EAAE News Sheet 77
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Development Urbanism
Development Urbanism Short, modified version of feature article published in the Danish newspaper Information 21.06.2010 By Henrik Valeur, 2010 According to the UN, the world will be populated with two billion more people within the next twenty to thirty years, almost all of whom will inhabit cities in the developing world. Building cities for nearly 100 million additional people every year over the next twenty to thirty years is a challenge, but also an opportunity of enormous dimensions. Depending on how it is done, it could either become one of humanity's greatest successes or one of our worst failures. Population growth is in many ways problematic, but it is better that it occurs in cities rather than in isolated rural areas. The reason is that we are better able to solve problems and make progress when we do it together. This is also why the evolution of cities and civilizations has always been closely intertwined. Two billion new urban inhabitants could give an incredible boost to the development of our civilization! Today, one in five people the world over live in extreme poverty; more than 100 million children never attend school and, although the relative infant mortality has never been lower, millions of children still die each year from pneumonia, malnutrition, diarrhea, malaria, infections and the like. According to the World Bank, three quarters of the world’s poor live in rural areas. Thus it would seem obvious to direct development aid into rural areas, as is the current practice. But no matter how much aid is distributed, rural areas will never be able to generate sufficient surplus to sustain the almost exponential population growth developing countries are experiencing. -
Making Is Thinking
MAKING IS THINKING Poetic Pursuits in Architectural Design A research thesis by Cameron Walker In the MSc Architecture track at TU Delft Explore Lab 24 January 2018 Abstract I thank Peter Koorstra, my research tutor, for his kindness, when I needed This research is the culmination of philosophical and practical pursuits. It it most and the freedom to pursue my passions. is my attempt to tackle the often-held view that intellectual thought is of superior motive to making. This has been a philosophical condition since I would also like thank Robert Notrott and Hubert Van der Meel for the time of Plato, and evermore amplified by ‘thinkers’ such as Hannah their patience and understanding during the process. Arendt, who’s relatively recent work positioned that there are those that make, Animal Laborans, and those who think, Homo Faber—the former being he/she who know not what they make, and the latter being the judge of the thing made from material labour and practice.1 With such a distinction came the advancement of the intellect, and the reduction of the poet, and in this shift human beings were denied the fullness of their corporeity. Disassociated by philosophy, this research pursues that philosophy. I attempt to reposition making as very much part of the human being’s capacity for thinking, that the two were once indissociable, not just in architecture, but all thinking. That making is the crux of thinking’s origin and has the ability to be equally relevant to it’s present. Regarding the notion that ‘making is thinking’, I owe credit to Richard Sennett, who coined the term in his book The Craftsman.His term became my title, and founded the essay presented here in part I. -
Dalibor Vesely and the Primacy of Orality for Someone Fortunate
Dalibor Vesely and The Primacy of Orality For someone fortunate enough to have been Dalibor Vesely’s student, it is probably impossible not to feel that some manner of propitious destiny was at work. Dalibor’s thought always appeared to his interlocutors with the force of certainty, as the clearest embodiment of an incandescent alétheia, in the ephemeral present of seminars. These spoken words have marked and often guided my academic and research work – with a force that no one simply reading his words out of a book can comprehend. I came from Mexico City to Colchester in 1973. I was 23 years old -- with a professional degree in "architectural engineering" (basically architectural training with a technical emphasis), little professional and life experience, and yet with sincere questions about the cultural significance of architecture. Only later was I to realize that my questions, back then ill-defined in terms of an appropriate "style" or "space concepts," strongly resonated with my teacher's long-standing concerns. In my case, these questions were paradoxically propitiated by a very defective architectural education. My schooling, unabashedly functionalistic despite some expressed social interests, revealed to me the inadequacies of any sort of architectural practice that would not be able to respond to the manifold and rich cultural heritage of the hybrid hispano-meso- american cultures that constitute modern Mexico. I already suspected that a more responsible practice, however, could not be a simple formal historicism: I was committed to modernity and this created perplexing problems; so I concluded that I had to study much more seriously before I could be an architect. -
EU Prize for Contemporary Architecture/Mies Van Der Rohe Awards
Since 1988, the European Commission and the Fundació Mies van der Rohe of Barcelona have been jointly responsible for the biennial European Union Prize for Contemporary Architecture - Mies van der Rohe Award. The proposals made for each prize submitted by the nominators – the experts, the national architects associations and the advisory committee – are used by the Jury to arrive at its decisions on the Prize Winner, the Emerging Architect Winner and a broad selection of shortlisted works to disseminate European architecture by means of catalogues, exhibitions, lectures and debates. In 2013, the 13th Award coincided with its 25th anniversary. In the course of these 25 years, the Fundació has organised thirteen Awards and built up a database of nearly 2,500 nominated works, one of the largest archives on contemporary architecture, consisting of photographs, drawings, digital and audiovisual materials and models. The 14th Award received 420 nominated works, from amongst which the Jury members shortlisted 40 projects. Five finalist works competed for the Prize, and one Emerging Architect was chosen. Barcelona, 1929 Alfonso XIII of Spain Ludwig Mies van der Rohe Jordi Pujol Pasqual Maragall Oriol Bohigas President of Mayor of Barcelona Chief Architect Barcelona, 1986 Generalitat of Barcelona City Hall de Catalunya We try to ‘understand’ the meaning of the Barcelona Pavilion, but seem to forget the smoothness of the marble, the hotness of the red velvet, the cold shine of the steel. The pavilion has a sensous materiality – the eye is not enough, -
To Download Full Pdf Report
URBAN INDIA Volume 34 Issue l January-June 2014 ISSN 0970-9045 Preface ................................................................................................................................ iii Editorial .............................................................................................................................. iv Acknowledgements ............................................................................................................ x Internal Migration in India: Setting the Context S Chandrasekhar and Poornima Dore ........................................................................................... 1 Drivers and Impacts of Migration Linking Separate Worlds: Understanding the Process of Rural-urban Seasonal Migration in India Yogesh Kumar and Anamika Ajay................................................................................................. 9 Migration Study Report of Gaisilat Block of Bargarh District of Odisha Kanhu Charan Majhi, Abhaya Chandra Tripathi, Jadumani Pradhan .......................................... 33 Labour Market in Cities Job Search and Labour Market Conditions of Migrants at the Destination: The Case of Lucknow Probir Bose and Ramjee Rai ....................................................................................................... 47 Well-being of Migrant Workers: Perspectives from Daily Labour Markets in Navi Mumbai Karthikeya Naraparaju ............................................................................................................... 68 Migration -
That Was Then, This Is Now and Next
INTRODUCTION NEIL SPILLER THAT WAS THEN, THIS IS NOW Neil Spiller, Site Plan – Sector of the Surrealist City, 2014 AND NEXT The drawing attempts to cartographically represent the un-representational, to map the great chunking engine of chance of the contemporary city. 6 7 Let us not mince words: the marvelous is always beautiful, The 1978 AD is also remarkable for two omissions: Daniel Bernard Tschumi, The definition of what might constitute Surrealist creative The Manhattan Transcripts, anything marvelous is beautiful, in fact only the marvelous Libeskind and John Hejduk. At the time, both were working on 1981 practice was left intentionally flexible by its founder, writer André is beautiful. iconic, theoretical and, I would argue, Surrealist-inspired projects. Breton, and the Parisian Surrealist Group, from its birth in the early Tschumi’s preoccupations with the event, the point of view 1 — André Breton, ‘Manifesto of Surrealism’, 1924 Hejduk was embarking on creating a series of ‘Masque’ projects and urban performance would also give him a disregard for 1920s. However, later, in the early 1940s, Breton began asking (1978–89) situated in many differing city locations. These sought the traditional protocols of architectural drawings and provoke the group to research the notion of the ‘Great Transparents’. He him to seek alternative methods of choreographing other The title and theme of this edition of AD was initially suggested to distil the essence of place, its genius loci and the rituals and architectural experiences in the city, resulting in his seminal wondered whether there were mythic, invisible, multidimensional by my realisation that 2018 would be the 40th anniversary of the day-to-day activities of a city’s occupants in eloquent, archetypal, book The Manhattan Transcripts. -
CURRICULUM VITAE for Kirsten Marie Raahauge Professor Mso Ved
CURRICULUM VITAE for Kirsten Marie Raahauge professor mso ved Institut for bygningskunst og design, Det kongelige danske Kunstakademis skoler for Arkitektur, Design og Konservering, Designskolen 1993 mag.scient. (antropologi), Institut for Antropologi, Københavns Universitet 2006 ph.d. (antropologi), Arkitektur & Design, Aalborg Universitet/Statens Byggeforskningsinstitut 2003 – Tegnestuen Blankspace med Claus Peder Pedersen, Claudia Carbone & Ivar Tønsberg Forskningsområder Rum-antropologi (rum, materialitet, velfærdsrum og udkanter, hjemsøgte huse, steder og rum, urbanitet, huset, landskabet), musealitet, billedkunst, arkitektur, design, visuel kultur og kommunikation, historisk antropologi (Inkariget), etnografisk metode og antropologisk teori og analyse Ansættelser, forskningsprojekter mv. 2017-2021 KADK, Spaces of Danish Welfare, forskningsprojekt, FKK, bevillingshaver for projektet 2017-2021 KADK, Tønder Inside Out - Spaces of Welfare, Spaces of the Outskirt, forskningsprojekt under Spaces of Danish Welfare, FKK 2015- KADK, Atlas, Shih Shien University, Taipei, Taiwan (2015), Lissabon (2017), Skagen Sommer School (2017). Workshops som led i didaktisk pilotprojekt, med Ann Merete Ohrt 2008-2009 adjunkt ved Etnologi, Saxo-Instituttet, Københavns Universitet 2007- 2008 post doc., Institut for Antropologi: Fornuftens Grænseflader, FKK, med delprojektet Hjemsøgte Huse 2005-2006 post doc., Center for Bolig og Velfærd, Realdaniaforskning, Københavns Universitet: Bolig i tid og rum med delprojektet Huset mellem globale og intime sfærer 2000-2005 -
Towards the Poetic by Noel Jonathan Brady Diploma In
Towards the Poetic by Noel Jonathan Brady Diploma in Architecture Dublin Institute of Technology Bachelor of Science (Arch.) Dublin University Eire Submitted to the Department of Architecture in partial fulfillment of the requirements of the degree Master of Science in Architecture Studies at the Massachusetts -- Institute of Technology. June 1989 Noel Jonathan Brady 1989. All rights reserved. The author hereby grants to M.I.T. permission to reproduce and to distribute publicly copies of this thesis document in whole or in part. Signature of the author Noel J. Brady Department of Architecture. May 10 1989 Certified by Imre Halasz Professor of Architecture. Thesis Supervisor. Accepted by Julian Beinart Chairman, Departmental Committee for Graduate Students. Room 14-0551 77 Massachusetts Avenue Cambridge, MA 02139 Ph: 617.253.2800 MITLibraries Email: [email protected] Document Services http://Iibraries.mit.edu/docs DISCLAIMER OF QUALITY Due to the condition of the original material, there are unavoidable flaws in this reproduction. We have made every effort possible to provide you with the best copy available. If you are dissatisfied with this product and find it unusable, please contact Document Services as soon as possible. Thank you. The images contained in this document are of the best quality available. Towards the Poetic by Noel Jonathan Brady Submitted to the Department of Architecture on May 10, 1989 in partial fulfillment of the requirements for the Degree of Master of Science in Architecture Studies. ABSTRACT Born out of a concern for the world, this philosophy of artifact makes a case for a particular way of making. It is a search for things which mediate between ourselves and the earth. -
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INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. ProQuest Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 ® UMI STANDING IN HUMILITY Mijanou Gravelle A thesis submitted to The Faculty of Graduate Studies and Research In the partial fulfillment of the requirements For the Degree of Master of Architecture Carleton University, School of Architecture Ottawa, Ontario, Canada © 2007, Mijanou Gravelle Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 978-0-494-36839-8 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 -
Sustainable Urbanism
BOOK REVIEW Sustainable Urbanism Pallavi Dalal One of the most striking features of urbanisation is its dynamic nature. This is due to varying intermittent phases of the process whereby human society moves from being predominantly rural to being largely urban. Henrik Valeur in India: The Urban Transition his book “India: The Urban Transition - A Case Study of Development A Case Study of Development Urbanism Urbanism” talks about the factors affecting this transition citing mainly Chandigarh and Bangalore as examples. Author: Henrik Valeur Henrik Valeur is a Danish architect-urbanist based in Publisher: The Architectural Publisher B (2014) Copenhagen. He is concerned about ever-increasing consumption leading to exhaustion of natural resources, Pages: 344 disruption of eco-systems and reduction of biodiversity, Price: besides the production of hazardous waste and greenhouse EUR 30 gasses contributing to global climate change. Valeur is a self- confessed Indophile, during his visits to India, he has collaborated with architecture schools, city authorities, planners and NGOs mainly in Chandigarh and Bangalore. He has compiled his experiences and outcomes of studies in a form of this book with fresh perspective towards these two Indian cities. In his book, Valeur foregrounds his concerns about air Tekton pollution, contamination and depletion of freshwater Volume 2, Issue 1, March 2015 resources, lack of proper housing, environmental and human pp. 110 - 111 110 TEKTON: Volume 2, Issue 1, March 2015 health problems, food and transportation.The live in planned city and get pushed to reside in book highlights these concerns through a fringe areas, creating chaotic conditions and collection of essays, interviews, opinions, mobility issues. -
Object Oriented Ontology Versus New Materialism
Neil Leach Digital Tool Thinking: EGS/Tongji/FIU Object Oriented Ontology versus New Materialism ABSTRACT Within contemporary philosophy, two apparently similar movements have gained attention recently, New Materialism and Object Oriented Ontology. Although these movements have quite distinct genealogies, they overlap on one key issue: they are both realist movements that focus on the object. In contrast to much twentieth-century thinking centered on the subject, these two move- ments address the seemingly overlooked question of the object. In shifting attention away from the anthropocentrism of Humanism, both movements can be seen to subscribe to the broad principles of Posthumanism. Are these two movements, however, as similar as they first appear? And how might they be seen to differ in their approach to digital design? This paper is an attempt to evaluate and critique the recent strain of Object Oriented Ontology and question its validity. It does so by tracing the differences between OOO and New Materialism, specifically through the work of the neo-Heideg- gerian philosopher Graham Harman and the post-Deleuzian philosopher Manuel DeLanda, and by focusing on the question of the ‘tool’ in particular. The paper opens up towards the question of the digital tool, questioning the connection between Object Oriented Ontology and Object Oriented Programming, and introducing the theory of affordances as an alternative to the stylistic logic of ‘parametricism’ as a way of understanding the impact of digital tools on architectural production. -
Amy Catania Kulper Curriculum Vitae
1 Amy Catania Kulper Curriculum Vitae Assistant Professor of Architecture Taubman College of Architecture + Urban Planning The University of Michigan tel: 323.804.5434 [email protected] Education: 2008 Ph.D. in the History and Philosophy of Architecture, Cambridge University, Cambridge, UK. 1993 M.Phil. in the History and Philosophy of Architecture, Cambridge University, Cambridge, UK. 1990 M.Arch. The University of Pennsylvania, Graduate School of Fine Arts, Philadelphia, PA. 1986 B.A. Franklin and Marshall College, Lancaster, PA. 1985 Institute for Architecture and Urban Studies, New York, NY. Academic Appointments: 2006– Present Assistant Professor of Architecture, University of Michigan, Taubman College of Architecture and Urban Planning, Ann Arbor, MI. 2004–2005 Lecturer, Southern California Institute of Architecture, Los Angeles, CA. 2000–2003 Lecturer, UCLA, Department of Architecture, Los Angeles, CA. 1996 Visiting Faculty Member, University of Pennsylvania, Graduate School of Fine Arts, Philadelphia, PA. 1993–1995 Supervisor, Department of Architecture, Cambridge University, Cambridge, UK. Doctoral Dissertation: 2007 The Ambiguity of Immanent Nature and Its Manifestations: The Contribution of Victor Horta (2007) Supervisor: Dr. Dalibor Vesely, Cambridge University M.Phil. Dissertation: 1993 The Architecture of Earth Art (1993) Supervisor: Dr. Dalibor Vesely, Cambridge University TAUBMAN COLLEGE OF ARCHITECTURE + URBAN PLANNING | THE UNIVERSITY OF MICHIGAN | 2000 BONISTEEL BOULEVARD | ANN ARBOR, MI 48109 2 Professional Affiliations: 2012–2015 Editorial Advisory Board for Architecture and Culture the new journal of the Architectural Humanities Research Association, UK 2011–2015 Design Editor for the Journal of Architectural Education 2010–2011 Member of the Journal of Architectural Education’s Editorial Board 2010–2011 Member of the Design Committee for the Journal of Architectural Education Honors, Awards, Grants: 2014 Received the Donna M.