DOCSLIB.ORG

Featuring the Brandenburg Choir Macquarie’S CMA Gives Sydney and Melbourne

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Featuring the Brandenburg Choir Macquarie’S CMA Gives Sydney and Melbourne Featuring the Brandenburg Choir Macquarie’s CMA gives Sydney and Melbourne. December 2018. me confidence The Cash Management Account preferred ARTISTS MELBOURNE by 1 in 3 SMSFs* is now powered by an Paul Dyer AO Artistic Director, Conductor Melbourne Recital Centre award-winning digital experience. Bonnie de la Hunty (Australia) soprano Saturday 8 December 5pm Australian Brandenburg Orchestra Saturday 8 December 7:30pm Brandenburg Choir SYDNEY PROGRAM Paddington Hildegard von Bingen (arr. Alex Palmer) O euchari in laeta via Monday 10 December 7pm Gregorian Chant Rorate coeli / Veni veni Emmanuel Tuesday 11 December 7pm Johann Crüger Nuch komm der Heyden Heyland City Recital Hall Johannes Eccard Ich steh an deiner Krippen hier Wednesday 12 December 5pm Wednesday 12 December 7pm Christopher Tye & Nahum Tate While shepherds watched Saturday 15 December 5pm Claudio Monteverdi Laudate dominum Saturday 15 December 7pm Traditional (arr. Alex Palmer) Gartan mother’s lullaby Wollongong Francisco Guerrero Maria Magdalena macquarie.com/cma Thursday 13 December 7pm John Henry Hopkins Jr. (arr. Alex Palmer) We three kings of Orient are Parramatta Jean-Philippe Rameau (arr. Paul Dyer) ‘Ô nuit’ from Hyppolyte et Aricie Monday 17 December 7:30pm Lewis Redner & Phillips Brooks (arr. Alex Palmer) O little town of Bethlehem Mosman Alex Palmer A sparkling Christmas Tuesday 18 December 7pm Newtown Ēriks Ešenvalds Only in sleep Wednesday 19 December 7pm George Frideric Handel ‘Let the bright seraphim’ from Samson Irving Berlin (arr. Jonathan Rathbone) White Christmas Adolphe Adam (arr. Alex Palmer) O holy night Franz Xaver Gruber Stille Nacht Jane, with Macquarie since 2000 Traditional O come, all ye faithful CHAIRMAN’S 11 WINNER SMSF Adviser Award for Cash Proudly supporting our guest artists. Accounts and Term Deposits three years in succession and 2018 Self Managed Concert duration approximately 70 minutes without an interval. Super Funds Coredata Awards for both We kindly request that you switch off all electronic devices during the performance. SMSF Adviser and Member categories This information is provided by Macquarie Bank Limited AFSL 237502 and does not take into account your objectives, financial situation or needs. NOËL! NOËL! FOLLOW YOUR STAR 1 You should consider whether it is appropriate for you. *Macquarie Bank Limited data, ATO Self-managed Super Fund Statistical Report. From our From our Principal Partner Artistic Director Macquarie Group is thrilled to welcome you to the Australian Welcome to the Brandenburg’s Noël! Noël! Christmas concerts. Brandenburg Orchestra’s annual Christmas highlight and sixth concert series for 2018, Noël! Noël! Follow Your Star. A traditional fixture on the annual Brandenburg Congratulations to Bruce Applebaum, Paul Dyer, Whether this is your first Noël! or you have been concert calendar, Artistic Director Paul Dyer the Orchestra and Choir for another memorable coming with family and friends for many many presents a dynamic and vivacious repertoire concert year. We are proud to be supporting the years, I hope tonight’s soulful blend of ancient of festive classics in Noël! Noël! highest calibre of musicians who come from across carols, spiritual songs, and joyous noëls heralds Australia, and continually deliver outstanding the start of a gorgeous festive season for you. This is Macquarie Group’s eleventh year as the performances to audiences throughout the country. The program is poignant and peaceful and has Brandenburg’s Principal Partner. been inspired by over 700 years of music from We wish you a happy festive season, and we hope This year, the Brandenburg have yet again delighted the Christmas tradition. you enjoy Noël! Noël! audiences across Australia with a program So, sit back, relax and soak up the serene sounds showcasing artistic excellence and innovation. I look forward to welcoming you again in 2019. of the Brandenburg Choir and Orchestra We look forward to 2019, when the Brandenburg performing with the pure voice of young soprano will celebrate its 30th anniversary year. As a proud Bonnie de la Hunty. partner of a truly unique and distinctive institution within the cultural landscape of Australia, The Brandenburg celebrates a very special Macquarie look forward to celebrating this milestone next year, so please check out our milestone with the Brandenburg. explosive 30th Anniversary 2019 concert season Bill Marynissen which kicks off in February with J.S. Bach’s Head of Wealth Management magnificent Brandenburg Concertos. Enjoy tonight’s beautiful concert and Merry Christmas. Paul Dyer AO Co-Founder & Artistic Director 2 AUSTRALIAN BRANDENBURG ORCHESTRA NOËL! NOËL! FOLLOW YOUR STAR 3 Biography Biography Bonnie de la Hunty Paul Dyer Bonnie de la Hunty is an Australian soprano with a particular Paul Dyer is one of Australia’s leading specialists love for Baroque and Classical era repertoire and art song. in period performance. Since moving to the Netherlands, Bonnie national awards for his CD recordings with the has performed in concerts with Koninklijk Australian Brandenburg Orchestra and Choir, Conservatorium including as soprano soloist in including the 1998, 2001, 2005, 2009 and 2010 Bach’s Cantata Was Gott tut das ist wohlgetan ARIA Awards for Best Classical Album. and chamber music of the Dutch Golden Age. Paul has performed with many international On a visit home to Perth in July 2016, Bonnie soloists including Andreas Scholl, Cyndia Sieden, was featured as the soprano soloist in Marc Destrubé, Christoph Prégardien, Hidemi Mozart’s Coronation Mass at WAAPA. Bonnie was Suzuki, Manfredo Kraemer, Andrew Manze, also an Art Song Perth Emerging Artist in 2014; Yvonne Kenny, Emma Kirkby, Philippe Jaroussky participated twice in WAAPA’s International Art and many others. In 1998 he made his debut in Song Festival with gala concerts at Government Tokyo with countertenor Derek Lee Ragin, leading House Ballroom accompanied by Graham an ensemble of Brandenburg soloists, and in Johnson; been a Young Artist with the Song August 2001 Paul toured the orchestra to Europe Company at the 2014 Canberra International with guest soloist Andreas Scholl, and in 2015 Music Festival; performed in the trio ensemble featured on the soundtrack of the James Bond Lost and Found opera company’s 2015 production 007 movie, Spectre. Bonnie is currently studying an Artist Diploma in of Milhaud’s Médée; and been a member of He co-founded the Brandenburg in 1989 after A passionate cook, entertainer, foodie, teacher, Early Music (Voice) with Rita Dams at The Royal Giovanni Consort. completing postgraduate studies at The Royal swimmer, traveller, he is friends with people and Conservatory of The Hague, Netherlands. Conservatory of The Hague, and has been Artistic Bonnie was awarded first place in Perth’s Royal artists from Istanbul to India and Japan to Italy Director and conductor since that time. Paul is A recent graduate of the Master of Arts (Vocal Over-Seas League Singing Competition and creating a unique platform for overseas performing a performing artist comfortable in his unique Studies) at the Royal Academy of Music, London, Most Outstanding Vocalist at the North Perth artists to work with him and the Brandenburg music arena – whether working in ancient music, where she studied with Lillian Watson and Joseph Music Festival. in Australia. contemporary music, opera, with artists such as Middleton, Bonnie received her Bachelor of Music Bonnie also has an interest in Irish folk music, circus performers, contemporary dance, Among his list of achievements, Paul was awarded (Classical Voice Performance) at the Western being half Northern Irish. She continues to perform or visual art. His busy performing schedule in the Officer of the Order of Australia (AO) in 2013 for Australian Academy of Performing Arts (WAAPA), these folk songs in concerts as she has done since Europe, Asia, the USA and Canada over the years his ‘distinguished service to the performing arts Perth, with Patricia Price. the age of eleven when she sang in The Chieftains’ has synchronised perfectly alongside his bold in Australia’. Paul is Patron of St Gabriel’s School In July 2017 she was a participant at the Franz Perth concert and became involved with Perth’s stage work in Australia. for Hearing Impaired Children. In 2003 Paul was Schubert Institut in Baden bei Wien, Austria, Irish Club and Comhaltas Ceoltóirí Éireann. awarded the Australian Centenary Medal for his Paul is an inspiring teacher and has been a staff studying German lieder and giving concerts services to Australian society and the advancement member at various Conservatories throughout the there for five weeks. of music, and in 2010 Paul was awarded the world. In 1995 he received a Churchill Fellowship Sydney University Alumni Medal for Professional and he has won numerous international and Achievement. 4 AUSTRALIAN BRANDENBURG ORCHESTRA NOËL! NOËL! FOLLOW YOUR STAR 5 NATALIA HARVEY Musicians PAULMusicians DYER Australian Brandenburg Orchestra AustralianSHAUN LEE-CHEN Brandenburg Orchestra Paul Dyer AO Artistic Director, Conductor, harpsichord Bonnie de la Hunty (Australia) soprano Australian Brandenburg Orchestra Brandenburg Choir Orchestra BAROQUE VIOLIN BAROQUE CELLO SACKBUT THEORBO/ Matt Bruce* Rosemary Quinn Keal Couper BAROQUE GUITAR Ben Dollman* Nigel Crocker Tommie Andersson* BAROQUE Ros Jorgensen BAROQUE VIOLA DOUBLE BASS CHAMBER ORGAN Monique O’Dea1 Rob Nairn*2 BAROQUE TRUMPET Heidi Jones3 Leanne Sullivan PERCUSSION HARPSICHORD Brian Nixon Paul Dyer* Choir SOPRANO ALTO TENOR
Load more

Recommended publications
  • The Viola Da Gamba Society Journal
    The Viola da Gamba Society Journal Volume Nine (2015) The Viola da Gamba Society of Great Britain 2015-16 PRESIDENT Alison Crum CHAIRMAN Michael Fleming COMMITTEE Elected Members: Michael Fleming, Linda Hill, Alison Kinder Ex Officio Members: Susanne Heinrich, Stephen Pegler, Mary Iden Co-opted Members: Alison Crum, Esha Neogy, Marilyn Pocock, Rhiannon Evans ADMINISTRATOR Sue Challinor, 12 Macclesfield Road, Hazel Grove, Stockport SK7 6BE Tel: 161 456 6200 [email protected] THE VIOLA DA GAMBA SOCIETY JOURNAL General Editor: Andrew Ashbee Editor of Volume 9 (2015): Andrew Ashbee, 214, Malling Road, Snodland, Kent ME6 5EQ [email protected] Full details of the Society’s officers and activities, and information about membership, can be obtained from the Administrator. Contributions for The Viola da Gamba Society Journal, which may be about any topic related to early bowed string instruments and their music, are always welcome, though potential authors are asked to contact the editor at an early stage in the preparation of their articles. Finished material should preferably be submitted by e-mail as well as in hard copy. A style guide is available on the vdgs web-site. CONTENTS Editorial iv ARTICLES David Pinto, Consort anthem, Orlando Gibbons, and musical texts 1 Andrew Ashbee, A List of Manuscripts containing Consort Music found in the Thematic Index 26 MUSIC REVIEWS Peter Holman, Leipzig Church Music from the Sherard Collection (Review Article) 44 Pia Pircher, Louis Couperin, The Extant Music for Wind or String Instruments 55 Letter 58 NOTES ON THE CONTRIBUTORS 59 Abbreviations: GMO Grove Music Online, ed. D.
    [Show full text]
  • The English Anthem Project the Past Century and a Half, St
    Special thanks to St. John’s staff for their help with promotions and program printing: Mair Alsgaard, Organist; Charlotte Jacqmain, Parish Secretary; and Ministry Coordinator, Carol The Rev. Ken Hitch, Rector Sullivan. Thanks also to Tim and Gloria Stark for their help in preparing the performance and reception spaces. To commemorate the first Episcopal worship service in Midland, MI 150 years ago, and in appreciation for community support over The English Anthem Project the past century and a half, St. John's and Holy Family Episcopal Churches are "Celebrating In Community" with 16th and 17th Centuries events like today’s concert. We hope you are able to share in future sesquicentennial celebration events we have planned for later this summer: www.sjec-midland.org/150 Exultate Deo Chamber Choir Weekly Worship Schedule SUNDAYS Saturday, June 24, 2017 8:00 AM - Holy Eucharist Traditional Worship, Spoken Service 4:00 p.m. 10:00 AM - Holy Eucharist Traditional Worship with Music, St. John’s Episcopal Church Nursery, Children's Ministry 405 N. Saginaw Road WEDNESDAYS Midland, MI 48640 12:00 PM - Holy Eucharist Quiet, Contemplative Worship 405 N. Saginaw Rd / Midland, MI 48640 This concert is offered as one of (989) 631-2260 / [email protected] several ‘Celebrating in Community’ www.sjec-midland.org events marking 150 years of All 8 Are Welcome. The Episcopal Church in Midland, MI The English Anthem Project William Byrd (c1540-1623) worked first in Lincoln Cathedral then became a member of the Chapel Royal, where for a time he and Tallis 16th and 17th Centuries were joint organists.
    [Show full text]
  • An Examination of the Concept of Reincarnation in African Philosophy
    AN EXAMINATION OF THE CONCEPT OF REINCARNATION IN AFRICAN PHILOSOPHY by HASSKEI MOHAMMED MAJEED submitted in accordance with the requirements for the degree of DOCTOR OF LITERATURE AND PHILOSOPHY in the subject PHILOSOPHY at the UNIVERSITY OF SOUTH AFRICA SUPERVISOR: PROF. M. B. RAMOSE JANUARY 2012 CONTENTS Declaration vi Acknowledgement vii Key Terms viii Summary ix INTRODUCTION x Problem Statement x Methodology xi Structure of the Dissertation xii PART ONE 1 Belief in Reincarnation in some Ancient Cultures 1 CHAPTER ONE: EGYPTIAN BELIEF 2 1.1 Immortality and Reincarnation 7 1.2 Egypt and Africa 12 1.3 On the Meaning of Africa 17 CHAPTER TWO: GREEK BELIEF 19 CHAPTER THREE: INDIAN BELIEF 25 ii CHAPTER FOUR: CHINESE BELIEF 36 CHAPTER FIVE: INCA BELIEF 40 Conclusion for Part One 49 PART TWO 52 Personal Identity: A Prelude to Reincarnation 52 CHAPTER SIX: PERSONAL IDENTITY 52 6.0.0 On What Does Personal Identity Depend? 52 6.1.0 The Ontological Question in African Philosophy of Mind 55 6.1.1. Mind as a Disembodied Self-knowing Entity 56 6.1.2. Some Criticisms 64 6.1.2.1 Mind has no Akan Equivalent 65 6.1.2.2 Mind is Meaningless, Nonsensical, and Nonexistent 86 6.1.2.3 Mind is Bodily 96 6.1.2.3.1 Mind Signifies Mental or Brain Processes Identifiable with the Body 96 6.1.2.3.2 Bodily Identity as either a Fundament or Consequent 97 (a) Body as a Fundament 97 (b) Body as Consequent 106 6.1.2.4 Mind is neither Body-dependent nor a Disembodied Entity 107 6.1.3 Synthesis: Materialism, Physicalism, and Quasi-physicalism 111 6.2.0 The Normative Question in African Philosophy of Mind 121 6.3.0 Persistence (Survival) 123 iii PART THREE 128 Reincarnation in African Philosophy 128 CHAPTER SEVEN: THE DOCTRINE OF REINCARNATION IN AFRICAN THOUGHT 128 7.
    [Show full text]
  • Friday • February 17, 2006 Crystal Cathedral in Garden Grove, California
    — — February — 2006 The Organizer A G O Monthly Newsletter The Atlanta Chapter L O G O AMERICAN GUILD of ORGANISTS The Organizer FEBRUARY — 2006 ____________________________________________________________________________________________________ Guest Artist Puts New Instrument A CELEBRATION Through Its Paces of the new Hailed as one of today's leading young organists by critics on CORNEL Zimmer Organ both sides of the Atlantic, J. Christopher Pardini maintains at an active concert schedule in addition to his duties as Organist and Director of Music at Shadyside Presbyterian North Decatur Presbyterian Church Church, Pittsburgh, Pennsylvania. He earned the Bachelor of 611 Medlock Road at North Decatur Music degree in Sacred Music from Westminster Choir Decatur, GA College, and a Master of Music in Organ from the Eastman 404.636.1429 School of Music, where he studied with David Higgs. In 1998 he was the first-place winner in the San Marino Organ Host: Jamie Shiell Competition in California, and has served on the Board of Directors of the Clarence Mader Scholarship Fund. Previously Christopher served as Senior Organist at the Friday • February 17, 2006 Crystal Cathedral in Garden Grove, California. His compositions are published by G.I.A. and Fred Bock Music Featuring Company. CHRISTOPHER PARDINI PROGRAM Trumpet Tune in A Major David N. Johnson Organist Soliloquy David Conte Joy of the Redeemed Clarence Dickinson _____________________________________ Hymn, "Blessing and Honor" Master Tallis' Testament Herbert Howells Punch Bowl - 6 PM Festival Toccata Percy Fletcher Hymn, "Holy, Holy, Holy" Dinner - 6:30 PM "Mein Junges Leben" Jan Pieterzoon Sweelinck $12 Reservations by 2/14/06 Toccata, Adagio and Fugue Johann Sebastian Bach Cantabile Cesar Franck Recital - 8 PM Grand Choeus Triomphal in A Alexandre Guilmant Dinner Menu for and Directions to the church may be found on Page 4 - In This Issue - March Meeting and Members Recital Mixtures .
    [Show full text]
  • Living a Mindful Life: an Hermeneutic Phenomenological Inquiry Into the Lived Experience of Secular Mindfulness, Compassion and Insight
    LIVING A MINDFUL LIFE: AN HERMENEUTIC PHENOMENOLOGICAL INQUIRY INTO THE LIVED EXPERIENCE OF SECULAR MINDFULNESS, COMPASSION AND INSIGHT _______________________________________________________________ A thesis presented for the degree of Doctor of Philosophy at the University of Aberdeen Jane Kellock Arnold MA (hons) in Philosophy and Psychology, University of Edinburgh (1985); MSW in Social Work, University of Edinburgh (1996) 1 DECLARATION I have composed this thesis myself. It is the record of my own work and it has not been presented to this or any other university in support of an application for any degree or professional qualification other than that of which I am now a candidate. Any personal data have been processed in accordance with the provision of the Data Protection Act (1998); all quotations have been distinguished by quotation marks and sources of information and help specifically acknowledged. Signed: ...................................................................... Jane Kellock Arnold Uphall, West Lothian, April 2018 2 ABSTRACT This research study explores the experience and effects of long-term practice by six student practitioners of secular mindfulness, compassion and insight forming the Mindfulness-Based Living model incorporated into the MSc in Mindfulness Studies at the University of Aberdeen. A review of existing literature on the topic of mindfulness highlights that research is predominantly postpositivist and quantitative in approach, only recently incorporating limited qualitative studies, and is focused chiefly on mindfulness as a treatment for a range of mental and physical disorders. However, the nature of mindfulness particularly when practised in conjunction with compassion and insight suggests that it is a more intense, complex, nuanced and pervasive experience than is reflected in the literature.
    [Show full text]
  • Hodie Christus Natus
    20 YEARS OF SWEET VOICES Saturday, September 7, 2013, 7:30 p.m. Holy Trinity Episcopal Church Program Surge amica mea .................................................................................................................................................. Anonymous (c. 1400) Arise, my love, my fair one, and come away. O my dove, in the clefts of the rock, in the covert of the cliff, show me your face, let your voice sound in my ears; for your voice is sweet, and your face is lovely. Rise Up My Love, My Fair One .............................................................................................................. Healey Willan (1880 - 1968) Rise up, my love, my fair one, and come away; for lo, the winter is past, the rain is over and gone; the flowers appear upon the earth; the time of the singing of birds is come; arise, my love, my fair one, and come away. Když jsi v štĕsti ................................................................................................................. Jan Facilis Boleslavsky (16th century) When you are happy you have many friends. This is true, believe me. However, if there is misfortune, not one friend out of one hundred will stay. Belief, anger, unfaithfulness, all cause derision, which divides a friendship. Il bianco e dolce cigno .................................................................................................................. Jacob Arcadelt (c. 1500-1568) The white and gentle swan dies singing; and I, weeping, reach the end of my life. Destiny is ironic that he dies unconsoled and I die blessed. Death fills me full of joy and desire. If in dying I feel no other pain, I would be content to die a thousand deaths each day. The Silver Swan ................................................................................................................................ Orlando Gibbons (1583-1625) The silver Swan, who living had no Note, when death approached unlocked her silent throat. Leaning her breast against the reedy shore, Thus sung her first and last, and sung no more.
    [Show full text]
  • The Lute Society Microfilm Catalogue Version 2 12/13 the List Is Divided by Instrument. Works for Renaissance Lute with Voice A
    The Lute Society Microfilm Catalogue Version 2 12/13 The list is divided by instrument. Works for Renaissance lute with voice and in ensemble are separated because of the size of the main list. The categories are: Renaissance lute Renaissance lute with voice Renaissance lute in ensemble (with other instruments) Lute in transitional tunings (accords nouveaux) Vihuela Baroque lute Renaissance guitar Baroque guitar Bandora Cittern Mandore Orpharion Theorbo Musical scores without plucked instrument tablature Theoretical works without music The 'Other instruments' column shows where there is music in the work for other listed instruments. The work also appears in the other list(s) for ease of reference. The list is sorted by composer or compiler, where known. Anonymous manuscripts are listed at the end of each section, sorted by shelf mark. Date references are to HM Brown Instrumental Music printed before 1600. Where the date is asterisked the work is not in Brown. Tablature style is shown as French (F), German (G), Italian (I), Inverted Italian (II) or Keyboard (K) The Collection and MCN fields identify each reel and the collection to which it belongs. Renaissance Lute Other Composer/ Compiler Title Shelf Mark or HMB Tab Format Coll MCN Duplicates Notes Instrument(s) Intabolatura di Julio Abondante Sopra el Julio Abondante 1546 I Print MP 59 Lauto Libro Primo 1 Julio Abondante Intabolatura di Lauto Libro Secondo 15481 I Print MP 60 GC 195 Intabolatura di liuto . , novamente Julio Abondante ristampati, Libro primo 15631 I Print MP 62 GC 194,
    [Show full text]
  • Angels of Light December 8 & 9, 2012
    Angels of Light December 8 & 9, 2012 Serenity Ola Gjeilo (b. 1978) Remember, O Thou Man Abbie Betinis (b. 1980) Beth Shirley, soloist with Carlene Seppala, Ken Short, Ben Schroeder, Emilie Bishop, Grace Van Cleef, PJ Livesey A Sound of Angels Christopher Tye (c. 1505 – c. 1572) The Night Went Wild with Angels Thomas Pavlechko (b. 1962) Shalom Aleichem Israel Goldfarb (1879-1956), arr. Elliot Z. Levine (b. 1948) David Green, Alice Allen, Murray Spiegel, Emanuel Meli Denn Er hat seinen Engeln Felix Mendelssohn (1809-1847) Magnificat Claudio Monteverdi (1567-1643) Elise Figa and Laura Winslow, sopranos; Greg Paradis, Matthew Shurts, Ken Short, tenors Ave Regina Coelorum William Byrd (1539-1623) Let All Mortal Flesh Keep Silence Edward C. Bairstow (1874-1946) Robert Emmerich, Ted Roper, soloists See Amid the Winter Snow Jocelyn Hagen (b. 1980) Linda Clark, solo CHAMBER SINGERS Angelus ad Virginem Andrew Carter (b.1939) Var inte rädd för mörkret Fredrik Sixten (b. 1962) Ropa ut den glädje Sixten Lux Aurumque Eric Whitacre (b. 1970) Rachel Clark, soprano Ave Maria (NJ Premiere) Thomas Keesecker (b. 1956) Arma Lucis Jackson Berkey (b. 1942) Marilyn Kitchell, soprano Alumni song: Ding Dong Merrily on High Audience: Maoz Tzur (Rock of Ages) & O Praise Ye the Lord (1982 hymnal) Betelehemu Nigerian Carol, Via Olatunji (1927-2003) arr. Whalum/Brooks Mark & Mia Hewitt, Devin McGuire, Eric Roper, drums Featured Instrumentalists: Joseph Arndt, organ Terrence Thornhill, cello 2 AnAnAngelsAn gels of Light ––– Program Notes One of the best things about being in the field of choral music for over 25 years is the amazing repertoire from which to draw.
    [Show full text]
  • Some Tho:Ughts on Antiphonal Singing
    SOME THO:UGHTS ON ANTIPHONAL SINGING placement of organs in two separate arms Decani choir (south side of the Cathe• LEONARD VAN CAMP of this cross caused the experimentation dral) and a Cantoris choir (north side of Prepared for the Fourth Annual High with alternating the sound of the two the Cathedral). Many works which we School Choral Clinic, Southern Illinois instruments (which had been done ear- think to be for four-part choir were in• University, Edwardsville Campus, ·by Dr. lier in other places). Further exploration stead intended to be sung by alternate Van Camp, Director of Choral Activities showed the feasibility of placing separate choirs, including for example (in the choirs across the nave from each other. writer's opinion) the oft-performed A marvelously colorful musical experi- With each succeeding generation of mas- "Lord, for Thy Tender Mercies' Sake" ence awaits the director and choir who ter composers the Venetian school of by Richard Farrant (c. 1530-1581) and undertake choral music which. incorpor-' polychoral singing developed to a higher Christopher Tye's (c. 1500-c. 1572) "O ates antiphonal singing. We must first and more colorful peak. The height of Come, Ye Servants of the Lord," both of of all answer the question: "What do you this development which began in earnest which take mi new meaning when per• mean, antiphonal singing?" The term at St. Mark's in 1527 with Adrian Wil- formed in this way. The Roman School, refers, in a general way, to music for laert (c. 1490-1562), and continued even especially Antonio Lotti (1667-1740) two choirs in which one choir imitates after the days of the famous composer, and Antonio Caldara ( 1670-1736), was or echoes the music of the other.
    [Show full text]
  • Course Information Music 331 (Music History I: Music of the Middle Ages and Renaissance) - Winter 2004 Professor: Dr
    Cal Poly SLO - Department of Music - Course Information Music 331 (Music History I: Music of the Middle Ages and Renaissance) - Winter 2004 Professor: Dr. Alyson McLamore Office Phone: 756-2612 Office: 132 Davidson Music Center Email: [email protected] Web Site: http://cla.calpoly.edu/~amclamor Office Hours: Mon 1:30-3; Tues 3-4; Wed 1:30-3; Thurs 3-4; other times by appointment—just ask! Course Description: During this course, we'll look at western Medieval and Renaissance art music from several perspectives: as individual masterworks, as representatives of various composers, as examples of particular styles and forms, as analytic 'problems,' and as artworks derived from changing social milieus. We'll emphasize the development of skills in talking and writing 'about' music. The course will include lectures and class discussions, assigned readings, written assignments, and periodic examinations. Required Course Materials: Books and Scores: Stolba, K Marie. The Development of Western Music: A History. Third Edition. Boston: McGraw-Hill, 1998. Stolba, K Marie, ed. The Development of Western Music: An Anthology - Volume I (From Ancient Times through the Baroque Era). Third Edition. Boston: McGraw-Hill, 1998. Course Reader - available for a small fee from Dr. McLamore (from MU 320): Hacker, Diana. A Writer's Reference. 5th ed. Boston: Bedford Books, 2003. Listening Materials: Compact Disks to accompany The Development of Western Music: An Anthology - Volume I (From Ancient Times through the Baroque Era) (Third Edition), edited by K Marie Stolba, Boston: McGraw-Hill, 1998. Supplemental Listening CD –a master recording will be available for listening in the Music Department Office.
    [Show full text]
  • 2008-09 Repertoire
    Cathedral Gallery Singers and Diocesan Chorale 2008-2009 Choral Repertoire Cathedral of Saint Joseph the Workman La Crosse, Wisconsin Brian Luckner, DMA Director of Music and Organist September 14 Exaltation of the Holy Cross November 2 Commemoration of All the Faithful Departed Nos autem gloriari Felice Anerio Requiem aeternam I (Requiem, Movt. III) Herbert Howells 1560–1614 1892–1983 Christus factus est pro nobis obediens Anton Bruckner Requiem aeternam II (Requiem, Movt. V) Herbert Howells 1824–1896 1892–1983 For God So Loved the World Craig Phillips Requiem aeternam (Introit) Gregorian Chant b. 1961 I Heard a Voice from Heaven (Requiem, Movt. VI) Herbert Howells September 21 Twenty–fifth Sunday in Ordinary Time 1892–1983 Psalm 121 (Requiem, Movt. IV) Herbert Howells Lead Me, Lord Samual Sebastian Wesley 1892–1983 1810–1876 Verily, Verily, I Say unto You Thomas Tallis November 9 Dedication of the Lateran Basilica c. 1505–1585 Deus in loco sancto suo (Introit) Gregorian Chant September 28 Twenty–sixth Sunday in Ordinary Time Locus iste Tarik O’Regan Christus factus est pro nobis obediens Francesco Maria Zuccari b. 1978 169?–1788 The Altar Nicholas White Come, Let’s Rejoice John Amner (1999) 1579–1641 November 16 Thirty–third Sunday in Ordinary Time October 5 Twenty–seventh Sunday in Ordinary Time Beati quorum via (Op. 38, No. 3) Charles Villiers Stanford The Peace Which Passeth Understanding James F. Hopkins 1852–1924 (1991) Justorum animae William Byrd Praise Ye the Lord, Ye Children Christopher Tye 1543–1623 c. 1505–c. 1572 November 23 Christ the King October 12 Twenty–eighth Sunday in Ordinary Time Dignus est Agnus, qui occisus est (Introit) Gregorian Chant O Taste and See Stuart Forster b.
    [Show full text]
  • MINDFUL HEROES Stories of Journeys That Changed Lives
    MINDFUL HEROES stories of journeys that changed lives Edited by Terry Barrett, Vin Harris and Graeme Nixon Everyone loves a good story. This book tells the stories of a constellation of Mindful Heroes: ordinary people just like us, who followed the path of mindfulness and went on an inner journey that would change their world. They engaged with an in-depth study and courageous exploration of mindfulness practice. Having experienced for themselves the benefits of mindful awareness, compassion and insight, they then wanted to give others the opportunity to discover their own potential. These 26 Mindful Heroes from 10 countries creatively applied mindfulness to a variety of settingsacross Education, Health, Business, Sport, Creative Artsand Community work. Now they share the moving stories of their personal and professional journeys of transformation with you. "As the old saying goes, 'It is not what happens on the cushion, it is what we take out into the world.' Mindful Heroes exemplifies this notion, exploring the lives of those who have not only experienced the personal benefits of meditation, but those who have gone on to make it their passion and purpose in life, planting the seeds of awareness and compassion for the benefit of us all." Andy Puddicombe author of The Headspace Guide to Mindfulness & Meditation: 10 minutes can make the difference. Co-Founder http://www.headspace.com "This is a wonderful book. It reminds us that we are all heroes, due to the power of our own minds. The living examples presented in these pages help to make the mindful path accessible and relatable.
    [Show full text]