Modern Christian Thought and Critics (“Christianity: to Be Reduced, Reused, Or Recycled?”) RELI 316-DL1 Religious Studies George Mason University

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Modern Christian Thought and Critics (“Christianity: to be reduced, reused, or recycled?”) RELI 316-DL1 Religious Studies George Mason University

days/times: M&W 1:30pm-2:45pm class room: online instructor: Prof. Garry Sparks office: Robinson Hall B, room 444 office hours: M&W 3:00pm-4:30pm (or by appointment when available) office phone: 703-993-1979 (rarely answer) e-mail: [email protected] (best)

Course Description Arguably the beginning of the Modern Era (or at least early modernity) occurs at the turn of the sixteenth century and the encounter between Christianity—namely Western Christendom and by extension colonial Christianity—and the Americas. While Christianity since the time of late antiquity did venture deep into northern Africa as well as Asia (such as by missionaries of Nestorian Christianity into central China and southern India by the seventh century), the Christianity (re)introduced into Africa and Asia and brought to the Americas with the extension of European imperial nation-states in the sixteenth and seventeenth centuries was significantly different for both the “receiving” indigenous populations and Christian thought. With the encounter of new cultures as well as religions, Christianity began to deal with new languages, aesthetics, practices, construals, and ways of thinking – diversities and an understanding of pluralism. At the same time, confronting the emergence of scientific reasoning and the new concept of “rights,” Christian ideas and institutions dealt with a constriction of their place and influence in Europe while simultaneously Christianity participated in an expansion into a wider known world. By the turn of the nineteenth century Christian thinkers took both of these dynamics into consideration in series of unique and still-lasting constructive moves, intellectual moves and dynamics that continue to pinch and impinge on the continuation of Christianity globally, namely “modern” or “liberal” Christianity and the various responses to it. Through close readings of influential texts, this course will examine in detail critiques against Christianity that began to emerge during the Enlightenment (1700s) and responses to those critiques into twentieth-century America. The course will end with the examination of a current specific case study within the development of “global Christianity,” namely the implied theology within Latino gangs in Los Angeles, California and Central America and its close affinity with storefront churches.

RELI 316: Modern Christian Thought and Critics 1 Learning Outcomes Students who complete this course will: • become acquainted with some of the enduring intellectual critiques of Christianity that emerged during the Enlightenment and how Christian thinkers began to take those critiques seriously and respond; • recognize in general the distinct, dominant strands of “modern” or “liberal” (in the technical or academic sense of the terms) Christianities, including their proclaimed critics; • describe various understandings and models of how a Christianity engages wider cultural construals (including but not limited to relationships between form/content). • critically assess the significance and influence of key persons, events, and concepts that modern Christian thought engaged such as “culture,” “rights,” “experience,” “context,” “symbol,” “liberation,” et cetera and the shift in meaning of basic Christian notions, such as “faith,” “grace,” “justice,” “God,” “Christ,” “spirituality,” et cetera. • analyze and evaluate some of the major trends within Christianities by the turns of the 20th and 21st centuries and the engagement with modernity and post-modernities, respectively.

Methods of Instruction This course will approach western Christian thought beginning around the Enlightenment and its critics (such as Romanticism and Existentialism) with particular attention on the tension between an understanding of Christianity and the new, modern concept of “culture.” The core of this course will consist of close readings of primary texts by influential Christian thinkers or thinkers influenced by a kind of Christianity – writers who engaged or represent an influential moment for modern Christian thought. You will be expected to have read thoroughly (and thus repeatedly) and reflected upon all texts assigned every week. Each class will consist of lectures germane to the topic of the texts as well as on the texts themselves. Lectures will be accompanied by discussing and exploring together the major ideas behind and claims made in the assigned texts, what resources they draw upon, what specific assumptions they make, et cetera. Furthermore, a recommended secondary text (a history) will help provide the wider contexts for the primary readings and support the lectures. Also please note that I (the instructor) reserve the right to change the syllabus during the term if and/or when need arises (e.g., to meet the learning outcomes of the course). You are responsible for checking for such changes (checking Bboard often) and updating your copy of the course syllabus.

RELI 316: Modern Christian Thought and Critics 2 Semester Outline of Topics (to be divided appropriately between class times every week)

Week 1 – Introducing “Modern” (Christian) Thought and Histories Jan. 25 & 27 • general introduction to course • read and discuss: o Justo L. González, Story of Christianity, Volume II, 2-6, 168-171, 237-248; o David Hume, Dialogues Concerning Natural Religion, 1-33. • optional: o Justo L. González, Story of Christianity, Volume II, 275-287; o David Hume, Dialogues Concerning Natural Religion, vii-xx.

Week 2 – Christianities’ “Enlightened” Critics: Hume’s Ironic Hedonism Feb. 1 & 3 • read and discuss: o David Hume, Dialogues Concerning Natural Religion., 34-89; o Justo L. González, Story of Christianity, Volume II, 288-290.

Week 3 – Christianities’ “Enlightened” Critics: Kant’s Transcendentalism Feb. 8 & 10 short assignment on Hume due on Mon., Feb. 8. • for Mon. re-read and discuss: o David Hume, Dialogues Concerning Natural Religion, 1-89. • for Wed. read and discuss: o Immanuel Kant, “What is the Enlightenment?” (PDF); o Moses Mendelssohn, “On the Question: What Does ‘to Enlighten’ Mean?” (PDF); o Immanuel Kant, Grounding for the Metaphysics of Morals, 1-17. • optional: o Justo L. González, Story of Christianity, Volume II, 249-273. o Immanuel Kant, Grounding for the Metaphysics of Morals, v-xiii.

Week 4 – Christianities’ “Enlightened” Critics: Kant’s Transcendentalism, continued Feb. 15 & 17 • read and discuss: o Immanuel Kant, Grounding for the Metaphysics of Morals, 1-62. • optional: o Justo L. González, Story of Christianity, Volume II, 275-287.

Week 5 – Advent of “Liberal” Christianity vs. Christianity’s Cultured Despisers Feb. 22 & 24 short assignment on Kant due on Mon., Feb. 22. • read and discuss: o Friedrich Schleiermacher, “Fifth Speech,” On Religion (PDF); o Justo L. González, Story of Christianity, Volume II (selections), 301-318, 385-397. • optional: o Justo L. González, Story of Christianity, Volume II, 319-347.

RELI 316: Modern Christian Thought and Critics 3 Week 6 – Christian Existentialism: Advent of a Proto-Post-Liberal Christianity Mar. 1 & 3 • read and discuss: o Søren Kierkegaard, Fear and Trembling, 5-67. o Justo L. González, Story of Christianity, Volume II, 349-362. • optional: o Søren Kierkegaard, Fear and Trembling, ix-xxxix.

Week 7 – Christian Existentialism: Advent of a Proto-Post-Liberal Christianity, continued Mar. 8 & 10 • read and discuss: o Søren Kierkegaard, Fear and Trembling, 68-123. • optional: o Justo L. González, Story of Christianity, Volume II, 363-383.

Week 8 – Catholic Modernity, Neo-Thomism, and the Social Doctrine Mar. 15 & 17 short assignment on Kierkegaard due on Mon., March 15. • read and discuss: o Leo XIII, Rerum Novarum (PDF); o Justo L. González, Story of Christianity, Volume II, 399-440.

Week 9 – Christianity/ies and Culture(s): A 20th-Century Typology Mar. 22 & 24 • read and discuss: o H. Richard Niebuhr, Christ & Culture, 1-82; o Justo L. González, Story of Christianity, Volume II (selections), 294-299, 457-471.

Week 10 – Christianity/ies and Culture(s): A 20th-Century Typology, continued Mar. 29 & 31 • read and discuss: o H. Richard Niebuhr, Christ & Culture, 83-189; o Justo L. González, Story of Christianity, Volume II (selections), 473-493.

Week 11 – (Popular) Culture and the Catholic Grotesque April 5 & 7 movie assignment due on Wed., April 7. • read and discuss for: o H. Richard Niebuhr, Christ & Culture, 190-256; • read and discuss for: o Justo L. González, Story of Christianity, Volume II, 441-455; o Flannery O’Connor, selected short stories (PDF); o Martin Luther King, Jr., “Letter from Birmingham Jail” (PDF).

RELI 316: Modern Christian Thought and Critics 4 Week 12 – Case Example: Trans-local Christianity and L.A.s’ Gangs April 12 & 14 • read and discuss: o Robert Brenneman, Homies and Hermanos, Introduction, Chapters 1-2; o Justo L. González, Story of Christianity, Volume II, 495-524.

Week 13 – Case Example: Trans-local Christianity and L.A.s’ Gangs, continued April 19 & 21 • read and discuss: o Robert Brenneman, Homies and Hermanos, Chapters 3-5.

Week 14 – Case Example: Trans-local Christianity and L.A.s’ Gangs, concluded April 26 & 28 • read and discuss: o Robert Brenneman, Homies and Hermanos, Chapter 6 and Conclusion. • optional: o Justo L. González, Story of Christianity, Volume II, 525-530.

Week 15 – Final Exam Period: Take-Home Final Exam Due! before Wed., May 5 @ 5PM https://registrar.gmu.edu/wp-content/uploads/Spring-2021-Final-Exam-Schedule.pdf

Methods of Evaluation (a.k.a. Grading) • Critical, reflective, civil, and respectful participation in all class discussions will consist of 10% of the course grade. Part of this participation grade will involve (1) in-class discussions and part of it will consist of (2) your weekly postings to the discussion forum on the course Bboard site – a minimum of 10 postings for the semester (so, note: 10-9 postings =A, 8=B, 7=C, 6=D, and 5-=F for this portion of your course grade). By no later than 9:00am prior to either Monday or Wednesday’s class each week you must post at least a paragraph (a minimum of a few of sentences) response (critical insight(s) or question(s)) germane to the respective assigned reading(s) for that week’s material. While you may bring in your thoughts on readings already discussed in class in any given posting, each posting must at least focus on a reading (or readings... your choice) which have not yet been discussed in class. As the semester unfolds these weekly postings may/should also include replies to your classmates’ comments. Occasionally, prompts will direct your reading and focus the on-line dialogue. Bboard postings will be graded on the basis of: /-/ (“minus” for no-posting), /√/ (“check” for posting), and /√+/ (“check plus” for a particularly good posting); thus there is a quantitative and qualitative dimension to your participation grade. Barring emergencies, please notify the instructor prior to class time of any absence. While attendance is not graded it is obviously required for participation; excused absences require an original, signed doctor’s note. Missed postings cannot be “made up” or done retroactively (note: each posting to the Bboard discussion site is stamped with the date and time of when submitted). Absences from discussions (both Bboard and in-class) will jeopardize your grade.

RELI 316: Modern Christian Thought and Critics 5 Methods of Evaluation (a.k.a. Grading), continued • Three scheduled short, argument-oriented assignments will consist of 30% of the total course grade with each assignment, therefore, contributing 10% of the course grade: o a short analytical paper on Hume; o a short analytical paper on Kant; and o a short analytical paper on Kierkegaard. The specific instructions for each assignment are posted on the course Bboard site in the “Assignments” section. While these assignments may be turned in prior to the due date and time, please note in the syllabus’s schedule exactly when each is due at their respective latest point. A late assignment may be subjected to a loss of up to a whole letter grade (or 10 points) for each day it is past due. Also be sure that each of these prepared assignments conforms to the professional and academic writing requirements specified in this syllabus. Assignments that are not well written and/or not properly formatted essays per these standards may also automatically loose up to two letter grades (or up to 20 points). While relatively short (a few pages each) these short papers need to be tight, well-crafted argument- oriented essays regarding your analysis and interpretation of these influential texts. In other words, you are not to assert your own opinion about the text but rather in a well formulated opening paragraph set up and clearly state your claim/thesis that you then support with textual evidence and sound reasoning and, finally, represent but with more explicit significance in a well formulated closing paragraph. You are highly encouraged to have others (especially the Writing Center, though be sure to make an appointment in advance) proofread your assignments.

• A movie report (5-7 pages) that engages some of the key concepts highlighted in this course will consist of an additional 30% of your grade (note: there is no mid-term exam for this course). This writing assignment is of your choice from the list provided and is due by no later than Wednesday, April 7. You may also suggest a movie not on the list to the instructor for consideration, but the movie must be of comparable complexity and no more than two students may write on the same move (the sign-up sheet for these movies will be posted on my office door). You will be expected to have watched your selected film more than once and taken notes (like any other “text”). Your review needs to engage the movie with at least one of the assigned texts in this course (in addition to González) with all material used (including the film) properly cited as well as conforming to the expectations listed below. You are freely encouraged to also look at other sources regarding your interpretation of your selected movie (about the time period, the author/director, characters, etc.) but any additional sources must also be proper cited. You must present a draft of your paper to the academic writing center for review and turn that draft with their corrections, suggestions, and signature when you turn in your final paper (the signed, reviewed draft will consist of 20 points of this assignment).

• A take-home final exam will consist of an additional 30% of your grade (more details later; watch the course Blackboard site).

RELI 316: Modern Christian Thought and Critics 6 Academic Integrity

“I was thrown out of NYU my freshman year for cheating on the metaphysics final… I looked within the soul of the boy sitting next to me.” – Woody Allen1 “Academic honesty boils down to three simple but powerful principles: • When you say you did the work yourself, you actually did it. • When you rely on someone else’s work, you cite it. When you use their words, you quote them openly and accurately, and you cite them, too. • When you present research materials, you present them fairly and truthfully. That’s true whether the research involves data, documents, or the writings of other scholars.”2

Violation of the academic honor code (i.e. plagiarism or cheating on any course assignment) will not be tolerated in any degree and will be referred to the Office on Academic Integrity.

The integrity of the University community is affected by the individual choices made by each of us. GMU has an Honor Code with clear guidelines regarding academic integrity. Three fundamental and rather simple principles to follow at all times are that: (1) all work submitted be your own; (2) when using the work or ideas of others, including fellow students, give full credit through accurate citations; and (3) if you are uncertain about the ground rules on a particular assignment, ask for clarification. No grade is important enough to justify academic misconduct. Plagiarism means using the exact words, opinions, or factual information from another person without giving the person credit. Writers give credit through accepted documentation styles, such as parenthetical citation, footnotes, or endnotes. Paraphrased material must also be cited. All written work is to be your original thoughts on the assigned texts with references and occasional cites from that text. The format and style rules of all of your assignments should be typed and conform to the MLA Handbook or Chicago Manual of Style (including Turabian).A simple listing of books or articles is not sufficient. Plagiarism is the equivalent of intellectual robbery and cannot be tolerated in the academic setting.

While it is often quipped that “it is better to apologize afterwards than ask for permission before,” this does not hold in academia; please feel free to ask for clarification regarding any of the expectations for this course before due dates. For more information, see the University Catalogue regarding the Honor Code. If you have questions about how to properly cite published work in your writing please consult the Writing Center or me during office hours.

Students must use their MasonLive email account (aka @gmu.edu) to receive important University information, including messages related to this class. Per university policy, unless your e- mail to faculty is from your MasonLive email account course instructors will not be able to reply. Please see http://masonlive.gmu.edu for more information.

1 Charles Lipson, Doing Honest Work in College: How to Prepare Citations, Avoid Plagiarism, and Achieve Real Academic Success (Chicago: University of Chicago Press, 2004), 8. 2 Ibid., 3.

RELI 316: Modern Christian Thought and Critics 7 Class Sessions Etiquette • With the exception of the computer that you will need to be using for an online session of class, the use of phones (e.g., texting, tweeting, etc.), browsing (e.g., social media, emailing, etc.), or any other non-course related use of computers, tablets, smartphones, etc. is strictly prohibited during class time. • Be prepared to have your video on but audio muted unless speaking, but also be prepared to be called on to speak and contribute to class discussions (i.e., merely logging-in to Blackboard Collaborate and then stepping away from your computer or attending to non-course relate material will be considered as “not attending/participating in class.” • During class time be located in a private space away from demands and distractions of family, roommates, coworkers, etc. • Refrain from using the chat window for making comments during class unless absolutely necessary (e.g., problems with your microphone). • Note: you will learn more in an online course if you: 1. take written (vs. typed) notes on the readings and movies and bring those notes to class to consult; 2. make written (vs. typed) notes during class lectures and discussions (and integrate (i.e., rewrite) your class notes and reading/movie notes into one set of notes; 3. form a study group of 1-2 other classmates to discuss and study the course material outside of class; and 4. do not attempt to multitask while reading the assigned material or studying the movies let alone during online class sessions (multitasking is a falsehood during times and tasks where your unadulterated and sustained concentration is required for deeper understandings) but rather have email, text, and other social communications notices turned “off,” avoid backgrounds with music or talking, etc. while studying.

Class Absences Students are responsible for any assignments, announcements, or materials presented during class. Absence from class does not excuse that obligation. Notifying the professor of an absence does not excuse the absence. Students should find other students in the class from whom they can obtain reliable notes in the event of an absence. The professor is not obliged to provide information to students about what they missed in class.

RELI 316: Modern Christian Thought and Critics 8 Policy on Professional/Academic Writing Expectations All visual materials (such as charts, graphs, or pictures) used in lectures will be posted onto Bboard along with additional images and resource links. These are to be used for any missed classes as well as further exploration into the issues addressed as the course unfolds. However, lecture notes will not be posted; please secure notes for any missed classes from your cohort. All written assignments prepared outside of class should be: o typed, o in a 12 point (vs. 11 point or 10 point) and standard serif font (i.e. Garamond, Palantino, or Times New Roman vs. a sans serif font like Arial, Helvetica, or Gill Sans or a non- standard serif font like Papyrus or Cracked), o double spaced (Note: if the default setting on a computer automatically inserts an additional half space after a paragraph you will need to change this before turning in your assignment), o 1” margins all around, o left aligned (not full justified), o with your full name(s) and page number in either the header or footer on every page. These should be well-crafted and revised written pieces, o free of typos and grammatical errors; o use only inclusive language unless you are writing about something that is a gender-specific topic (i.e. Catholic priesthood); o no contractions (i.e. “can’t,” “aren’t,” won’t,” etc.) are inappropriate for professional and academic writing (unless part of a direct quote from another source); o no the use of the first person singular pronoun (e.g., “I”) should be generally avoided with rare exceptions. Major points will be deducted from unprofessionally written assignments.

As a general rule you should always plan on devoting an average of 3 hours out of class dedicated to the work for a particular course for every hour you spend in class in a given week (1:3). So, for each 3 credit hour course you should be dedicating 9 hours per week outside of class to that course. Therefore, for a 12 credit hour semester (4 courses) you should be dedicating a total of 40-50 hours a week to class and coursework... which is why 4-5 undergraduate courses is considered a “full” load, because it is a full time job, and with it you are first and foremost a professional student.

Your 9 hours (on average) per week dedicated to this course outside of class time should include: • Reading all required material at least twice; • Reading actively (vs. passively) by underlining with pencil or colored pen(s) (but not highlighter) key information, making notes in the margins of the text, and/or taking notes on a separate blank page; • Making and reviewing vocabulary flashcards; • Looking up any and all terms, personal names, historical events, and other references that you do not know but encounter in course readings or lectures (you have more information at your immediate disposal than any other generation in the entire history of humanity... there is no reason to ever say “I do not know X” and not look it up); • Meeting in small study groups once a week to review and revise reading and class notes; • Rewriting/typing up class notes and synthesizing them with reading notes; • Draft, revise (including with the Writing Center (make an appointment in advance)), revise again, and successfully complete all written assignments.

RELI 316: Modern Christian Thought and Critics 9 Office of Disability Services If you have a documented learning disability or other condition that may affect academic performance you should: (1) make sure this documentation is on file with the Office of Disability Services (SUB I, Rm. 4205; 993-2474; http://ods.gmu.edu/students/) to determine the accommodations you need; and (2) talk with the instructor to discuss your accommodation needs.

Other Useful University Resources Writing Center: A114 Robinson Hall; (703) 993-1200; http://writingcenter.gmu.edu University Libraries: “Ask a Librarian” http://library.gmu.edu/mudge/IM/IMRef.html Counseling and Psychological Services: (703) 993-2380; http://caps.gmu.edu University Policies: The University Catalog, http://catalog.gmu.edu, is the central resource for university policies affecting student, faculty, and staff conduct in university affairs. Academic Calendar: https://registrar.gmu.edu/calendars/spring-2021/

Instructional Materials

Required Readings (other than other PDFs, Handouts & Media): Robert Brenneman, Homies and Hermanos. Justo L. González, Story of Christianity, Volume II (selections). David Hume, Dialogues Concerning Natural Religion. Immanuel Kant, “What is the Enlightenment?” (PDF). Immanuel Kant, Grounding for the Metaphysics of Morals. Søren Kierkegaard, Fear and Trembling. Martin Luther King, Jr., “Letter from Birmingham Jail” (PDF). Leo XIII, Rerum Novarum (PDF). Moses Mendelssohn, “On the Question: What Does ‘to Enlighten’ Mean?” (PDF). H. Richard Niebuhr, Christ & Culture. Flannery O’Connor, selected short stories (PDFs). Friedrich Schleiermacher, “Fifth Speech,” On Religion: Speeches to its Cultured Despisers (PDF).

Options for Movie Report Assignment (select one from the list on the separate instructions document). Note: Not all of these movies may be available at Fenwick Library. Please plan accordingly and in advance as to how you will need to watch your selected movie.

RELI 316: Modern Christian Thought and Critics 10 Regarding Diversity

The academic study of religion includes the analytical (dissecting in various ways) and critical (bringing various criteria to bear) reflection on a diversity of religions and cultures including, in particular, their diverse order of values – including one’s own. The question, therefore, is not whether or not you (dis)believe, (dis)like, of (dis)agree any particular religion or even some aspect of it (let alone “religion” all together) but rather whether you understand “religion.” This requires thick description along with respectful engagement with a diversity of peoples, thought, and values.

To this end... George Mason University promotes a living and learning environment for outstanding growth and productivity among its students, faculty and staff. Through its curriculum, programs, policies, procedures, services and resources, Mason strives to maintain a quality environment for work, study and personal growth.

An emphasis upon diversity and inclusion throughout the campus community is essential to achieve these goals. Diversity is broadly defined to include such characteristics as, but not limited to, race, ethnicity, gender, religion, age, disability, and sexual orientation. Diversity also entails different viewpoints, philosophies, and perspectives. Attention to these aspects of diversity will help promote a culture of inclusion and belonging, and an environment where diverse opinions, backgrounds and practices have the opportunity to be voiced, heard and respected.

The reflection of Mason’s commitment to diversity and inclusion goes beyond policies and procedures to focus on behavior at the individual, group and organizational level. The implementation of this commitment to diversity and inclusion is found in all settings, including individual work units and groups, student organizations and groups, and classroom settings; it is also found with the delivery of services and activities, including, but not limited to, curriculum, teaching, events, advising, research, service, and community outreach.

Acknowledging that the attainment of diversity and inclusion are dynamic and continuous processes, and that the larger societal setting has an evolving socio-cultural understanding of diversity and inclusion, Mason seeks to continuously improve its environment. To this end, the University promotes continuous monitoring and self-assessment regarding diversity. The aim is to incorporate diversity and inclusion within the philosophies and actions of the individual, group and organization, and to make improvements as needed.

Classmate Contacts: Name E-mail Phone

RELI 316: Modern Christian Thought and Critics 11