Six Essays by Henry Miller Sextet: Six Essays
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Bern Porter and Four Little Magazines
Colby Quarterly Volume 9 Issue 2 June Article 6 June 1970 The Leaves Fall in the Bay Area: Regarding Bern Porter and Four Little Magazines Harriet S. Blake Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, series 9, no.2, June 1970, p.85-104 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Blake: The Leaves Fall in the Bay Area: Regarding Bern Porter and Four L Colby Library Quarterly 85 THE LEAVES FALL IN THE BAY AREA: REGARDING BERN' PORTER AND FOUR LITTLE MAGAZINES By HARRIET S. BLAKE OR SEVERAL YEARS Bernard H. Porter, Colby 1932, has been Fcontributing his own work, his source material, and the relevant works of his associates to the Robinson Rare Book Room in the Colby College Library. Porter, a physicist who worked on the atomic bomb project during World War II and left it after Hiroshima, has been active in photography, illustra tion, writing, publishing and printing. He has been particularly interested in combinations of art forms and new and experi mental work. Much of his time during the 1940s and 50s was spent in California, where he contributed considerable material to little magazines and was particularly active in the formation and publication of four. The earliest, The Leaves Fall, was edited in Ohio from 1942-1945 by his friend Fred Lingel, an engineer. This four page leaflet, the only one of the four not published in Cali fornia, offered Porter a vehicle for his poems, essays, aphorisms and drawings, as well as an occasional chance to edit an issue. -
View Prospectus
Archive from “A Secret Location” Small Press / Mimeograph Revolution, 1940s–1970s We are pleased to offer for sale a captivating and important research collection of little magazines and other printed materials that represent, chronicle, and document the proliferation of avant-garde, underground small press publications from the forties to the seventies. The starting point for this collection, “A Secret Location on the Lower East Side,” is the acclaimed New York Public Library exhibition and catalog from 1998, curated by Steve Clay and Rodney Phillips, which documented a period of intense innovation and experimentation in American writing and literary publishing by exploring the small press and mimeograph revolutions. The present collection came into being after the owner “became obsessed with the secretive nature of the works contained in the exhibition’s catalog.” Using the book as a guide, he assembled a singular library that contains many of the rare and fragile little magazines featured in the NYPL exhibition while adding important ancillary material, much of it from a West Coast perspective. Left to right: Bill Margolis, Eileen Kaufman, Bob Kaufman, and unidentified man printing the first issue of Beatitude. [Ref SL p. 81]. George Herms letter ca. late 90s relating to collecting and archiving magazines and documents from the period of the Mimeograph Revolution. Small press publications from the forties through the seventies have increasingly captured the interest of scholars, archivists, curators, poets and collectors over the past two decades. They provide bedrock primary source information for research, analysis, and exhibition and reveal little known aspects of recent cultural activity. The Archive from “A Secret Location” was collected by a reclusive New Jersey inventor and offers a rare glimpse into the diversity of poetic doings and material production that is the Small Press Revolution. -
Art in Cinema : Documents Toward a History of the Film Society
Art in Cinema In the series Wide Angle Books edited by Erik Barnouw, Ruth Bradley, Scott MacDonald, and Patricia Zimmermann Scott MacDonald, Cinema 16: Documents Toward a History of the Film Society David E. James, ed., The Sons and Daughters of Los: Culture and Community in L.A. David E. James, ed., Stan Brakhage: Filmmaker Kate Horsfield and Lucas Hilderbrand, Feedback: The Video Data Bank Catalog of Video Art and Artist Interviews Art in Cinema Documents Toward a History of the Film Society Final Selection, Editing, and Introduction by Scott MacDonald Original Idea and Selection of Materials by Robert A. Haller TEMPLE UNIVERSITY PRESS Philadelphia Temple University Press 1601 North Broad Street Philadelphia PA 19122 www.temple.edu/tempress Copyright © 2006 by Temple University All rights reserved Published 2006 Printed in the United States of America The paper used in this publication meets the requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1992 Title page photo: Frank Stauffacher in his studio on Montgomery Street, during the editing of Notes on the Port of St. Francis (1952). Photographer unknown; courtesy Jack Stauffacher. Library of Congress Cataloging-in-Publication Data Art in Cinema : documents toward a history of the film society / [edited by] Scott MacDonald. p. cm. — (Wide angle books) Includes numerous letters to and from Frank Stauffacher, director of the film series, Art in cinema. Includes a facsimile of Art in cinema, published 1947 by the Art in Cinema Society. Includes bibliographical references and index. ISBN 1-59213-425-4 (cloth : alk. -
The Little Magazine in America, Mid-1950S to Mid-1980S
The Little Magazine in America, mid-1950s to mid-1980s: A Collection from the Golden Age of the Small Press Mimeo Revolution We are pleased to offer for sale an extraordinary collection of little magazines from the golden age of the small press mimeo revolution. The collection documents, with great breadth and depth, the intellectual, spiritual, and material diversity of poet-driven publishing in the US and, to a lesser extent, Canada and the UK from the mid-1950s to the mid-1980s. Keith and Rosmarie Waldrop review page proofs at Burning Deck Press (Providence Journal, 1980s). The present collection has emerged in tandem with our ongoing projects to chronicle and archive the proliferation of avant-garde underground small press publications, including the acclaimed New York Public Library exhibition and book A Secret Location on the Lower East Side, curated and written by Steve Clay and Rodney Phillips, as well as our new expanded resource website, From a Secret Location, launched in January 2017 by Granary Books. The collection includes a strong representation of seminal works from various movements and groupings such as the New York School, British Poetry Revival, Beats, Black Mountain, San Francisco Renaissance, Ethnopoetics, Black Arts, Venice West, Meat poets, Wichita Vortex, and Language poets. Concrete and visual poetry is also well represented. One of the chief strengths of the collection is its range of inclusivity, which reveals an international network of poet-driven and -distributed publications that developed into a vast underground economy, from Vancouver to Cardiff and Bolinas to Buffalo, with hundreds of stops in between. -
Kenneth Patchen Papers
http://oac.cdlib.org/findaid/ark:/13030/kt3r29q25b No online items Guide to the Kenneth Patchen Papers Processed by UCSC OAC Unit. The University Library Special Collections and Archives University Library University of California, Santa Cruz Santa Cruz, California, 95064 Email: [email protected] URL: http://library.ucsc.edu/speccoll/ © 2004 The Regents of the University of California. All rights reserved. Guide to the Kenneth Patchen MS 160 1 Papers Guide to the Kenneth Patchen Papers Collection number: MS 160 The University Library Special Collections and Archives University of California, Santa Cruz Santa Cruz, California Processed by: UCSC OAC Unit Date Completed: 2004 Encoded by: UCSC OAC Unit © 2004 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Kenneth Patchen papers, Date (bulk): 1929-1989, (bulk 1929-1972) Collection number: MS 160 Creator: Patchen, Kenneth Extent: 35 linear feet and 151 painted poems Repository: University of California, Santa Cruz. University Library. Special Collections and Archives Santa Cruz, California 95064 Abstract: This collection contains biographical material, correspondence, manuscripts, bound first editions, rare silkscreen and painted book editions, painted poems, works of art including illustrations, paintings, papier-mâché sculptures and decorated furniture, scrapbooks, photographs, slides, recordings, musical scores, and clippings documenting the creative work and literary spirit of Kenneth Patchen, as well as personal triumphs and struggles shared with his wife Miriam Patchen. Physical location: Stored in Special Collections & Archives: Advance notice is required for access to the papers. Language: English. Access Collection is open for research. Access to Series 6: Painted Poems is restricted due to physical condition. -
American-Scream-Allen-Ginsbergs-Howl-And-The
American Scream JONAH RASKIN American Scream Allen Ginsberg’s Howl and the Making of the Beat Generation UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles London All quotations from Collected Poems: 1947–1980, White Shroud: Poems, 1980–1985, and Journals: Mid-Fifties, 1954– 1958 in chapters 1 to 11 of American Scream are reproduced by permission. Specified excerpts from Journals: Mid-Fifties, 1954–1958, by Allen Ginsberg. Edited by Gordon Ball. Copyright © 1995 by Allen Ginsberg. Introductory material copyright © by Gordon Ball. Reprinted by permission of HarperCollins Publishers, Inc., and Penguin Books Ltd. Specified excerpts from thirty-one poems from Collected Poems: 1947–1980, by Allen Ginsberg. Copyright © 1984 by Allen Ginsberg. Reprinted by permission of HarperCollins Publishers, Inc., and Penguin Books Ltd. Specified excerpts from “I’m a Prisoner of Allen Ginsberg” from White Shroud: Poems, 1980–1985, by Allen Ginsberg. Copyright © 1986 by Allen Ginsberg. Reprinted by permission of HarperCollins Publishers, Inc., and Penguin Books Ltd. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2004 by the Regents of the University of California Library of Congress Cataloging-in-Publication Data Raskin, Jonah, 1942–. American scream : Allen Ginsberg’s Howl and the making of the Beat Generation / Jonah Raskin. p. cm. Includes bibliographical references (p. ) and index. isbn 0-520-24015-4 (pbk. : alk. paper) 1. Ginsberg, Allen, 1926– Howl. 2. Literature and mental illness—United States—History—2oth century. 3. Ginsberg, Allen, 1926—Knowledge—Psychology. 4. Ginsberg, Allen, 1926—Psychology. 5. Poetry— Psychological aspects. 6. Mental illness in literature. 7. Beat generation.