DOCSLIB.ORG

Adorno, Theodor Wiesengrund Xii, 1, 2, 3, 4, 10, 17 Arnold, Judy 201, 203, 204, 207 Artea Quartet 240 Avant-Garde X, 3, 21, 26

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Adorno, Theodor Wiesengrund Xii, 1, 2, 3, 4, 10, 17 Arnold, Judy 201, 203, 204, 207 Artea Quartet 240 Avant-Garde X, 3, 21, 26 Cambridge University Press 978-0-521-88658-1 - Peter Maxwell Davies Studies Edited by Kenneth Gloag and Nicholas Jones Index More information Index Adorno, Theodor Wiesengrund xii, 1, 2, 3, Brabbins, Martyn 240 4, 10, 17 Brahms, Johannes 19, 199 Arnold, Judy 201, 203, 204, 207 Brain, Dennis 203 Artea Quartet 240 Breughel, Pieter (the Elder) 2 avant-garde x, 3, 21, 26, 27, 28, 45, 55, 62, Bridge, Frank 55, 207 129, 130 Britten, Benjamin 2, 29, 31, 75, 89, 203, 232 Death in Venice 89 Bach, Johann Sebastian 12, 24, 49, 119, 251 Noye’s Fludde 75 Christmas Oratorio 50 Serenade for Tenor, Horn and 48 Preludes and Fugues, Book 2 251 Strings 203 Ban, Jan Albert 249 Brown, George Mackay 233, 235, 238, 239 Bantock, Granville 25 Büchner, Georg 233 Bartók, Béla 24, 25, 30, 31, 50, 199, 220 Bull, John 221, 244, 245 Bax, Arnold 55 Busoni, Ferruccio 55 BBC Philharmonic Orchestra 118, 201 Byrd, William 28, 221 Beamish, Sally 230 Mass for Four Voices 221 Beethoven, Ludwig van 3, 18, 24, 28, 46, 73, 107, 108, 111, 112, 116, 118, 126, Campbell, David 204 138, 199, 202, 216, 220, 221–5, 226, Carewe, John 61, 198, 229 228, 232 Chopin, Frédéric 130 Piano Sonata in F minor, Op. 2 Cirencester xii, 3, 26, 46, 63, 200, 216, 219 No. 1 228 Coinci, Goutier de 233 Piano Sonata in F♯ major, Op. 78 126 Copland, Aaron 221, 238 Piano Sonata in A♭, Op. 110 112, 220, 221–5 Dalby, Martin 238 Six String Quartets, Op. 18 199 Dallapiccola, Luigi 3, 12 String Quartet in C♯ minor, Op. 131 226 Canti di liberazione 3 Symphony No. 3 (Eroica) 216, 226, 227 Darmstadt 21, 25, 28, 62 Symphony No. 5 46, 73 Dartington Summer School of Music xii, Symphony No. 8 108 202, 211, 216–30 Berg, Alban xii, 1, 2, 3, 4, 5, 7, 8, 9, 10, 16, Davies, Peter Maxwell 17, 20, 25, 26, 31 Alma Redemptoris Mater [for wind Lulu 4, 5, 7, 8, 9, 10 sextet, 1957] 46, 47, 49, 55, 56, 57, 61, Violin Concerto 10 153, 221, 243 Berio, Luciano 28, 60, 62, 238 Anakreontika 246 Circles 62 Antechrist 150, 155, 227, 228, 244 Birtwistle, Harrison 24, 50, 51, 64, 82, 85, Ave Maris Stella 118, 119, 155, 200, 217, 228, 253 156, 166, 167, 200, 225, 226, Punch and Judy 82 227–8, 246 Borromini, Francesco 211 Beltane Fire, The 17, 239 Boulez, Pierre 2, 3, 22, 25, 49, 56, 60, 62, Black Pentecost 129, 130, 246 220, 225, 226 Blind Fiddler, The 201 Le marteau sans maître 62 Blind Man’sBuff 233, 234 Pli selon pli 220, 225 Brass Quintet 247 Structures 1a 2, 60 Burchiello 43, 50 255 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-88658-1 - Peter Maxwell Davies Studies Edited by Kenneth Gloag and Nicholas Jones Index More information 256 Index Davies, Peter Maxwell (cont.) Into the Labyrinth 155, 202, 247 Carol on St Steven [from Four Jacobite Rising, The 250 Carols] 243 Job 12, 13, 16, 18, 250 Caroline Mathilde 239 Jupiter Landing 234 Chat Moss 155, 249 Kirkwall Shopping Songs 233 Cinderella 233 L’Homme Armé 237 Concerto for Horn and Orchestra Linguae Ignis (Tongues of Fires): For 203, 236 Pentecost 252 Concerto for Trumpet and Le Jongleur de Notre Dame 233, 246 Orchestra 248 Leopardi Fragments 3, 49, 62–8, 130, Concerto for Violin and Orchestra 131, 243 202, 248 Lighthouse, The 79, 104, 105, 152, 233, Crossing King’s Reach 251 238, 246 Dangerous Errand 234 Little Quartet No. 1 199 Dark Angels 201, 245 Little Quartet No. 2 199 De Assumptione Beatae Mariae Martyrdom of St Magnus, The 79, 104, Virginis 251 158, 233, 234, 246 Dinosaur at Large 234 Mass 12, 13, 152, 252 Doctor of Myddfai, The 17, 79, 80, 81, Medium, The 233, 247 104, 105, 240, 250 Michael Archangelus 253 Dove, Star-Folded 251 Mirror of Whitening Light, A 78, 119, Dum Compleréntur 253 152, 156, 157, 246 Ecce Manus Tradentis 151, 155, 158, 159, Missa Super L’Homme Armé 129, 130, 165, 229, 244 155, 159, 164, 166, 244 Eight Songs for a Mad King x, 82, 110, Miss Donnithorne’s Maggot 130 130, 161, 200, 201, 235, 237, 240, 245 Mr Emmet Takes a Walk 251 Eram Quasi Agnus 151, 158, 159, 160, Naxos String Quartet No. 1 16, 106, 118, 162, 244 126, 206, 207, 208–11, 241, 252 Excuse Me 201 Naxos String Quartet No. 2 207, Fall of the Leafe, The 253 213, 214 First Fantasia on an ‘In Nomine’ of John Naxos String Quartet No. 3 106, 119–28, Taverner 49, 68–78, 243 158, 206, 207, 212, 213, 214, 252 First Ferry to Hoy 233 Naxos String Quartet No. 4 1, 3, 16, 207, Five Klee Pictures 3 212, 214 Five Motets 243 Naxos String Quartet No. 5 207, 213 Five Pieces for Piano, Op. 2 x, 28, 36, 43, Naxos String Quartet No. 6 207, 253 49, 50, 55–6, 71, 76 Naxos String Quartet No. 7 207, Four Carols 243 211, 253 Four Lessons for Two Keyboards 222 Naxos String Quartet No. 8 205, 207, From Stone to Thorn 131, 155, 201, 245 215, 241, 253 Grace, A 234 Naxos String Quartet No. 9 207 Grand Oratorio: The Meaning of Naxos String Quartet No. 10 207, 215 Life 234 No. 11 Bus, The 233, 238 Great Bank Robbery, The 234 Notre Dame des Fleurs 129, 130, 233 Hircus Quando Bibit 234 Octet for Woodwind 50 Hymnos 43, 244 O Magnum Mysterium 12, 156, 243 Hymn to St Magnus 48, 174, 182–6, 201, Organ Sonata 247 238, 245 Orkney Saga II 250 I Can’t Compose Today 233 Orkney Saga III 251 Illuxit Leticia 233 Otter Island 234 Image, Reflection, Shadow 117, 118, 119, O Verbum Patris 253 158, 200, 203, 222, 247 Peat Cutters, The 234 In Illo Tempore 151, 156, 158–69, 229 Piano Sonata 222, 226, 247 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-88658-1 - Peter Maxwell Davies Studies Edited by Kenneth Gloag and Nicholas Jones Index More information 257 Index Piano Trio 252 Strathclyde Concerto No. 6 249 Points and Dances from Taverner 245 Strathclyde Concerto No. 7 249 Prolation 28, 49, 55, 57, 61–2, 66, 68, 69, Strathclyde Concerto No. 8 249 133, 152 Strathclyde Concerto No. 9 156, 250 Puzzle Canon for Gay News, A 233 Strathclyde Concerto No. 10 202 Rainbow, The 233, 238 String Quartet (1952) [Quartet Reel for Seven Fisherman, A 251 Movement] 43, 50 Resurrection 17, 80, 105, 152, 155, 156, String Quartet (1960–1) 46, 64, 66, 199, 234, 239, 248 243 Revelation and Fall 60, 77, 82, 91, 110, Symphony No. 1 x, xi, 35, 106, 109, 174, 186–95, 227, 237, 244 112–16, 129–49, 157, 166, 167, 206, Ricercar and Doubles 243 225, 227, 232, 238, 246 Roma Amor 236, 251 Symphony No. 2 35, 156, 181, 238, 247 Runes from a Holy Island 238 Symphony No. 3 29, 158, 235, 238, 247 St Bartholomew’s Prayer 253 Symphony No. 4 156, 206, 235, 239, 249 St Michael 26, 28, 47, 49, 55, 57–61, 62, Symphony No. 5 155, 250 71, 153, 156, 160, 243 Symphony No. 6 250 St Thomas Wake 110, 130, 237, 240, 245 Symphony No. 7 3, 206, 251 Salome 158, 246 Symphony No. 8 (Antarctic) 156, 206, Sea Eagle 202–3 232, 236, 240, 251 Second Fantasia on John Taverner’s ‘In Taverner x, xi, xii, 4, 9, 10, 16, 46, 48, 60, Nomine’ 3, 9, 48, 69, 77, 79, 87, 90, 91, 79–105, 109, 110, 111, 130, 159, 212, 97, 103, 106, 109, 110, 111, 112, 116, 232, 233, 234, 237, 245 129, 130, 162, 174, 218, 227, 243 Te Lucis Ante Terminum 243 Selkie Tale, A 234 Tenebrae super Gesualdo 245 Seven In Nomine 77, 90, 91, 109, 158, Three Organ Voluntaries 246 162, 244 Three Studies for Percussion 246 Seven Skies for Winter 252 Threnody on a Plainsong for Michael Seven Songs Home 233 Vyner 248 Seven Summer Songs 234 Time and the Raven 250 Sextet 55 Turn of the Tide, The 16, 234, 249 Sinfonia 64, 69, 106, 153, 243 Two Fiddlers, The 233 Sinfonia Concertante 202 Ut Re Mi 245 Sinfonietta Accademica 155, 202, 247 Veni Creator Spiritus [for flute and bass Six Songs for St Andrew’s 234 clarinet] 151, 152, 158, 165–9, 251 Sonata for Clarinet and Piano 55, 62 Veni Creator Spiritus [for organ] 252 Sonata for Trumpet and Piano, Op. 1 x, Veni Sancte Spiritus [for SAB soli, SATB 36, 43, 45, 49–55, 56, 60, 78, 130 chorus and orchestra, 1963] 156, 243 Song for Roderick 234 Veni Sancte – Veni Creator Spiritus Songs of Hoy 233 (Dunstable) 156, 245 Spiders’ Revenge, The 234 Vesalii Icones 46, 60, 82, 110, 155, Spinning Jenny 251 200, 245 Stedman Doubles 22, 29, 34, 37, 39, 42, Wedding Anthem 234 43, 50, 51, 55 Wedding Telegram (for Gary Kettel) 233 Stone Litany 130, 134, 135, 174, 177–80, Westerlings 156, 246 187, 195–8, 237 Winterfold 201, 248 Strathclyde Concerto No. 1 156, 166, Worldes Blis 9, 43, 78, 110, 129, 130, 174, 202, 248 181, 195, 227, 240, 245 Strathclyde Concerto No. 2 156, 248 Yellow Cake Review, The 233 Strathclyde Concerto No. 3 156, DeGaetani, Jan 198 166, 249 Delacroix, Eugène 64 Strathclyde Concerto No. 4 249 Delius, Frederick 31 Strathclyde Concerto No.
Load more

Recommended publications
  • Mario Ferraro 00
    City Research Online City, University of London Institutional Repository Citation: Ferraro Jr., Mario (2011). Contemporary opera in Britain, 1970-2010. (Unpublished Doctoral thesis, City University London) This is the unspecified version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/1279/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] CONTEMPORARY OPERA IN BRITAIN, 1970-2010 MARIO JACINTO FERRARO JR PHD in Music – Composition City University, London School of Arts Department of Creative Practice and Enterprise Centre for Music Studies October 2011 CONTEMPORARY OPERA IN BRITAIN, 1970-2010 Contents Page Acknowledgements Declaration Abstract Preface i Introduction ii Chapter 1. Creating an Opera 1 1. Theatre/Opera: Historical Background 1 2. New Approaches to Narrative 5 2. The Libretto 13 3. The Music 29 4. Stage Direction 39 Chapter 2. Operas written after 1970, their composers and premieres by 45 opera companies in Britain 1.
    [Show full text]
  • Britten in Beijing
    Boosey & Hawkes Music Publishers Limited February 2013 2013/1 Reich Radio Rewrite Britten in Beijing Steve Reich’s new ensemble work, with first performances in Included in this issue: The Britten centenary sees the composer’s drawings, resulting in a spectacular series of the UK and US in March, draws inspiration from songs by music celebrated worldwide including many animal lanterns handcrafted in Shangdong van der Aa Radiohead. works receiving territorial premieres, from Province. The production used the biblical Interview about his new 3D song through to reworkings by Stravinsky. South America to Asia and the Antipodes. tale of Noah to explore contemporary film opera Sunken Garden “It was not my intention to make anything like As an upbeat to this year’s events, the first ecological concerns. Through a series of ‘variations’ on these songs, but rather to Britten opera was staged in China with a educational projects, Noye’s Fludde provided draw on their harmonies and sometimes Noye’s Fludde collaboration between an illustration of man’s struggle with the melodic fragments and work them into my Northern Ireland Opera, the KT Wong environment and the significance of flood own piece. As to actually hearing the original Foundation and the Beijing Music Festival. mythology to both Chinese and Western cultures. songs, the truth is – sometimes you hear First staged in Belfast Zoo last summer as them and sometimes you don’t.” part of the Cultural Olympiad, Oliver Mears’s Overseas Britten highlights in 2013 include Photo: Wonge Bergmann Reich encountered the music of Radiohead production transferred in October to Beijing as territorial opera premieres in Brazil, Chile, following a performance by Jonny part of the UK Now Festival.
    [Show full text]
  • PETER MAXWELL DAVIES an Orkney Wedding, with Sunrise
    PETER MAXWELL DAVIES An Orkney Wedding, With Sunrise Scottish Chamber Orchestra Ben Gernon Sean Shibe guitar Scottish Chamber Orchestra Ben Gernon conductor Sean Shibe guitar Peter Maxwell Davies (1934–2016) 1. Concert Overture: Ebb Of Winter ..................................................... 17:41 Hill Runes* 2. Adagio – Allegro moderato ................................................................ 1:58 3. Allegro (with several changes of tempo) ........................................ 0:50 4. Vivace scherzando ............................................................................... 0:48 5. Adagio molto .......................................................................................... 2:27 6. Allegro (dying away into ‘endless’ silence) ..................................... 1:55 7. Last Door Of Light ............................................................................... 16:38 8. Farewell To Stromness* ...................................................................... 4:26 9. An Orkney Wedding, With Sunrise ................................................. 12:34 Total Running Time: 59 minutes *solo guitar Recorded at Usher Hall, Edinburgh, UK 14–16 September 2015 Produced by John Fraser (An Orkney Wedding, with Sunrise, Ebb of Winter, Last Door of Light) and Philip Hobbs (Farewell to Stromness and Hill Runes) Recorded by Calum Malcolm (An Orkney Wedding, with Sunrise, Ebb of Winter, Last Door of Light) and Philip Hobbs (Farewell to Stromness and Hill Runes) Post-production by Julia Thomas Cover image by
    [Show full text]
  • STRAVINSKY the SOLDIER’S TALE Royal Academy of Music Manson Ensemble MENU
    Oliver Knussen Conductor • Dame Harriet Walter Narrator Sir Harrison Birtwistle Soldier • George Benjamin Devil STRAVINSKY THE SOLDIER’S TALE Royal Academy of Music Manson Ensemble MENU Tracklist Credits Producer's Note Programme Note Biographies Oliver Knussen Conductor • Dame Harriet Walter Narrator Sir Harrison Birtwistle Soldier • George Benjamin Devil Royal Academy of Music Manson Ensemble Igor Stravinsky (1882–1971) 1. Fanfare for a New Theatre ..................................................................................................................... 0:47 Peter Maxwell Davies (1934–2016) arr. Oliver Knussen (b. 1952) 2. Canon ad honorem Igor Stravinsky .................................................................................. 2:10 Harrison Birtwistle (b. 1934) 3. Chorale from a Toy Shop – for Igor Stravinsky (2016 version for winds) .... 1:23 4. Chorale from a Toy Shop – for Igor Stravinsky (2016 version for strings) .. 1:25 Stravinsky The Soldier’s Tale Part One 5. Introduction: The Soldier’s March ...................................................................................... 2:38 6. Music for Scene 1: Airs by a Stream .................................................................................. 6:52 7. The Soldier’s March (reprise) ................................................................................................ 4:33 8. Music for Scene 2: Pastorale ........................................................................................................ 4:54 9. Music for the End
    [Show full text]
  • Leihmaterial Boosey & Hawkes (Für Den Deutschsprachigen Raum)
    Leihmaterial Boosey & Hawkes (für den deutschsprachigen Raum) - Stand: Dezember 2009 - Komponist / Titel Instrumentation Komp. / Dauer Adam, Adolph Charles 2 Giselle (David Garforth)B 2(II=picc).2(I,II=corA).2.2-4.2.2cornet.3.1-harp-timp.perc: Ballet-Pantomime en Deux Actes tgl/BD/cyms/SD/bells-strings Si j'etais Roi (AubreyB Winter) 1 - Overture 1.picc.2.2.2-4.0.2crt.31-timp.perc-harp-strings 8' Adams, John S Century Rolls B Solo pft-2.picc.2.corA.2.bcl.2-3.3.2.0-timp.perc(2): 1997 31' for piano and orchestra vib/xyl/wdbl/marimba/high bongo/glsp- harp-cel-strings 1 Chamber SymphonyB 1(=picc).1.2(I=Ebcl, II=bcl).2(II=dbn)-1.1.1.0-perc: 1992 23' trap set(cowbell/hi-hat cym/SD/pedal BD/ wdbl/2bongos/ 3tom-t/roto toms/tamb/timbale/claves/conga)-keyboard sampler (Yamaha SY-77/SY-99 or Kurzweil K2000/2500)- strings 1.0.1.1.1. For complete technical specifications go to: http://www.earbox.com/tech-guide/eq/ja-cs-eq.htm City Noir B 2009 30' for orchestra S The Death of KlinghofferB S,M,C,T,3Bar,B; chorus(min:24 singers); dancers 1990 140' Opera in two acts 2(I,II=picc).2(II=corA).2(II=bcl).2(II=dbn)-2.2.2.0-perc(1): KAT MIDI mallet controller/timp- 3keyboard samplers-strings(8.8.6.6.4) For complete technical requirements go to: http://www.earbox.com/tech-guide/eq/ja-kling-eq.htm p - Aria of the Falling Body picc.1.2.2.2-2.0.2.0-2 or 3keyboard samplers- 1990 7' for baritone and orchestra strings(8.8.6.6.4) For complete technical requirements go to: http://www.earbox.com/tech-guide/eq/ja-kling-eq.htm p - Bird Aria picc.1.2(II=corA).2(II=bcl).1.dbn-2.0.2.0-2
    [Show full text]
  • British and Commonwealth Concertos from the Nineteenth Century to the Present
    BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers D-H BENJAMIN DALE (1885-1943) Born in London. An accomplished organist siince childhood, he entered the Royal Academy of Music at age 15 where he studied composition under Frederick Corder. He had early success as a composer and teacher including an appointment as Professor of Harmony at the Royal Academy of Music. He composed orchestral, chamber, instrumental, vocal and choral works, including a Concertstück (Concert Piece) for Organ and Orchestra (1904). Romance for Viola and Orchestra (from Suite, Op.2) (1906, orch. 1910) Sarah-Jane Bradley (viola)/Stephen Bell/The Hallé ( + Clarke: Viola Concerto, Walthew: A Mosaic in Ten Pieces and Warner: Suite in D minor) DUTTON EPOCH CDLX7329 (2016) SIR JOHN DANKWORTH (1927-2010) Born in Woodford, Essex into a musical family. He had learned to play various instruments bedore attending London's Royal Academy of Music. He became world famous as a jazz composer, saxophonist and clarinetist, and writer of film scores. He oten oerformed with his wife, the singer Cleo Laine. Clarinet Concerto "The Woolwich" Emma Johnson (clarinet)/Philip Ellis/BBC Concert Orchestra ( + Reade: Suite From The Victorian Kitchen Garden, Todd: Clarinet Concerto and Hawes: Clarinet Concerto) NIMBUS ALLIANCE NI6328 (2016) CHRISTIAN DARNTON (1905-1981) Born in Leeds. His musical education was extensive including studies with Frederick Corder at the Brighton School of Music, Harold Craxton at the Matthay School, composition with Benjamin Dale and Harry Farjeon at Cambridge and Gordon Jacob at the Royal College of Music, private lessons with Charles MusicWeb International Updated: August 2020 British & Commonwealth Concertos D-H Wood and Cyril Rootham and further studies with Max Butting in Germany.
    [Show full text]
  • Thesis Final Submission
    This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ ‘Max-imising’ madness in music the gift of madness in the music of Peter Maxwell Davies Mesbahian, Fetemeh Upa Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 26. Sep. 2021 ‘Max-imising’ Madness in Music: The Gift of Madness in the Music of Peter Maxwell Davies Upa Mesbahian King’s College London A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in the Department of Music March 2019 !1 Abstract Perhaps no composer of the twentieth century has shown as much fascination with the topic of madness as British composer Peter Maxwell Davies (1934–2016).
    [Show full text]
  • Extravaganza
    Boris Giltburg © Sasha Gusov PIANO CONCERTO EXTRAVAGANZA Naxos’ Piano Concerto catalogue presents a fine selection of virtuoso showpieces by Mozart, Beethoven, Rachmaninov, which are widely performed, to the hidden gems by Busoni, Beach, Glazunov to name but a few. The catalogue also features some of the finest pianists from Naxos’s extensive roster, including Jenő Jandó, Idil Biret, Peter Donohoe, Benjamin Frith, Stefan Vladar, Romain Descharmes, Eldar Nebolsin and more. LABEL CATALOGUE # COMPOSER TITLE FEATURED ARTISTS UPC Listing by Composer ADLER, Samuel Piano Concerto No. 3 (+Of Musique, Poetrie, Art and Laura Melton, Piano / Bowling Green Philharmonia / 1 Naxos 8.559602 0636943960226 (b. 1928) Love • Flute Sonata • Pasiphae) Emily Freeman Brown ALBERT, Eugen d' Piano Concertos Nos. 1 and 2 Joseph Banowetz, Piano / Moscow SO / 2 Naxos 8.553728 730099472821 (1864–1932) (+Esther: Overture) Dmitry Yablonsky ALKAN, Charles-Valentin Piano Concerto, Op. 39 Dmitry Feofanov, Piano / Razumovsky SO / 3 Naxos 8.553702 730099470223 (1813–1888) (+Concerto da Camera, Nos. 1-3) Robert Stankovsky Orchestral Music Vol. 1 – Piano Concerto in C Major (+Bugler’s Holiday • Blue ANDERSON, Leroy Jeffrey Biegel, Piano / BBC Concert Orchestra / Leonard 4 Naxos 8.559313 Tango • The First Day The Golden Years • Chicken 0636943931325 (1908–1975) Slatkin Reel • Fiddle-Faddle • e Classical Jukebox • China Doll • Balladette • Arietta) ARENSKY, Anton Stepanovich Piano Concerto (+Ryabinin Fantasia • To the Konstantin Scherbakov, Piano / 5 Naxos 8.570526 747313052677 (1861–1906) Memory of Suvorov • Symphonic Scherzo) Russian Philharmonic / Dmitry Yablonsky BACEVICIUS, Vytautas Orchestral Works, Vol. 1 – Gabrielius Alekna, Piano / Lithuanian NSO / Christopher 6 Naxos 8.573282 747313328277 (1905–1970) Piano Concertos Nos.
    [Show full text]
  • New on Naxos | February 2013
    NEW ON The World’s Leading ClassicalNA XOSMusic Label FEBRUARY 2013 This Month’s Other Highlights © 2012 Naxos Rights International Limited • Contact Us: [email protected] www.naxos.com • www.classicsonline.com • www.naxosmusiclibrary.com NEW ON NAXOS | FEBRUARY 2013 8.572662 Playing Time: 66:41 7 47313 26627 2 Felix MENDELSSOHN (1809–1847) Violin Concerto in E minor, Op. 64, MWV O 14* Violin Concerto in D minor, MWV O 3* Violin Sonata in F minor, Op. 4, MWV Q 12† Tianwa Yang, violin • Romain Descharmes, piano† Sinfonia Finlandia Jyväskylä* • Patrick Gallois* © Friedrun Reinhold Tianwa Yang Filled with Mendelssohn’s signature freshness and lightness of touch, the Violin Concerto in D minor and the Sonata, Op. 4 are youthful products but written with an assurance which is startling in its maturity. The substantial earlier concerto gives a foretaste of the originality and soaring inspiration which has made the Violin Concerto, Op. 64 one of the most enduring works of Companion Titles its age. Acclaimed as “an unquestioned master of the violin” (American Record Guide), Tianwa Yang has quickly established herself as a leading international performer and recording artist, with highly acclaimed discs of works by Sarasate, Piazzolla and Wolfgang Rihm. Tianwa Yang’s playing has been admired by Gramophone, stating that “one simply marvels and enjoys” her performances of Sarasate (Music for Violin and Piano Vol. 3, 8.570893). 8.572191 8.572216 Yang’s profile has also been enhanced with a significant recent recording of Wolfgang Rihm’s
    [Show full text]
  • Calum Macdonald   
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Insight - University of Cumbria Calum MacDonald . 2 : ’ ‘’ Richard McGregor 13 , : James Weeks 21 - Stephen Long 34 : , Robin Freeman 48 Tallinn, Paide, Rakvere: Estonian Dreams Annette Morreau 49 Huddersfield: Contemporary Music Festival, 2005 Paul Conway 50 London: Miles Davis Malcolm Miller 52 Barcelona: Gerard Schurmann’s ‘Gaudiana’ Tim Mottershead 54 London: Two Russian premières Martin Anderson 54 MIT, Boston: Free Speech Zone Rodney Lister 55 London reports by Malcolm Miller, Jill Barlow, Martin Anderson 61 Britten and Tippett Letters Edward Venn 64 Copland and Queer Composition in the USA Rodney Lister 69 Polish Music since Szymanowski Nicholas Reyland 71 Ronald Stevenson Symposium Marc-André Hamelin 71 Walter Rummel, Prince of Virtuosos Martin Anderson 74 Pärt’s ‘Lamentate’ Peter Quinn 75 Carter’s Violin Concero Arnold Whittall 75 Recent discs of Mark-Anthony Turnage Paul Conway 76 Piano Music of Bernard Stevens Guy Rickards 78 John Metcalf CD and opera performance Paul Conway 79 Koechlin’s early vocal works Calum MacDonald) 80 Hovhaness and Persichetti Bret Johnson 81 Tigran Mansurian string quartets Peter Quinn 82 Nicola Lefanu and Elizabeth Maconchy Paul Conway 84 Judith Weir’s ‘Blond Eckbert’ Bernard Hughes 85 Recent releases of music by women composes Guy Rickards 94 95 http://journals.cambridge.org Downloaded: 27 Jul 2010 IP address: 194.81.188.100 2 Tempo 60 (236) 2–12 © 2006 Cambridge University Press DOI: 10.1017/S004029820600009X Printed in the United Kingdom : ’ ‘’ Richard McGregor There have always been elements of ambivalence in Peter Maxwell Davies’s music.
    [Show full text]
  • Symphony No. 2
    Symphony No. 2 SYMPHONY NO. 2 There was a significant change in the public’s perception of Peter Maxwell Davies’s (hereinafter called Max) music after the performance by the Philharmonia Orchestra conducted by Simon Rattle Peter Maxwell Davies’s Symphony No.1 at the Royal Festival Hall in London in February 1978. Up to that point, Max had been known, initially, as an educator through his works such as O Magnum Muysterium for the children of Cirencester Grammar School when he was in charge of music in the late nineteen fifties. Then in 1969 he became known for his ground-breaking music- theatre works, such as Eight Songs for a Mad King and Vesalii Icones, written for his own small ensemble The Pierrot Players, later to become The Fires of London. Max had written large-scale orchestral works in the sixties, and it was his Worldes Blis in 1969 which had caused a scandal at the BBC Promenade Concerts when a large proportion of the audience had walked out during its premiere. But the Symphony No. 1 was different. It was a symphony. The very title heralded the change, both in Max’s own style of composition, but also how the audience regarded his work. There was a quick follow up to the UK performances of the first symphony in the U.S.A. with the New York Philharmonic under Zubin Mehta in October 1978. Max’s symphony had been noticed on the other side of the Atlantic. I brought attention to this state of things to one of my friends, Michael Steinberg.
    [Show full text]
  • New on Naxos | January 2013
    NEW ON The World’s Leading ClassicalNA XOSMusic Label JANUARY 2013 This Month’s Other Highlights © 2012 Naxos Rights International Limited • Contact Us: [email protected] www.naxos.com • www.classicsonline.com • www.naxosmusiclibrary.com NEW ON NAXOS | JANUARY 2013 8.572698 Playing Time: 77:19 7 47313 26987 7 Antonín DVOŘÁK (1841–1904) Symphony No. 6 in D major, Op. 60 Leoš JANÁČEK (1854–1928) Idyll Seattle Symphony • Gerard Schwarz Dvořák’s was a strong voice in the re-establishment of Czech musical identity, and the noble themes, open landscapes and dancing Scherzo of the Symphony No. 6 bear the stamp of a genius at his height. The work can also be heard as a tribute to Brahms, who had helped him earlier in his career. Janáček’s charming Idyll reflects his preoccupation with Moravian folk-songs and rhythms as well as the influence of his friend Dvořák, identified by Jaroslav Vogel as the work’s “spiritual godfather”. Gerard Schwarz Gerard Schwarz serves as Music Director of the Eastern Music Festival and Conductor Laureate of the Seattle Symphony. Companion Titles © Ben Vanhouten 8.572749 8.572769 8.572770 8.572787 Seattle Symphony 2 NEW ON NAXOS | JANUARY 2013 James Jordan © Paul Sirochman World Première Recording James WHITBOURN (b. 1963) Annelies (Chamber Version) World Première Recording The first major choral setting ofThe Diary of Anne Frank Arianna Zukerman, soprano • Westminster Williamson Voices The Lincoln Trio (with Bharat Chandra, clarinet) • James Jordan The first major choral setting of The Diary of Anne Frank takes the teenager’s remarkable and penetrating observations, written whilst hiding in an Amsterdam attic, as the basis of its extraordinary and moving libretto.
    [Show full text]