Theatre Student Handbook
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												Resume Examples
RÉSUMÉ TEMPLATES The following examples are provided to help you create your first résumé. There are six templates: 1) actor 2) designer/technician 3) stage manager 4) director 5) playwright 6) first-time résumé for someone just out of high school, combined with a general theatre résumé covering multiple areas of experience Length: An actor’s résumé should be a single page in length. When attached to a headshot, it should be trimmed to 8” x 10”. Résumés for other areas do not need to be limited to one page. There are many possible variations in style and format, and each template has a slightly different approach. Look over all of the samples for formatting ideas, even those that do not apply to your specific area of interest. You are also encouraged to contact faculty for advice and feedback on your drafts. Please note, résumés for graduate schools in theatre, professional theatres, and theatre internships are different from your typical business résumés. The sample résumés provided by the Center for Community Engagement and Career Education <http://www.csub.edu/cece/students/who_method.shtml> are useful if you are applying for a position outside of theatre, but their formats should not be used for jobs or graduate school applications within the theatre field. ACTOR TEMPLATE DAVID DRAMA [email protected] Height: 5’ 11” (661) 123-5678 Hair: Brown Tenor Theatre Death of a Salesman Biff Anita DuPratt Bakersfield Community Theatre Lend Me a Tenor Max Zoe Saba CSU Bakersfield Antigone in New York Sasha * Maria-Tania Becerra CSUB Evita Magaldi Mandy Rees CSUB Richard III Hastings Peter Brook Empty Space “Wiley and the Hairy Man” Wiley Kamala Kruszka CSUB and on tour “Unwrapped” (premiere) John Jessica Boles CSUB * Kennedy Center American College Theater Festival Irene Ryan Acting Scholarship nominee Education/Training B.A. - 
												
												MUSC 2014.04 Sprdanceprog.Pdf (208.0Kb)
SPRING DANCE CONCERT PRODUCTION TEAM Faculty Director . Jane Slusarski-Harris Associate Faculty Directors . Carol. Roderick, Chung-Fu Chang Student Directors . Maggie . Jung, Melissa Pite, Samantha Purdy Dance Production Assistant . Emma. Kimball Lighting Designer . Jessica Whitehead Assistant Lighting Designer . Trevor. Grattan Dance Costume Coordinator . Taylor. Aguilar Sound Designer . .Price . Johnston Stage Manager . Meaghan Harris Assistant Stage Manager . Keili . Elliott *Unless otherwise noted, costumes have been designed and executed by the choreographers of individual pieces . TECHNICAL CREW SPRING Light Board Operator . Shannon Henderson Sound Board Operator . .Kelsey . Peterson Curtain / Rail Operator . Emily Dewberry Stage Technicians . Katie . McClendon, Hannah Tolson DANCE Wardrobe Mistress . Katie. Rose PRODUCTION STAFF Producing Technical Director . Nathan. “Cory” Seymour CONCERT Assistant Technical Director . Brandon Ingold Lighting Director / Head of Design . Price Johnston Master Electrician . Alex Ostwald Assistant Master Electrician . Andrew . Killion Costume Shop Manager . .Janelle . Sutton Assistant Costume Shop Manager . Maile Speetjens Master Carpenter / Scene Shop Technician . Taylor Webster Paint/Props Shop Manager . Annaleigh Timmerman Paint/Props Shop Technician . Hannah . Baldus Scenic Artist & Production Administrator . Maggie Seymour Administrative Assistant / Program Design . .Linda . Parent Director of Marketing & Publicity . Jennifer . Clary Publicity/Alumni/Friends of the UCA Coordinator . .Carrie - 
												
												The Owl and Nightingale Playersin
THE PROMPTER Volume 45, No. 3 February 22 - 26, 2008 Season LXXXXIV The Department of Theatre Arts at Gettysburg College presents The Owl and Nightingale Players in Production Design by Jerome O. Hanson Costume Design by Zennis Goshorn CAST LISTS Woman ..................................................................................................... Chelsea Bucklin Eunice Hubbell ............................................................................................Quiana Young Stanley Kowalski................................................................................... Phillip Ballantine Stella Kowalski ..........................................................................................Devon Johnson Steve Hubbell ..............................................................................................Jacob Henkoff Harold Michell (Mitch) ................................................................................. Matt Gross Mexican Woman ..................................................................................... Laura Martinez Blanche DuBois ...........................................................................................Ashley Stuart Pablo Gonzales ..............................................................................................Chris Rustin Paperboy ............................................................................................................Peter Mele Nurse .......................................................................................................... - 
												
												WOU Theatre Program
W.O.U. Theatre Program Student & Production Handbook Revised Fall 2015 Revised 2015 Table of Contents Theatre Program Mission and Goals ............................................................................. 2 Program Description ....................................................................................................... 2 Theatre Faculty ................................................................................................................ 3 Performance Opportunities ............................................................................................ 4 Guidelines & Procedures for Theatre Majors & Minors ............................................. 5 Theatre Curriculum ......................................................................................................... 6 Theatre Degrees ............................................................................................................. 15 B.A./B.S. .............................................................................................................. 15 B.A./B.S. Musical Theatre Emaphasis…………………………………………..16 B.F.A. Core Curriculum....................................................................................... 17 B.F.A. Actor Training .......................................................................................... 17 B.F.A. Production Training ................................................................................. 18 Minor in Theatre ................................................................................................. - 
												
												Conservation Management Plan for the National Theatre Haworth Tompkins
Conservation Management Plan For The National Theatre Final Draft December 2008 Haworth Tompkins Conservation Management Plan for the National Theatre Final Draft - December 2008 Haworth Tompkins Ltd 19-20 Great Sutton Street London EC1V 0DR Front Cover: Haworth Tompkins Ltd 2008 Theatre Square entrance, winter - HTL 2008 Foreword When, in December 2007, Time Out magazine celebrated the National Theatre as one of the seven wonders of London, a significant moment in the rising popularity of the building had occurred. Over the decades since its opening in 1976, Denys Lasdun’s building, listed Grade II* in 1994. has come to be seen as a London landmark, and a favourite of theatre-goers. The building has served the NT company well. The innovations of its founders and architect – the ampleness of the foyers, the idea that theatre doesn’t start or finish with the rise and fall of the curtain – have been triumphantly borne out. With its Southbank neighbours to the west of Waterloo Bridge, the NT was an early inhabitant of an area that, thirty years later, has become one of the world’s major cultural quarters. The river walk from the Eye to the Design Museum now teems with life - and, as they pass the National, we do our best to encourage them in. The Travelex £10 seasons and now Sunday opening bear out the theatre’s 1976 slogan, “The New National Theatre is Yours”. Greatly helped by the Arts Council, the NT has looked after the building, with a major refurbishment in the nineties, and a yearly spend of some £2million on fabric, infrastructure and equipment. - 
												
												4Ct Policies and Procedures
4 COMMUNITY THEATRE 4CT POLICIES AND PROCEDURES 4CT POLICY AND PROCEDURES 1 TABLE OF CONTENTS BOARD OF DIRECTORS DIRECTORY.......................................................................................3 MISSION STATEMENT............................................................................................................3 CODE OF CONDUCT .............................................................................................................4 CHILD PROTECTION POLICY..................................................................................................6 STAGE AND SHOP SAFTEY POLICIES ......................................................................................7 CREW JOB DESCRIPTIONS AND EXPECTATIONS ....................................................................10 STAFF JOB DESCRIPTIONS AND RESPONSIBILITIES ................................................................13 SUMMER TECHNICAL THEATRE INTERN JOB DESCRIPTION ...................................................18 COVID SAFETY PROCEDURES ..............................................................................................21 WAIVER: 4CT TECHNICAL THEATRE SAFTEY CONTRACT ......................................................32 WAIVER: CODE OF CONDUCT..............................................................................................34 SAMPLE INCIDENT REPORT .................................................................................................36 4CT POLICY AND PROCEDURES 2 4 COMMUNITY THEATRE BOARD OF DIRECTORS - 
												
												Clybourne Park
Otterbein University Digital Commons @ Otterbein 2015 Summer Theatre Productions 2011-2020 6-4-2015 Clybourne Park Otterbein University Theatre and Dance Department Follow this and additional works at: https://digitalcommons.otterbein.edu/summer_production_2015 Part of the Acting Commons, Dance Commons, and the Theatre History Commons Recommended Citation Otterbein University Theatre and Dance Department, "Clybourne Park" (2015). 2015 Summer Theatre. 1. https://digitalcommons.otterbein.edu/summer_production_2015/1 This Book is brought to you for free and open access by the Productions 2011-2020 at Digital Commons @ Otterbein. It has been accepted for inclusion in 2015 Summer Theatre by an authorized administrator of Digital Commons @ Otterbein. For more information, please contact [email protected]. 2i 0^ WcJlMJb-M omm MffiSBHES www.oaklandnursery.com Columbus; 1156 Oakland Park Ave. 614-268-3511 BfiOTTERBEIN SUMMER THEATRE CLYBOURNE PARK by BRUCE NORRIS CLYBOURNE PARK was produced on Broadway by Jujamcyn Theaters at The Walter Kerr Theatre, 2012. Playwrights Horizons, INC, New York City, produced the World Premiere of CLYBOURNE PARK Off-Broad way in 2010. Directed by LENNY LETBOWITZ Scenic Design by Costume Design by DAN GRAY REBECCA WHITE NT i Lighting Design by Sound Design by ANDY BAKER DOC DAVIS fit. ■' ' Stage Managed by t ARRI ALLEN 1..-, June 4-7 and June 9-11, 2015 ONSTAGE in the Fritsche Theatre at Cowan Hall 30 S. Grove St., Westerville CLYBOURNE PARK is presented by special arrangement with Dramatists Play Service, Inc., New York. CAST LIST Russ/Dan............ Jack Labrecque Botsy/Lindsey..... .... Aubree Tally Bev/Kathy........... Dana Cullinanc Karl/Steve........... ...Alex Armesto Francine/Lena..... ..Morgan Wood Jim/Tom/Kenneth .....Peter Moses Albert/Kevin...... - 
												
												Thailands Beaches and Islands
EYEWITNESS TRAVEL THAILAND’S BEACHES & ISLANDS BEACHES • WATER SPORTS RAINFORESTS • TEMPLES FESTIVALS • WILDLIFE SCUBA DIVING • NATIONAL PARKS MARKETS • RESTAURANTS • HOTELS THE GUIDES THAT SHOW YOU WHAT OTHERS ONLY TELL YOU EYEWITNESS TRAVEL THAILAND’S BEACHES AND ISLANDS EYEWITNESS TRAVEL THAILAND’S BEACHES AND ISLANDS MANAGING EDITOR Aruna Ghose SENIOR EDITORIAL MANAGER Savitha Kumar SENIOR DESIGN MANAGER Priyanka Thakur PROJECT DESIGNER Amisha Gupta EDITORS Smita Khanna Bajaj, Diya Kohli DESIGNER Shruti Bahl SENIOR CARTOGRAPHER Suresh Kumar Longtail tour boats at idyllic Hat CARTOGRAPHER Jasneet Arora Tham Phra Nang, Krabi DTP DESIGNERS Azeem Siddique, Rakesh Pal SENIOR PICTURE RESEARCH COORDINATOR Taiyaba Khatoon PICTURE RESEARCHER Sumita Khatwani CONTRIBUTORS Andrew Forbes, David Henley, Peter Holmshaw CONTENTS PHOTOGRAPHER David Henley HOW TO USE THIS ILLUSTRATORS Surat Kumar Mantoo, Arun Pottirayil GUIDE 6 Reproduced in Singapore by Colourscan Printed and bound by L. Rex Printing Company Limited, China First American Edition, 2010 INTRODUCING 10 11 12 13 10 9 8 7 6 5 4 3 2 1 THAILAND’S Published in the United States by Dorling Kindersley Publishing, Inc., BEACHES AND 375 Hudson Street, New York 10014 ISLANDS Copyright © 2010, Dorling Kindersley Limited, London A Penguin Company DISCOVERING ALL RIGHTS RESERVED UNDER INTERNATIONAL AND PAN-AMERICAN COPYRIGHT CONVENTIONS. NO PART OF THIS PUBLICATION MAY BE REPRODUCED, STORED IN THAILAND’S BEACHES A RETRIEVAL SYSTEM, OR TRANSMITTED IN ANY FORM OR BY ANY MEANS, AND ISLANDS 10 ELECTRONIC, MECHANICAL, PHOTOCOPYING, RECORDING OR OTHERWISE WITHOUT THE PRIOR WRITTEN PERMISSION OF THE COPYRIGHT OWNER. Published in Great Britain by Dorling Kindersley Limited. PUTTING THAILAND’S A CATALOGING IN PUBLICATION RECORD IS BEACHES AND ISLANDS AVAILABLE FROM THE LIBRARY OF CONGRESS. - 
												
												Furman University Department of Theatre Arts Theatre Production
Furman University Department of Theatre Arts Theatre Production Handbook Rev. 8/24/2019 1 Dear Student, Welcome to the Department of Theatre Arts at Furman University. We look forward to your artistic and intellectual growth in our classrooms and on our stage during your time with us! We strive to make your experiences in the Playhouse challenging, comprehensive, and geared toward preparing you for a life in the theatre, whether on stage, behind the scenes, or as a patron of the arts! The Theatre Production Handbook provides the students of our department with detailed information about your rights and responsibilities through the production process, both as professionals-in-training and as a cohort of collaborators. It outlines professional decorum expected during our productions, and it should help you understand what is to be expected of your colleagues and the faculty. While this document is intended to help you navigate your pathway through our program, this does not substitute for regular communication with your professors and fellow students. Please talk to us about questions and concerns you have throughout your time here. We are always here to help! Theatre Arts Faculty and Staff 2 Table of Contents Theatre Arts Requirements and Courses 4 Major Responsibilities and Privileges 5 Guidelines for Professional Decorum 6 Philosophy/Statement on Student Designers 9 Guidelines for Research in Theatrical Production 10 Production Assignment Responsibilities and Checklists 12 Actors 13 Board Operators 14 Box Office Crew Head 17 Costume - 
												
												The Language Archive
46th Season • 443rd Production JULIANNE ARGYROS STAGE / MARCH 26 - APRIL 25, 2010 David Emmes Martin Benson PRODUCING ARTISTIC DIRECTOR ARTISTIC DIRECTOR presents the world premiere of THE LANGUAGE ARCHIVE BY Julia Cho Neil Patel Rachel Myers Mark McCullough Steven Cahill SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN ORIGINAL MUSIC/SOUND DESIGN Philip D. Thompson John Glore Joshua Marchesi Chrissy Church* DIALeCt CoACH DRAMAtuRg PRoDuCtIon MAnAgeR StAge MAnAgeR DIRECTED BY Mark Brokaw The Playwrights Circle HonoRARY PRoDuCeRS THE LANGUAGE ARCHIVE was commissioned by and produced by special arrangement with Roundabout Theatre Company. The Language Archive • SOUTH COA S T REPE R TO R Y P1 CAST OF CHARACTERS (In order of appearance) George ..................................................................................................... Leo Marks* Mary .................................................................................................... Betsy Brandt* Emma ................................................................................................. Laura Heisler* Alta ................................................................................................ Linda Gehringer* Resten ............................................................................................ Tony Amendola* LENGTH Approximately two hours with one 15-minute intermission. PRODUCTION STAFF Casting ..................................................................................... Joanne DeNaut, CSA Assistant Stage Manager .............................................................. - 
												
												Tech Crew Job Descriptions
Tech Crew Job Descriptions To help you make some informed choices, we’ve laid out what we look for in students to fill our tech positions and the specific requirements of each role.These roles carry great responsibility with them. Therefore, any student interested in a technical position must: • Be available for rehearsals and tech times required of their role • Have a high degree of organization • Demonstrate a sense of responsibility and commitment • Comply with specific requirements listed under individual position description • Read the tech job descriptions below & consider what areas might be the best match for you. • Fill out the Tech Interview Form • Sign up for a brief tech interview slot which will take place on October 19th. Set Painting (5+) Assists with painting and possible construction of set pieces. Set painting will take place on weekday nights and weekend days TBA, usually during winter break. Student Sound Board Operator- Mics (1) Will work closely with the sound designer and director. Will run the sound board for all performances and tech rehearsals. Responsible for turning the microphones on and off for each scene. Student Sound Board Operator- Sound Effects (1) Will work closely with the sound designer and director. Will operate the show’s sound effect tracks for tech rehearsals and all shows. May be asked to come in earlier in the process to learn the show. Mic Crew (4) Responsible for preparing, distributing and dressing wireless microphones, setting up floor microphones and hand held microphones. Also responsible for microphone changes during the show, as well as collecting all microphones at the end of each rehearsal/performance. - 
												
												The Tragedy of King Lear Assistant Stage Manager
Production Crew Technical Director .......................................................................Larry Stahl The Tragedy of King Lear Assistant Stage Manager......................................................Chastain Shenk By William Shakespeare Assistant Stage Manager.............................................................Alex Sparco Master Electrician....................................................................Lauren Tucker Costume Assistants.........................................................Nicole Capobianco Katie Helm Fight choreographer Costumes Angela Pesi Lewis Shaw Paul R. Foltz Karen Switzer Maisie Theobald Properties.............................................................................Maggie McClary Assistant Properties............................................................Hilary Rosenberg Lighting design Light Board Operator .....................................................Tamayo Kamimura Joshua Schulman Sound Board Operator .........................................................Alyson Pagano Fight and Dance Captain .............................................MacKenzie Turnbull Projection Operator ......................................................................Sarah Roy Crew ..........................................................................................Ellen Dalina Score and sound composition Program .........................................................................Maegan Clearwood John Leupold, Jon McCullom and Ken Schweitzer Publicity .....................................................................................Alex