Bio Data Dr. Kavita Singh, Asst. Professor 473, Sector-9, Panchkula
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Media. Research. Consultancy Sound & Light Social Ventures Pvt
SLSV Media. Research. Consultancy Sound & Light Social Ventures Pvt. Ltd. www.soundnlight.in A global media resource, Research, Rating & Consultancy Network (focused on Indian Social Sector) SLSVArt in collaboration with THE LOFT www.theloft.in presents the collection that not only captivates your heart and lights up your life but also reaches out and transforms lives of millions of underprivileged adolescent girls. The inspiration behind this collection is to ensure that your investment in Art not only gives a tangible return to you but also gives a future to the girls who will not only garner skills to negotiate their own lives better but also serve as inspiration to the countless others. SLSVArt for Social good Upto 10% of the cost of the artwork goes towards supporting underprivileged adolescent girls in India. Why Adolescent girls? Investing in Adolescent girls can break the cycle of poverty. Investing in them is linked to achieving nearly every Millennium Development Goal. In India: 47 per cent girls aged 20-24 were married before their 18th birthday. Child and maternal mortality are critically linked to adolescent pregnancy India alone has 105mn adolescent girls, of which nearly half face extreme gender inequality leading to forced marriages, lack of education, sexual violence and coercion SLSVArt for Investment and returns Once you buy and own the artwork from this collection, you can TRADE or AUCTION works within a span of 18months+ of holding it. When you wish to resell or auction, please contact us at [email protected] Witness the power of Art to reach out and transform lives! This catalogue features* 1. -
Annual Report 2015-16 (Englis
RAJASTHAN PUBLIC SERVICE COMMISSION ANNUAL REPORT 2015-16 Order of Merit Award by Skoch 2015 for India's Best 2015 in Smart Governance for MEMORY application Annual Report 2015-16 RAJASTHAN PUBLIC SERVICE COMMISSION ANNUAL REPORT 2015-2016 1 Annual Report 2015-16 SIXTY SIXTH 66th ANNUAL REPORT OF THE RAJASTHAN PUBLIC SERVICE COMMISSION APRIL 1, 2015 TO MARCH 31, 2016 2 Annual Report 2015-16 THE RAJASTHAN PUBLIC SERVICE COMMISSION PRESENT TO H.E. THE GOVERNOR OF RAJASTHAN, THEIR 66th ANNUAL REPORT AS REQUIRED BY THE CONSTITUTION OF INDIA UNDER ARTICLE 323 (2 ). THE REPORT COVERS THE PERIOD FROM APRIL 1, 2015 TO MARCH 31, 2016 3 Annual Report 2015-16 4 Annual Report 2015-16 CONTENTS S.No. Page No. I. The Commission 7 II. The Commission's Secretariat 9 III. Accommodation 12 IV. Receipts and Expenditure 13 V. Meetings of the Commission 14 VI. Recruitment- 15 (A) By competitive examination with or without interview 15 (B) By the method of interview only 18 VII. Reforms in the recruitment process 21 VIII. Reservation for Scheduled Caste, Scheduled Tribe, Other Backward Class, S.B.C., 23 Physically Disabled and Woman candidates IX. Departmental Promotion Committees and other Committees 24 X. Extension in the term of temporary appointments 25 XI. Irregular appointments 25 XII. Disciplinary cases andAppeals 26 XIII. Service Rules 27 XIV. Non-acceptance of Commission's advice 28 XV. Miscellaneous 28 1 Visits – Chairman/Members 28 2 Library 28 3 ISO 9001:2008 Certification 28 4 Implementation - Report of the Right to InformationAct, 2005 29 5 Information Technology-initiative & activities 29 6Awards & Recognization to the Commission 31 XVI. -
Secondary Indian Culture and Heritage
Culture: An Introduction MODULE - I Understanding Culture Notes 1 CULTURE: AN INTRODUCTION he English word ‘Culture’ is derived from the Latin term ‘cult or cultus’ meaning tilling, or cultivating or refining and worship. In sum it means cultivating and refining Ta thing to such an extent that its end product evokes our admiration and respect. This is practically the same as ‘Sanskriti’ of the Sanskrit language. The term ‘Sanskriti’ has been derived from the root ‘Kri (to do) of Sanskrit language. Three words came from this root ‘Kri; prakriti’ (basic matter or condition), ‘Sanskriti’ (refined matter or condition) and ‘vikriti’ (modified or decayed matter or condition) when ‘prakriti’ or a raw material is refined it becomes ‘Sanskriti’ and when broken or damaged it becomes ‘vikriti’. OBJECTIVES After studying this lesson you will be able to: understand the concept and meaning of culture; establish the relationship between culture and civilization; Establish the link between culture and heritage; discuss the role and impact of culture in human life. 1.1 CONCEPT OF CULTURE Culture is a way of life. The food you eat, the clothes you wear, the language you speak in and the God you worship all are aspects of culture. In very simple terms, we can say that culture is the embodiment of the way in which we think and do things. It is also the things Indian Culture and Heritage Secondary Course 1 MODULE - I Culture: An Introduction Understanding Culture that we have inherited as members of society. All the achievements of human beings as members of social groups can be called culture. -
Catalogue Fair Timings
CATALOGUE Fair Timings 28 January 2016 Thursday Select Preview: 12 - 3pm By invitation Preview: 3 - 5pm By invitation Vernissage: 5 - 9pm IAF VIP Card holders (Last entry at 8.30pm) 29 - 30 January 2016 Friday and Saturday Business Hours: 11am - 2pm Public Hours: 2 - 8pm (Last entry at 7.30pm) 31 January 2016 Sunday Public Hours: 11am - 7pm (Last entry at 6.30pm) India Art Fair Team Director's Welcome Neha Kirpal Zain Masud Welcome to our 2016 edition of India Art Fair. Founding Director International Director Launched in 2008 and anticipating its most rigorous edition to date Amrita Kaur Srijon Bhattacharya with an exciting programme reflecting the diversity of the arts in Associate Fair Director Director - Marketing India and the region, India Art Fair has become South Asia's premier and Brand Development platform for showcasing modern and contemporary art. For our 2016 Noelle Kadar edition, we are delighted to present BMW as our presenting partner VIP Relations Director and JSW as our associate partner, along with continued patronage from our preview partner, Panerai. Saheba Sodhi Vishal Saluja Building on its success over the past seven years, India Art Senior Manager - Marketing General Manager - Finance Fair presents a refreshed, curatorial approach to its exhibitor and Alliances and Operations programming with new and returning international participants Isha Kataria Mankiran Kaur Dhillon alongside the best programmes from the subcontinent. Galleries, Vip Relations Manager Programming and Client Relations will feature leading Indian and international exhibitors presenting both modern and contemporary group shows emphasising diverse and quality content. Focus will present select galleries and Tanya Singhal Wol Balston organisations showing the works of solo artists or themed exhibitions. -
Modern Art Auction
Modern Art July - 2021 LIVE AUCTION Modern Art 6th July, 2021 www.prinseps.com Curator's Note Prinseps is delighted to announce its summer modern art auction. We at Prinseps pride ourselves on being not just an auction house but a storehouse of knowledge. After in-depth research and analysis conducted by experts and constantly keeping an eye for sublime luxury, we present our summer auction. The history of modern Indian art is often riddled with gaps and holes. Documentation is rather inadequate and sources seldom reliable. We believe that we can change that.... we plunge into these unknown, unchartered, and fascinating depths to discover treasure troves. Our focus is to bring forward extraordinary works that have been hitherto ignored. Modern Art The 1940s were a defining chapter for modern art in the country, with Indian artists practically th blooming and blossoming ... experimenting with their individual style, expressing their creativity, 6 July, 2021 making socio-political statements that would go on to be etched in time forever. It was an explosion of home-grown talent. These path-breakers were the “Progressive Artists” of India. Our modern art auction is essentially composed of three distinguished estates. Over the years, Prinseps has managed to acquire the estates of some avant-garde personalities, the most recent Auction is now open for written bids / proxy bidding being the sole female member of the Progressive Artists' Group, Bhanu Athaiya. Live Auction commences at 7.00 pm on 6th July 2021 This auction offers to the discerning connoisseur a cornucopia of art that was lost in the sands Lots will be auctioned sequentially. -
CV of Seema Bawa
CV of Seema Bawa Title Prof./ First Name Seema Last Name Bawa Photograph Designation Professor Address Department of History, Faculty of Social Sciences University of Delhi Phone No Office 27666659 Residence - Mobile Email [email protected] Web-Page Educational Qualifications Degree Institution Year Ph.D. National Museum Institute Delhi and University of Bonn 2004 (Sandwich programme) M.Phil. / M.Tech. Department of History University of Delhi 1993 PG Lady Shriram College, University of Delhi 1990 UG Lady Shriram College, University of Delhi 1988 Any other qualification Career Profile 1. Professor, Department of History, University of Delhi since January 2014 2. Associate Professor at the Department of History, Sri Aurobindo College, University of Delhi March 1996 to January 2014 3. Lecturer in Department of History at Jesus and Mary College, Delhi College of Arts and Commerce, Kamla Nehru College, Moti Lal College (Eve.) from 1991 to 1996 on Adhoc & temporary basis 4. Visiting Faculty for Indian Art and Iconography at the Institute of Archeology, Archeological Survey of India, 5. Guest Lectures at Indian Art History at Institute of Oriental Art History, University of Bonn 2000 to 2002 6. Guest Faculty for University of California, Exchange students over several semesters on Ancient and Modern Indian Art & Culture at National Museum Institute. 7.. Guest Faculty for Cultural History M.A (Tourism), College of Vocational Studies, Univ. of Delhi in academic year 1999-2000. Administrative Assignments 1. In-Charge, The Museum of Art and Archaeology, Department of History, University of Delhi 2. Treasurer, Governing Body, Shaheed Bhagat Singh College, University of Delhi- 2014 -2016 3. -
Commemorative Issue 2015 (Compressed).Pdf
Prologue Mr. Sandeep Naolekar Editor Hearty Greetings! IMA International Management Conclave each year addresses the challenge of management leadership in topical context to roadmap the corporate growth in emerging scenario. And this year’s theme is “India 2.0: Reclaiming tryst with destiny”. As a nation, India stands at another important juncture. And things are different from what they were at the time of independence. Today, as a leading BRICS nation, India is poised to experience explosive growth with the backbone of its demographic dividend. The whole world is looking at India with admiration and hope. And innovation would be the key to achieve these lofty targets that the ‘new India’ has set for itself. It has to be ably supported by spirited entrepreneurship and bold business decisions to tap global markets with technologically advanced yet cheaper products and services. Indore Manager endeavors to bring to its reader the latest best practices of global corporate giants in every discipline of management, to encourage the local business to raise its bar of excellence continuously. And this commemorative issue is dedicated to the pursuit of India’s resurgence. It covers valuable ideas and perspectives which we are sure you will find useful in creating your own level of excellence to be a contributor to “India 2.0 Reclaiming Tryst with Destiny”. We wish you a successful future. INDORE MANAGER COMMEMORATIVE VOLUME 2015 03 Prologue Mr. Sandeep Naolekar Editor Hearty Greetings! IMA International Management Conclave each year addresses the challenge of management leadership in topical context to roadmap the corporate growth in emerging scenario. -
The Saga of a Sage - Shiv Singh
Gyankosh: An Interdisciplinary Journal ISSN : 2581-8252 Volume II, December 2019 THE SAGA OF A SAGE - SHIV SINGH Dr. Anju Bala “Engaged in work a day life, I wander in a dreamland of artistic creation: when in my bed I lie, I begin to sculpt, when I fall to sleep my sculpture is done and the destination I reached. Every day starts with a painting or a sculpture this setting out to unexplored regions, when the mysteries and wonders are revealed in completion, my destination is attained.” Shiv Singh Shiv Singh (b. 1938, village Bassi Gulam Hussain, Hoshiarpur - d. 2015, Panchkula) contributed in nurturing the art scenario of Chandigarh immensely. He was a bright alumnus of Govt. School of Art and Craft, Shimla who earned an international fame. He remained in touch with his mother land and his oeuvre gives the glimpses of the same. His sculptures are the expressions of the experiences of his life which he carved and sculpted on various mediums. For him Mother Nature was a great source of inspiration. Shiv Singh completed his education in art from Shimla and Chandigarh respectively. From 1958 to 1963 he studied in School of Arts and Crafts, Shimla but later when the School shifted from Shimla to Chandigarh in 1961 he also came to Chandigarh to complete his study in Government College of Art located in Sector 10 (at that time it was known as Government School of Art). While studying in Shimla he went through all the five sections of craft as the part of syllabus which were jewellery, wood work, metal ivory inlay, metal work and black smithy.1 He completed his diploma and immediately joined Sainik School in Kapurthala as an Art Teacher in 1963. -
D:\Journals & Copyright\Artisti
A BRIEF HISTORY OF CONTEMPORARY ART OF PUNJAB Karuna Bhandari A BRIEF HISTORY OF CONTEMPORARY ART OF PUNJAB Karuna Bhandari Research Scholar, S. Sobha Singh Deptt. of Fine Arts, Punjabi University, Patiala (Punjab) Abstract Reference to this paper This research paper deals with the evolution and the should be made as follows: growth of the Contemporary Art of Punjab. It is a humble effort Karuna Bhandari, on the part of the writer to present the facts of the Contemporary Art scene of Punjab and its development in the Post- A BRIEF HISTORY OF Independence period. The artists who were born in Punjab CONTEMPORARY ART having deep roots in Punjabi culture and got national and OF PUNJAB, international recognition with their techniques and concepts, they worked for and reflected the psyche of their oeuvre. This is Artistic Narration 2018, probably the first-ever paper to be presented with different Vol. IX, No.1, pp.34-41 aspects of Contemporary Art of Punjab. Keywords: Contemporary art, Modern art, Industrial Revolution, http://anubooks.com/ ?page_id=485 Italian Renaissance, Reawakening, Industrial Art Society, J. J. School of Art, AIFACS, Shilpi Chakra, Bengal School, Shilpa Shastra, Kala Bhawan, Shantiniketan, Lalit Kala Akademi, National Gallery of Modern Art, Punjab Art Council, Punjab Kala Bhawan, Dr. M.S. Randhawa and Dr. Mulk Raj Anand. 34 Artistic Narration, Vol. IX, 2018, No. 1: ISSN (P) : 0976-7444 (e) : 2395-7247 Impact Factor 6.5133(SIJF) UGC Approved Journal No. 43285 ‘Contemporary Art’ in its literal meaning pertains to art which is being practiced by the artists today. Contemporary art showcases the present day cultural, philosophical, ethical, creative and socio-economic scenario which deals with creative impulses, desires, aspirations, hopes, manifestations, perceptions, visions and insights of the contemporary society. -
New Narratives in the Art of the Miniature
FABULAR NEW NARRATIVES IN THE ART OF THE MINIATURE FOREWORD Change does not occur in a vacuum. Every step we take is There are some intriguing contradictions in this show. informed by one that has gone before; every move towards The contrast of an elegant, serene setting with the bold the future owes a debt to the past. statements on display; the cohesive character of a show peopled by a diverse group of artists; a contemporary Art is no exception. creative passion inspired by a traditional artistic past. I believe these contradictions will draw people into the show The tradition of the miniature is intrinsic to our cultural and leave them mesmerised. heritage. Characterised by fineness of detail and vivid imagery, these paintings are not only exquisite works of art In essence, this is the aim of the Harmony Art Show, but a valuable chronicle of our histories; snapshots, as it which has never been defined by prevailing market were, of civilisations in the making. trends or themes. In the past 16 years, our endeavour has remained the same: to evoke a greater interest in art In 2009, Harmony Art Foundation was proud to showcase among those who have been immune to its magic, and the miniature as an enduring legacy in a show that sought to enable the artist and art lover to find each other. In the renew our pride and engagement in this rich tradition. This process, we have strived to break down the barriers and year, with Fabular Bodies: New Narratives in the Art of the boundaries associated with art, making it accessible to Miniature, curated by Gayatri Sinha, we take a step forward, people from every walk of life,while recognising to celebrate the miniature as inspiration for contemporary promising talent and giving it a platform to shine alongside creative inquiry. -
PO List Cr.PC
POLICE DEPARTMENT DISTT. RUPNAGAR LIST OF ABSCONDERS DISTT RUPNAGAR U/S 299 CRPC =260 Sr Name Of PO Father Name Complete Address State FIR No, Date U/S PS Date Of I.D.NO OF LOC/RCN HISTORY No With H. NO, Ward Declared POS ISSUED SHEET PS And Distt PO OPENED OR NOT 1. Mani Ram @ Sivaiy Kerala Kerala FIR No 06 302 IPC Nangal 20.07.77 RUPNAGAR/0 -- OPENED Mania Kirsthan Dt.15.01.1976 07 2006/A 2. Daleepa Dilbagh Singh Vill.Beoli PS Sadar H.R FIR No.26 25-54-59 Arms Nangal 17.11.92 RUPNAGAR/0 -- OPENED Singh @ Caste Rajput Panipat Dt.18.04.1991 Act SDJM/APS 181 Deepa 2006/A 3. Deva Ram Rupa Caste Jhugian Near Shadi Delhi FIR No.27 61-01-14 Excise Nangal 10.05.03 -- -- NOT Rajput Pur West Patel Nagar Dt.23.06.1999 Act SDJM/APS OPENED New Delhi, 4. Manjar Hakemo Vill Boari PS Dargaba Bihiar FIR No 162 366 IPC Nangal 04-11-2014 -- -- NOT Caste Distt Puraniyan Dt.15-12-2013 SDJM/APS OPENED Musalman (Bihar) 5. Jasbir Singh Sukhdev Vill.Hajara PS Sadar Jallandhar FIR No. 33 457,324 IPC Nangal 24.05.1989 RUPNAGAR/0 -- OPENED @ Chena Singh Caste Jallandhar (Punjab) Dt.14.04.1985 074 Harijan 2006/A 6. Zon Masih Jalah Masih Eeta Nagar PS Pathankot FIR No 119 380 IPC Nangal 18.10.1985 RUPNAGAR/0 -- NOT Christian Pathankot (Punjab) Dt.12.10.84 073 OPENED Distt.Pathankot 2006/A 7. Vijay Babu Ram Vill.Jhunjar PS HP FIR No 106 Dt 457, 380 IPC Nangal 11.07.1991 -- -- OPENED Sharma Shahpur Distt. -
Scale and Social Relationsl
CURRENT ANTHROPOLOGY Vol. 19, No.2, June 1978 @ 1978 by The Wenner·G~n Foundation for Anthropological Research OOII·3204/78/1902..{)()().l$03.0S Scale and Social Relations l by Gerald D. Berreman INTRODUCTION integration, cohesion, and change among the Aleuts of Alaska's westernmost islands (Berreman 1955, 1964), later on culture Scale or size as a variable in social organization first received and social organization (with emphasis on caste) in the lower my attention in an explicit way when I was invited to par Himalayas of northern India (Berreman 1962c, 1972a), and ticipate in the Wenner-Gren symposium on the subject which most recently on social and ethnic relations in a North Indian resulted in this paper. With the topic thus thrust before me, city (Berreman 1972b). Each of the studies was undertaken I set to thinking about what I had read and what my own from a theoretical perspective which is in part structural research suggested about it. My thoughts turned first to the functionalist and in part what has been described as u sym• Wilsons' (1945, 1971) discussions of scale, then to a wide bolic interactionist" or flethnomethodologist" but I prefer to variety of theorists' societal typologies and contrasts which, call simply uinteractionist" (cf. Blumer 1969; Cicourel 1964, if not explicitly based on scale, have depended at least partly 1968,1973; ]. Douglas 1970; Dreitzel 1970; Garfinkel 1967; upon variation in the sizes of the societies discussed. I thought Gollman 1959, 1963, 1967, 1969, 1971, 1974; Schutz 1962; also of the literature on urban society, notable among which Roy Turner 1974).