Ballot for the 88Th Academy Awards

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Ballot for the 88th Academy Awards BEST PICTURE ANIMATED FEATURE FILM ORIGINAL SCORE PRODUCTION DESIGN o “The Big Short” o “Anomalisa” o “Bridge of Spies” o “Bridge of Spies” o “Bridge of Spies” o “Boy & the World” o “Carol” o “The Danish Girl” o “Brooklyn” o “Inside Out” o “The Hateful Eight” o “Mad Max: Fury Road” o “Mad Max: Fury Road” o “Shaun the Sheep Movie” o “Sicario” o “The Martian” o “The Martian” o “When Marnie Was There” o “Star Wars: The Force Awakens” o “The Revenant” o “The Revenant” o “Room” FOREIGN LANGUAGE FILM ORIGINAL SONG SHORT FILM, ANIMATED o “Spotlight” o “Embrace of the Serpent” (Colombia) o “Earned It” (“Fifty Shades of Grey”) o “Bear Story” o o o BEST ACTOR “Mustang” (France) “Manta Ray” (“Racing Extinction”) “Prologue” o “Son of Saul” (Hungary) o “Simple Song #3 (“Youth”) o “Sanjay’s Super Team” o Bryan Cranston, “Trumbo” o “Theeb” (Jordan) o “Writing’s on the Wall” (“Spectre”) o “We Can’t Live Without Cosmos” o Matt Damon, “The Martian” o “A War” (Denmark) o “Til It Happens to You” (“The Hunting o “World of Tomorrow” o Leonardo DiCaprio, “The Revenant” Ground”) o Michael Fassbender, “Steve Jobs” ADAPTED SCREENPLAY SHORT FILM, LIVE ACTION o Eddie Redmayne, “The Danish Girl” o “The Big Short” CINEMATOGRAPHY o “Ave Maria” o o o BEST ACTRESS “Brooklyn” “Carol” “Day One” o “Carol” o “The Hateful Eight” o “Everything Will Be Okay (Alles Wird Gut)” o Cate Blanchett, “Carol” o “The Martian” o “Mad Max: Fury Road” o “Shok” o Brie Larsen, “Room” o “Room” o “The Revenant” o “Stutterer” o Jennifer Lawrence, “Joy” o “Sicario” o Charlotte Rampling, “45 Years” ORIGINAL SCREENPLAY SOUND EDITING o Saoirse Ronan, “Brooklyn” o “Bridge of Spies” COSTUME DESIGN o “Mad Max: Fury Road” o o o BEST SUPPORTING ACTOR “Ex Machina” “Carol” “The Martian” o “Inside Out o “Cinderella” o “The Revenant” o Christian Bale, “The Big Short” o “Spotlight” o “The Danish Girl” o “Sicario” o Tom Hardy, “The Revenant” o “Straight Outta Compton” o “Mad Max: Fury Road” o “Star Wars: The Force Awakens” o Mark Rufalo, “Spotlight” o “The Revenant” o Mark Rylance, “Bridge of Spies” DOCUMENTARY FEATURE SOUND MIXING o Sylvester Stallone, “Creed” o “Amy” FILM EDITING o “Bridge of Spies” o o o BEST SUPPORTING ACTRESS “Cartel Land” “The Big Short” “Mad Max: Fury Road” o “The Look of Silence” o “Mad Max: Fury Road” o “The Martian” o Jennifer Jason Leigh, “The Hateful Eight” o “What Happened, Miss Simone” o “The Revenant” o “The Revenant” o Rooney Mara, “Carol” o “Winter on Fire: Ukraine’s Fight for Freedom” o “Spotlight” o “Star Wars: The Force Awakens” o Rachel McAdams, “Spotlight” o “Star Wars: The Force Awakens” o Alicia Vikander, “The Danish Girl” DOCUMENTARY SHORT SUBJECT VISUAL EFFECTS o Kate Winslet, “Steve Jobs” o “Body Team 12” MAKEUP AND HAIRSTYLING o “Ex Machina” o o o BEST DIRECTOR “Chau, Beyond the Lines” “Mad Max: Fury Road” “Mad Max: Fury Road” o “Claude Lanzmann: Spectres of the Shoah” o “The 100-Year-Old Man Who Climbed Out o “The Martian” o Lenny Abrahamson, “Room” o “A Girl in the River: The Price of Forgiveness” the Window and Disappeared” o “The Revenant” o Alejandro G. Inarritu, “The Revenant” o “Last Day of Freedom” o “The Revenant” o “Star Wars: The Force Awakens” o Tom McCarthy, “Spotlight” o Adam McKay, “The Big Short” For more, visit http://oscar.go.com. o George Miller, “Mad Max: Fury Road”.

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PAUL RANFORD Is a Producer with Over 30 Years Production Experience Across Film and Television. Recent Feature Film Credits

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19STCV40934 Assigned for all purposes to: Stanley Mosk Courthouse, Judicial Officer: Holly Fujie Electronically FILED by Superior Court of California, County of Los Angeles on 11/14/2019 08:36 AM Sherri R. Carter, Executive Officer/Clerk of Court, by M. Barel,Deputy Clerk 1 David M. deRubertis, State Bar No. 208709 Garen R. Nadir, State Bar No. 285394 2 The deRubertis Law Firm, APC 4219 Coldwater Canyon Avenue 3 Studio City, California 91604 4 Telephone: (818) 761-2322 Facsimile: (818) 761-2323 5 E-Mail: [email protected] E-Mail: [email protected] 6 7 Alan I. Schimmel, State Bar No. 101328 Michael W. Parks, State Bar No. 154531 8 Arya Rhodes, State Bar No. 299390 Schimmel & Parks, APLC 9 15303 Ventura Blvd., Suite 650 Sherman Oaks, California 91403 10 Telephone: (818) 464-5061 11 Facsimile: (818) 464-5091 E-Mail: [email protected] 12 Attorneys for Plaintiff 13 Monique Hicks 14 SUPERIOR COURT OF THE STATE OF CALIFORNIA 15 IN AND FOR THE COUNTY OF LOS ANGELES – CENTRAL DISTRICT 16 17 MONIQUE HICKS, an individual, Case No.: 18 Plaintiff, COMPLAINT FOR: 19 vs. 1. Race Discrimination (Disparate Treatment) in Violation of the Fair Employment and 20 NETFLIX, INC., a Delaware corporation; and Housing Act (Gov. Code § 12940, et seq.); DOES 1 through 50, inclusive,Deadline 2. Race Discrimination (Disparate Impact) in 21 Violation of the Fair Employment and 22 Defendants. Housing Act (Gov. Code § 12940, et seq.); 3. Sex/Gender Discrimination (Disparate 23 Treatment) in Violation of the Fair Employment and Housing Act (Gov. Code 24 § 12940, et seq.); 25 4.
SYDNEY OPERA HOUSE PRESENTS a Festival Celebrating the Art Of

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92Nd Academy Awards Nominations Ballet

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FOR IMMEDIATE RELEASE NANTUCKET FILM FESTIVAL ANNOUNCES TOM MCCARTHY TO RECEIVE 2017 SCREENWRITERS TRIBUTE AWARD NICK BROOMFIELD TO BE RECOGNIZED WITH SPECIAL ACHIEVEMENT IN DOCUMENTARY STORYTELLING NFF WILL ALSO HONOR LEGENDARY TV CREATORS/WRITERS DAVID CRANE AND JEFFREY KLARIK WITH THE CREATIVE IMPACT IN TELEVISION WRITING AWARD New York, NY (April 6, 2017) – The Nantucket Film Festival announced today the honorees who will be celebrated at this year’s Screenwriters Tribute—including Oscar®-winning writer/director Tom McCarthy, legendary documentary filmmaker Nick Broomfield, and ground-breaking television creators and Emmy-nominated writing team David Crane and Jeffrey Klarik. The 22nd Nantucket Film Festival (NFF) will take place June 21-26, 2017, and celebrates the art of screenwriting and storytelling in cinema and television. The 2017 Screenwriters Tribute Award will be presented to screenwriter/director Tom McCarthy. McCarthy's most recent film Spotlight was awarded the Oscar for Best Picture and won him (and his co-writer Josh Singer) an Oscar for Best Original Screenplay. McCarthy began his career as a working actor until he burst onto the filmmaking scene with his critically acclaimed first feature The Station Agent, starring Peter Dinklage, Patricia Clarkson, Bobby Cannavale, and Michelle Williams. McCarthy followed this with the equally acclaimed film The Visitor, for which he won the Spirit Award for Best Director. He also shared story credit with Pete Docter and Bob Peterson on the award-winning animated feature Up. Previous recipients of the Screenwriters Tribute Award include Oliver Stone, David O. Russell, Judd Apatow, Paul Haggis, Aaron Sorkin, Nancy Meyers and Steve Martin, among others.
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American Papers 2017 ~ 2018

the American Papers 2017 ~ 2018 1 The American Papers 2 The American Papers Editor-in-Chief Clayton Finn Jasmine Mayfield Managing Editors Michael Paramo Jonathan Schreiber Jena Delgado-Sette Editorial Board Roxana Arevalo Barbara Tkach Michael Gandara Jesus Pelayo Layout Editor Bahar Tahamtani Faculty Advisor Dustin Abnet Copyright © 2018 The American Studies Student Association California State University, Fullerton. All rights reserved. ISSN 10598464 3 The American Papers 4 Professor Abnet would like to thank the editors for their hard work, camaraderie, and professionalism while preparing this edi- tion of The American Papers. Their willingness to give freely of their time—even over summer break—to add to this institution is very much appreciated. He also would like to commend the authors for their exceptional papers and good-natured responses to the editorial process. Michael Paramo, Jonathan Schreiber, and Jena Delgado-Sette deserve special recognition for their service as Managing Edi- tors as does editor Michael Gandara for his assistance securing funding from the InterClub Council. Together their efforts made the production of the 2017-2018 issue possible. Professor Abnet offers special thanks to Bahar Tahamtani for her beautiful work on the layout and design of this issue. Finally, he especially would like to thank Clayton Finn and Jasmine Mayfield for serving as this volume’s Editors in Chief. Their professionalism, hard work, kindness, and dedication to the success of The American Papers has been remarkable. 5 The American Papers Welcome to the 2017-2018 American Papers! First and foremost, the American Papers is a testament to the many faculty men- tors that have spent countless hours of their time to assist students at California State University, Fullerton (CSUF) in their personal academic development and in making this journal what it is today.
Feature on Saoirse Ronan for Sunday Life

IRISH EYES Saoirse Ronan is only 21 but already has two Oscar nominations under her belt. Jane Cornwell tells why you need to learn how to pronounce her name. Snow & Licensing/Raven Partner McLellan/Art Alasdair by Photography sl • 12 aoirse Ronan might already and it was tough and scary and I came making her international theatre debut be a household name if WE CAN ALL out the other side.” on Broadway in a version of Arthur only people knew how to $e "re? “Yeah, you know, getting Miller’s !e Crucible. say Saoirse. Pronunciation RELATE TO used to doing your own washing,” she Asked if she has a career plan, she is never a problem on the says wryly. “$at "re. $at really shakes her head. “Not really. I just go for Emerald Isle, where the THE GRIEF terrifying "re.” great scripts,” she says. “But eventually it actress has lived, on and o!, since the age As a baby she accompanied her father would be nice to be more creatively of three: Sersha. Neither is the spelling of THAT COMES on set when he was working on movies involved in "lmmaking, whether suchs tricky Irish names as Eilis (Ay-lish), such as the IRA drama !e Devil’s Own through directing or producing. “Over the character Ronan plays in Brooklyn, (“Apparently I met Brad Pitt when I was the last couple of years I’ve felt really a 1950s-set drama about an Irish country WITH two; I don’t remember and I’m pretty strongly about how women are perceived girl forced to seek opportunity in New sure he doesn’t”).
Racing Extinction

Racing Extinction Directed by Academy Award® winner Louie Psihoyos And the team behind THE COVE RACING EXTINCTION will have a worldwide broadcast premiere on The Discovery Channel December 2nd. Publicity Materials Are Available at: www.racingextinction.com Running Time: 94 minutes Press Contacts: Discovery Channel: Sunshine Sachs Jackie Lamaj NY/LA/National Office: 212.548.5607 Office: 212.691.2800 Email: [email protected] Tiffany Malloy Email: [email protected] Jacque Seaman Vulcan Productions: Email: [email protected] Julia Pacetti Office: 718.399.0400 Email: [email protected] 1 RACING EXTINCTION Synopsis Short Synopsis Oscar®-winning director Louie Psihoyos (THE COVE) assembles a team of artists and activists on an undercover operation to expose the hidden world of endangered species and the race to protect them against mass extinction. Spanning the globe to infiltrate the world’s most dangerous black markets and using high tech tactics to document the link between carbon emissions and species extinction, RACING EXTINCTION reveals stunning, never-before seen images that truly change the way we see the world. Long Synopsis Scientists predict that humanity’s footprint on the planet may cause the loss of 50% of all species by the end of the century. They believe we have entered the sixth major extinction in Earth’s history, following the fifth great extinction which took out the dinosaurs. Our era is called the Anthropocene, or “Age of Man,” because evidence shows that humanity has sparked a cataclysmic change of the world’s natural environment and animal life. Yet, we are the only ones who can stop the change we have created.
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