Hodie Christus Natus

Total Page:16

File Type:pdf, Size:1020Kb

Hodie Christus Natus 20 YEARS OF SWEET VOICES Saturday, September 7, 2013, 7:30 p.m. Holy Trinity Episcopal Church Program Surge amica mea .................................................................................................................................................. Anonymous (c. 1400) Arise, my love, my fair one, and come away. O my dove, in the clefts of the rock, in the covert of the cliff, show me your face, let your voice sound in my ears; for your voice is sweet, and your face is lovely. Rise Up My Love, My Fair One .............................................................................................................. Healey Willan (1880 - 1968) Rise up, my love, my fair one, and come away; for lo, the winter is past, the rain is over and gone; the flowers appear upon the earth; the time of the singing of birds is come; arise, my love, my fair one, and come away. Když jsi v štĕsti ................................................................................................................. Jan Facilis Boleslavsky (16th century) When you are happy you have many friends. This is true, believe me. However, if there is misfortune, not one friend out of one hundred will stay. Belief, anger, unfaithfulness, all cause derision, which divides a friendship. Il bianco e dolce cigno .................................................................................................................. Jacob Arcadelt (c. 1500-1568) The white and gentle swan dies singing; and I, weeping, reach the end of my life. Destiny is ironic that he dies unconsoled and I die blessed. Death fills me full of joy and desire. If in dying I feel no other pain, I would be content to die a thousand deaths each day. The Silver Swan ................................................................................................................................ Orlando Gibbons (1583-1625) The silver Swan, who living had no Note, when death approached unlocked her silent throat. Leaning her breast against the reedy shore, Thus sung her first and last, and sung no more. Farewell all joys, O death come close mine eyes, More Geese than Swans now live, more fools than wise. Sì ch'io vorrei morire .................................................................................................................. Claudio Monteverdi (1567-1643) Yes, I would like to die, now that I'm kissing the luscious lips of my darling beloved. Ah! dear, dainty tongue, give me so much of your liquid that I die of delight on your breast! Ah, my love, to this white breast,ah, crush me until I faint! Ah mouth! Ah kisses! Ah tongue! I say again: Yes, I would like to die! Intermission Ave Maria, mater Dei ........................................................................................................................ William Cornysh (1465 – 1523) Holy Mary, God's queen mother, mistress of the heavens, empress of the lower world, have mercy on me, and on the entire Christian people, and permit us not to sin mortally, but to abide by your most holy wish. Amen. Versa est in luctum ................................................................................................................ Tomás Luis de Victoria (1548 -- 1611) My harp is tuned for lamentation, and my organ to the voice of those who weep. Show mercy to me, O Lord, for my days are as nothing Ave dulcissima Maria ...................................................................................................................... Carlo Gesualdo (1561 – 1613) Hail, sweetest Mary, true hope and life, sweet comfort! O Maria, flower of virgins, pray to Jesus for us. Ehre sei dir, Christe ........................................................................................................................ Heinrich Schutz (1585 – 1672) Glory be to you, Christ, who suffers at the foot of the cross, for us, a bitter death, And reigns with the Father there in Eternity. Help us poor sinners to blessedness. Lord, have mercy on us; Christ, have mercy on us; Lord, have mercy on us. Ave verum corpus ................................................................................................................................... William Byrd (1540 – 1623) Hail, true body of the virgin Mary born; Who in anguish, to redeem us, did suffer upon the cross, From Whose side, when pierced by spear, there came forth both water and blood, Be to us at our last hour the source of consolation. O sweet, O holy Jesus, Thou Son of Mary, have mercy on me. Amen. Nunc dimmittis .................................................................................................................................. Christopher Tye (1505 – 1573) Lord, let thy servant now depart in peace, according to thy promise. For mine eyes have seen the Saviour which was sent from thee, whom thou hast prepared before the face of thy people. A light to lighten the Gentiles, to be the glory of thy people of Israel. Glory to the Father and to the Son and to the Holy Ghost. As it was in the beginning, and is now, and ever shall be, world without end. Always so be it. Dulces Voces Colleen Baade Jane Mehrens Curt Butler Jennifer Stevens* Holly Heffelbower* Laura Waldman* Roger Hochstetler We extend a special thank you to Holy Trinity, NET Radio staff, PreSort, and all of you, who have supported us and our concerts over the years. Members of Dulces Voces who were not able to join us for this concert: Dave Carroll Beth Quimby-Fischer Chris Foss L. Evan Rail Jon Gathje John Russell* Scott Herr Andrew Spady Chad Lauritsen William Stibor*+ Kim Lauritsen Benjamin Whitener Jana Mellick Steve York* This concert is being recorded for future broadcast on NET Radio. Please silence all personal devices for the duration of this concert. Thank you, also to our friends and spouses, and to: Richard Alloway Madonna Rehabilitation Hospital Paul Barnes St. Mark’s on the Campus Episcopal Creighton University Mark Miller Quentin & Mary Murrell Faulkner Nebraska Sacred Arts Council First Christian, DOC St. Paul, UCC John Friesen Steve Robinson Father Robert Fromageot Sheldon Gallery of Art Jerry Johnston+ Pamela Starr Jeff Keele Darrel Stevens Kurt Knecht Jitka Stiles Chris Kohtz Deborah Tuff Lincoln Early Music Consort Tyler White Loretta Love Zuri *founding member +deceased .
Recommended publications
  • The Viola Da Gamba Society Journal
    The Viola da Gamba Society Journal Volume Nine (2015) The Viola da Gamba Society of Great Britain 2015-16 PRESIDENT Alison Crum CHAIRMAN Michael Fleming COMMITTEE Elected Members: Michael Fleming, Linda Hill, Alison Kinder Ex Officio Members: Susanne Heinrich, Stephen Pegler, Mary Iden Co-opted Members: Alison Crum, Esha Neogy, Marilyn Pocock, Rhiannon Evans ADMINISTRATOR Sue Challinor, 12 Macclesfield Road, Hazel Grove, Stockport SK7 6BE Tel: 161 456 6200 [email protected] THE VIOLA DA GAMBA SOCIETY JOURNAL General Editor: Andrew Ashbee Editor of Volume 9 (2015): Andrew Ashbee, 214, Malling Road, Snodland, Kent ME6 5EQ [email protected] Full details of the Society’s officers and activities, and information about membership, can be obtained from the Administrator. Contributions for The Viola da Gamba Society Journal, which may be about any topic related to early bowed string instruments and their music, are always welcome, though potential authors are asked to contact the editor at an early stage in the preparation of their articles. Finished material should preferably be submitted by e-mail as well as in hard copy. A style guide is available on the vdgs web-site. CONTENTS Editorial iv ARTICLES David Pinto, Consort anthem, Orlando Gibbons, and musical texts 1 Andrew Ashbee, A List of Manuscripts containing Consort Music found in the Thematic Index 26 MUSIC REVIEWS Peter Holman, Leipzig Church Music from the Sherard Collection (Review Article) 44 Pia Pircher, Louis Couperin, The Extant Music for Wind or String Instruments 55 Letter 58 NOTES ON THE CONTRIBUTORS 59 Abbreviations: GMO Grove Music Online, ed. D.
    [Show full text]
  • The English Anthem Project the Past Century and a Half, St
    Special thanks to St. John’s staff for their help with promotions and program printing: Mair Alsgaard, Organist; Charlotte Jacqmain, Parish Secretary; and Ministry Coordinator, Carol The Rev. Ken Hitch, Rector Sullivan. Thanks also to Tim and Gloria Stark for their help in preparing the performance and reception spaces. To commemorate the first Episcopal worship service in Midland, MI 150 years ago, and in appreciation for community support over The English Anthem Project the past century and a half, St. John's and Holy Family Episcopal Churches are "Celebrating In Community" with 16th and 17th Centuries events like today’s concert. We hope you are able to share in future sesquicentennial celebration events we have planned for later this summer: www.sjec-midland.org/150 Exultate Deo Chamber Choir Weekly Worship Schedule SUNDAYS Saturday, June 24, 2017 8:00 AM - Holy Eucharist Traditional Worship, Spoken Service 4:00 p.m. 10:00 AM - Holy Eucharist Traditional Worship with Music, St. John’s Episcopal Church Nursery, Children's Ministry 405 N. Saginaw Road WEDNESDAYS Midland, MI 48640 12:00 PM - Holy Eucharist Quiet, Contemplative Worship 405 N. Saginaw Rd / Midland, MI 48640 This concert is offered as one of (989) 631-2260 / [email protected] several ‘Celebrating in Community’ www.sjec-midland.org events marking 150 years of All 8 Are Welcome. The Episcopal Church in Midland, MI The English Anthem Project William Byrd (c1540-1623) worked first in Lincoln Cathedral then became a member of the Chapel Royal, where for a time he and Tallis 16th and 17th Centuries were joint organists.
    [Show full text]
  • Friday • February 17, 2006 Crystal Cathedral in Garden Grove, California
    — — February — 2006 The Organizer A G O Monthly Newsletter The Atlanta Chapter L O G O AMERICAN GUILD of ORGANISTS The Organizer FEBRUARY — 2006 ____________________________________________________________________________________________________ Guest Artist Puts New Instrument A CELEBRATION Through Its Paces of the new Hailed as one of today's leading young organists by critics on CORNEL Zimmer Organ both sides of the Atlantic, J. Christopher Pardini maintains at an active concert schedule in addition to his duties as Organist and Director of Music at Shadyside Presbyterian North Decatur Presbyterian Church Church, Pittsburgh, Pennsylvania. He earned the Bachelor of 611 Medlock Road at North Decatur Music degree in Sacred Music from Westminster Choir Decatur, GA College, and a Master of Music in Organ from the Eastman 404.636.1429 School of Music, where he studied with David Higgs. In 1998 he was the first-place winner in the San Marino Organ Host: Jamie Shiell Competition in California, and has served on the Board of Directors of the Clarence Mader Scholarship Fund. Previously Christopher served as Senior Organist at the Friday • February 17, 2006 Crystal Cathedral in Garden Grove, California. His compositions are published by G.I.A. and Fred Bock Music Featuring Company. CHRISTOPHER PARDINI PROGRAM Trumpet Tune in A Major David N. Johnson Organist Soliloquy David Conte Joy of the Redeemed Clarence Dickinson _____________________________________ Hymn, "Blessing and Honor" Master Tallis' Testament Herbert Howells Punch Bowl - 6 PM Festival Toccata Percy Fletcher Hymn, "Holy, Holy, Holy" Dinner - 6:30 PM "Mein Junges Leben" Jan Pieterzoon Sweelinck $12 Reservations by 2/14/06 Toccata, Adagio and Fugue Johann Sebastian Bach Cantabile Cesar Franck Recital - 8 PM Grand Choeus Triomphal in A Alexandre Guilmant Dinner Menu for and Directions to the church may be found on Page 4 - In This Issue - March Meeting and Members Recital Mixtures .
    [Show full text]
  • The Lute Society Microfilm Catalogue Version 2 12/13 the List Is Divided by Instrument. Works for Renaissance Lute with Voice A
    The Lute Society Microfilm Catalogue Version 2 12/13 The list is divided by instrument. Works for Renaissance lute with voice and in ensemble are separated because of the size of the main list. The categories are: Renaissance lute Renaissance lute with voice Renaissance lute in ensemble (with other instruments) Lute in transitional tunings (accords nouveaux) Vihuela Baroque lute Renaissance guitar Baroque guitar Bandora Cittern Mandore Orpharion Theorbo Musical scores without plucked instrument tablature Theoretical works without music The 'Other instruments' column shows where there is music in the work for other listed instruments. The work also appears in the other list(s) for ease of reference. The list is sorted by composer or compiler, where known. Anonymous manuscripts are listed at the end of each section, sorted by shelf mark. Date references are to HM Brown Instrumental Music printed before 1600. Where the date is asterisked the work is not in Brown. Tablature style is shown as French (F), German (G), Italian (I), Inverted Italian (II) or Keyboard (K) The Collection and MCN fields identify each reel and the collection to which it belongs. Renaissance Lute Other Composer/ Compiler Title Shelf Mark or HMB Tab Format Coll MCN Duplicates Notes Instrument(s) Intabolatura di Julio Abondante Sopra el Julio Abondante 1546 I Print MP 59 Lauto Libro Primo 1 Julio Abondante Intabolatura di Lauto Libro Secondo 15481 I Print MP 60 GC 195 Intabolatura di liuto . , novamente Julio Abondante ristampati, Libro primo 15631 I Print MP 62 GC 194,
    [Show full text]
  • Angels of Light December 8 & 9, 2012
    Angels of Light December 8 & 9, 2012 Serenity Ola Gjeilo (b. 1978) Remember, O Thou Man Abbie Betinis (b. 1980) Beth Shirley, soloist with Carlene Seppala, Ken Short, Ben Schroeder, Emilie Bishop, Grace Van Cleef, PJ Livesey A Sound of Angels Christopher Tye (c. 1505 – c. 1572) The Night Went Wild with Angels Thomas Pavlechko (b. 1962) Shalom Aleichem Israel Goldfarb (1879-1956), arr. Elliot Z. Levine (b. 1948) David Green, Alice Allen, Murray Spiegel, Emanuel Meli Denn Er hat seinen Engeln Felix Mendelssohn (1809-1847) Magnificat Claudio Monteverdi (1567-1643) Elise Figa and Laura Winslow, sopranos; Greg Paradis, Matthew Shurts, Ken Short, tenors Ave Regina Coelorum William Byrd (1539-1623) Let All Mortal Flesh Keep Silence Edward C. Bairstow (1874-1946) Robert Emmerich, Ted Roper, soloists See Amid the Winter Snow Jocelyn Hagen (b. 1980) Linda Clark, solo CHAMBER SINGERS Angelus ad Virginem Andrew Carter (b.1939) Var inte rädd för mörkret Fredrik Sixten (b. 1962) Ropa ut den glädje Sixten Lux Aurumque Eric Whitacre (b. 1970) Rachel Clark, soprano Ave Maria (NJ Premiere) Thomas Keesecker (b. 1956) Arma Lucis Jackson Berkey (b. 1942) Marilyn Kitchell, soprano Alumni song: Ding Dong Merrily on High Audience: Maoz Tzur (Rock of Ages) & O Praise Ye the Lord (1982 hymnal) Betelehemu Nigerian Carol, Via Olatunji (1927-2003) arr. Whalum/Brooks Mark & Mia Hewitt, Devin McGuire, Eric Roper, drums Featured Instrumentalists: Joseph Arndt, organ Terrence Thornhill, cello 2 AnAnAngelsAn gels of Light ––– Program Notes One of the best things about being in the field of choral music for over 25 years is the amazing repertoire from which to draw.
    [Show full text]
  • Some Tho:Ughts on Antiphonal Singing
    SOME THO:UGHTS ON ANTIPHONAL SINGING placement of organs in two separate arms Decani choir (south side of the Cathe• LEONARD VAN CAMP of this cross caused the experimentation dral) and a Cantoris choir (north side of Prepared for the Fourth Annual High with alternating the sound of the two the Cathedral). Many works which we School Choral Clinic, Southern Illinois instruments (which had been done ear- think to be for four-part choir were in• University, Edwardsville Campus, ·by Dr. lier in other places). Further exploration stead intended to be sung by alternate Van Camp, Director of Choral Activities showed the feasibility of placing separate choirs, including for example (in the choirs across the nave from each other. writer's opinion) the oft-performed A marvelously colorful musical experi- With each succeeding generation of mas- "Lord, for Thy Tender Mercies' Sake" ence awaits the director and choir who ter composers the Venetian school of by Richard Farrant (c. 1530-1581) and undertake choral music which. incorpor-' polychoral singing developed to a higher Christopher Tye's (c. 1500-c. 1572) "O ates antiphonal singing. We must first and more colorful peak. The height of Come, Ye Servants of the Lord," both of of all answer the question: "What do you this development which began in earnest which take mi new meaning when per• mean, antiphonal singing?" The term at St. Mark's in 1527 with Adrian Wil- formed in this way. The Roman School, refers, in a general way, to music for laert (c. 1490-1562), and continued even especially Antonio Lotti (1667-1740) two choirs in which one choir imitates after the days of the famous composer, and Antonio Caldara ( 1670-1736), was or echoes the music of the other.
    [Show full text]
  • Course Information Music 331 (Music History I: Music of the Middle Ages and Renaissance) - Winter 2004 Professor: Dr
    Cal Poly SLO - Department of Music - Course Information Music 331 (Music History I: Music of the Middle Ages and Renaissance) - Winter 2004 Professor: Dr. Alyson McLamore Office Phone: 756-2612 Office: 132 Davidson Music Center Email: [email protected] Web Site: http://cla.calpoly.edu/~amclamor Office Hours: Mon 1:30-3; Tues 3-4; Wed 1:30-3; Thurs 3-4; other times by appointment—just ask! Course Description: During this course, we'll look at western Medieval and Renaissance art music from several perspectives: as individual masterworks, as representatives of various composers, as examples of particular styles and forms, as analytic 'problems,' and as artworks derived from changing social milieus. We'll emphasize the development of skills in talking and writing 'about' music. The course will include lectures and class discussions, assigned readings, written assignments, and periodic examinations. Required Course Materials: Books and Scores: Stolba, K Marie. The Development of Western Music: A History. Third Edition. Boston: McGraw-Hill, 1998. Stolba, K Marie, ed. The Development of Western Music: An Anthology - Volume I (From Ancient Times through the Baroque Era). Third Edition. Boston: McGraw-Hill, 1998. Course Reader - available for a small fee from Dr. McLamore (from MU 320): Hacker, Diana. A Writer's Reference. 5th ed. Boston: Bedford Books, 2003. Listening Materials: Compact Disks to accompany The Development of Western Music: An Anthology - Volume I (From Ancient Times through the Baroque Era) (Third Edition), edited by K Marie Stolba, Boston: McGraw-Hill, 1998. Supplemental Listening CD –a master recording will be available for listening in the Music Department Office.
    [Show full text]
  • 2008-09 Repertoire
    Cathedral Gallery Singers and Diocesan Chorale 2008-2009 Choral Repertoire Cathedral of Saint Joseph the Workman La Crosse, Wisconsin Brian Luckner, DMA Director of Music and Organist September 14 Exaltation of the Holy Cross November 2 Commemoration of All the Faithful Departed Nos autem gloriari Felice Anerio Requiem aeternam I (Requiem, Movt. III) Herbert Howells 1560–1614 1892–1983 Christus factus est pro nobis obediens Anton Bruckner Requiem aeternam II (Requiem, Movt. V) Herbert Howells 1824–1896 1892–1983 For God So Loved the World Craig Phillips Requiem aeternam (Introit) Gregorian Chant b. 1961 I Heard a Voice from Heaven (Requiem, Movt. VI) Herbert Howells September 21 Twenty–fifth Sunday in Ordinary Time 1892–1983 Psalm 121 (Requiem, Movt. IV) Herbert Howells Lead Me, Lord Samual Sebastian Wesley 1892–1983 1810–1876 Verily, Verily, I Say unto You Thomas Tallis November 9 Dedication of the Lateran Basilica c. 1505–1585 Deus in loco sancto suo (Introit) Gregorian Chant September 28 Twenty–sixth Sunday in Ordinary Time Locus iste Tarik O’Regan Christus factus est pro nobis obediens Francesco Maria Zuccari b. 1978 169?–1788 The Altar Nicholas White Come, Let’s Rejoice John Amner (1999) 1579–1641 November 16 Thirty–third Sunday in Ordinary Time October 5 Twenty–seventh Sunday in Ordinary Time Beati quorum via (Op. 38, No. 3) Charles Villiers Stanford The Peace Which Passeth Understanding James F. Hopkins 1852–1924 (1991) Justorum animae William Byrd Praise Ye the Lord, Ye Children Christopher Tye 1543–1623 c. 1505–c. 1572 November 23 Christ the King October 12 Twenty–eighth Sunday in Ordinary Time Dignus est Agnus, qui occisus est (Introit) Gregorian Chant O Taste and See Stuart Forster b.
    [Show full text]
  • Treasures of Tudor England
    CORO The Sixteen Edition CORO The Sixteen Edition Other Sixteen Edition recordings on CORO The Eton Choirbook Collection Philip & Mary Slipcase of all 5 of The Sixteen's acclaimed A Marriage of England and Spain CDs of the Eton Music by Spanish and Choirbook English composers "Sit back and let including Tallis's great these glorious Mass Puer natus as it sounds fill your may have been ears and lift your performed by choirs spirits" from both countries on Christmas Day 1554. the gramophone cor16037 cor16040 Robert Carver The Flowering of Genius Treasures of Celebrating one of the great masters of the Guerrero, Tallis, Byrd, Victoria, Sheppard Scottish Renaissance. • O bone Jesu "The Sixteen’s sound Tudor England • Missa Dum sacrum mysterium is distilled, ethereal – hard to imagine a more " …a momentum and sublime performance." expressive conviction Parsons • White • Tye that isn’t matched by bbc music magazine any other recordings." The Sixteen cor16051 the independent cor16001 The Voices of HARRY CHRISTOPHERS To find out more about The Sixteen, concert tours, and to buy CDs, visit www.thesixteen.com cor16056 of both were cut short by misfortune - White died of the plague in Thy Muse lives on ... Westminster and Parsons drowned in the River Trent – they, thankfully, The wealth of music emanating from left us works of extraordinary beauty. Listen to the soaring phrases of Tudor England deserves to be preserved Parsons' much-loved Ave Maria and his highly unusual devotion on the and this recording brings you some name of Jesus, O bone Jesu. But it is White's Lamentations that, I guarantee, remarkable works that will amaze you in will astound you.
    [Show full text]
  • An Obituary by Kenneth Shenton John Langdon, Who Died Recently Aged
    John Langdon (1943-2018) An obituary by Kenneth Shenton John Langdon, who died recently aged 75, was one of the ablest of that series of all- round musicians produced by Cambridge University during the early 1960s. While perhaps best known to the general public as a virtuoso organist of exceptional quality, he was a no less an accomplished pianist and harpsichordist, always fully capable of taking great delight in the occasional grand gesture. In addition, as a highly regarded lecturer and administrator at the Royal Scottish Academy of Music and Drama for almost half a century, he helped mould the creative personalities of many of this country’s most eminent practitioners. The eldest of three children, born in Minehead in 1943, John David Langdon began his musical career as a chorister at Worcester Cathedral. While there he was initially taught to play the organ by his Choirmaster, David Willcocks. Educated at the King’s School, in 1961, aged 18, he found himself reunited with his former mentor when chosen to succeed Simon Preston as Organ Scholar at King’s College, Cambridge. Indeed, it was Willcocks who undoubtedly instilled in him the academic rigour that not only characterised his subsequent career, but in the immediate short term, brought him a whole raft of awards, including the prestigious John Stewart of Rannoch Scholarship in Sacred Music. Having been elected a Fellow of the Royal College of Organists in June 1962, three years later Langdon moved to New College, Oxford, where he undertook specialised research into aspects of sixteenth century sacred music. His early reputation was forged with his painstaking research into the output of composer, Christopher Tye.
    [Show full text]
  • Records Ofearfv~ English Drama
    :I'M! - 1982 :1 r P" A newsletter published by University of Toronto Press in association with Erindale College, University of Toronto and Manchester University Press . JoAnna Dutka, editor Records ofEarfv~ English Drama The biennial bibliography of books and articles on records of drama and minstrelsy contributed by Ian Lancashire (Erindale College, University of Toronto) begins this issue ; John Coldewey (University of Washington) discusses records of waits in Nottinghamshire and what the activities of the waits there suggest to historians of drama ; David Mills (University of Liverpool) presents new information on the iden- tity of Edward Gregory, believed to be the scribe of the Huntington manuscript of the Chester cycle. IAN LANCASHIRE Annotated bibliography of printed records of early British drama and minstrelsy for 1980-81 This list, covering publications up to 1982 that concern documentary or material records of performers and performance, is based on a wide search of recent books, periodicals, and record series publishing evidence of pre-18th-century British history, literature, and archaeology . Some remarkable achievements have appeared in these years. Let me mention seven, in the areas of material remains, civic and town records, household papers, and biography . Brian Hope-Taylor's long-awaited report on the excavations at Yeavering, Northumberland, establishes the existence of a 7th-century theatre modelled on Roman structures . R.W. Ingram has turned out an edition of the Coventry records for REED that discovers rich evidence from both original and antiquarian papers, more than we dared hope from a city so damaged by fire and war. The Malone Society edition of the Norfolk and Suffolk records by David Galloway and John Wasson is an achievement of a different sort : the collection of evidence from 41 towns has presented them unusual editorial problems, in the solv- ing of which both editors and General Editor Richard Proudfoot have earned our gratitude .
    [Show full text]
  • Women's Chorale & Schola Cantorum
    University of Richmond UR Scholarship Repository Music Department Concert Programs Music 10-23-2011 Women's Chorale & Schola Cantorum Department of Music, University of Richmond Follow this and additional works at: http://scholarship.richmond.edu/all-music-programs Part of the Music Performance Commons Recommended Citation Department of Music, University of Richmond, "Women's Chorale & Schola Cantorum" (2011). Music Department Concert Programs. 17. http://scholarship.richmond.edu/all-music-programs/17 This Program is brought to you for free and open access by the Music at UR Scholarship Repository. It has been accepted for inclusion in Music Department Concert Programs by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. ..----- ~>ex: 111 oz3 r~~~;;;--.----• UNlililfilili111~~~nniES 3 3082 01081 0827 THE UNIVERSITY OF RICHMOND DEPARTMENT OF MUSIC Presents in Concert WOMEN'S CHORALE M.-. David Pedersen, conductor Dr. Mary Beth Bennett, accompanist ana SCHOLA CANTORUM D.-. Jeff.-ey Riehl, conductor Dr. Ma.-y Beth Bennett, accompanist Sunday, October 23, 2011 3:00p.m. Camp Concert Hall Bool\:er Hall of Music UNIVERSITY WOMEN'S CHORALE Mr. David Pedersen, conductor Dr. Mary Beth Bennett, accompanist Wayfarin' Stranger arr. Reginald Unterseher b. 1956 With its combination of musical influences from African American spirituals and Appalachian folk music, this popular song originally dates from the early 19th century. The piece was published in various gospel songbooks and popu­ larized by Charles Tillman (1861-1943), a famous promoter and publisher of revival music. I'm just a poor wayfaring stranger Travelin' through this world of woe; And there's no sickness, toil nor danger In that bright land to which I go.
    [Show full text]