Autobiographical Account Sy Montgomery on an April Day in 1997, My Life Was Hanging by a Thread. Or It Seemed Like a Thread
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Art and Architecture 2013
Art and Architecture 2013 Books for Courses ART & FEATURED TITLES ARCHITECTURE 2013 Will Gompertz WHAT ARE YOU LOOKING AT? THE SURPRISING, SHOCKING, AND SOMETIMES CONTENTS STRANGE STORY OF 150 YEARS OF MODERN ART ART HISTORY 3 “Gompertz has an uncanny knack for making CRITICISM & THEORY 6 difficult art (and ideas) easy….A lively, witty ac- ART & LITERATURE 9 count of the major moments and movements of DESIGN 12 the past 150 years.”—Associated Press ARCHITECTURE 13 See Art History, page 3 ART TECHNIQUE 15 CREATIVE INSPIRATION 16 GENERAL INTEREST 20 REFERENCE 24 Ellen Forney MARBLES INDEX 25 MANIA, DEPRESSION, MICHELANGELO, AND ME COLLEGE FACULTY 26 A Graphic Memoir INFORMATION SERVICE (CFIS) PERSONAL COPY FORM 27 “Brutally honest and deeply moving, the book is by EXAMINATION COPY FORM 28 turns dark, mordant, and hilarious. One of this year’s best American memoirs.”—Philadelphia Inquirer See Art and Literature, page 9 Click on the 13-digit ISBN for more information on any title. Simon Garfield To order examination or per- JUST MY TYPE sonal copies of any of the titles Foreword by Dava Sobel listed in this catalog, please “Garfield’s engaging history of letter design will complete the appropriate form be eye candy....[Just My Type is] stuffed with at the back of the catalog. fascinating bits of information...lively, richly illustrated.”—NPR For personal service, adoption See Design, page 12 assistance, and complimentary exam copies, please sign up for our College Faculty Information Keri Smith Service at: THE POCKET SCAVENGER www.penguin.com/facinfo Keri Smith, bestselling author of Wreck This Journal, returns with an exploration into the creative process and chance that sends readers on an unusual scavenger hunt to collect random items. -
SPRING 2021 HOUGHTON MIFFLIN HARCOURT Young Readers
SPRING 2021 HOUGHTON MIFFLIN HARCOURT Young Readers This edition of the catalogue was printed on November 24, 2020. To view updates, please see the Spring 2021 Raincoast eCatalogue or visit www.raincoast.com Raincoast Books Spring 2021 Page 1 of 94 LEAD Time for School, Little Blue Truck by Alice Schertle, illustrated by Jill McElmurry Ride along to school with the #1 New York Times best-selling Little Blue Truck and meet Blue's new friend: a bright yellow school bus. Beep- beep! Little Blue Truck and his good friend Toad are excited to meet a bright yellow school bus on the road. They see all the little animals lined up in the school bus's many windows, and Blue wishes he could be a school bus too. What a fun job-but much too big for a little pickup like Blue. Or is it? When somebody misses the bus, it's up to Blue to get his friend to school on time. Beep! Beep! Vroom! Also enjoy Blue's bedtime ride in Good Night, Little Blue Truck and his trip to the city in Little Blue Truck Leads the Way Author Bio Houghton Mifflin Harcourt Alice Schertle is a poet and author of many well-loved books for children, On Sale: Jun 29/21 including the beloved, #1 New York Times best-selling Little Blue Truck 10 x 8 • 32 pages series , Very Hairy Bear, Button Up!, and All You Need for a Snowman . She full-color illustrations lives in Plainfield, Massachusetts. 9780358412243 • $26.99 • CL - Hardcover Picture Jill McElmurrywas the illustrator of many picture books, including her own Book Mad About Plaid, When Otis Courted Mama by Kathi Appelt and the best- Juvenile Fiction / Transportation / Cars & Trucks • selling Little Blue Truck series , written by Alice Schertle. -
Alumni Journal: : Remembrance -- One Lucky
Sullivan et al.: Alumni Journal » REMEMBRANCE one Lucky GUy JOURNAL the life and times of new york columnist mike mcalary take center stage in a Broadway hit that brings back some wild memories for former classmates By mark SUllIvan In the tony-nomInated play journalism to write movie scores. But uses the full gamut of reporter’s tricks Lucky Guy, tom hanks portrays mike mcalary, who died in 1998, is the only to get the stories he wants. he bullies, alumni mcalary ’79 as a swaggering, ambi- one whose life has been turned into a badgers, and charms. at SU, that lucky tious tabloid reporter for whom the Broadway play. “there were so many guy personality was very much in evi- standard rules do not apply. In nora talented people on that staff, but it’s dence. tim Wendel ’78, the author of ephron’s play set against the back- pretty clear now that mike had the best seven books, recalls sitting in the DO drop of new york City’s tabloid wars combination of talent and ambition of office one day when mcalary showed of the mid-1980s, mcalary stays out any of them,” says tom Coffey ’80, who up looking for tickets to comedian Steve all night chasing scoops, uncovers two worked with mcalary at the DO and is martin’s appearance at hendricks Cha- major police scandals, and jumps from now an editor at The New York Times pel that night. Wendel did not have Newsday to The Daily News, then to The and author of three novels. -
11 Over 70 Why We Oppose Morals Clauses Writers on the Brink
WINTER 2018—SPRING 2019 16 11 Over 70 25 Why We Oppose Morals Clauses 44 Writers on the Brink Articles THE AUTHORS GUILD OFFICERS BULLETIN 08 President Q&A: D.T. Max Executive Director Douglas Preston 13 Titles and Trademarks Mary Rasenberger Vice President General Counsel Monique Truong 16 11 Over 70: Writers Who Persevere Cheryl L. Davis Secretary 22 Editor Rachel Vail Hybrid Publishing: What You Need to Know Martha Fay Treasurer 25 Why We Oppose Morals Clauses in Digital Content Director Peter Petre Jennifer Simms Members of the Council Book Contracts Copy Editors Deirdre Bair Heather Rodino Rich Benjamin 28 Harper Lee and Estate Planning for Authors Hallie Einhorn Amy Bloom 34 Art Direction Alexander Chee The Owner of the Los Angeles Times Wants Studio Elana Schlenker Pat Cummings Sylvia Day Rights to Books Written by Staff Cover Art + Illustration W. Ralph Eubanks 44 Writers on The Brink Antoine Cossé Peter Gethers All non-staff contributors Annette Gordon-Reed to the Bulletin retain Lauren Groff copyright to the articles Tayari Jones that appear in these pages. Brendan Kiely Guild members seeking Min Jin Lee Departments information on contributors’ Nicholas Lemann other publications are Steven Levy 02 Short Takes invited to contact the John R. MacArthur Guild office. Published by D.T. Max 04 A Farewell Message from James Gleick The Authors Guild, Inc. Daniel Okrent Michelle Richmond 06 From the Home Office The Authors Guild, Julia Sanches the oldest and largest James Shapiro 26 Agent’s Corner association of published Hampton Sides authors in the United T.J. -
©2015 Josephine White Rodgers All Rights Reserved
©2015 JOSEPHINE WHITE RODGERS ALL RIGHTS RESERVED PATRONAGE, POWER, AND AESTHETIC TASTE: THE MARKETING OF JAMES MCNEILL WHISTLER’S ART AND LEGACY by JOSEPHINE WHITE RODGERS A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Art History Written under the direction of Susan Sidlauskas And approved by ________________________ ________________________ ________________________ ________________________ New Brunswick, New Jersey May, 2015 ABSTRACT OF THE DISSERTATION Patronage, Power, and Aesthetic Taste: The Marketing of James McNeill Whistler’s Art and Legacy By JOSEPHINE WHITE RODGERS Dissertation Director: Susan Sidlauskas This dissertation focuses on aspects of the work and reputation of James McNeill Whistler. I argue that by striving to control the dissemination of his artistic vision Whistler was able to reach an unprecedented vast international audience. Nationalism, as it appeared under various guises in art throughout the nineteenth century, here is understood as the driving force in the growth of a global art community, which began in the late eighteenth century, when the ideology of nation-states began to shape cultural production. I am particularly interested in how Whistler dissolved this notion of a national project. To accomplish this goal I will track modalities, or pathways of cultural transmission, by exploring different ways Whistler connected with international artist peer groups, implemented exhibition strategies, and communicated to his patrons when producing and selling his prints and drawings that depict the body. Throughout his career Whistler experimented with ways to capitalize on the new networks of communications, developed by the emerging progressive journals and art galleries, ultimately establishing a significant impact on the agency an artist retains when forming his or her reputation in the twentieth century. -
Sociology 2010 Books for Courses
PENGUIN GROUP (USA) Sociology 2010 Books for Courses Here is a round-up of Penguin Group (USA)’s great selection of Sociology titles. Click on the 13-digit ISBN to get more information on each title. • Examination and personal copy forms are available at the back of the catalog. • For personal service, adoption assistance, and complimentary exam copies, sign up for our College Faculty Info Service at http://www.penguin.com/facinfo 2 • TABLE OF CONTENTS table of Contents CULTURE AND SOCIETY ..........................3 POLITICAL SOCIOLOGY ........................37 SoCIAl PSyCHoloGy .............................3 soCIAl tHEory ....................................37 antHroPoloGy ....................................6 CHArlES DArWIN ............................37 NAtIVE AMErICAN .............................7 KArl MArx .......................................39 rElIGIoN ..............................................10 AMErICAN CULTUrE & PolItICS .............40 SEx & GENDEr ......................................11 tHE DEMoCrACy WoMEN’S StUDIES ..........................11 moVEMENt WorlDWIDE ......................42 QUEEr StUDIES ................................13 war & ItS CoNSEQUENCES .................43 THE FAMILY ............................................14 tHE MoVEMENt oF PEoPlES .................46 MArrIAGE ........................................14 REFERENCE ..........................................48 media & tECHNoloGy ........................15 INDEX .................................................49 orGANIzAtIoNS & occupatIoNS