Full Beacher

Total Page:16

File Type:pdf, Size:1020Kb

Full Beacher THE TM 911 Franklin Street Weekly Newspaper Michigan City, IN 46360 Volume 34, Number 1 Thursday, January 11, 2018 The Entertainer by Andrew Tallackson Alan Barcus, photographed by The Beacher’s Bob Wellinski after a performance last fall at The Acorn Theater in Three Oaks, Mich. lan Barcus has stories to tell. is”). The guy who wrote a song for a young Richard Magnifi cent stories. Hysterical stories. Marx. Who once served as an orchestra conductor AStories so remarkable, they prompt me to at Chicago’s legendary Playboy Club (“I couldn’t tell give pause, astonished the man seated across from my mother where I worked — all those naked peo- me, so humble and ingenuous, enjoying a cup of cof- ple walking around”). Who generated nearly 2,500 fee, has forged such an extraordinary life for him- radio and TV spots, the most iconic being Car-X’s self. “rattle, rattle, thunder, clatter, boom, boom, boom” A La Porte native, for instance, who boasts a campaign (“That might be my epitaph”). lifelong friendship with actor Joe Mantegna (“He’s regarded as the nicest man in Hollywood, and he Entertainer Continued on Page 2 THE Page 2 January 11, 2018 THE 911 Franklin Street • Michigan City, IN 46360 219/879-0088 • FAX 219/879-8070 In Case Of Emergency, Dial e-mail: News/Articles - [email protected] email: Classifieds - [email protected] http://www.thebeacher.com/ PRINTED WITH Published and Printed by TM Trademark of American Soybean Association THE BEACHER BUSINESS PRINTERS Delivered weekly, free of charge to Birch Tree Farms, Duneland Beach, Grand Beach, Hidden 911 Shores, Long Beach, Michiana Shores, Michiana MI and Shoreland Hills. The Beacher is also delivered to public places in Michigan City, New Buffalo, LaPorte and Sheridan Beach. Entertainer think of myself as shy, but Continued from Page 1 I was uncomfortable about For Barcus, how his life girls. Years later, I wrote the turned out was not part of song ‘14,’ about all the wom- some master plan. To hear en who passed me by.” him tell it, success shadowed After graduating from La luck. Pure luck. Plain and Porte High School, Alan at- simple. tended Indiana State Uni- “So much of it is by acci- versity in Terre Haute, where dent,” he says. “None of it was his dexterity in cross country planned. And to top it off, in and track saw him make the the beginning, all I wanted to track team freshman year. do was succeed in track.” “The coach said, ‘Who are you?,’ and I said, ‘I don’t think I’m anybody.’ But I was In the Beginning — so thrilled.” Athlete or Entertainer? Alan, in fact, was part of the same Hall of Fame class ndeed, the parental in- that includes the legendary fl uences in Alan’s child- Larry Bird. And, it should be Ihood could have tipped noted, it was the night before the scales in either direction. a track meet that the seeds of He was born in La Porte, grow- song his mother planted amid ing up in what was referred to his youth fi nally emerged. as “Poletown.” Densely popu- Alan’s parents, Ray and Nellie Barcus. Photo provided by Alan Barcus Riddled with nerves, Alan lated with Polish immigrants, could not sleep. He tried ev- a young Alan became “fl uent in Polish profanity,” erything to calm himself: a fi ve-mile walk, seeing he says with robust laughter, raised by parents who a movie. Nothing worked. In a burst of inspiration, were polar opposites. he headed over to the practice rooms at the campus His father was Ray Barcus, a minor-leaguer music department. He fi ddled around with notes, through the Chicago White Sox. sequences of chords. “So much of the time,” Alan said of his childhood, Slowly, but surely, a musician was born. “I would easily be out throwing a curveball with my dad. He was a power pitcher. I was a junk pitcher.” His mother, Nellie, was a pianist. She preferred From Teacher to Performer he follow in her footsteps, carting him off to piano pon graduating from ISU with a master’s lessons with Hilda Wagner Pease. Alan, however, degree in business in 1960, Alan did not showed no interest. In fact, he loathed piano lessons, Ustray far from campus. His fi rst job out doing everything possible to persuade his mother to of college was in nearby Brazil, Ind., teaching and call it quits. Eventually, he succeeded. coaching basketball, cross country and track at the So in school, he loved football, baseball, basket- local high school. His mother, Nellie, certainly was ball and track. There was just one problem. Weigh- proud. It was precisely what she wanted for her ing only 149 pounds, he was getting hurt all the son. A respectable career. A steady income. A family. time. In fact, he broke his wrist diving for the end Alan was now married. He and his wife, Ann, had a zone during a high school football game. He ended daughter, Katie. his high school career with the Slicer baseball team. For a while, Alan was content. Life was good. Socially, life was frustrating. He describes him- Gradually, he grew restless. He couldn’t shake the self freshman year as a “miserable 14-year-old. love of music that fl ourished in college. He realized, “I looked like a straw,” he continued. “I didn’t if he was to succeed in music, he needed to escape a THE January 11, 2018 Page 3 'RQ¶W0LVVWKLV0RQWK/RQJ6DOH :LQWHU+RXUV 0RQ6DWDPSP(7 6XQ1RRQSP(7 Alan, in his track days at Indiana State University. Photo provided by Alan Barcus provincial Indiana life and head for either Los An- geles, New York or Chicago. The decision was ago- nizing, but with the support of his family, and with no solid job prospects in sight, he, Ann and Katie -,2L'PABMM:D>KLM%G>P;N??:EH%FB moved to Chicago. The aforementioned luck was the catalyst for Alan scoring his fi rst two big gigs. One was as an orchestra conductor at Chicago’s Playboy Club. This, Alan says, was back in the days when fi rst-rate musicians performed, when then unknowns like Steve Martin and Billy Crystal test- ed material as fl edgling standup comedians. Play- ing fi ve nights a week, Alan never told his mother where he was performing. She was insistent on not only seeing him, but also bringing his former piano teacher. Those requests, Alan says with a chuckle, were denied. Take steps toward “Those bunny costumes, alone, would have made your new home! her faint,” he said. “She would have fallen over. Buying a home doesn’t have to be scary or hard. Dead.” When you partner with MutualBank, a mortgage loan expert will guide you through these steps: Alan would work at The Playboy Club for four years, and it was during this time that his path 1. Apply with Mortgage Lender, Cheryl Hamilton crossed with Dick Marx, then a top music produc- or online at bankwithmutual.com. 2. Submit documentation for review and er in Chicago, his forte being commercials. Alan’s property appraisal. style, Dick felt, in some ways resembled Elton John, 3. Participate in the closing of your new home! and it impressed Marx, who started hiring him for Contact Cheryl Hamilton! various ad campaigns. It was also what, down the NMLS 436346 road, lead Alan to help Dick’s son, Richard, write a 6 West Buffalo Street, New Buffalo song the musician would take with him to Los An- 269.469.5552 [email protected] geles to pursue a career. Alan also was hired as the music director for a production of “Hair.” The landmark Broadway mu- sical also marked the stage debut, in 1969, for a Subject to credit approval. Entertainer Continued on Page 4 THE Page 4 January 11, 2018 Entertainer Continued from Page 3 The Car-X Man young actor named Joe lan can tell Mantegna. you the exact Mantegna, of course, number of TV would go on to co-write A and radio spots he cre- “Bleacher Bums,” the ated. It’s 2,498. His gift award-winning play in- for tapping into what troduced by Chicago’s appeals to consumers Organic Theater Co., has spawned work for and become a regular in Pepsi, State Farm Insur- David Mamet produc- ance, McDonald’s and tions, winning a Tony as Kellogg’s. Remember Richard Roma in Mam- the “Oo, La, La” jingle et’s “Glengarry Glen for Tresemé shampoo? Ross.” His subsequent That’s Alan. career has spanned fi lm But the big one, the and TV, but the friend- one, the one that earns ship that emerged be- him scads of recogni- tween him and Alan tion, is the “rattle, rattle, never dimmed. They thunder, clatter, boom, produced the Chicago Alan (seated at the piano) rehearses for a show with the likes of Joe Man- tegna and Andre DeShields. Photo provided by Alan Barcus boom, boom” campaign” play “Eli,” with Manteg- jingle for Car-X.” na co-writing the book How did that memo- and Barcus writing the rable jingle come about? book, music and lyrics. It was just a burst of Mantegna recommended inspiration, says Alan, Alan to score the Oscar- who comes across as fl at- nominated short fi lm, tered, amused, even be- “Medusa Challenger.” fuddled by its success. Alan also had the op- He frequently jokes that portunity to work with the jingle will appear on the likes of Dennis Franz his tombstone.
Recommended publications
  • Stuart Golland Papers (MS 459) - Book Collection
    Stuart Golland Papers (MS 459) - Book Collection Title Author/Publisher/Year Shelf Number Medea and other plays / Euripides ; translated and with an Euripides. (Harmondsworth : Penguin 1963.) Stuart Golland Collection/1 introduction by Philip Vellacott. The stirrings in Sheffield on Saturday night / Alan Cullen ; Cullen, Alan. (London : Eyre Methuen 1974.) Stuart Golland Collection/2 introductions by Alan Cullen and Colin George ; foreword by John Hodgson. The Shrewsbury three : strikes, pickets and 'conspiracy' / by Jim Arnison, Jim. (London : Lawrence and Wishart Stuart Golland Collection/3 Arnison ; foreword by Bert Ramelson. 1974.) Being an actor / Simon Callow. Callow, Simon, (Harmondsworth : Penguin Stuart Golland Collection/4 1995.) The Caucasian chalk circle / Bertolt Brecht ; translated by James and Brecht, Bertolt, (London : Methuen 1963, Stuart Golland Collection/5 Tania Stern, with W.H. Auden. c1960.) Saint Joan of the stockyards / Bertolt Brecht ; translated by Frank Brecht, Bertolt, (London : Eyre Methuen 1976.) Stuart Golland Collection/6 Jones. An actor prepares / Constantin Stanislavsky ; translated by Elizabeth Stanislavsky, Konstantin, (London : Geoffrey Stuart Golland Collection/7 Reynolds Hapgood. Bles 1937.) The miners' strike in South Yorkshire, 1926 / by J.A. Peck ; map by Peck, John Antony. (Sheffield : University of Stuart Golland Collection/8 H. Walkland ; illustrations by G.N.J. Wheeler. Sheffield Institute of Education 1970.) Touched / Stephen Lowe. Lowe, Stephen, (Todmorden : Woodhouse Stuart Golland Collection/9 Books 1979, c1977.) Le Tartuffe : comédie / Molière ; avec une notice biographique, une Molière, (Paris : Larousse 1971.) Stuart Golland Collection/10 notice historique er littéraire, un lexique, des notes explicatives, une documentation thématique, des jugements, un questionnaire et des sujets de devoirs par J.P.
    [Show full text]
  • The Influence of Kitchen Sink Drama in John Osborne's
    IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 23, Issue 9, Ver. 7 (September. 2018) 77-80 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org The Influence of Kitchen Sink Drama In John Osborne’s “ Look Back In Anger” Sadaf Zaman Lecturer University of Bisha Kingdom of Saudi Arabia Corresponding Author: Sadaf Zaman ----------------------------------------------------------------------------------------------------------------------------- ---------- Date of Submission:16-09-2018 Date of acceptance: 01-10-2018 ----------------------------------------------------------------------------------------------------------------------- ---------------- John Osborne was born in London, England in 1929 to Thomas Osborne, an advertisement writer, and Nellie Beatrice, a working class barmaid. His father died in 1941. Osborne used the proceeds from a life insurance settlement to send himself to Belmont College, a private boarding school. Osborne was expelled after only a few years for attacking the headmaster. He received a certificate of completion for his upper school work, but never attended a college or university. After returning home, Osborne worked several odd jobs before he found a niche in the theater. He began working with Anthony Creighton's provincial touring company where he was a stage hand, actor, and writer. Osborne co-wrote two plays -- The Devil Inside Him and Personal Enemy -- before writing and submittingLook Back in Anger for production. The play, written in a short period of only a few weeks, was summarily rejected by the agents and production companies to whom Osborne first submitted the play. It was eventually picked up by George Devine for production with his failing Royal Court Theater. Both Osborne and the Royal Court Theater were struggling to survive financially and both saw the production of Look Back in Anger as a risk.
    [Show full text]
  • 34 Télévision LUNDI 22 AOÛT 2016
    30 TÉLÉVISION LUNDI LUNDI 22 AOÛT 2016 LA LIBERTÉ 34 TÉLÉVISION LUNDI 22 AOÛT 2016 RTS Un RTS Deux TF1 France 2 France 3 Arte M6 6.30 RTS Kids 7.00 Rio 2016 6.25 Tfou 8 6.00 Les z’amours 8 6.00 Euronews 8 10.55 L’Auvergne : 6.00 M6 Music 8.30 Quel temps fait-il ? Jeux olympiques. En direct. Jeunesse. 6.30 Télématin 6.30 Ludo 8 la guerre des couteaux 7.20 90210 Beverly Hills, 8.35 Plus belle la vie Au Brésil. Commentaires : 8.40 Téléshopping 8 9.35 Amour, gloire 6.31 Garfield & Cie : 11.40 Miyako : vivre cent ans, nouvelle génération 9.05 Top Models 8 Jean-Marc Rossier, Pascale Magazine. et beauté 8 spécial ensorcelés 8 vivre heureux ! Série. Plus rien à perdre. - 11.00 Le court du jour Blattner. 9.20 Petits secrets 10.00 Private Practice 8 Film TV. Animation. 12.35 Le cirque de Moscou Chaud business. 11.05 Les feux de l’amour 13.05 Le 12h45 entre voisins 8 10.50 Motus 8 9.00 Cérémonie de clôture en balade 8.55 M6 boutique 11.40 Scènes de ménages 13.35 RTS info Série. 11.25 Les z’amours 8 des Jeux olympiques 13.20 Arte journal Magazine. 12.10 Plus belle la vie 14.00 Pardonnez-moi 10.20 Grey’s Anatomy 8 11.55 Tout le monde veut de Rio 8 13.35 Shine 10.00 New Girl 12.45 Le 12h45 14.25 The Middle Série. 48 h. - Premières armes.
    [Show full text]
  • Famous Chicagoans Source: Chicago Municipal Library
    DePaul Center for Urban Education Chicago Math Connections This project is funded by the Illinois Board of Higher Education through the Dwight D. Eisenhower Professional Development Program. Teaching/Learning Data Bank Useful information to connect math to science and social studies Topic: Famous Chicagoans Source: Chicago Municipal Library Name Profession Nelson Algren author Joan Allen actor Gillian Anderson actor Lorenz Tate actor Kyle actor Ernie Banks, (former Chicago Cub) baseball Jennifer Beals actor Saul Bellow author Jim Belushi actor Marlon Brando actor Gwendolyn Brooks poet Dick Butkus football-Chicago Bear Harry Caray sports announcer Nat "King" Cole singer Da – Brat singer R – Kelly singer Crucial Conflict singers Twista singer Casper singer Suzanne Douglas Editor Carl Thomas singer Billy Corgan musician Cindy Crawford model Joan Cusack actor John Cusack actor Walt Disney animator Mike Ditka football-former Bear's Coach Theodore Dreiser author Roger Ebert film critic Dennis Farina actor Dennis Franz actor F. Gary Gray directory Bob Green sports writer Buddy Guy blues musician Daryl Hannah actor Anne Heche actor Ernest Hemingway author John Hughes director Jesse Jackson activist Helmut Jahn architect Michael Jordan basketball-Chicago Bulls Ray Kroc founder of McDonald's Irv Kupcinet newspaper columnist Ramsey Lewis jazz musician John Mahoney actor John Malkovich actor David Mamet playwright Joe Mantegna actor Marlee Matlin actor Jenny McCarthy TV personality Laurie Metcalf actor Dermot Muroney actor Bill Murray actor Bob Newhart
    [Show full text]
  • University of Pardubice Faculty of Arts and Philosophy Angry Young Men
    University of Pardubice Faculty of Arts and Philosophy Angry Young Men in British Drama: Analysis and Comparison of The Entertainer and The Kitchen Bachelor Thesis 2020 Karolína Jeníčková Prohlašuji: Tuto práci jsem vypracovala samostatně. Veškeré literární prameny a informace, které jsem v práci využila, jsou uvedeny v seznamu použité literatury. Byla jsem seznámena s tím, že se na moji práci vztahují práva a povinnosti vyplývající ze zákona č. 121/2000 Sb., autorský zákon, zejména se skutečností, že Univerzita Pardubice má právo na uzavření licenční smlouvy o užití této práce jako školního díla podle § 60 odst. 1autorského zákona, a s tím, že pokud dojde k užití této práce mnou nebo bude poskytnuta licence o užití jinému subjektu, je Univerzita Pardubice oprávněna ode mne požadovat přiměřený příspěvek na úhradu nákladů, které na vytvoření díla vynaložila, a to podle okolností až do jejich skutečné výše. Beru na vědomí, že v souladu s § 47b zákona č. 111/1998 Sb., o vysokých školách a o změně a doplnění dalších zákonů (zákon o vysokých školách), ve znění pozdějších předpisů, a směrnicí Univerzity Pardubice č. 7/2019, bude práce zveřejněna v Univerzitní knihovně a prostřednictvím Digitální knihovny Univerzity Pardubice. V Pardubicích dne 14. 4. 2020 Karolína Jeníčková ACKNOWLEDGEMENTS I would like to express my gratitude to my supervisor, Mgr. Petra Kalavská, Ph.D., for her kindness and valuable advice during writing of this thesis. I would also like to thank my family for their support throughout my studies. ANNOTATION This bachelor thesis focuses on The Entertainer (1957) by John Osborne and on The Kitchen (1959) by Arnold Wesker, the plays written by playwrights referred to as the Angry Young Men.
    [Show full text]
  • University of Edinburgh Postgraduate Journal of Culture and the Arts Issue 09 | Autumn 2009
    University of Edinburgh Postgraduate Journal of Culture and the Arts Issue 09 | Autumn 2009 Title ‘Whatever people say I am…’: Multiple voices on screen and page in Saturday Night and Sunday Morning. Author David Forrest Publication FORUM: University of Edinburgh Postgraduate Journal of Culture and the Arts Issue Number 09 Issue Date Autumn 2009 Publication Date 12/12/2009 Editors Lena Wanggren & Ally Crockford FORUM claims non-exclusive rights to reproduce this article electronically (in full or in part) and to publish this work in any such media current or later developed. The author retains all rights, including the right to be identified as the author wherever and whenever this article is published, and the right to use all or part of the article and abstracts, with or without revision or modification in compilations or other publications. Any latter publication shall recognise FORUM as the original publisher. ‘Whatever people say I am…’: Multiple voices on screen and page in Saturday Night and Sunday Morning . David Forrest, University of Sheffield The British New Wave in cinema, which ran from 1958 to 1962, was built around the adaptation of a number of literary texts that derived their ‘newness’ by vocalising working-class protagonists, hitherto largely suppressed in popular visions of British society. As a knock-on-effect, British screen culture refreshed, suffering as it did from the same level of under-representation that blighted literature. In a wider context, the films’ freshness and vigour can also be seen to be identified in a new approach to film style and aesthetics which had more in common with the European art cinema than the staid traditions of British filmmaking.
    [Show full text]
  • Post War British Theatre
    Post War British Theatre by James Hansford English Association Bookmarks No. 11 English Association Bookmarks Number 11 Three Post-War British Plays by James Hansford BOOKS TO READ Samuel Beckett, Waiting for Godot (Faber, 1956) Edward Bond, Save (Methuen, 1965) Caryl Churchill, Top Girls (Methuen, 1982) NOTES Conventional studies of the period begin by noting two important productions of the mid- 1950s, Samuel Beckett’s Waiting for Godot and John Osborne’s Look Back in Anger. Osborne’s drama (see also The Entertainer and Inadmissible Evidence), notwithstanding its monodramatic tendency, is essentially naturalistic, suppressing stage artifice and articulating a social consciousness which Arnold Wesker (Roots, Chips with Everything), Brendan Behan (The Hostage, The Quare Fellow) and John Arden (Serjeant Musgrave’s Dance, Armstrong’s Last Goodnight) have done much to refine and expand. By contrast Beckett’s work is ritualistic and meta-theatrical, an exploration of ‘inner space’ (see also Endgame, Happy Days, Play and Not) owing more to continental expressionism than to conventional representation, in whatever way it is ‘staged’. Samuel Beckett: Waiting for Godot Written in French and originally entitled Attendant, Waiting for Godot features two deracinated but sharply differentiated figures on a ‘country road’ awaiting, for an unspecified purpose, the arrival of a Mr Godot. By the end of the first act he has failed to appear and at the end of the play’s second and concluding act, Vladimir and Estragon are informed, by proxy once again,
    [Show full text]
  • Television Academy Awards
    2019 Primetime Emmy® Awards Ballot Outstanding Directing For A Comedy Series A.P. Bio Handcuffed May 16, 2019 Jack agrees to help Mary dump her boyfriend and finds the task much harder than expected, meanwhile Principal Durbin enlists Anthony to do his dirty work. Jennifer Arnold, Directed by A.P. Bio Nuns March 14, 2019 As the newly-minted Driver's Ed teacher, Jack sets out to get revenge on his mother's church when he discovers the last of her money was used to buy a statue of the Virgin Mary. Lynn Shelton, Directed by A.P. Bio Spectacle May 30, 2019 After his computer breaks, Jack rallies his class to win the annual Whitlock's Got Talent competition so the prize money can go towards a new laptop. Helen and Durbin put on their best tuxes to host while Mary, Stef and Michelle prepare a hand-bell routine. Carrie Brownstein, Directed by Abby's The Fish May 31, 2019 When Bill admits to the group that he has Padres season tickets behind home plate that he lost in his divorce, the gang forces him to invite his ex-wife to the bar to reclaim the tickets. Betsy Thomas, Directed by After Life Episode 2 March 08, 2019 Thinking he has nothing to lose, Tony contemplates trying heroin. He babysits his nephew and starts to bond -- just a bit -- with Sandy. Ricky Gervais, Directed by Alexa & Katie The Ghost Of Cancer Past December 26, 2018 Alexa's working overtime to keep Christmas on track. But finding her old hospital bag stirs up memories that throw her off her holiday game.
    [Show full text]
  • CAST BIOS TOM RILEY (Leonardo Da Vinci) Tom Has Been Seen in A
    CAST BIOS TOM RILEY (Leonardo da Vinci) Tom has been seen in a variety of TV roles, recently portraying Dr. Laurence Shepherd opposite James Nesbitt and Sarah Parish in ITV1’s critically acclaimed six-part medical drama series “Monroe.” Tom has completed filming the highly anticipated second season which premiered autumn 2012. In 2010, Tom played the role of Gavin Sorensen in the ITV thriller “Bouquet of Barbed Wire,” and was also cast in the role of Mr. Wickham in the ITV four-part series “Lost in Austen,” alongside Hugh Bonneville and Gemma Arterton. Other television appearances include his roles in Agatha Christie’s “Poirot: Appointment with Death” as Raymond Boynton, as Philip Horton in “Inspector Lewis: And the Moonbeams Kiss the Sea” and as Dr. James Walton in an episode of the BBC series “Casualty 1906,” a role that he later reprised in “Casualty 1907.” Among his film credits, Tom played the leading roles of Freddie Butler in the Irish film Happy Ever Afters, and the role of Joe Clarke in Stephen Surjik’s British Comedy, I Want Candy. Tom has also been seen as Romeo in St Trinian’s 2: The Legend of Fritton’s Gold alongside Colin Firth and Rupert Everett and as the lead role in Santiago Amigorena’s A Few Days in September. Tom’s significant theater experiences originate from numerous productions at the Royal Court Theatre, including “Paradise Regained,” “The Vertical Hour,” “Posh,” “Censorship,” “Victory,” “The Entertainer” and “The Woman Before.” Tom has also appeared on stage in the Donmar Warehouse theatre’s production of “A House Not Meant to Stand” and in the Riverside Studios’ 2010 production of “Hurts Given and Received” by Howard Barker, for which Tom received outstanding reviews and a nomination for best performance in the new Off West End Theatre Awards.
    [Show full text]
  • Theatre Archive Project Archive
    University of Sheffield Library. Special Collections and Archives Ref: MS 349 Title: Theatre Archive Project: Archive Scope: A collection of interviews on CD-ROM with those visiting or working in the theatre between 1945 and 1968, created by the Theatre Archive Project (British Library and De Montfort University); also copies of some correspondence Dates: 1958-2008 Level: Fonds Extent: 3 boxes Name of creator: Theatre Archive Project Administrative / biographical history: Beginning in 2003, the Theatre Archive Project is a major reinvestigation of British theatre history between 1945 and 1968, from the perspectives of both the members of the audience and those working in the theatre at the time. It encompasses both the post-war theatre archives held by the British Library, and also their post-1968 scripts collection. In addition, many oral history interviews have been carried out with visitors and theatre practitioners. The Project began at the University of Sheffield and later transferred to De Montfort University. The archive at Sheffield contains 170 CD-ROMs of interviews with theatre workers and audience members, including Glenda Jackson, Brian Rix, Susan Engel and Michael Frayn. There is also a collection of copies of correspondence between Gyorgy Lengyel and Michel and Suria Saint Denis, and between Gyorgy Lengyel and Sir John Gielgud, dating from 1958 to 1999. Related collections: De Montfort University Library Source: Deposited by Theatre Archive Project staff, 2005-2009 System of arrangement: As received Subjects: Theatre Conditions of access: Available to all researchers, by appointment Restrictions: None Copyright: According to document Finding aids: Listed MS 349 THEATRE ARCHIVE PROJECT: ARCHIVE 349/1 Interviews on CD-ROM (Alphabetical listing) Interviewee Abstract Interviewer Date of Interview Disc no.
    [Show full text]
  • Law Clerk Influence on Supreme Court Decision Making: an Empirical Assessment
    Washington and Lee University School of Law Washington & Lee University School of Law Scholarly Commons Scholarly Articles Faculty Scholarship 2008 Law Clerk Influence on Supreme Court Decision Making: An Empirical Assessment Todd C. Peppers Washington and Lee University School of Law, [email protected] Christopher Zorn The Pennsylvania State University Follow this and additional works at: https://scholarlycommons.law.wlu.edu/wlufac Part of the Courts Commons, Judges Commons, Jurisprudence Commons, Legal Education Commons, and the Supreme Court of the United States Commons Recommended Citation Todd C. Peppers & Christopher Zorn, Law Clerk Influence on Supreme Court Decision Making: An Empirical Assessment, 58 DePaul L. Rev. 51 (2008). This Article is brought to you for free and open access by the Faculty Scholarship at Washington & Lee University School of Law Scholarly Commons. It has been accepted for inclusion in Scholarly Articles by an authorized administrator of Washington & Lee University School of Law Scholarly Commons. For more information, please contact [email protected]. LAW CLERK INFLUENCE ON SUPREME COURT DECISION MAKING: AN EMPIRICAL ASSESSMENT Todd C. Peppers* and Christopher Zorn** INTRODUCTION In the past ten years, U.S. Supreme Court law clerks have achieved a visibility unmatched in Supreme Court history. A former Blackmun clerk wrote a tell-all tale of law clerk mischief at the Supreme Court,' a series of articles in USA Today addressing the lack of law clerk di- versity sparked protests and the grilling of Supreme Court Justices by congressional subcommittees, 2 former clerks offered insight into the turmoil gripping the Court during the 2000 presidential election,3 and two new television series focused on the behind-the-scenes machina- tions of Supreme Court clerks.4 The decade of the law clerk culminated in the publication of two major academic works on Su- preme Court law clerks.5 Both books sought to provide a thorough * Associate Professor of Political Science, Roanoke College; Lecturer in Law, Washington and Lee School of Law.
    [Show full text]
  • Completeandleft
    MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003-
    [Show full text]