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November 1983
VOL. 7, NO. 11 CONTENTS Cover Photo by Lewis Lee FEATURES PHIL COLLINS Don't let Phil Collins' recent success as a singer fool you—he wants everyone to know that he's still as interested as ever in being a drummer. Here, he discusses the percussive side of his life, including his involvement with Genesis, his work with Robert Plant, and his dual drumming with Chester Thompson. by Susan Alexander 8 NDUGU LEON CHANCLER As a drummer, Ndugu has worked with such artists and groups as Herbie Hancock, Michael Jackson, and Weather Report. As a producer, his credits include Santana, Flora Purim, and George Duke. As articulate as he is talented, Ndugu describes his life, his drumming, and his musical philosophies. 14 by Robin Tolleson INSIDE SABIAN by Chip Stern 18 JOE LABARBERA Joe LaBarbera is a versatile drummer whose career spans a broad spectrum of experience ranging from performing with pianist Bill Evans to most recently appearing with Tony Bennett. In this interview, LaBarbera discusses his early life as a member of a musical family and the influences that have made him a "lyrical" drummer. This accomplished musician also describes the personal standards that have allowed him to maintain a stable life-style while pursuing a career as a jazz musician. 24 by Katherine Alleyne & Judith Sullivan Mclntosh STRICTLY TECHNIQUE UP AND COMING COLUMNS Double Paradiddles Around the Def Leppard's Rick Allen Drumset 56 EDUCATION by Philip Bashe by Stanley Ellis 102 ON THE MOVE ROCK PERSPECTIVES LISTENER'S GUIDE Thunder Child 60 A Beat Study by Paul T. -
The Top 7000+ Pop Songs of All-Time 1900-2017
The Top 7000+ Pop Songs of All-Time 1900-2017 Researched, compiled, and calculated by Lance Mangham Contents • Sources • The Top 100 of All-Time • The Top 100 of Each Year (2017-1956) • The Top 50 of 1955 • The Top 40 of 1954 • The Top 20 of Each Year (1953-1930) • The Top 10 of Each Year (1929-1900) SOURCES FOR YEARLY RANKINGS iHeart Radio Top 50 2018 AT 40 (Vince revision) 1989-1970 Billboard AC 2018 Record World/Music Vendor Billboard Adult Pop Songs 2018 (Barry Kowal) 1981-1955 AT 40 (Barry Kowal) 2018-2009 WABC 1981-1961 Hits 1 2018-2017 Randy Price (Billboard/Cashbox) 1979-1970 Billboard Pop Songs 2018-2008 Ranking the 70s 1979-1970 Billboard Radio Songs 2018-2006 Record World 1979-1970 Mediabase Hot AC 2018-2006 Billboard Top 40 (Barry Kowal) 1969-1955 Mediabase AC 2018-2006 Ranking the 60s 1969-1960 Pop Radio Top 20 HAC 2018-2005 Great American Songbook 1969-1968, Mediabase Top 40 2018-2000 1961-1940 American Top 40 2018-1998 The Elvis Era 1963-1956 Rock On The Net 2018-1980 Gilbert & Theroux 1963-1956 Pop Radio Top 20 2018-1941 Hit Parade 1955-1954 Mediabase Powerplay 2017-2016 Billboard Disc Jockey 1953-1950, Apple Top Selling Songs 2017-2016 1948-1947 Mediabase Big Picture 2017-2015 Billboard Jukebox 1953-1949 Radio & Records (Barry Kowal) 2008-1974 Billboard Sales 1953-1946 TSort 2008-1900 Cashbox (Barry Kowal) 1953-1945 Radio & Records CHR/T40/Pop 2007-2001, Hit Parade (Barry Kowal) 1953-1935 1995-1974 Billboard Disc Jockey (BK) 1949, Radio & Records Hot AC 2005-1996 1946-1945 Radio & Records AC 2005-1996 Billboard Jukebox -
John Williams Symphony at the Movies II: Myths and Legends
Teacher Workshop Packet 2020–2021 John Williams Symphony at the Movies II: Myths and Legends With Materials by: Bridget Duffin, Susan Geiser, Allison Hieger, Matthew Neil, Eileen Regullano, and Jonathan Terry Edited by: April Crane, Allison Hieger, and Jonathan Terry Pacific Symphony’s Frieda Belinfante Class Act Program acknowledges all the generous funders who make the program possible: Institutional Funders Individual Funders Ahmanson Charitable Community Trust Howard and Roberta Ahmanson California Arts Council Barbara Benson The Capital Group Companies, Inc. Harriet Cornyn City of Newport Beach Arts Commission Sandra Disario Crean Foundation Margaret Gates Disneyland Resort Kristi Hudson Employees Community Fund of Boeing Hans and Valerie Imhof The Green Foundation Parker and Sherry Kennedy Microsemi Corporation Paul and Bridgette Laska Miracle Foundation Fund Nadine Leyton Robinson Foundation Jeffrey and Deborah Margolis SchoolsFirst Credit Union Kenneth and Carla Neeld Sigma Alpha Iota – Orange County Chapter Dorothy Nicholson Tarsadia Foundation Jim and Sheila Peterson Ueberroth Family Foundation Jennifer Puhl U.S. Bank Vicki Rausher Vandamme Academy Karyn Rashoff Elaine Sarkaria Mike and Karen Shakman Chung-Ho Chang Sun Thomas and Edith Van Huss Charlene Wall Anonymous 2 Special thanks to SchoolsFirst for underwriting our Teacher Workshops and this Teacher Workshop packet. We thank SchoolsFirst for sharing our commitment to Orange County’s teachers and the students who benefit from their instruction. 3 Table of Contents Page Introduction Welcome! Your Workshop, Workshop Packet, Book, and CD 6 Standards Icon Key 7 John Williams Interview and Student Biography 8 Tips on Using Your CD to Enhance Learning in the Classroom 9 You, Your Class, Your Musician Lesson 11 Sharing Your Great Ideas! 13 Creating a Great Coda 14 Activities and Explorations for the Classroom and Beyond 16 1. -
Album Reviews
ALBUM REVIEWS RUNNING ON EMPTY - Jackson Browne - Asylum 6E-113 New Copyright Law Seen as - Producer: Jackson Browne - List: 7.98 Jackson's fifth album is a live album, but not in the traditional sense of the genre. None of the material has appeared on any of Benefit Despite Upped Cost (continued from page 7) his previous albums and though it was recorded on his recent years. The shift from 1977 to 1978 is par- fall tour, not all of it was recorded on stage in front of a live Some of the definitions could have been ticularly problematic. audience. The songs all revolve around life on the road, from made clearer, however. I am concerned 'Strengthens Protection' the loneliness and boredom in "Nothing But Time" to a tribute to with the area of assignment. Of course, "One of the most signficant changes is roadies in "The Load Out." The superior sound quality is just licensing is going to have to be changed. that it tremendously strengthens the one more factor that lifts this well above most live LPs. And it will be more expensive to file for protection afforded to us and writers of registration. I am very happy that foreign sound recordings. I'm very pleased with the DON DAUGHTER JUAN'S RECKLESS - Joni Mitchell - material can now be copyrighted. I also like clarity of the language of the new act and Asylum BB 701 - Producer: Joni Mitchell - List: 12.98 that lyrics can be copyrighted by them- also the open possibility of a performance From the multi -layered, orchestrated "Paprika Plains" (a 16 - selves. -
Bill Green Jazz Collection, 1950-1996
http://oac.cdlib.org/findaid/ark:/13030/tf9s201041 No online items Finding Aid for the Bill Green Jazz Collection, 1950-1996 Collection processed and machine-readable finding aid created by UCLA Performing Arts Special Collections staff. UCLA Library, Performing Arts Special Collections University of California, Los Angeles, Library Performing Arts Special Collections, Room A1713 Charles E. Young Research Library, Box 951575 Los Angeles, CA 90095-1575 Phone: (310) 825-4988 Fax: (310) 206-1864 Email: [email protected] http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm © 2001 The Regents of the University of California. All rights reserved. Note Arts and Humanities--Music Finding Aid for the Bill Green Jazz 196 1 Collection, 1950-1996 Finding Aid of the Bill Green Jazz Collection, 1950-1996 Collection number: 196 UCLA Library, Performing Arts Special Collections University of California, Los Angeles Los Angeles, CA Contact Information University of California, Los Angeles, Library Performing Arts Special Collections, Room A1713 Charles E. Young Research Library, Box 951575 Los Angeles, CA 90095-1575 Phone: (310) 825-4988 Fax: (310) 206-1864 Email: [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm Processed by: Sonia Seeman Date Completed: May 2001 Encoded by: UCLA Performing Arts Special Collections staff © 2001 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Bill Green Jazz Collection, Date (inclusive): 1950-1996 Collection number: 196 Creator: Bill Green Extent: 130 boxes (65 linear ft.) Repository: University of California, Los Angeles. Library. Performing Arts Special Collections Los Angeles, California 90095-1575 Abstract: This collection documents the musical legacy of the saxophone player Bill Green. -
Mr. Mangham's Top 1000 Songs 1954-2016
#1 #2 #3 #4 #5 #6 #7 #8 #9 #10 #11 #12 #13 #14 #15 #16 #17 #18 #19 #20 #21 #22 #23 #24 #25 THE TOP ARTISTS OF ALL -TIME Points Top Top Top Top Top Top Top Top Rank Artist w/ Bonus 1000 750 500 400 300 200 100 50 1 Beatles 13904 20 16 13 12 9 7 3 1 2 Michael Jackson 10090 15 10 7 7 7 3 3 1 3 Whitney Houston 9438 12 11 10 9 8 4 3 2 4 Olivia Newton-John 9074 13 10 8 7 6 5 4 2 5 Beach Boys 8807 12 9 8 8 5 5 4 3 6 Taylor Swift 8538 12 12 7 5 5 4 2 2 7 Barry Manilow 8517 10 10 9 7 6 6 4 3 8 Mariah Carey 7978 10 8 8 8 7 7 3 1 9 Madonna 7353 13 10 4 2 1 0 0 0 10 Elton John 6458 10 9 5 4 2 2 1 1 11 Paul McCartney/Wings 6070 10 7 4 4 3 2 1 0 12 Hall & Oates 5891 10 8 4 3 2 2 0 0 13 Air Supply 5687 8 7 5 4 4 3 1 1 14 Billy Joel 5571 9 5 5 3 3 2 2 1 15 Kelly Clarkson 5558 8 7 4 4 4 4 1 1 16 Carpenters 5384 7 5 5 5 5 4 4 1 17 Huey Lewis & The News 5047 9 5 3 3 2 1 1 1 18 Queen 4983 7 6 5 5 3 3 1 0 19 Elvis Presley 4595 8 5 3 3 3 1 0 0 20 Styx 4547 6 5 5 4 4 2 2 1 21 John Denver 4539 6 6 4 4 4 3 1 1 22 Lady GaGa 4478 7 6 5 5 1 0 0 0 23 Frankie Valli/Four Seasons 4293 6 5 4 3 3 3 2 1 24 Bee Gees 4170 6 4 4 4 4 2 1 0 25 Britney Spears 3738 5 5 4 4 2 1 1 1 26 Simon & Garfunkel 3654 5 4 3 3 3 3 1 1 27 Train 3628 6 4 4 3 1 0 0 0 28 Katy Perry 3562 5 4 4 3 2 1 1 1 29 Neil Diamond 3546 6 3 3 3 2 2 1 1 30 Boyz II Men 3238 5 5 2 2 2 1 0 0 31 Janet Jackson 3222 6 4 2 2 1 1 0 0 32 B.J. -
Star Wars”--John Williams (1977) Added to the National Registry: 2004 Essay by Emilio Audissino, Ph.D
“Star Wars”--John Williams (1977) Added to the National Registry: 2004 Essay by Emilio Audissino, Ph.D. (guest post)* Original album Original label John Williams The Italian composer Giuseppe Verdi once wrote, “Let us turn to the past: that will be progress.” This is what John Williams did with his score to “Star Wars” (George Lucas, 1977), and this is why this score has been so important in the history of film music and cinema. Apart from the huge popularity and the many awards, Williams’s “Star Wars” is a milestone because it was instrumental in reviving the musical style of the Golden Age of Hollywood (1930s to 1950s), and was seminal in boosting a new interest for symphonic film music. “Star Wars” was released on May 25, 1977. At that time, the Sci-Fi genre was anything but popular: the so-called New Hollywood favored realistic stories mostly set in the present. Moreover, Lucas’s film was not adult Sci-Fi--as was the case with the cryptic “2001: A Space Odyssey” (Stanley Kubrick, 1968)--but a sort of fairy tale set in outer space and mixing elements from the Western and Eastern cultures. Indeed, the film was reluctantly financed by 20th Century-Fox as a low-budget project and opened in less than 40 theaters around the country. Music was another gamble on Lucas’s part. He didn’t want atonal or electronic music--the idioms typically associated with the Sci-Fi genre--and he didn’t want any pop music or theme song--the dominant trend in Hollywood in those days. -
P104-121 Discography Section 4
P104-121_Discography4-NOV14_Lr1_qxd_P104-121 12/9/14 4:26 PM Page 104 {}MIKE CURB : 50 Years DISCOGRAPHY “NEVER CAN SAY GOODBYE” ARTIST: GLORIA GAYNOR WRITER: CLIFTON DAVIS PUBLISHER: JOBETE “BACK IN THE COUNTRY” ARTIST: ROY ACUFF WRITER: EDWARD FUTCH PUBLISHER: SONY/ATV MILENE 1M2USIC1 CO, INC. TIME: 2:56 PRODUCER: MECO MONARDO, TONY BONGIOVI AND JAY ELLIS SPECIAL THANKS: STAN 1M2USIC5 (ASCAP) TIME: 2:14 MORESS MGM 2006 463, 1974 Roy Acuff was born in 1903 in Maynardsville, had the privilege of working with him in the 1970s, Gloria Gaynor’s version of “Never Can Say Goodbye” The song was originally recorded by the Jackson 5; Tennessee, and was known as the King of Country including his Billboard Country chart recording of “Back was a multi-genre hit; number one (for five weeks) on the Gaynor’s version came out as disco was becoming Music. Acuff is a member of the Country Music Hall of In The Country.” Dance Sales chart, number one (for four weeks) on the accepted by major labels. “This record was the first Fame and won a Lifetime Achievement Grammy. Curb Club chart in Billboard ; number 11 on the Adult number one hit on Billboard ’s Dance chart and the first Contemporary, number nine on the Hot 100, and it major dance hit,” said Mike Curb. “Gloria actually made the Billboard R&B charts in the fall and winter of became the first Disco Diva before Donna Summer took 1974-1975. that title one year later.” “TOO FAR, TOO LONG” ARTIST: DEGARMO AND KEY WRITER: EDDIE DEGARMO, DANA KEY PUBLISHER: “THINGS” ARTIST: RONNIE DOVE WRITER: BOBBY DARIN PUBLISHER: HUDSON BAY MUSIC (BMI) TIME: 2:31 1©2 19882 , 1989 DKB MUSIC (ADMIN. -
The Hank Crawford Anthology Hank Crawford 1963 Jazz Central Station Global Jazz Poll Winners, Vol
Randy Brecker Discography Website: http://www.randybrecker.com Email: [email protected] Album Artist 1958 Heart and Soul: The Hank Crawford Anthology Hank Crawford 1963 Jazz Central Station Global Jazz Poll Winners, Vol. 1 Various Artists 1964 Best of Horace Silver, Vol. 2 Horace Silver 1965 This Is Jazz, Vol. 9 George Benson 1967 Introducing Duke Pearson's Big Band Duke Pearson 1968 America the Beautiful Gary McFarland 1968 Child Is Father to the Man Blood, Sweat & Tears 1968 Communications JCOA 1968 Essential Larry Coryell Larry Coryell 1968 Infinite McCoys The McCoys 1968 Now Hear This! Duke Pearson 1969 Good Paul Sylvan Paul Sylvan 1969 Nature Boy Joe Beck 1969 Score Randy Brecker 1969 White Elephant Mike Mainieri 1969 You Gotta Take a Little Love Horace Silver 1970 Best of Freddie Hubbard [Columbia] Freddie Hubbard 1970 Best of Hubert Laws Hubert Laws 1970 Black, Brown and Beautiful Oliver Nelson 1970 Fabulous Pescara Jam Sessions (1970-1975) Intl Commission 1970 In Pursuit of the 27th Man Horace Silver 1970 That Healin' Feelin' Horace Silver 1970 Who Knows What Tomorrow's Gonna Bring? Jack McDuff 1971 Air Air 1971 Harlem River Drive Eddie Palmieri & Harlem River Drive 1971 Nature's Baby Lenae 1971 Prairie Madness Prairie Madness 1971 Wild Bird Hal Galper 1972 Best of Paul Desmond [Columbia] Paul Desmond 1972 Full Moon Full Moon 1972 Get on the Good Foot James Brown 1972 Guerilla Band Hal Galper 1972 Imagine My Surprise Dreams 1972 Introducing Larry Coryell & The 11th House Larry Coryell w/The 11th House 1972 Odyssey Odyssey 1972 One by One Free Design 1972 One Man Dog James Taylor 1972 Something/Anything? Todd Rundgren 1972 White Elephant White Elephant 1973 Berlin Lou Reed 1973 Bridging a Gap Mark Murphy 1973 Crowbar Crowbar 1973 Don't Mess With Mister T. -
Love and Kisses (Alec R Costandinos) 3. Souvenirs
1. Love In C Minor - Cerrone 2. I Found Love Now That I Found You - Love And Kisses (Alec R Costandinos) 3. Souvenirs - Voyage 4. Dancer - Gino Soccio 5. Risky Changes - Gregg Diamond / Bionic Boogie 6. From East To West - Voyage 7. Romeo And Juliet (Acts 1 &2) - Alec R. Costandinos 8. Cher Chez La Femme - Dr. Buzzard's Original Savannah Band 9. Make That Feeling Come Again - Beautiful Bend (Boris Midney) 10. Down To Love Town - Originals 11. This Time Baby - Jackie Moore 12. I Love Music - the O'Jays 13. Don't Leave Me This Way - thelma Houston 14. Good Times - Chic 15. Vertigo / Relight My Fire - Dan Hartman feat Loleatta Holloway 16. Disco Nights (Rock Freak) - G.Q. 17. Love Hangover - Diana Ross 18. Mac Arthur Park Suite - Donna Summer 19. Got To Be Real - Cheryl Lynn 20. Love is the Message - M.F.S.B. (M. F. S. B. / MFSB) 21. Le Freak - Chic 22. Do What You Wanna Do - T-Connection 23. Young Hearts Run Free - Candi Staton 24. You Make Me Feel, Mighty Real - Sylvester 25. If there's Love - Amant 26. Cocomotion - El Coco 27. Was That All It Was - Jean Carne 28. Touch Me in the Morning - Marlena Shaw 29. Love Sensation - Loleatta Holloway 30. Disco Inferno - the Trammps 31. Searchin' - Change 32. Devil's Gun - CJ And Company 33. Native New Yorker - Odyssey 34. Hot Shot - Karen Young 35. Lovin' Is Really My Game - Brainstorm 36. I Feel Love (Patrick Cowley MegaMix) - Donna Summer 37. Love and Desire - Arpeggio 38. Loves' theme - Love Unlimited Orchestra 39. -
Star Wars: Forty Years of Copyright Registrations
Copyright Lore Star Wars: Forty Years of Copyright Registrations ALISON HALL PHOT0 BY DAVID RICE DAVID BY PHOT0 Approximately two-thirds of the Star Wars Many of the songs on the soundtracks do registrations and documents were filed more not have lyrics, but “Ewok Celebration” at the than twenty years after the original movie was end of Return of the Jedi does. It was composed released, which of course has included two new and conducted by John Williams, and it was sequels and the stand-alone film Rogue One: A registered with original English lyrics by Joseph Star Wars Story. After all that time, the original Williams and Ewokese lyrics by Ben Burtt. Star Wars still inspires creativity. Each movie introduced new characters, The Star Wars franchise has become so much which led to action figures, spaceships, and a part of American culture that two of the movies different light sabers, registered with the are part of the National Film Registry at the Copyright Office as sculptural works. Artwork Library of Congress. The Registry selects twenty- featuring the characters also appeared on lunch five films each year, showcasing the range and boxes, bed sheets, and t-shirts, to name a few. diversity of American film heritage to increase Beyond artwork, the incredible popularity of awareness for its preservation. The original Star the movies led to countless Star Wars-themed Wars was among the first films added to the items registered with the Office. A few examples Registry in 1989, and The Empire Strikes Back was include coloring books, sticker books, calendars, added in 2010. -
Pop Music and Politics: Tracking Political Trends Through the Hot 100 Chart, 1959-2016
Pop Music and Politics: Tracking Political Trends Through the Hot 100 Chart, 1959-2016 The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation MacTaggart, Andrew. 2018. Pop Music and Politics: Tracking Political Trends Through the Hot 100 Chart, 1959-2016. Master's thesis, Harvard Extension School. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42004046 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Pop Music and Politics: Tracking Political Trends through the Hot 100 Chart, 1959-2016 Andrew MacTaggart A Thesis in the Field of International Relations for the Degree of Master of Liberal Arts in Extension Studies Harvard University November 2018 © 2018 Andrew MacTaggart Abstract In this research, I searched for correlations within American popular music and U.S. political trends from 1959 to 2016 by collecting data on and analyzing every number one song on the Billboard Hot 100 Chart from January 3, 1959, to December 31, 2016, which totaled 1,030 songs. My hypothesis was that changes in the music over time would mirror the socio-political trends that were simultaneously taking place. Two key components set this research apart from much of the previous literature on the subject. First, the empirical and quantitative nature of this study is relatively unique, as most previous research on this topic has been qualitative in nature.