Theatre Programme for Orphans at Focus Theatre 2010
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The Dublin Gate Theatre Archive, 1928 - 1979
Charles Deering McCormick Library of Special Collections Northwestern University Libraries Dublin Gate Theatre Archive The Dublin Gate Theatre Archive, 1928 - 1979 History: The Dublin Gate Theatre was founded by Hilton Edwards (1903-1982) and Micheál MacLiammóir (1899-1978), two Englishmen who had met touring in Ireland with Anew McMaster's acting company. Edwards was a singer and established Shakespearian actor, and MacLiammóir, actually born Alfred Michael Willmore, had been a noted child actor, then a graphic artist, student of Gaelic, and enthusiast of Celtic culture. Taking their company’s name from Peter Godfrey’s Gate Theatre Studio in London, the young actors' goal was to produce and re-interpret world drama in Dublin, classic and contemporary, providing a new kind of theatre in addition to the established Abbey and its purely Irish plays. Beginning in 1928 in the Peacock Theatre for two seasons, and then in the theatre of the eighteenth century Rotunda Buildings, the two founders, with Edwards as actor, producer and lighting expert, and MacLiammóir as star, costume and scenery designer, along with their supporting board of directors, gave Dublin, and other cities when touring, a long and eclectic list of plays. The Dublin Gate Theatre produced, with their imaginative and innovative style, over 400 different works from Sophocles, Shakespeare, Congreve, Chekhov, Ibsen, O’Neill, Wilde, Shaw, Yeats and many others. They also introduced plays from younger Irish playwrights such as Denis Johnston, Mary Manning, Maura Laverty, Brian Friel, Fr. Desmond Forristal and Micheál MacLiammóir himself. Until his death early in 1978, the year of the Gate’s 50th Anniversary, MacLiammóir wrote, as well as acted and designed for the Gate, plays, revues and three one-man shows, and translated and adapted those of other authors. -
Issue 18 Midlands Arts 4:Layout 1
VISUAL ARTS MUSIC & DANCE ISSUE & FILM THEATRE FREE THE WRITTEN WORD A REVIEW OF THE ARTS IN LAOIS, LONGFORD, OFFALY AND WESTMEATH WINTER 2012 18 COVER PIC Laois teens explore life Kilbeggan through a lens gallery set page 8 in stone page 17 Offaly composer Longford girl celebrated for pursues international ballet dream success page 31 page 4 Toy Soldiers, wins at Galway Film Fleadh Midland Arts and Culture Magazine | WINTER 2010 Over two decades of Arts and Culture Celebrated with Presidential Visit ....................................................................Page 3 A Word Laois native to trend the boards of the Gaiety Theatre Midlands Offaly composer celebrated for international success .....Page 4 from the American publisher snaps up Longford writer’s novel andCulture Leaves Literary Festival 2012 celebrates the literary arts in Laois on November 9, 10............................Page 5 Editor Arts Magazine Backstage project sees new Artist in Residence There has been so Irish Iranian collaboration results in documentary much going on around production .....................................................................Page 6 the counties of Laois, Something for every child Mullingar Arts Centre! Westmeath, Offaly Fear Sean Chruacháin................................................Page 7 and Longford that County Longford writers honored again we have had to Laois teens explore life through the lens...............Page 8 up the pages from 32 to 36 just to fit Introducing Pete Kennedy everything in. Making ‘Friends’ The Doctor -
Millenniumforum @Millenniumforum Download Our App 2 Box Office +44 (0) 28 7126 4455 Through Arts Council Northern Ireland
www.millenniumforum.co.uk BOX OFFICE: 028 7126 4455 JANUARY - APRIL 2017 PROGRAMME /MillenniumForum @MillenniumForum Download Our App 2 Box Office +44 (0) 28 7126 4455 www.millenniumforum.co.uk through Arts Council Northern Ireland WELCOME TO ANOTHER GREAT SEASON OF SHOWS TO TAKE US THROUGH TO THE FIRST BUDS OF SPRING. This season we have superb headlining with its breathtaking sets and vibrant musicals beginning with the West End tour choreography. of DIRTY DANCING in February bringing the story of Johnny and Baby from screen We have drama with Shakespeare’s to stage in this dynamic production which HAMLET, brought to us by Icarus Theatre is garnering rave reviews on tour. in January. There is comedy drama by popular local playwright, Irene Melaugh, A brand new stage show makes its Irish with THE DERRY DUMPED DIVORCEES’ debut on our stage when WONDERLAND SUPPORT GROUP in March. The LMS arrives in February as part of its UK tour. joins us with SEVEN BRIDES FOR SEVEN This enchanting musical adaptation of the BROTHERS later in the season. Lewis Carroll classic stars Wendi Peters (Coronation Street) and acclaimed musical We have a fabulous show for children when theatre favourite, Dave Willets. Olivier nominated ROOM ON THE BROOM makes its debut in this magical, musical We have a wide range of Irish music artists adaptation of the classic picture book by this season with THE HIGH KINGS, DEREK Julia Donaldson and Axel Scheffler. RYAN and CHARLIE LANDSBOROUGH in January. HOMEGROWN returns in the I hope you can join us in our busy season! same month featuring a number of up- You can view our full programme at and-coming local musicians including millenniumforum.co.uk PAUL CASEY and THE HENRY GIRLS. -
The NAC. Wherever You Are. Contents
National Arts Centre Annual Report 2010–2011 The NAC. Wherever you are. Contents 14 Message from Julia E. Foster, Board Chair 37 Artistic and creative leadership 16 Message from Peter A. Herrndorf, President and CEO 37 Senior management 18 Report on strategic goals 38 Management Discussion and Analysis 24 Official languages at the NAC 43 Financial statements 25 Year in review 49 Notes to the financial statements 35 The Prairie Scene 63 National Arts Centre Foundation 36 Board of Trustees 70 Donor contributions 2010–2011 photopicturegarden/Taxi/Getty Images Role The National Arts Centre (NAC) raised its curtains for the first time in 1969. Created by the Parliament of Canada as a Centennial project during the 1960s, the NAC has become Canada’s foremost showcase for the performing arts. Today the NAC works with thousands of artists from across Canada and around the world and collaborates with dozens of arts organizations across the country. The NAC is strongly committed to being a leader and innovator in each of the performing arts fields in which it works: classical music, English theatre, French theatre, dance, and variety and community programming. It is also at the forefront of youth and education activities, supporting programs for young and emerging artists, presenting programs for young audiences and producing resources and study materials for teachers and students. The NAC is the only multidisciplinary, bilingual performing arts centre in North America and one of the largest in the world. Accountability and Funding The NAC reports to Parliament through the Minister of Canadian Heritage and Official Languages. Of the NAC’s total revenue, approximately half is derived from an annual parliamentary appropriation, while the other half comes from earned revenue— box office sales, the NAC Foundation, NAC catering, le café (restaurant), commercial parking and facility rentals. -
You Can Find Details of All the Films Currently Selling/Coming to Market in the Screen
1 Introduction We are proud to present the Fís Éireann/Screen Irish screen production activity has more than Ireland-supported 2020 slate of productions. From doubled in the last decade. A great deal has also been comedy to drama to powerful documentaries, we achieved in terms of fostering more diversity within are delighted to support a wide, diverse and highly the industry, but there remains a lot more to do. anticipated slate of stories which we hope will Investment in creative talent remains our priority and captivate audiences in the year ahead. Following focus in everything we do across film, television and an extraordinary period for Irish talent which has animation. We are working closely with government seen Irish stories reach global audiences, gain and other industry partners to further develop our international critical acclaim and awards success, studio infrastructure. We are identifying new partners we will continue to build on these achievements in that will help to build audiences for Irish screen the coming decade. content, in more countries and on more screens. With the broadened remit that Fís Éireann/Screen Through Screen Skills Ireland, our skills development Ireland now represents both on the big and small division, we are playing a strategic leadership role in screen, our slate showcases the breadth and the development of a diverse range of skills for the depth of quality work being brought to life by Irish screen industries in Ireland to meet the anticipated creative talent. From animation, TV drama and demand from the sector. documentaries to short and full-length feature films, there is a wide range of stories to appeal to The power of Irish stories on screen, both at home and all audiences. -
Museum Quarter
NAVAN ROAD DRUMCONDRA NEPHIN ROAD DALYMOUNT PARK CLONLIFFE ROAD 14 PHOENIX PARK & JONES ROAD EAST WALL ROAD CROKE GAA DART NORTH CIRCULAR ROAD PARK MUSEUM MUSEUM QUARTER LEINSTER AVE DORSET STREET BELVEDERE RD U RUSSELL ST PP E R G A R D NORTH CIRCULAR ROAD IN E R S NORTH STRAND ROAD STONEY RD T NO VENUE PG MOUNTJOY PORTLAND ROW D MIDDLE GARDINERSQUARE ST A 2 20 O 1 3 Walls Gallery 16 R FREDERICK ST NORTH SUMMERHILL T 2 Áras an Uachtaráin 16 S GRANGE GORMAN LWR GORMAN GRANGE 8 E 3 Brown Bag Films 16 W NORTH GT GEORGES ST 4 Damn Fine Print 16 EAST WALL ROAD LUAS RUTLAND CALEDON CT 5 The Darkroom 17 JAMES JOYCE STREET PARNELL SQ. EAST DART CHURCHST MARY’S ROAD RD 6 Dr Steevens’ Hospital (HSE) 17 16 OXMANTOWN ROAD LOWER GARDINER ST MORNING STAR AVE SEAN MACDERMOTT ST DORSET STREET PARNELL STREET SEVILLE PLACE 7 The elbowroom 17 PARNELL SQ. WEST HALLIDAY RD 13 PARNELL HENRIETTA ST MARLBOROUGH ST MANOR STREET 19 GRANGE GORMAN LWR SQUARE 8 Grangegorman Development 17 T DOMINICK ST LWR S 1 Agency CONNOLLY H C PROVOST ROW STATION KILLAN RD 9 The Greek Orthodox Community of 18 R FOLEY ST EAST ROAD U K LUAS H IN Ireland 7 G C ’S MANOR PLACE I MORNING STAR AVE STAR MORNING N INFIRMARY ROAD BOLTON ST N 10 IMMA (Irish Museum of Modern Art) 18 S CATHEDRAL ST S 4 5 T 14 O’CONNELL ST UPPER SHERRIF ST 11 Irish Railway Record Society (IRRS) 18 CHESTERFIELD AVENUE CAVALRY ROW BRUNSWICK ST. -
Cois Coiribe 2016
COIRIBE COIS Rio The Magazine for GOLD NUI Galway Galway 2020 MedTech in Galway A Changing Campus Alumni & Friends Autumn 2016 NUI Galway Affinity Card. You get, we give. You get a unique credit card and we give back to NUI Galway when you register and each year your Affinity card is active. Our introductory offer gives you a competitive rate of 2.9%¹ APR interest on balance transfers for first 12 months. bankofireland.com/alumni 1890 365 100 Lending criteria terms and conditions apply to all credit cards. Credit cards are liable to Government Stamp Duty of €30. Credit cannot be offered to anyone under 18 years of age. Bank of Ireland is regulated by the Central Bank of Ireland. ¹Available if you don’t currently hold a credit card with Bank of Ireland, whether you have an account with us or not. At the end of the introductory period the annual interest rates revert back to 2 COIS COIRIBEthe standard rate applicable to your card at that time. OMI008172 - NUIG Affinity A4_Portrait Ad_v13.indd 1 03/08/2016 12:35 NUI Galway CONTENTS 2 FOCAL ÓN UACHTARÁN NEWS Affinity Card. 4 The Year in Pictures 6 Research Round-up 10 University News You get, we give. 14 Campus News 26 Student Success FEATURES 16 A New Direction for Sport 22 1916 – Centenary Year 4 24 NASA Mission 28 A Changing Campus - Capital Development 32 Giving Stem Cells a heartbeat 34 MedTech in Galway 24 41 TG4 @ 20 42 Galway 2020 GRADUATES 36 Aoibheann McNamara 37 Paul O’Hara 38 Grads in Silicon Valley 44 Graduations GALWAY UNIVERSITY FOUNDATION 46 Empowering Excellence ALUMNI 6 18 50 Alumni Awards 38 52 Alumni Events 56 Class Notes 64 Obituaries CONTRIBUTORS Jo Lavelle, John Fallon, Ronan McGreevy, Joyce McCreevy, Joe Connolly, Dónall Ó Braonáin, Conor McNamara, Liz McConnell, Ruth Hynes, Sheila Gorham. -
All We Say Is 'Life Is Crazy': – Central and Eastern Europe and the Irish
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title All we say is 'Life is crazy': - Central and Eastern Europe and the Irish Stage Author(s) Lonergan, Patrick Publication Date 2009 Lonergan, P. (2009) ' All we say is 'Life is Crazy': - Central and Publication Eastern Europe and the Irish Stage' In: Maria Kurdi, Literary Information and Cultural Relations Between Ireland and Hungary and Central and Eastern Europe' (Eds.) Dublin: Carysfort Press. Publisher Dublin: Carysfort Press Link to publisher's http://www.carysfortpress.com/ version Item record http://hdl.handle.net/10379/5361 Downloaded 2021-09-28T21:11:04Z Some rights reserved. For more information, please see the item record link above. All We Say is ‘Life is Crazy’: – Central and Eastern Europe and the Irish Stage Patrick Lonergan If you had visited the Abbey Theatre during 2007, you might have seen a card displayed prominently in its foyer. ‘Join Us,’ it says, its purpose being to convince visitors to become Members of the Abbey – to donate money to the theatre and, in return, to get free tickets for productions, to have their names listed in show programmes, and to gain access to special events. The choice of image to attract potential donors is easy to understand (Figure 1). The woman, we see, has reached into a chandelier to retrieve a letter, and we can tell from her expression that the discovery she’s made has both surprised and delighted her. Why is she so happy? What does the letter say? And who is that strange man, barely visible, holding her up at such an unusual angle? As well as being eye-catching, the image is also an interesting analogue for the experience of watching great drama. -
Challenging the People, the State and the Patriarchy in 1980S Irish Theatre
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title Provoking performance: challenging the people, the state and the patriarchy in 1980s Irish Theatre Author(s) O'Beirne, Patricia Publication Date 2018-08-28 Publisher NUI Galway Item record http://hdl.handle.net/10379/14942 Downloaded 2021-09-27T14:54:59Z Some rights reserved. For more information, please see the item record link above. Provoking Performance: Challenging the People, the State and the Patriarchy in 1980s Irish Theatre Candidate: Patricia O’Beirne Supervisor: Dr. Ian Walsh School: School of Humanities Discipline: Drama and Theatre Studies Institution: National University of Ireland, Galway Submission Date: August 2018 Summary of Contents: Provoking Performance: Challenging the People, the State and the Patriarchy in 1980s Irish Theatre This thesis offers new perspectives and knowledge to the discipline of Irish theatre studies and historiography and addresses an overlooked period of Irish theatre. It aims to investigate playwriting and theatre-making in the Republic of Ireland during the 1980s. Theatre’s response to failures of the Irish state, to the civil war in Northern Ireland, and to feminist and working-class concerns are explored in this thesis; it is as much an exploration of the 1980s as it is of plays and playwrights during the decade. As identified by a literature review, scholarly and critical attention during the 1980s was drawn towards Northern Ireland where playwrights were engaging directly with the conflict in Northern Ireland. This means that proportionally the work of many playwrights in the Republic remains unexamined and unpublished. -
School News Student Profiles Windows on Saint Mary’S Anniversary60th Contents
ALUMNI Volume 3 | No 2 MagnificatSaint Mary’s College Preparatory High School Alumni Association Magazine | Winter 2009 Wishing you a very blessed Christmas season and a New Year filled with peace & joy! IN THE SPOTLIGHT The Class of 1953: The First St. Mary’s High School Alumni Gaels Society Member Msgr. John J. McCann ‘57 SCHOOL NEWS Student Profiles Windows on Saint Mary’s Anniversary60th contents March 5-6, 2010 Sports Night sections Brother Kenneth Robert Gymnasium Doors open 7:30 PM | Showtime 8:00 PM alumni association | 5 March 11, 2010 Ladies’ Night Out: Boutique, Fashion Show and Dinner Leonard’s | Dolce Vita student profiles | 10 555 Northern Boulevard Great Neck, New York 6:30 PM Cocktails | 7:30 PM Dinner in the spotlight | 17 Join honorary Sports Night captains Sr. Mariette Quinn, IHM (White) and Mrs. Diane Papa (Blue) for a night of memories and school news | 18 tradition. Sponsored by the Gaels Parents’ Association. April 22, 2010 reunions | 24 60th Anniversary Celebration of St. Mary’s High School Plandome Country Club gael winds | 32 Plandome, New York 6:00 PM Cocktails & Buffet Dinner Join former faculty members, coaches, in memoriam | 38 administrators and classmates for a night celebrating the rich tradition and educational mission that has been St. Mary’s since its founding in 1949. Formal invitations to follow. April 24, 2010 Lacrosse Reunion Denihan Field All lacrosse alumni are invited to an alumni game and reception. Invitations to follow. On the Cover: One of the five blue gray terra cotta spandrels with life-sized scenes from the life of the Blessed Virgin fired in gold leaf on Immaculata September 23, 2010 Hall’s façade. -
Wolfgang Marx ▪︎ Opera in Ireland
UR. JERNEJ WEISS VLOGA NACIONALNIH OPERNIH GLEDALIŠČ V 20. IN 21. STOLETJU THE ROLE OF NATIONAL OPERA HOUSES IN THE 20TH AND 21ST CENTURIES 3 studia musicologica labacensia issn 2536-2445 studia musicologica labacensia Izid monografije so podprli vloga nacionalnih opernih gledališč v 20. in 21. stoletju the role of national opera houses in the 20th and 21st centuries ur. Jernej Weiss 2019 Znanstvena monografija z mednarodno udeležbo Vloga nacionalnih opernih gledališč v 20. in 21. stoletju – The Role of National Opera Houses in the 20th and 21st Centuries Uredil Jernej Weiss Studia musicologica Labacensia, 3 (ISSN 2536-2445) Glavni urednik ■ Jernej Weiss (Ljubljana/Maribor) Odgovorni urednik ■ Jonatan Vinkler (Koper) Tehnična urednica ■ Tjaša Ribizel (Ljubljana) Uredniški odbor ■ Matjaž Barbo (Ljubljana), Primož Kuret (Ljubljana), Helmut Loos (Leipzig), Lubomír Spurný (Brno), John Tyrrell († Cardiff), Michael Walter (Graz), Jernej Weiss (Ljubljana/Maribor) Recenzenti ■ Lubomír Spurný, Ivan Florjanc, Igor Grdina Oblikovanje in prelom ■ Jonatan Vinkler Prevod ■ Amidas d. o. o. Jezikovni pregled (slovensko besedilo) ■ Jernej Weiss Izdali in založili Založba Univerze na Primorskem (zanjo: prof. dr. Dragan Marušič, rektor) Titov trg 4, SI-6000 Koper Glavni urednik ■ Jonatan Vinkler Vodja založbe ■ Alen Ježovnik Festival Ljubljana (zanj: Darko Brlek, direktor) Trg francoske revolucije 1, SI-1000 Ljubljana Koper, Ljubljana 2019 ISBN 978-961-7055-50-4 (spletna izdaja: pdf) http://www.hippocampus.si/ISBN/978-961-7055-50-4.pdf ISBN 978-961-7055-51-1 -
Reading the Irish Woman: Studies in Cultural Encounter and Exchange, 1714–1960
Reading the Irish Woman: Studies in Cultural Encounter and Exchange, 1714–1960 Meaney, Reading the Irish Woman.indd 1 15/07/2013 12:33:33 Reappraisals in Irish History Editors Enda Delaney (University of Edinburgh) Maria Luddy (University of Warwick) Reappraisals in Irish History offers new insights into Irish history, society and culture from 1750. Recognising the many methodologies that make up historical research, the series presents innovative and interdisciplinary work that is conceptual and interpretative, and expands and challenges the common understandings of the Irish past. It showcases new and exciting scholarship on subjects such as the history of gender, power, class, the body, landscape, memory and social and cultural change. It also reflects the diversity of Irish historical writing, since it includes titles that are empirically sophisticated together with conceptually driven synoptic studies. 1. Jonathan Jeffrey Wright, The ‘Natural Leaders’ and their World: Politics, Culture and Society in Belfast, c.1801–1832 Meaney, Reading the Irish Woman.indd 2 15/07/2013 12:33:33 Reading the Irish Woman Studies in Cultural Encounter and Exchange, 1714–1960 GerArdiNE MEANEY, MARY O’Dowd AND BerNAdeTTE WHelAN liVerPool UNIVersiTY Press Meaney, Reading the Irish Woman.indd 3 15/07/2013 12:33:33 reading the irish woman First published 2013 by Liverpool University Press 4 Cambridge Street Liverpool L69 7ZU Copyright © 2013 Gerardine Meaney, Mary O’Dowd and Bernadette Whelan The rights of Gerardine Meaney, Mary O’Dowd and Bernadette Whelan to be identified as the authors of this book have been asserted by them in accordance with the Copyright, Designs and Patents Act 1988.