MAKNA TOLERANSI AGAMA DALAM FILM BAJRANGI BHAIJAAN Skripsi

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MAKNA TOLERANSI AGAMA DALAM FILM BAJRANGI BHAIJAAN Skripsi MAKNA TOLERANSI AGAMA DALAM FILM BAJRANGI BHAIJAAN Skripsi Diajukan kepada Fakultas Ilmu Dakwah dan Ilmu Komunikasi untuk Memenuhi Persyaratan Memperoleh Gelar Sarjana Komunikasi Islam (S.Kom.I) Oleh Devi Feria Artika NIM: 1112051000059 JURUSAN KOMUNIKASI DAN PENYIARAN ISLAM FAKULTAS ILMU DAKWAH DAN ILMU KOMUNIKASI UNIVERSITAS ISLAM NEGERI SYARIF HIDAYATULLAH JAKARTA 1437 H/ 2016 M MAKNA TOLERANSI AGAMA DALAM FILM BAJRANGI BHAIJAAN Skripsi Diajukan kepada Fakultas Ilmu Dakwah dan Ilmu Komunikasi untuk Memenuhi Persyaratan Memperoleh t Gelar Sarjana Komunikasi Islam (S.Kom.I) Oleh Devi Feria Artika NIM: 1112051000059 Di Bawah Bimbingan ----/) ," /\/ ',/ / 4Y'A'*.".- Drs. Jumroni. M.Si NIP: 196305 l5 199203 I 006 JURUSAN KOMUNIKASI DAN PENYIARAN ISLAM FAKULTAS ILMU DAKWAH DAN ILMU KOMUNIKASI UNIVERSITAS ISLAM NEGERI SYARIF HIDAYATULLAH JAKARTA 1437 Ht 2016M LEMBAR PERNYATAAN Dengan ini saya menyatakan bahwa: 1. Skripsi ini merupakan hasil karya asli saya yang diajukan untuk memenuhi salah satu persyaratan memperoleh gelar strata satur di UIN Syarif Hidayatullah Jakarta. 2, Semua sumber yang saya gunakan dalam penulisan ini telah saya cantumkan sesuai dengan ketentuan yang berlal<r.r di UIN Syarif Hidayatullah Jakarta. 3. Jika di kemudian hari terbukti bahwa karya ini bukan hasil karya asli atau merupakan hasil jiplakan dari karya orang lain, maka saya bersedia meneriman sanksi yangn berlaku di UIN Syarif Hidayatullah Jakarta. lakar1La. 11 Jurii 2016 Devi Feria Artika PENGESAIiAI{ PANITIA UJIAN Skripsi berjudul MAKNA TOLERANSI AGAMA DALAM FILM IJA.IRANGI BHAIJAAN oleh Devi Feria Artika NIM: 1112051000059, telai, c{iuiikan dalam sidang munaqasyah Fakultas Ilmu Dakrvah dan Ilmu I(omunikasi UIN Syarif Hidayatullah Jakarla pada tanggal 17 Juni 2016. Skripsi ini telah iliterima sebagai salah satu syarat memperoleh gelar Sariana Komunikasi Islam (S. Korn. I) pada Jurusan Komunikasi dan Penyiaran Islam. Jaltarta, l7 Juni 2016 Sidang Munaqasl'ah Ketr,ra Meralgkap Anggota Sekretaris i\4erangkap Anggota Decii EasLruddin, \4Jke!s NIP:19580910 NIP: 1 979120820141 1 1001 Pcirgu ji II ,{a^,,o"^,.X Siti Nurbava. M.Si 11 97208072003 12 1003 ir ll): I 97908232009122002 PernL,inrlrirrg Drs. Jumror.ri. M.Si NIP: 1963051 5 1 992031006 ABSTRAK DEVI FERIA ARTIKA MAKNA TOLERANSI AGAMA DALAM FILM BAJRANGI BHAIJAAN Film merupakan salah satu media massa yang dapat memberikan pengaruh yang sangat besar pada jiwa khalayak. Film yang baik seharusnya tidak hanya memberikan hiburan semata, tetapi juga harus membawa pesan untuk penontonnya. Mengangkat tema tentang kemanusiaan dan toleransi film Bajrangi Bahijaan membawakan cerita yang sarat akan pesan dan juga pelajaran. Berkat cerita dan penyutradaraan serta akting yang mumpuni film Bajrangi Bhaijaan banyak mendulang prestasi sejak diluncurkan pada bulan Juli tahun 2015 lalu. Berdasarakan konteks di atas, maka tujuan penelitian ini adalah untuk menjawab pertanyaan bagaimana makna toleransi agama secara denotasi, konotasi, dan mitos dalam film Bajrangi Bhaijaan karya Kabir Khan? Makna denotasi dari objek yang diteliti menampilkan bagaimana perjuangan yang dilakukan karakter Pawan dalam mencari kedua orang tua Muni. Makna konotasi adalah toleransi yang ditampilkan dalam setiap adegan berupa bagaimana berhubungan sosial dan menyikapi perbedaan dengan non muslim. Sedangkan makna mitosnya adalah adanya perbedaan latar belakang seseorang harus dapat disikapi dengan toleransi sehingga dapat mengantarkan setiap manusia kepada kedamaian dan kemaslahatan. Teori yang digunakan adalah konsep semiotik Roland Barthes yang dikenal dengan Dua Tatanan Pertandaan (Two Order of Signification). Roland Barthes mengembangkan dua tingkatan pertandaan yang memungkinkan untuk dihasilkannya makna yang juga bertingkat-tingkat, yaitu tingkat denotasi dan konotasi (Sobur, 2009: 172). Secara umum makna denotasi adalah makna pada apa yang tampak paling nyata dari sebuah tanda. Sedangkan makna konotasi berkaitan dengan berbagai aspek psikologis, seperti perasaan, emosi, atau keyakinan penuturnya. Pada saat yang sama konotasi juga mengandung aspek realitas yang atau gejala alam yang disebut dengan mitos. Toleransi agama yang ditampilkan dalam adegan dan dialog film Bajrangi Bhaijaan diantaranya berupa menghargai dan menerima perbedaan, bersikap adil tanpa melihat latar belakang seseorang, dan memberikan hak kepada siapapun termasuk non muslim. Film Bajrangi Bhaijaan menunjukkan bahwa dalam hal berbuat kebaikan tidak melihat latar belakang seseorang termasuk bertoleransi. Implikasi dari sikap toleran adalah terwujudnya sebuah kemaslahatan yang dapat dirasakan oleh semua pihak. Kata kunci: Toleransi Agama, Semiotika, dan Film. i KATA PENGANTAR Bismillahirrahmanirrahim.. Assalamualaikum Warohmatulahi Wabarokatuh.. Puji dan syukur kepada Allah SWT atas segala limpahan rahmat, kasih sayang, dan karuniaNya, sehingga penulis dapat menyelesaikan skripsi ini. Shalawat serta salam semoga selalu Allah curahkan kepada Nabi besar, Nabi agung tauladan manusia, Nabi Muhammad SAW semoga kita termasuk umatnya yang mendapatkan syafaatnya kelak di hari kiamat. Alhamdulillah, berkat usaha dan do’a skripsi yang berjudul “Makna Toleransi Agama dalam Film Bajrangi Bhaijaan” ini dapat penulis selesaikan. Beribu-ribu ucapan terima kasih penulis sampaikan kepada seluruh pihak yang telah membantu, mendukung, dan membimbing penulis selama proses penyusunan skripsi ini. Ucapan terima kasih penulis ucapkan sedalam-dalamnya kepada yang terhormat: 1. Dr. H. Arief Subhan, MA selaku Dekan Fakultas Ilmu Dakwah dan Ilmu Komunikasi, Dr. Suparto, M.Ed, Ph.D selaku wakil Dekan I Bidang Akademik, Dr. Hj. Roudhonah, M.Ag selaku wakil Dekan II Bidang Administrasi Umum, serta Dr. Suhaimi, M.Si selaku Wakil Dekan III Bidang Kemahasiswaan. 2. Drs. Masran, MA dan Fita Fathurokhmah, M.Si selaku Ketua dan Sekretaris jurusan Komunikasi dan Penyiaran Islam. 3. Drs. Hamdani, MA selaku Dosen Pembimbing Akademik. ii 4. Drs. Jumroni, M.Si selaku dosen pembimbing yang telah bersedia membimbing dan banyak memberikan masukan serta saran kepada penulis selama proses penulisan skripsi ini berlangsung. 5. Segenap Bapak/ Ibu Dosen Fakultas Ilmu Dakwah dan Ilmu Komunikasi, terima kasih atas keikhlasannya telah mengajari dan memberikan ilmu kepada penulis. Penulis memohon maaf apabila dalam proses perkuliahan, ada sikap atau sifat penulis yang kurang berkenan di hati Bapak/ Ibu. Penulis sangat harapkan doa dari Bapak/ Ibu, semoga ilmu yang telah Bapak/ Ibu berikan barokah dan bermanfaat baik bagi penulis maupun orang lain. 6. Seluruh karyawan Fakultas Ilmu Dakwah dan Ilmu Komunikasi serta pengelola perpustakaan Fakultas dan perpustakaan Umum UIN Syarif Hidayatullah Jakarta, terima kasih atas layanan dan kerja samanya. Semoga pelayanan kepada mahasiswa menjadi lebih baik lagi kedepannya. 7. Bapak Warsito dan Ibu Runi serta Adik Yuda Dwi Alif Saputra, terima kasih untuk berbait-bait do’a yang tak pernah berhenti terucap untuk penulis. Terima kasih juga untuk motivasi, semangat dan dukungannya selama ini. 8. IKAMARU (Ikatan Keluarga Alumni Madrasah Raudlatul Ulum) Jakarta dan Sekitarnya yang telah banyak memberikan penulis pelajaran dan pengalaman. 9. Teman-teman KPI B angkatan 2012, KKN Lebah 2015 dan teman-teman yang selalu menjadi penyemangat Harir, Nunu, Pipit, Keke, Dita, Satrio, iii Panji, tika, Kiki-Chan, Ica, Mbak Fia, Ka Nia dan yang lainnya. Terima kasih, You were ROCK!! Dengan segala kekurangan dan keterbatasan penulis, dengan lapang dada penulis menerima kritik dan saran yang bersifat membangun. Semoga segala apa yang telah penulis lakukan dan hasilkan dapat membuahkan manfaat serta memberikan nilai kebaikan baik untuk penulis maupun para pembaca sekalian. Wassalamu’alaikum Warohmatullahi Wabarokatuh. Jakarta, 07 Juni 2016 Devi Feria Artika iv DAFTAR ISI ABSTRAK ................................................................................................. i KATA PENGANTAR .............................................................................. ii DAFTAR ISI .............................................................................................. v BAB I PENDAHULUAN ................................................................. 1 A. Latar Belakang .................................................................. 1 B. Batasan dan Rumusan Masalah ......................................... 4 C. Tujuan Penelitian .............................................................. 5 D. Manfaat Penelitian ............................................................ 5 E. Metodologi Penelitian ....................................................... 6 F. Tinjauan Penelitian............................................................ 9 G. Sistematika Penulisan ....................................................... 10 BAB II KERANGKA TEORI ........................................................... 12 A. Tinjauan Tentang Semiotika ............................................. 12 1. Pengertian Semiotika ................................................. 12 2. Semiotika Roland Barthes .......................................... 15 B. Tinjauan Toleransi Agama ............................................... 18 1. Pengertian Toleransi .................................................. 18 2. Unsur-Unsur Toleransi Agama .................................. 19 3. Toleransi Agama dalam Pandangan Islam ................. 21 4. Toleransi Agama dalam Pandangan Hindu ................ 26 C. Tinjauan Tentang Film ...................................................... 28 1. Pengertian Film .........................................................
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