Avisynth 2.5 Selected External Plugin Reference

Total Page:16

File Type:pdf, Size:1020Kb

Avisynth 2.5 Selected External Plugin Reference Avisynth 2.5 Selected External Plugin Reference Wilbert Dijkhof Avisynth 2.5 Selected External Plugin Reference Table of Contents 1 Avisynth 2.5 Selected External Plugin Reference.........................................................................................1 1.1 General info.......................................................................................................................................1 1.2 Deinterlacing & Pulldown Removal..................................................................................................2 1.3 Spatio−Temporal Smoothers.............................................................................................................3 1.4 Spatial Smoothers..............................................................................................................................4 1.5 Temporal Smoothers.........................................................................................................................4 1.6 Sharpen/Soften Plugins......................................................................................................................4 1.7 Resizers..............................................................................................................................................5 1.8 Subtitle (source) Plugins....................................................................................................................5 1.9 MPEG Decoder (source) Plugins.......................................................................................................5 1.10 Audio Decoder (source) Plugins......................................................................................................6 1.11 Plugins to compare video quality.....................................................................................................6 1.12 Broadcast Video Plugins..................................................................................................................6 1.13 Misc Plugins....................................................................................................................................7 2 AviSynth Frequently Asked Questions..........................................................................................................9 2.1 Contents.............................................................................................................................................9 2.1.1 General information.................................................................................................................9 2.1.2 Loading clips (video, audio and images) into AviSynth..........................................................9 2.1.3 Opening scripts in encoder and player applications.................................................................9 2.1.4 Some common error messages.................................................................................................9 2.1.5 Recognizing and processing different types of content............................................................9 2.1.6 The color format YV12 and related processing and encoding issues...................................10 2.1.7 How to use VirtualDub's plugins in AviSynth.......................................................................10 3 AviSynth FAQ − Some common error messages........................................................................................11 3.1 Contents...........................................................................................................................................11 3.1.1 I got the message "LoadPlugin: unable to load "xxx (some plugin)" is not an AviSynth 1.0/AviSynth 2.0 plugin"?.......................................................................................................11 3.1.2 When frameserving I got the following message: "Script error, there is no function named "xxx (some filter)"" ?...................................................................................................11 3.1.3 I installed AviSynth and got the following error message: "Couldn't locate decompressor for format 'YV12' (unknown)."?.......................................................................11 3.1.4 When encoding I got the following error "ACM failed to suggest a compatible PCM format"?...................................................................................................................................12 3.1.5 When encoding I got the following error: "framesize xyz x 56 not supported"?..................12 3.1.6 When frameserving I got the following message: "AVISource: couldn't locate a decompressor for fourcc (...)"?................................................................................................12 3.1.7 When frameserving I got the following message: "DirectShowSource: Could not open as video or audio Video Returned: "DirectShowSource: the filter graph manager won't talk to me""?............................................................................................................................13 3.1.8 I am trying to load a script that has a path name with a mix of japanese characters (someone's name) and Ascii test. I got an import error and the path that is displayed has some strange characters (not the japanese characters)?...........................................................13 3.1.9 When frameserving I got the following message: "CAVIStreamSynth: System exception − Access Violation at 0x0, reading from 0x0"?......................................................13 3.1.10 When frameserving I got a message similar to: "Avisynth open failure: Script error: Invalid arguments to function "xxx (some filter)" (I:\Video.avs, line 5)"...............................13 i Avisynth 2.5 Selected External Plugin Reference Table of Contents 4 AviSynth FAQ − Recognizing and processing different types of content.................................................15 4.1 Contents...........................................................................................................................................15 4.1.1 The video and audio in my final encoding is out of sync, what should I do?........................15 4.1.2 How do I recognize progressive, interlaced, telecined, hybrid and blended content?...........16 4.1.3 How do I process interlaced content?.....................................................................................16 4.1.4 How do I process telecined content?......................................................................................17 4.1.5 How do I process hybrid content?..........................................................................................17 4.1.6 What is variable framerate video?..........................................................................................17 4.1.7 How do I import variable framerate video into AviSynth and how do I process it?..............17 5 AviSynth FAQ − Opening scripts in encoder and player applications.....................................................19 5.1 Contents...........................................................................................................................................19 5.1.1 What is frameserving and what is it good for?.......................................................................19 5.1.2 How do I use AviSynth as a frameserver?.............................................................................19 5.1.3 How do I frameserve my AVS−file to encoder/application X?.............................................20 5.1.3.1 Direct frameserving to compatible applications...........................................................20 5.1.3.2 Direct frameserving to applications using additional plugins......................................20 5.1.3.3 Direct frameserving to special or modified versions of encoders................................20 5.1.3.4 Frameserving to applications via fake AVI files and proxy utilities............................21 5.1.3.5 Frameserving via pipe from auxiliary programs to application−encoders...................21 5.1.4 How do I solve problems when opening/reading scripts in encoders and players?...............21 5.1.5 How do I frameserve from Premiere/Ulead/Vegas to AviSynth?..........................................22 6 AviSynth FAQ − General information.........................................................................................................23 6.1 Contents...........................................................................................................................................23 6.1.1 What is AviSynth?..................................................................................................................23 6.1.2 Who is developing AviSynth?................................................................................................24 6.1.3 Where can I download the latest versions of AviSynth?........................................................24 6.1.4 What are the main bugs in these versions?.............................................................................24 6.1.5 Where can I find documentation about AviSynth?................................................................24 6.1.6 How do I install/uninstall AviSynth?.....................................................................................24 6.1.7 What is the main difference between v1.0x, v2.0x, v2.5x, v2.6x and v3.x?..........................24 6.1.8 How do I know which version number of AviSynth I have?.................................................25
Recommended publications
  • Mpc Downloaded Video Cannot Render the File Mpc Downloaded Video Cannot Render the File
    mpc downloaded video cannot render the file Mpc downloaded video cannot render the file. Theme by Mishar DESIGN, modded by Team Kodi. Copyright © 2017 XBMC Foundation. Quick Links. Sponsors. About Kodi. Kodi is a free and open source media player application developed by the XBMC Foundation, a non-profit technology consortium. Kodi is available for multiple operating-systems and hardware platforms, featuring a 10-foot user interface for use with televisions and remote controls. It allows users to play and view most videos, music, podcasts, and other digital media files from local and network storage media and the internet. MPC Video Renderer 0.5.5.1732. The renderer can potentially work with any DirectShow player, but full support is available only in the MPC-BE (recommended version of MPC- BE is: 1.5.5 or newer). It is also recommended to have an SSE2-capable CPU, with Windows 7 (or newer) installed and at leaser a DirectX 9 video card. Starting with version 0.3.0 of MPC Video Renderer, it has been added support for XySubFilter. Changes to MPC Video Renderer 0.5.4 : - Fixed dithering when outputting 10-bit for DX11 mode. - Improved compatibility with CoreAVC Video Decoder. - Fixed frame rotation when using DXVA2 or D3D11 VP. - Optimization of processing when using only DXVA2 or D3D11 VP. — Full list of changes. Solved: AVI/MP4/MKV Cannot Render the File. Stuck with the "Cannot Render the File" error on your Media Player Classic? You'll find everything from why you're getting this error. And you will also learn to how to fix it in this post.
    [Show full text]
  • Avisynth for Mac
    Avisynth For Mac Avisynth For Mac 1 / 4 2 / 4 [4]AviSynth is built upon filters, which are much like DirectShow filters, but with a different binary interface. 1. avisynth 2. avisynth gui 3. avisynth mac [2] It is free software under GNU GPL license Scripting video editor[edit]AviSynth acts as a non-linear video editor controlled entirely by scripting (without a GUI).. Avisynth ffmpeg free download Universal Media Server Universal Media Server is a DLNA-compliant UPnP Media Server Universal Media Server supports all ma.. Filter capabilities include cropping, deinterlacing, inverse telecine, working with still images, doing basic color grading, reducing video noise, and many other things.. 6 1 Alpha (May 17, 2016; 4 years ago) [±]RepositoryWritten inC++Operating systemWindowsTypeLicenseGNU GPLWebsitewww. avisynth avisynth, avisynth linux, avisynth crop, avisynth plugins, avisynth trim, avisynth gui, avisynth 2.5, avisynth vhs effect, avisynth mac, avisynth 2.6 mt, avisynth deinterlace Free Web Software For Mac Technically, AviSynth constructs a filter graph (like MicrosoftGraphEdit but with added capabilities),[5] controlled by scripts written in the AviSynth scripting language.. More about AviSynth About the download, AviSynth is a program that requires less storage space than the average program in the section Video software.. Its functionality can be extended through the use of third- party filters known as plugins.. It’s also a great tutorial on how to make gifs in general, so if you’re not familiar with how to make gifs at all this is a great walkthrough before you continue on.. The program will play the video file 'myAvi avi' cropped down to its top-left 320 pixels by 240 pixels and blurred by a small amount.
    [Show full text]
  • Super 8 Languages for Making Movies (Functional Pearl)
    Super 8 Languages for Making Movies (Functional Pearl) LEIF ANDERSEN, STEPHEN CHANG, MATTHIAS FELLEISEN, PLT @ Northeastern University, United States of America The Racket doctrine tells developers to create languages (as libraries) to narrow the gap between the terminol- ogy of a problem domain and general programming constructs. This pearl illustrates this doctrine with the creation of a relatively simple domain-specific language for editing videos. To produce the video proceedings of a conference, for example, video professionals traditionally use łnon-linearž GUI editors to manually edit each talk, despite the repetitive nature of the process. As it turns out, the task of video editing naturally splits into a declarative phase and an imperative rendering phase at the end. Hence it is natural to create a functional-declarative language for the first phase, which reduces a lot of manual labor. The implementation of this user-facing DSL, dubbed Video, utilizes a second, internal DSL to implement the second phase, which is an interface to a general, low-level C library. Finally, we inject type checking into our Video language via another DSL that supports programming in the language of type formalisms. In short, the development of the video editing language cleanly demonstrates how the Racket doctrine naturally leads to the creation of language hierarchies, analogous to the hierarchies of modules found in conventional functional languages. CCS Concepts: • Software and its engineering Ñ Functional languages; Preprocessors; Macro lan- guages; Specification languages; Designing software; • Information systems Ñ Multimedia content cre- ation;• Applied computing Ñ Media arts;• Human-centered computing Ñ Graphical user interfaces; Additional Key Words and Phrases: Domain-Specific Language, Declarative Languages, Video Editing, Syntax Elaboration, Language Oriented Design, Movies, Integrated Development Environment ACM Reference Format: Leif Andersen, Stephen Chang, Matthias Felleisen.
    [Show full text]
  • University of Texas at Arlington Dissertation Template
    LOW COMPLEXITY ENCODER USING MACHINE LEARNING by THEJASWINI PURUSHOTHAM Presented to the Faculty of the Graduate School of The University of Texas at Arlington in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE IN ELECTRICAL ENGINEERING THE UNIVERSITY OF TEXAS AT ARLINGTON December 2010 Copyright © by Thejaswini Purushotham 2010 All Rights Reserved ACKNOWLEDGEMENTS Multitudes of pixels come together to form a lovely portrait. Similarly, the fruition of a thesis happens because of the encouragement and guidance of numerous people. Thus, I would like to take this opportunity to thank everyone who invested their precious time on me in the last two years. In the fall of 2008, I walked into the room of Dr.K.R. Rao with the hopes of learning from the master of video coding. Though we were total strangers, he immediately put me at ease by creating a very positive working atmosphere which entails my sincere appreciation. His mentoring has undoubtedly had a profound impact on me. I am greatly indebted to him. I am deeply grateful to Dr. Dongil Han for always being available in the lab and providing me with continued financial support and technical advice. I would like to thank the other members of my advisory committee Dr. W. Alan Davis and Dr. Jonathan Bredow for reviewing this thesis document and offering insightful comments. My sincere thanks to Pragnesh and Suchethan. The love, affection and encouragement of Bhumika, Bhavana, Gunpreet, Thara, Srikanth and all my friends who kept me going through the trying times of my Masters. Finally, my sincere gratitude and love goes out to my mom Ms.
    [Show full text]
  • Authentic Video, Subtitle Modification, and Oral Fluency Christopher Mark Rozendaal Iowa State University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 2005 Fluency through Friends: authentic video, subtitle modification, and oral fluency Christopher Mark Rozendaal Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Bilingual, Multilingual, and Multicultural Education Commons, English Language and Literature Commons, and the First and Second Language Acquisition Commons Recommended Citation Rozendaal, Christopher Mark, "Fluency through Friends: authentic video, subtitle modification, and oral fluency" (2005). Retrospective Theses and Dissertations. 14405. https://lib.dr.iastate.edu/rtd/14405 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Fluency through Friends: Authentic video, subtitle modification, and oral fluency by Christopher Mark Rozendaal A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: Teaching English as a Second Language/Applied Linguistics Program ofStudy Committee: Volker Hegelheimer, Major Professor Denise Schmidt Roberta Vann Iowa State University Ames, Iowa 2005 Graduate College Iowa State University This is to certify that the master's thesis of Christopher Mark Rozendaal. has met the requirements of Iowa State University Signatures have been redacted for privacy Ill TABLE OF CONTENTS LIST OF TABLES iv CHAPTER 1. INTRODUCTION i CHAPTER 2. LITERATURE REVIEW 4 CHAPTER 3. THE CURRICULUM UNITS i6 CHAPTER 4.
    [Show full text]
  • Download 8 Mile Avi File PSP Games Collection
    download 8 mile avi file PSP Games Collection. A rap version of "Saturday Night Fever." B-Rabbit, a wannabe rapper from the wrong side of Detroit's 8 Mile, has problems: he dumps his girlfriend when she tells him she's pregnant; to save money to make a demo tape, he moves into his alcoholic mom's trailer; his job's a dead end, and he's just choked at the local head-to-head rap contest. Things improve when he meets Alex - an aspiring model headed for New York - and a fast-talking pal promises to set up the demo. Then new setbacks: Alex isn't faithful, mom rejects him, rifts surface with his friends, and he's mugged by rivals. Everything hinges on the next rap showdown at the club. Can B-Rabbit pull truth out of his cap? A young rapper in Detroit struggles with his anger through music. Can a white kid with a blue vocabulary and lots of hate in his heart transcend his meager beginnings and attain global superdupermegastar success? The people of Detroit know 8 Mile as the city limit, a border, a boundary. It is also a psychological dividing line that separates Jimmy Smith Jr. from where and who he wants to be. 8 Mile examines a critical week in Jimmy's life. Download 8 mile avi file. Movie Title :8 Mile. A rap version of "Saturday Night Fever." BRabbit, a wannabe rapper from the wrong side of Detroit's 8 Mile, has problems: he dumps his girlfriend when she tells him she's pregnant to save money to make a demo tape, he moves into his alcoholic mom's trailer his job's a dead end, and he's just choked at the local headtohead rap contest.
    [Show full text]
  • Description-Driven Media Resource Adaptation
    Beschrijvingsgedreven aanpassing van mediabronnen Description-Driven Adaptation of Media Resources Wesley De Neve Promotor: prof. dr. ir. R. Van de Walle Proefschrift ingediend tot het behalen van de graad van Doctor in de Ingenieurswetenschappen: Computerwetenschappen Vakgroep Elektronica en Informatiesystemen Voorzitter: prof. dr. ir. J. Van Campenhout Faculteit Ingenieurswetenschappen Academiejaar 2006 - 2007 ISBN 978-90-8578-132-5 NUR 980, 986 Wettelijk depot: D/2007/10.500/6 Dankwoord Met het indienen van dit proefschrift sluit ik een periode van ruim vier jaar af. In deze tijdspanne heb ik de mogelijkheid gekregen om in een boeiend domein aan wetenschappelijk onderzoek te doen. Dit is dan ook een uitgelezen kans om de mensen te bedanken zonder wie dit werk niet mogelijk zou zijn geweest. In de eerste plaats wil ik mijn promotor, prof. dr. ir. Rik Van de Walle bedanken. Dankzij zijn onuitputtelijke inzet is het Multimedia Lab als onder- zoeksgroep uitgegroeid tot een gevestigde waarde op nationaal en internatio- naal vlak. Deze omgeving vormde voor mij dan ook het ideale kader voor het behalen van mijn doctoraat. Verder wil ik mijn promotor eveneens bedanken voor de kansen die hij mij geboden heeft om mijn onderzoek voor te stellen op verschillende internationale conferenties. Het bijwonen van deze conferenties heeft me als onderzoeker, maar ook als mens, enorm veel bijgebracht. Ook mijn vroegere (Boris Rogge, Sam Lerouge) en huidige collega’s van het Multimedia Lab wil ik uitgebreid bedanken. Het was voor mij erg aange- naam in een dergelijke open en vriendschappelijke omgeving te kunnen wer- ken. Een aantal collega’s hebben grote delen van dit proefschrift heel grondig nagelezen.
    [Show full text]
  • Learning Virtualdub the Complete Guide to Capturing, Processing, and Encoding Digital Video
    Learning VirtualDub The complete guide to capturing, processing, and encoding digital video Georgios Diamantopoulos Sohail Salehi John Buechler Birmingham - Mumbai Learning VirtualDub The complete guide to capturing, processing, and encoding digital video Copyright © 2005 Packt Publishing All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, without the prior written permission of the publisher, except in the case of brief quotations embedded in critical articles or reviews. Every effort has been made in the preparation of this book to ensure the accuracy of the information presented. However, the information contained in this book is sold without warranty, either express or implied. Neither the authors, Packt Publishing, nor its dealers or distributors will be held liable for any damages caused or alleged to be caused either directly or indirectly by this book. Packt Publishing has endeavored to provide trademark information about all the companies and products mentioned in this book by the appropriate use of capitals. However, Packt Publishing cannot guarantee the accuracy of this information. First edition: April 2005 Published by Packt Publishing Ltd. 32 Lincoln Road Olton Birmingham, B27 6PA, UK. ISBN 1-904811-35-3 www.packtpub.com Cover Design by www.visionwt.com Credits Authors Layout Georgios Diamantopoulos Paramita Chakrabarti Sohail Salehi John Buechler Indexer Ashutosh Pande Commissioning Editor David Barnes Proofreader Chris Smith Technical Editors Ashutosh Pande Cover Designer Paramita Chakrabarti Helen Wood About the Authors Georgios Diamantopoulos was born in February 1984. Born and raised in Corinth, Greece, his scientific inclination towards computers was evident in his teenage years and he pursued his dreams by moving to Birmingham, UK to study Computer Systems Engineering in 2001.
    [Show full text]
  • Virtualdubmod Help
    VirtualDubMod is a project that was born when suddenly a lot of modifications to the original VirtualDub by Avery Lee sprung up, mainly on the Doom9 forums. Some people got tired of needing several diffrent modified VirtualDub executables, so the idea arose to put them all together into a single app, VirtualDubMod. The founders were: VirtualDubOGM - Cyrius VirtualDubMPeg2 - Pulco-Citron VirtualDubAVS - Belgabor Extended features in VirtualDubMod 1.5.x Nb : VirtualDubMod now has a basic Unicode support. However this support is only available in Windows versions that handle it natively (2k/XP handle it). Win9x doesn't handle Unicode natively and so you won't have Unicode support in VirtualDubMod with this OS. This short documentation give you some information on the following subjects in VirtualDubMod 1.5.x : Preferences AVI Information Image formats Streams menu Multiple streams handling Comments and chapters handling Previewing and Saving Batch mode Miscellanea Preferences Since version 1.5.4.x VirtualDubMod also uses an extended tree list thanks to which you can access all its preferences. Depending on which kind of preference it is, clicking on an item in the tree will make appear a combo box or an edit box (optionally an icon to popup a file selector). For enabling / disabling preferences (checkbox / radio button) click on the checkbox or radio button. The default video mode (Direct stream copy, Fast recompress, Normal recompress, Full processing mode) in which VirtualDubMod starts can be changed in the Main preferences. The Display preferences let you choose to enable/disable by default the Display input video and Display output video of the Options menu.
    [Show full text]
  • Advanced Video Editing with Mpeg Video Wizard
    ADVANCED VIDEO EDITING WITH MPEG VIDEO WIZARD. Start the program. TO EDIT OUT COMMERCIALS: Click on the ‘Files’ tab and then the ‘Open’ icon. Browse to the file you want to edit. For the purpose of this tutorial I will be editing a program stream from Digital TV called ‘Johnny Cash’. A thumbnail of the file will appear in the project window on the left. To start editing, drag the icon to the ‘Input’ window. Using the keyboard is the fastest way to edit. Slide the progress bar along till you get close to the point where you want to mark a starting point for a selection. You can use the left and right arrow keys to move slowly to locate the starting frame. The up and down arrow keys jump through in large steps. You can press d to start playing and again to pause. Press s once to speed up the play and again to go super fast, once more to return to normal play. This also applies to the navigation with the arrow keys so when you have marked the start press s once to change to fast forward or twice to super fast forward and then use the right arrow key to move very quickly to the end of the area where you want to put a mark out. A short key of the left arrow key will take you back one frame at a time as you will mostly zoom past the spot where you want to finish. If you have been zooming super fast just press the s key again and you can move back at normal speed to fine tune the selection.
    [Show full text]
  • MJPEG HOWTO − an Introduction to the MJPEG−Tools MJPEG HOWTO − an Introduction to the MJPEG−Tools Table of Contents
    MJPEG HOWTO − An introduction to the MJPEG−tools MJPEG HOWTO − An introduction to the MJPEG−tools Table of Contents MJPEG HOWTO − An introduction to the MJPEG−tools............................................................................1 Praschinger Bernhard...............................................................................................................................1 1. Introduction..........................................................................................................................................1 2. Unsorted list of useful Hints................................................................................................................2 2.1 Some books we found usefull............................................................................................................4 3. Recording videos.................................................................................................................................4 3.1 lavrec examples..................................................................................................................................4 3.2 Other recording hints.........................................................................................................................6 3.3 Some information about the typical lavrec output while recording...................................................6 3.4 Notes about "interlace field order − what can go wrong and how to fix it"......................................7 There are three bad things that can happen
    [Show full text]
  • Digital Projection from Computer for Your Film Festival
    DIGITAL PROJECTION FROM COMPUTER FOR YOUR FILM FESTIVAL Last Updated 2/18/2013 Courtesy of the Faux Film Festival ( www.fauxfilm.com ) Please do not distribute this document – instead link to www.fauxfilm.com/tips Table of Contents I. OVERVIEW ............................................................................................................................ 2 II. HARDWARE .......................................................................................................................... 4 Computer requirements:.............................................................................................................. 5 What about a laptop? .................................................................................................................. 6 What about a Video Appliance? ................................................................................................. 7 Hey, I’m a Mac, you’re a PC! ..................................................................................................... 7 YOUR COMPLETE FESTIVAL KIT: ...................................................................................... 8 USING A SEPARATE MONITOR............................................................................................ 9 III. SOFTWARE ........................................................................................................................ 9 OPERATING SYSTEM ............................................................................................................. 9 APPLICATION SOFTWARE
    [Show full text]