YBN UNIVERSITY RANCHI, JHARKHAND

SYLLABUS

OF MASTER IN PERFORMING ARTS (VOCAL MUSIC) (2 YEARS / 4 SEMESTERS COURSE)

LIST OF PAPERS OFFERED FOR THE MASTER IN PERFORMING ARTS (VOCAL MUSIC)

SEMESTER I

S. COURSE TITLE OF THE NATURE CREDIT N CODE PAPER OF o COURSE 1. 1Y2MUSRT01 COMPARATIVE & ACTIVITY 12 ANALYTICAL STUDY BASED OF RAGAS & TALAS – COURSE I

2. 1Y2MUSMTA1 MUSIC THEORY – A 1 THEORY COURSE 4

3. 1Y2MUSMTA2 MUSIC THEORY – A THEORY COURSE 4 2 4. 1Y2MUSCA CONCERT COMPULSORY 2 APPRAISAL TOTAL 22

SEMESTER II

S.N COURSE TITLE OF THE NATURE OF CREDIT o. CODE PAPER COURSE 1. 1Y2MUSRT02 COMPARATIVE & ACTIVITY BASED 12 COURSE ANALYTICAL STUDY OF RAGAS & TALAS – II 2. 1Y2MUSMTB1 MUSIC THEORY– B 1 THEORY COURSE 4

3. 1Y2MUSMTB2 MUSIC THEORY- B 2 THEORY COURSE 4

4. 1Y2MUSSE SOUND COMPULSORY 2 ENGINEERING TOTAL 22

SEMESTER III

S.N COURSE TITLE OF THE NATURE OF CREDIT o. CODE PAPER COURSE 1. 1Y2MUSRT03 COMPARATIVE & ACTIVITY BASED 12 COURSE ANALYTICAL STUDY OF RAGAS & TALAS – III 2. 1Y2MUSMTC1 MUSIC THEORY– C 1 THEORY COURSE 4 3. 1Y2MUSMTC2 MUSIC THEORY– C 2 THEORY COURSE 4

4. 1Y2MUSTS SUBSIDIARY (TABLA) COMPULSORY 2

TOTAL 22

SEMESTER IV

S.N COURSE TITLE OF THE NATURE OF CREDIT o. CODE PAPER COURSE 1. 1Y2MUSRT04 COMPARATIVE & ACTIVITY BASED 12 COURSE ANALYTICAL STUDY OF RAGAS & TALAS – IV 2. 1Y2MUSMTD1 MUSIC THEORY–D 1 THEORY COURSE 4

3. 1Y2MUSMTD2 MUSIC THEORY-D 2 THEORY COURSE 4

4. 1Y2MUSSC SELF COMPULSORY 2 COMPOSITIONS TOTAL 22

DETAILS OF PAPERS OFFERED IN M.P.A. (VOCAL MUSIC)

SEMESTER I S. COURSE TITLE OF THE NATURE OF DETAILS OF PAPER CREDIT N CODE PAPER COURSE

1. 1Y2MUSR COMPARATIVE ACTIVITY  Analysis of 12 T01 & ANALYTICAL BASED Ragas STUDY OF COURSE and Talas of the RAGAS & TALAS Prescribed – I Course.  Ragas : Bihag, Multani, Patdeep, Ahir Bhairav, Lalit, Shree, Madmad Sarang, Jhinjhoti  Talas : Ada Chautaal, Shikhar.  3 Vilambit Khyals in Any Three of the Prescribed Ragas.  1 Drut Khyal In All The Ragas With Gayaki.  1 Dhrupad or 1 Dhamar In Any One of The Prescribed Ragas With Methodical Brief Nom- Tom Aalap, Added Aad Laykari & Upaj.  Raag Mala.

2. 1Y2MUSM MUSIC THEORY THEORY  Critical and 4 comparative TA1 - A 1 COURSE Study of Prescribed Ragas and Talas and Different Genres of Vocal Music.  Critical review of a musical treatise  Critical review of a vocalist

3. 1Y2MUSM MUSIC THEORY THEORY  History of Indian Classical 4 Music (vedic, pauranik, TA2 - A 2 COURSE ramayana & Mahabharata period)  Contribution of Scholars to Indian Music & their textual tradition (Ancient, Medieval & Modern Period)  World Music (Introduction to Music of Different Countries)

4. 1Y2MUSC CONCERT COMPULSOR  Critical review of a 2 University/ State/ National A APPRAISAL Y Level Concert

TOTAL CREDITS – 22

SEMESTER II S.No COURSE TITLE OF THE NATURE OF DETAILS OF PAPER CREDIT . CODE PAPER COURSE

1. 1Y2MUSR COMPARATIVE ACTIVITY  Analysis of 12 T02 & ANALYTICAL BASED Ragas STUDY OF COURSE And Talas of The RAGAS & TALAS Prescribed – II Course.  Ragas : Maru Bihag, Madhuvanti, Sur Malhar, Komal Rishabh Asawari, Ramdasi Malhar, Gandhari, Hansadhwani, Bairagi  Talas : Gaj jhampa, Pancham Sawari.  3 Vilambit Khyals In Any Three of The Prescribed Ragas.  1 Drut Khyal In All The Ragas With Gayaki.  1 Dhrupad or 1 Dhamar In Any One of The Prescribed Ragas With Methodical Brief Nom-Tom Aalap, Added Aad Laykari & Upaj.  /

2. 1Y2MUS MUSIC THEORY  Critical and 4 comparative MTB1 THEORY – B 1 COURSE Study of Prescribed Ragas and Talas and Different Genres of Vocal Music.

 Rabindra Sangit : History of Music of Bengal,  Life Sketch of Rabindra Nath Tagore with Special Reference to his Musical Quality  Swar-Vitan, Giti-Vitan,  : Gitinatya, Nrityanatya, Baitalik, Varsha Mangal, Basantosab.  Different Forms of Rabindra sangeet,  Different Tala-Patterns Used By Tagore

3. 1Y2MUS MUSIC THEORY  Gram, Moorchhana, Jati, 4 Prabandha MTB2 THEORY – B 2 COURSE  Different Raga Classification Systems. (Gram raga-Deshi raga, Raga-Ragini, mela-raga, that-raga, raga-raganga and other raga classification systems.)

4. 1Y2MUSS SOUND COMPULSORY  Basics of Sound 2 Engineering E ENGINEERING

TOTAL CREDITS – 22

SEMESTER III

S.No COURSE TITLE OF NATURE OF DETAILS OF PAPER CREDIT CODE THE COURSE . PAPER

1. 1Y2MUSR COMPARATIVE ACTIVITY  Analysis of 12 T03 & ANALYTICAL BASED Ragas and Talas of The Prescribed Course. STUDY OF COURSE  Ragas : Shyam RAGAS & Kalyan, Puriya TALAS - Kalyan, Bilaskhani III Todi, Nand, Gunakali, Kedar, Bhatiyar, Nat Bhairav  Talas : Basant, Shesh  3 Vilambit Khyals in Any Three of The Prescribed Ragas.  1 Drut Khyal In All The Ragas With Gayaki.  1 Dhrupad or 1 Dhamar In Any one of The Prescribed Ragas With Methodical Brief Nom-Tom Aalap, Added Kuaad Laykari & Upaj.  Hori//Kajri

2. 1Y2MUS MUSIC THEORY  Critical and 4 comparative MTC1 THEORY – C 1 COURSE Study of Prescribed Ragas and Talas and Different Genres of Vocal Music  Critical review of Musical treatise 3. 1Y2MUS MUSIC THEORY  Aesthetics – I 4 (Bhava & Rasa, Rasa- MTC2 THEORY – C 2 COURSE Siddhant, Raga &Rasa, Chhanda-Laya-Taal & Rasa, Raga Dhyan & Raga Chitra, Place of Music in Fine Arts.)  Research Methodology

4. MVM SUBSIDIARY COMPULSORY  Basics of Tabla and 2 Harmonium Playing 511040

TOTAL CREDITS – 22

SEMESTER IV S.No COURSE TITLE OF NATURE OF DETAILS OF PAPER CREDIT CODE . THE COURSE PAPER

1. 1Y2MUSRT COMPARATIV ACTIVITY  Analysis of 12 04 E BASED Ragas & COURSE and Talas of ANALYTICAL The Prescribed Course. STUDY OF  Ragas : Jog, RAGAS & Jogkauns, TALAS - IV Kalawati, Devgiri Bilawal, Abhogi Kanhada, Suha/Sugharay i, Shahana, Hanskinkadi  Talas : Rudra, Lakshmi  3 Vilambit Khyals in Any Three of The Prescribed Ragas.  1 Drut Khyal In All The Ragas With Gayaki.  1 Dhrupad or 1 Dhamar In Any One of The Prescribed Ragas With Added Kuaad Laykari  Thumri/Dadra 2. 1Y2MUSMT MUSIC THEORY  Critical and 4 D1 THEORY – D COURSE comparative 1 Study of Prescribed Ragas and Talas and Different Genres of Vocal Music.  Critical review of a vocalist

3. 1Y2MUSMT MUSIC THEORY  Aesthetics – II 4 (Indian & Western D2 THEORY – D COURSE 2 Aesthetics, Beauty in music, Autonomy & Heteronomy)  Interdisciplinary Approach of Music. (Music & Physics, Music & Philosophy, Music & Religion, Music & Psychology etc.)

4. 1Y2MUSSC SELF COMPULSORY  5 self-made 2 COMPOSITION compositions S

TOTAL CREDITS – 22

EVALUATION Sessional Test I will be held during the fourth week of the semester for the syllabi covered till then. Sessional Test II will be held during the eighth week for the syllabi covered between fifth and eighth week. Sessional Test III will be held during the twelfth week for the syllabi covered between ninth and twelfth week. The sessional tests (of one or two hours duration) will carry 40% (20%+20%) of total marks for the course. The marks of the best of two Sessional Tests shall be taken into account for the computation of Grades. There shall be one End semester examination of 3 hours duration carrying 60% of Marks in each course covering the entire syllabus prescribed for the course.

Evaluation of Practical, Viva‐voce and Theory paper. Activity based course (Paper – 1) – 350 marks Stage performance – 150 marks. (no sessionals will be held) Viva-voce – 200 marks Theory (paper 2 &3) – 100 marks/paper Compulsory (paper 4) – 50 marks – project work/ subsidiary (no sessionals will be held) Total marks/ Semester = 600

The Grading system of Evaluation shall be as per the Regulation on the University

Syllabus prepared by -  Dr. Ankita Kumari, Academic Coordinator, Assistant Professor, HOD, Department Of Music, YBN University, Ranchi, Jharkhand  Dr. Arbind Kumar, Associate Professor, Department Of Music, Magadh Mahila College, Patna University, Patna  Dr Neera Choudhury, Professor, Magadh Mahila College, Patna University, Patna