mit Deim Popo AUT 13 Shine ARM 07 Anytime you need AUT 14 Conchita Wurst- Rise Like a Phoenix ARM 08 Qele Qele AUT 15 I Am Yours ARM 09 Nor Par (Jan Jan) AUT 16 Loin d’Ici ARM 10 Apricot Stone ARM 11 Boom Boom ÁSTRALÍA ARM 13 Lonely Planet AUS 15 Tonight Again ARM 14 Aram Mp3- Not Alone AUS 16 Sound of Silence ARM 15 Face the Shadow ARM 16 LoveWave 2 Eurovision Karaoke BELGÍA UKI 10 That Sounds Good To Me UKI 11 I Can BEL 86 J'aime la vie UKI 12 Love Will Set You Free BEL 87 Soldiers of love UKI 13 Believe in Me BEL 89 Door de wind UKI 14 Molly- Children of the Universe BEL 98 Dis oui UKI 15 Still in Love with You BEL 06 Je t'adore UKI 16 You’re Not Alone BEL 12 Would You? BEL 15 Rhythm Inside BÚLGARÍA BEL 16 What’s the Pressure BUL 05 Lorraine BOSNÍA OG HERSEGÓVÍNA BUL 07 Water BUL 12 Love Unlimited BOS 99 Putnici BUL 13 Samo Shampioni BOS 06 Lejla BUL 16 If Love Was a Crime BOS 07 Rijeka bez imena BOS 08 D Pokušaj DUET VERSION DANMÖRK BOS 08 S Pokušaj BOS 11 Love In Rewind DEN 97 Stemmen i mit liv BOS 12 Korake Ti Znam DEN 00 Fly on the wings of love BOS 16 Ljubav Je DEN 06 Twist of love DEN 07 Drama queen BRETLAND DEN 10 New Tomorrow DEN 12 Should've Known Better UKI 83 I'm never giving up DEN 13 Only Teardrops UKI 96 Ooh aah.. -
Philharmonia Orchestra Esa-Pekka Salonen, Principal Conductor & Artistic Advisor
Friday, March 15, 2019, 8pm Zellerbach Hall Philharmonia Orchestra Esa-Pekka Salonen, principal conductor & artistic advisor Esa-Pekka Salonen, conductor Truls Mørk, cello Jean SIBELIuS (1865 –1957) e Oceanides (Aallottaret ), Op. 73 Esa-Pekka SALONEN ( b. 1958) Cello Concerto Truls Mørk, cello Ella Wahlström, sound design INTERMISSION Béla BARTóK (1881 –1945) Concerto for Orchestra, BB 123 Introduzione: Andante non troppo – Allegro vivace Giuoco delle coppie: Allegretto scherzando Elegia: Andante non troppo Intermezzo interrotto: Allegretto Finale: Pesante – Presto Tour supported by the Philharmonia Foundation and the generous donors to the Philharmonia’s Future 75 Campaign. philharmonia.co.uk Major support for Philharmonia Orchestra’s residency provided by The Bernard Osher Foundation, Patron Sponsors Gail and Dan Rubinfeld, and generous donors to the Matías Tarnopolsky Fund for Cal Performances. Cal Performances’ 2018 –19 season is sponsored by Wells Fargo. 17a PROGRAM NOTES Jean Sibelius I should never have believed it,” he said.) He was e Oceanides (Aallottaret ), Op. 73 taken to a fashionable New York hotel, where In June 1913, the Helsinki papers reported that his host surprised him with the announcement Jean Sibelius, the brightest ornament of Finnish that Yale university wished to present him culture, had declined an invitation to journey with an honorary doctorate on June 6th in New to America to conduct some of his music, Haven. On the next day, he was taken to the though he did agreed to accept membership Stoeckel’s rural Connecticut mansion, which in the National Music Society and provide the Sibelius described as a “wonderful estate among publishing house of Silver Burdett with ree wooded hills, intersected by rivers and shim - Songs for American School Children . -
Professtonal~' , : Wor~ ~:" Ki" :~!G!
If you have issues viewing or accessing this file, please contact us at NCJRS.gov. 2olsa~ ....... ,., ..~,.,~,,.,.., (~Cj;o~r3) Model Treatment aria Services Ap ~roa¢.nes }or. Men~HOaith; Professtonal~' , : Wor~~:" ki" :~!g!::::: #ith Fam~ities~: g Family Abducted Ch~i~(dren ratntng Manuat THE WESTERN CENTERFORCHILD PROTECTION . SUBMITTED TO U.S. Dep~irtment 0f Justice - Office of Justice Programs - office6fjuveni[e Justice and DelinquencJ~,Prevention Model Treatment and Services Approaches for Professionals Working with " " Families of Family Abducted Children Treatment Manual~ Western Center for Child Protection Reno, Nevada JoAnn Behrman-Lippert, Ph.D. Director and Prinicipal:Investigat0r University of California, San Francisco Center for the Study of Trauma Chris Hatcher, Ph.D. Associate Investigator The Model Treatment Services and Approaches for Mental Health Professionals Working With Families of Missing Children was supported by the Agreement Number 93-MC-CX- 0003 from the Office of Juvenile Justice and Delinquency Prevention, U. S. Department of ~ Justice. Points of view or opinions expressed in this document are those of the authors and do not necessarily represent the official position or policies of the U. S. Department. of Justice. Acknowledgments The authors wish to acknowledge the advice, support and assistance of all involved. Not listed here are the names of the mental health professionals, recovered children and parents who shared their experiences and made this training manual possible. We extend special thanks to the National Center for Missing and Exploited Children and to Didi Hirsch Community Mental Health Center for their support by making it possible to field test and extend the model and make this project a success. -
Lena and ESC Representatives Praise Audience Choice
Presse / 2011 / "An excellent choice!": Lena and ESC representatives praise audience choice 'Taken by a stranger' is the title of the song which Lena will perform on May 14th at the Eurovision Song Contest 2011 in Düsseldorf. The winning song won over the audience on Friday (February 18th) in the final of the show 'Our Song for Germany' which was aired live on Das Erste. The winning song was way out in front of the other five songs that made it into the final. The synth- driven electro-pop song was written by Nicole Morier, Gus Seyffert and Monica Birkenes. 'Taken by a stranger' is the title of the song which Lena will perform on May 14th at the Eurovision Song Contest 2011 in Düsseldorf. The winning song won over the audience on Friday (February 18th) in the final of the show 'Our Song for Germany' which was aired live on Das Erste. The winning song was way out in front of the other five songs that made it into the final. The synth- driven electro-pop song was written by Nicole Morier, Gus Seyffert and Monica Birkenes. An average of 3.25 million viewers followed the whole of 'Our Song for Germany' (market share: 10.1 percent). 12.42 million tuned in for at least one minute. Among the 14 - 29 year old age group, the average market share was 12.0 percent, meaning that Das Erste achieved a viewer quote almost twice as high as their average for Friday primetime. The market share among 14 to 49 years olds was 11.5 percent (1.41 million).