DOCSLIB.ORG

Spring 2019 TBC 1142 Modern Chinese Literature in Translation

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Spring 2019 TBC 1142 Modern Chinese Literature in Translation Spring 2019 TBC 1142 Modern Chinese Literature in Translation Credit Hours: 3.0 Class Times and Location: TBA Instructor: Zhang Jing, Ph.D. E-mail: [email protected] Course Description This course is a survey of the modern Chinese literature from 1918 to 2000. It will focus on the fiction, poetry and essays during 3 periods (1918 ~ 1949; 1949 ~ 1976; since 1976) in the 20th century. Through a close study of famous Chinese writers and poets such as Lu Xun, Yu Dafu, Xu Zhimo, Wen Yiduo, Mao Dun, Lao She, Shen Congwen, Ba Jin, Chang Eileen, Ai Qing, Chen Yingzhen, Wang Meng, Yu Hua, Gao Xingjian and Mo Yan, as well as some of the avant-garde writers such as Can Xue, students will have the opportunity to explore their own ideas of what the development of the Chinese literature in the 20th century is like, and be informed of one of the important sides of the modern Chinese culture, as well as the styles of literary creation of those great Chinese writers such as Lu Xun, Xu Zhimo, Lao She, Shen Congwen, and so on. Because the modern Chinese literature has been greatly influenced by many historical events during the 20th century as well as by Western thoughts, aesthetics, literature and culture, so the historical and Western influences on modern Chinese literature and the combination of the old Chinese literary tradition and the newly introduced Western literary tradition in modern Chinese literature are to be explored, too. Learning Outcome Lectures, readings, paper assignments, and discussions are designed to help you develop the skills to: • Think aesthetically, read critically, and write and speak persuasively. • Connect and integrate aesthetical appreciations and cultural understandings of the modern Chinese literature, and grasp the styles and creative skills of different Chinese poets and writers. • Develop the skill of literary criticism in a combination of both Western and Chinese literary and cultural theories. • Develop the practice of reading literary texts within their peculiar Chinese social, historical, cultural and mental contexts. • Use primary and secondary sources to construct original, complex, logical and aesthetical interpretations of the modern Chinese literary works. Required Textbook Lau, Joseph S.M. & Goldblatt, Howard (ed.): Columbia Anthology of Modern Chinese Literature, New York: Columbia University Press, 1995 http://books.google.com.hk/books?id=DRt84_yIsrAC&pg=PR41&lpg=PR41&dq=a+post humous+son+by+ye+shengtao&source=bl&ots=zZclTvJheV&sig=7VFgDBXf6oeHM6Wb RFeE4uci1Y8&hl=zh-CN&ei=x- M_TaGhNIOrccaXnLwC&sa=X&oi=book_result&ct=result&resnum=1&ved=0CBgQ6AEw AA#v=onepage&q=a%20posthumous%20son%20by%20ye%20shengtao&f=false Course Requirements 1. Course readings On Reserve at the TBC Library 1. Lu, Xun: Selected Works, vol. I, Beijing: Foreign Languages Press, 1956 2. Lao, She: Camel Xiangzi, Beijing: Foreign Languages Press, 1978 3. Shen Congwen: Imperfect Paradise, University of Hawaii Press, 1995 4. Chang, Eileen: The Rice-Sprout Song, University of California Press, 1955 5. Wang, Meng: The Butterfly and Other Stories, Beijing: Chinese Literature Press, 1987 6. Wang, Jing(ed.): China’s Avant-garde Fiction, Duke University Press, 1998 7. Howard Goldblatt: Chairman Mao Would Not Be Amused: Fiction from Today’s China, Grove Press, 1995 8. Mo Yan: Red Sorghum, Penguin Books, 1993 2. Assignments & Exams During the course, at least one presentation should be made by each student. Mid-term paper will be a short one (4 pages), and final paper a longer one (8 pages). The short paper will count for 30% of the final grade. The final paper will count for 50% of the final grade, and class participation (including presentation, in-class paragraph writing and class attendance) will count for 20%. Late paper policy: All students are allowed one late paper among the three short papers, provided it is not more than one week late. The second late paper will result in a full grade reduction for the course. The third late paper will result in failure for the course 3. Attendance Policy Only valid medical or family emergencies qualify as an absence, and documentation of the same must be presented to the professor no later than the next class meeting. All other absences are considered to be unexcused. Unexcused absences will affect your grade (see below). Arriving more than 10 minutes late for any three classes will cumulatively count as one unexcused absence, while arriving 30 minutes late for any class will count as an unexcused absence. Penalties for unexcused absences: 1 absence – class participation grade drops one full letter grade (example: A- to B-) 2 absences – class participation grade drops two full letter grades 3 absences – class participation grade drops three full letter grades 4 or more absences – class participation grade is a failing grade Any absence, whether excused or not, will require catch-up reading. 4. Grading 2 (a) Class participation (20%) including presentation, in-class paragraph writing and class attendance (b) Midterm paper (30%) (c) Final paper (50%) 5. Academic Honesty Statement Please click the following link to see The Beijing Center’s policy on Academic Integrity: http://thebeijingcenter.org/academic-integrity Course Schedule Week One a) Class introduction b) Historical background of the modern Chinese literature c) A short introduction to the ideological, emotional and artistic features of the modern Chinese literature Reading assignments: Textbook, p.xv ~ xxiii, p. 21 ~ 69, 111 ~ 119 Week Two a) Xu Dishan, “The Merchant’s Wife” b) Ye Shaojun, “A Posthumous Son” c) Lin Shuhua, “The Night of Midautumn Festival” d) Yu Dafu, Sinking Reading assignments: Textbook, p.3 ~ 20; Lu Xun, “Ah Q—The Real Story”; Lu Xun, “New Year’s Sacrifice”; be prepared for presentation about Lu Xun Week Three Lu Xun, “Preface to the First Collection of Short Stories, Call to Arms” “A Madman’s Diary” “Ah Q – The Real Story” Reading assignments: Textbook, p.70 ~ 88; 120 ~ 125; 97 ~ 110 Week Four – Week Five, no class and students in the Yunnan Excursion Week Six “Kong Yiji” “New Year’s Sacrifice” “Medicine” (in-class paragraph writing) Week Seven a) Mao Dun, “Spring Silkworms” b) Ba Jin, “Dog” c) Shen Congwen, “Xiaoxiao” Reading assignments: Textbook, p. 126 ~ 135; 143 ~ 158; 174 ~ 197 SHORT PAPER DUE (on Lu Xun as mid-term paper—4 pages) Week Eight 3 a) Shi Zhicun, “One Evening in the Rainy Season” b) Ding Ling, “When I was in Xia Village” c) Xiao Hong, “Hands” d) Zhang Ailing, “Sealed Off” Read assignments: Textbook, p. 89 ~ 96; Lao She, Camel Xiangzi Week Nine a) See part of the Film Camel Xiangzi b) Discussion about Lao She’s Camel Xiangzi and “An Old and Established Name” Reading assignments: Textbook, p. 201 ~ 234; 246 ~ 254 Week Ten, no class in spring break Week Eleven a) Zhu Xining, “Molten Iron” b) Chen Yingzhen, “My Kid Brother Kangxiong” c) Bai Xianyong, “Winter Nights” d) Huang Chunming, “Ringworms” Reading assignments: Textbook, p. 296 ~ 314; 383 ~ 398 Week Twelve a) Wang Meng, “Tales of New Cathay” b) Chen Ruoxi, “The Tunnel” c) Can Xue, “Hut on the Mountain” d) Han Shaogong, “The Leader’s Demise” Reading assignments: Textbook, p. 416 ~ 443; 485 ~ 490; Mo Yan, Red Sorghum Week Thirteen a) Mo Yan and his Red Sorghum b) Liu Heng, “Dogshit Food” c) Yu Hua, “On the Road at Eighteen” Reading assignments: Textbook, p. 503 ~ 510; 513 ~ 514; 519 ~ 523 Week Fourteen a) Xu Zhimo, “Second Farewell to Cambridge”, etc. b) Wen Yiduo, “Dead Water”, etc. c) Li Jinfa, “Woman Abandoned” d) Dai Wangshu, “Rainy Alley” e) Ai Qing, “Snow Falls on China’s Land” Reading assignments: Textbook, p. 533 ~ 534; 569 ~ 574; 577 ~ 579 Week Fifteen a) Mu Dan, “Self”, etc. b) Bei Dao, “Declaration”, etc. c) Shu Ting, “When You Walk Pass My Window”, etc. d) Yang Lian, “ The Dead in Exile”, etc. Read assignments: Gao Xingjian, Bus Stop Week Sixteen Finals Week 4 Gao Xingjian and his Bus Stop FINAL PAPER DUE (on modern Chinese literature including poetry—8 pages) http://books.google.com.hk/books?id=OoY4QVhwwZkC&pg=PA101&lpg=PA101&dq=T he+Merchant's+wife+by+Xu+Dishan&source=bl&ots=HOre8BpNB9&sig=GxByiOsYsNK GhR8P4aO7HhtOBBI&hl=zh- CN&ei=SZ0_Tc7PFISkcb_MzYkC&sa=X&oi=book_result&ct=result&resnum=7&ved=0CD 4Q6AEwBg#v=onepage&q=The%20Merchant's%20wife%20by%20Xu%20Dishan&f=f alse The Literature of China in the Twentieth Century 5 .
Load more

Recommended publications
  • Contemporary China: a Book List
    PRINCETON UNIVERSITY: Woodrow Wilson School, Politics Department, East Asian Studies Program CONTEMPORARY CHINA: A BOOK LIST by Lubna Malik and Lynn White Winter 2007-2008 Edition This list is available on the web at: http://www.princeton.edu/~lynn/chinabib.pdf which can be viewed and printed with an Adobe Acrobat Reader. Variation of font sizes may cause pagination to differ slightly in the web and paper editions. No list of books can be totally up-to-date. Please surf to find further items. Also consult http://www.princeton.edu/~lynn/chinawebs.doc for clicable URLs. This list of items in English has several purposes: --to help advise students' course essays, junior papers, policy workshops, and senior theses about contemporary China; --to supplement the required reading lists of courses on "Chinese Development" and "Chinese Politics," for which students may find books to review in this list; --to provide graduate students with a list that may suggest books for paper topics and may slightly help their study for exams in Chinese politics; a few of the compiler's favorite books are starred on the list, but not much should be made of this because such books may be old or the subjects may not meet present interests; --to supplement a bibliography of all Asian serials in the Princeton Libraries that was compiled long ago by Frances Chen and Maureen Donovan; many of these are now available on the web,e.g., from “J-Stor”; --to suggest to book selectors in the Princeton libraries items that are suitable for acquisition; to provide a computerized list on which researchers can search for keywords of interests; and to provide a resource that many teachers at various other universities have also used.
    [Show full text]
  • Submitted for the Phd Degree at the School of Oriental and African Studies, University of London
    THE CHINESE SHORT STORY IN 1979: AN INTERPRETATION BASED ON OFFICIAL AND NONOFFICIAL LITERARY JOURNALS DESMOND A. SKEEL Submitted for the PhD degree at the School of Oriental and African Studies, University of London 1995 ProQuest Number: 10731694 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10731694 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 A b s t ra c t The short story has been an important genre in 20th century Chinese literature. By its very nature the short story affords the writer the opportunity to introduce swiftly any developments in ideology, theme or style. Scholars have interpreted Chinese fiction published during 1979 as indicative of a "change" in the development of 20th century Chinese literature. This study examines a number of short stories from 1979 in order to determine the extent of that "change". The first two chapters concern the establishment of a representative database and the adoption of viable methods of interpretation. An important, although much neglected, phenomenon in the make-up of 1979 literature are the works which appeared in so-called "nonofficial" journals.
    [Show full text]
  • Mo Yan, Inaugural Newman Laureate, Honored in Oklahoma Haiyan Lee Stanford University, [email protected]
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln The hinC a Beat Blog Archive 2008-2012 China Beat Archive 3-10-2009 Mo Yan, Inaugural Newman Laureate, Honored in Oklahoma Haiyan Lee Stanford University, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/chinabeatarchive Part of the Asian History Commons, Asian Studies Commons, Chinese Studies Commons, and the International Relations Commons Lee, Haiyan, "Mo Yan, Inaugural Newman Laureate, Honored in Oklahoma" (2009). The China Beat Blog Archive 2008-2012. 502. https://digitalcommons.unl.edu/chinabeatarchive/502 This Article is brought to you for free and open access by the China Beat Archive at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in The hinC a Beat Blog Archive 2008-2012 by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Mo Yan, Inaugural Newman Laureate, Honored in Oklahoma March 10, 2009 in In Case You Missed It by The China Beat | No comments By Haiyan Lee On Thursday, March 5, the acclaimed Chinese novelist Mo Yan received the inaugural Newman Prize for Chinese Literature at a ceremony held on the campus of the University of Oklahoma in Norman. Over a hundred invited guests attended the event, including the Chinese consul from Houston, the Oklahoma secretary of state, OU’s deans of arts and sciences, OU faculty, high school teachers, students, alumni, visitors, and donors. The Newman Prize was created in 2008 in OU’s Institute for U.S.-China Issues at the initiative of its director Peter H. Gries, Professor of political science and author of China’s New Nationalism, who sought my collaboration as consultant and jury coordinator.
    [Show full text]
  • Youth Narrative in Feng Tang's the Beijing Trilogy
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses Dissertations and Theses July 2016 Youth Narrative in Feng Tang's The Beijing Trilogy Mingjia Zhang University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/masters_theses_2 Part of the Chinese Studies Commons Recommended Citation Zhang, Mingjia, "Youth Narrative in Feng Tang's The Beijing Trilogy" (2016). Masters Theses. 385. https://doi.org/10.7275/8580321 https://scholarworks.umass.edu/masters_theses_2/385 This Open Access Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Youth Narrative in Feng Tang’s The Beijing Trilogy A Thesis Presented by MINGJIA ZHANG Submitted to the Graduate school of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2016 Asian Languages and Literatures Youth narrative in Feng Tang’s The Beijing Trilogy A Thesis Presented By MINGJIA ZHANG Approved as to style and content by: ____________________________________ Enhua Zhang, Chair ____________________________________ David K. Schineider, Member ____________________________________ Zhongwei Shen, Member _________________________________________ Stephen Miller, Director Asian Languages and Literatures Department of Languages, Literatures and Cultures _________________________________________ William Moebius, Chair Department of Languages, Literatures and Cultures ACKNOWLEDGEMENTS I would like to thank my advisor Professor Enhua Zhang for helping me all the way with my thesis; Professor David K. Schneider and Professor Zhongwei Shen for serving on my committee and giving me helpful advice and encouragement; all the faculty in the Chinese program; and my classmates; my family and friends.
    [Show full text]
  • A Wretched Idealist”: Tragedy in “Love Must Not Be Forgotten” Daijuan Gao [email protected]
    Seton Hall University eRepository @ Seton Hall Seton Hall University Dissertations and Theses Seton Hall University Dissertations and Theses (ETDs) Spring 5-15-2016 “A Wretched Idealist”: Tragedy in “Love Must Not Be Forgotten” Daijuan Gao [email protected] Follow this and additional works at: http://scholarship.shu.edu/dissertations Part of the Chinese Studies Commons, Comparative Literature Commons, and the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Gao, Daijuan, "“A Wretched Idealist”: Tragedy in “Love Must Not Be Forgotten”" (2016). Seton Hall University Dissertations and Theses (ETDs). 2182. http://scholarship.shu.edu/dissertations/2182 Abstract Since its publication in 1979 and the ensuing controversy it evoked about the morality of an extramarital love affair (albeit platonic), Zhang Jie’s short story, “Love Must Not Be Forgotten” has continued to captivate readers and literary scholars. While the values of Zhang’s story, with its challenges to traditional ethics and its provocation of female consciousness, have been acknowledged by critics and commentators, examination of the aesthetics of the story’s tragic effect has thus far remained marginal. “Love” engendered pity and fear in readers, particularly during the time following the Cultural Revolution when the lives of Chinese people were firmly constrained by both established conventions and Communist ideology. It especially resonated with people who were miserable in their loveless marriages as it had provided them with a script of their own stories. The root of the tragedy in “Love” is multifaceted. While Zhong Yu’s unwavering Romantic ideals, the cadre’s “hamartia” (marrying his wife out of a sense of duty), and the confinement of society’s orthodox values all contribute to the tragic affair, chance and destiny also play a pivotal role in the characters’ lives.
    [Show full text]
  • Intellectuals in Chinese Fiction a Publication of the Institute of East Asian Studies University of California Berkeley, California 94720
    Intellectuals in Chinese Fiction A publication of the Institute of East Asian Studies University of California Berkeley, California 94720 The China Research Monograph series, whose first title appeared in 1967, is one of several publications series sponsored by the Institute of East Asian Studies in conjunction with its constituent units. The others include the Japan Research Monograph series, the Korea Research Monograph series, the Indochina Research Monograph series, and the Research Papers and Pol icy Studies series. The Institute sponsors also a Faculty Reprint series. Correspondence may be sent to: Ms. Joanne Sandstrom, Editor Institute of East Asian Studies University of California Berkeley, California 94720 CHINA RESEARCH MONOGRAPH 33 & INSTITUTE OF EAST ASIAN STUDIES UNIVERSITY OF CALIFORNIA • BERKELEY CCS CENTER FOR CHINESE STUDIES Intellectuals in Chinese Fiction YUE DAIYUN Although the Institute of East Asian Studies is responsible for the selection and acceptance of manuscripts in this series, responsibility for the opinions expressed and for the accuracy ofstatements rests with their authors. Copyright © 1988 by the Regents of the University of California ISBN 0-912966-97-1 Library of Congress Catalog Card Number 87-82667 Printed in the United States of America All rights reserved. Contents Foreword vii Joyce K. Kallgren Acknowledgments viii Introduction 1 1. The First Anecdotal Collection Describing the Lives of Intellectuals: A New Account of Tales of the World 8 2. Intellectuals at an Impasse and the Collapse of Feudal Society: Six Chapters of a Floating Life 38 3. Modem Chinese Intellectuals in Modem Chinese Literature: The Eclipse and Rainbow of Mao Dun 57 4. The Young Intelligentsia in the War Years: Lu Ling's Children of the Rich 83 5.
    [Show full text]
  • A Survey of Contemporary Literature of China's West
    A Survey of Contemporary Literature of China’s West Chen Hong East China Normal University, Shanghai he notion of the contemporary West China literature originated in the 1980s when in 1982, the literary magazine Yang Guan proposed to start Dunhuang Arts as a particular school of literary and artistic works. In 1983, poets and critics in Gansu and TXinjiang were engaged in discussions of the emergent New Frontier Poetry. In 1984, critics such as Sun Keheng and Tang Qi pointed out that the newly emerging “West poetry” is a “new-type literature of locality.”1 After the screening of Wu Tianming’s feature filmLife , adapted from the novel by Lu Yao, critics discerned convergences of the movie and the American Western films, and proposed the concepts of the Chinese Western films2. Such an overflow of keenness on the West China’s literary landscape was almost like a sandstorm overwhelming the West China, or in fact the whole country. Writers and critics responded with a passion that was close to a frenzy. The influential literary journalContemporary Art Thoughts published in 1985 a special issue entitled A Forum on West China’s Literature. In the same year in July the Literature Associations of the 5 provinces in the North-west, in conjunction with relevant film studios and local literature associations convened the First Conference on the Arts in West China in the frontier city, Yining of Xinjiang. Since then, the notion of West China literature was officially established, incurring active writing and criticism nationwide. 1 Sun Keheng, An Anthology of the Contemporary New Poetry in China’s West (Lanzhou, Gansu People’s Publishing House, 1986) 32 2 He Chungeng, “The Sun Rises from the West: on the Birth and Development of China’s Western Movies” in Tang Du Academic Journal, No.
    [Show full text]
  • Larson: Wang Meng and Self-Censorship. JEACS 2020
    Larson, Wendy. “Wang Meng and Self-censorship: Cultural Unity and Socialist Values in 1950s China.” Journal of the European Association for Chinese Studies, vol. 1 (2020): 129–160. DOI: 10.25365/jeacs.2020.1.129-160 RESEARCH ARTICLE Wang Meng and Self-censorship: Cultural Unity and Socialist Values in 1950s China Wendy Larson University of Oregon, USA [email protected] The early work and experience of writer (and later Minister of Culture) Wang Meng provides a useful study in the “slow creep” of active, optimistic efforts on behalf of both political authorities and the people to create a unified cultural subject, as they move toward a more recognisable form of censorship and control. Although parts of Wang Meng’s first novel Long live youth were published in the late 1950s, it was not published in its entirety until 1979. The plot revolves around a group of high school girls who value spontaneity and freedom, rather than discipline and organisation. The small group of main characters develop strategies of inclusion and exclusion, mimicking society at large while shielding themselves from the contamination of politics and national affairs. By the time he wrote the novella A Young Man Arrives at the Organization Department in 1956, Wang Meng had reformulated his protagonist to recognise the insidious danger of self-censorship. Lin Zhen retains the values of “good cheer” and hard work but falls into doubt and confusion. The story’s portrayal of Lin’s colleagues in the Organization Department as lazy, cautious, and unenthusiastic is also part of a literary investigation into the kind of censorship that is woven into daily work life, emerging from the structures of bureaucracy.
    [Show full text]
  • Beijing in the Shadow of Globalization: Production of Spatial Poetics in Contemporary Chinese Cinema, Literature, and Drama
    Beijing in the Shadow of Globalization: Production of Spatial Poetics in Contemporary Chinese Cinema, Literature, and Drama By JING NIE B.A. (Beijing Language and Cultural University) 1998 M.A. (Ohio University) 2003 DISSERTATION Submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in Comparative Literature in the OFFICE OF GRADUATE STUDIES of the UNIVERSITY OF CALIFORNIA DAVIS Approved: ___________Sheldon H. Lu_______________ ___________Michelle Yeh________________ ___________Li Zhang___________________ ___________Xiaomei Chen_______________ Committee in Charge 2009 -i- UMI Number: 3369875 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. ______________________________________________________________ UMI Microform 3369875 Copyright 2009 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. _______________________________________________________________ ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, MI 48106-1346 Contents List of Illustrations iii Acknowledgements iv Introduction 1 Chapter One A City of Disappearance: Trauma, Displacement and Spectral Cityscape in Contemporary Chinese Cinema 27 Chapter Two Transcendental Locality: Poetic Difference and Intimate Space in Yan Li’s Poetry 59 Chapter Three Paradigms of Flexible Configurations: I-Generation and Beijing- Punks in Wang Meng, Xu Xing, and Chun Shu 100 Chapter Four Staging Spatial Conflicts and Affect in Emotional Post-Socialism: Meng Jinghui’s Theater 143 Bibliography 183 -ii- Illustrations 1.
    [Show full text]
  • Contemporary Chinese Fiction: Politics and Romance Kaixuan Jing Nanjing University, China
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DigitalCommons@Macalester College Macalester International Volume 18 Chinese Worlds: Multiple Temporalities Article 11 and Transformations Spring 2007 Contemporary Chinese Fiction: Politics and Romance Kaixuan Jing Nanjing University, China Follow this and additional works at: http://digitalcommons.macalester.edu/macintl Recommended Citation Jing, Kaixuan (2007) "Contemporary Chinese Fiction: Politics and Romance," Macalester International: Vol. 18, Article 11. Available at: http://digitalcommons.macalester.edu/macintl/vol18/iss1/11 This Article is brought to you for free and open access by the Institute for Global Citizenship at DigitalCommons@Macalester College. It has been accepted for inclusion in Macalester International by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. Contemporary Chinese Fiction: Politics and Romance Jing Kaixuan I. Introduction When we review Chinese literature since the new era began in 1978, we may reach the conclusion that the writing of novels has flour- ished both in quality and quantity, compared with other periods since 1949. Chinese writers have more freedom in writing and publishing (in some respects) than ever before, creating the impression of relative freedom from political influence. However, as we know from the text- books of literary history, the “Literature of the New Era” is still divided from the other eras according to political history. Contemporary litera- ture cannot evade politics because China remains a highly politicized state. Although the influence of politics has taken different forms in the 1970s, 1980s, 1990s, and the present decade, it has always been present, whether overtly or implicitly.
    [Show full text]
  • Durham E-Theses
    Durham E-Theses Wang Meng and contemporary Chinese literature: the vicissitudes of a committed writer Wang, Lin How to cite: Wang, Lin (1998) Wang Meng and contemporary Chinese literature: the vicissitudes of a committed writer, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/4996/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk Wang Meng and Contemporary Chinese Literature: the Vicissitudes of a Committed Writer The copyright of this thesis rests with the author. No quotation from it should be published without the written consent of the author an information derived from it should be acknowledged. Lin Wang Submitted for the Degree of Master of Arts Department of East Asian Studies University of Durham 1998 " 2 NOV 1SS9 Lin Wang MA. 1998 Wang Meng and Contemporary Chinese Literature: The Vicissitudes of a Committed Writer Abstract This thesis examines the way Wang Meng has developed as a writer from the 1950s to the 1990s in the context of New China's political and literary background.
    [Show full text]