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Newsletter 10/09 DIGITAL EDITION Nr ISSN 1610-2606 ISSN 1610-2606 newsletter 10/09 DIGITAL EDITION Nr. 252 - Juni 2009 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 10/09 (Nr. 252) Juni 2009 editorial Hallo Laserdisc- und DVD-Fans, trotz werden wir wieder vor Ort sein Zwischen Bollywood und Todd-AO liebe Filmfreunde! und die neue Lokalität inspizieren. gibt sich dann noch das “Fantasy Film- Wenn Ihnen die nächsten Seiten in fest” die Ehre, auf dem wir ein weiteres diesem Newsletter bekannt vorkommen, Ebenfalls ganz fest eingebrannt im Mal versuchen werden, für Sie die dann leiden Sie ganz sicher noch nicht Festivalkalender ist natürlich das tradi- Spreu vom Weizen zu trennen. Denn unter Alzheimer. Denn das Programm tionelle “Todd-AO 70mm Filmfestival” die Erfahrung lehrt, dass es nicht nur des “2. Widescreen Weekends” in der in der Schauburg in Karlsruhe, das am gute, sondern auch richtig gute und Karlsruher Schauburg hatten wir be- ersten Oktoberwochenende bereits in jede Menge unwahrscheinlich schlech- reits in der vorherigen Ausgabe des die fünfte Runde geht. Wie jedes Jahr te Filme gibt. Und da ist es manchmal Newsletters publiziert. Doch halt – es so wird es dort auch dieses Mal wieder recht sinnvoll, einen Vorkoster zu ha- gibt einen kleinen, aber feinen Unter- ein paar Überraschungen aus streng ben. Und genau in der Rolle fühlen wir schied. Denn der ursprünglich für gehüteten Filmarchiven zu sehen ge- uns richtig wohl. Wohl bekomm‘s! Samstag, 6. Juni 2009, um 15:00 Uhr ben. Keine Sorge: wir werden Sie natür- vorgesehene Jerry Lewis Film KEINER lich wie immer auf dem Laufenden hal- Ihr Laser Hotline Team VERLÄSST DAS SCHIFF musste kurz- ten. fristig durch einen anderen Jerry Lewis Klassiker ersetzt werden: GEISHA BOY. Damit alles wieder seine Ordnung hat, haben wir uns daher entschlossen, das korrekte Festivalprogramm noch- mals in seiner Komplettheit einzubin- den. Übrigens hat die Schauburg unse- ren Film-Blogger Wolfram Hannemann wieder mit ins Boot geholt, um die ge- zeigten Filme zu moderieren. Und auch unsere Kolumnistin Anna wird präsent sein, wie Sie auf Seite 8 erfahren wer- den. Alles in allem wird es ganz sicher wieder eines der ungewöhnlichsten Filmfestivals in Deutschland werden. Denn mal ganz ehrlich: wann hatten Sie zuletzt die Möglichkeit, Klassiker mit Grace Kelly, Jeff Chandler, Kirk Douglas oder Burt Lancaster auf der großen Leinwand zu erleben? Also nichts wie hin – es gibt noch Eintritts- karten! Und wenn wir schon bei Filmfestivals sind: nach dem Festival ist vor dem Festival. So erwartet und wie jedes Jahr im Juli gleich schon wieder das Stutt- garter “Bollywood and Beyond” Film- festival, das in diesem Jahr sehr zu unserem Bedauern die Location wech- selt. Da der Hauptsponsor des Festi- vals (nein – nicht die Laser Hotline!) abgesprungen ist, sind die Veranstalter auf ein preisgünstigeres Ambiente an- gewiesen. Und da kam das Schnäppchenangebot des SI-Zentrums in der Nähe des Stuttgarter Flughafens wohl gerade recht. Der Nachteil der relativ ungünstigen Verkehrsanbindung wird offensichtlich vom Veranstalter in Kauf genommen. Ob das natürlich die Besucherzahlen positiv beeinflusst, darf bezweifelt werden. Nichtsdesto- LASER HOTLINE Seite 2 Newsletter 10/09 (Nr. 252) Juni 2009 Das Festivalprogramm VISTAVISION – SYMBOL DER VOLLENDUNG 2. Widescreen-Weekend in der Schauburg Samstag, 06. Juni 2009 Karlsruhe, Marienstraße, Tel. 0721-3500018 10:30 Uhr 6. & 7. Juni 2009 WIDESCREEN-WELCOME mit Kaffee, Tee und Kuchen Festival-Pass: Euro 70,00 (Studenten/Schüler: Euro 60,00) 12:00 Uhr (inkl. Frühstück am Sonntag, 2 x Imbiß, Get-together am KÖNIG DER FREIBEUTER Samstagabend, Festivalbroschüre Originaltitel: The Buccaneer / USA 1958 Aufgenommen in 35mm VistaVision® (1:1.96) Einzelvorstellung: Euro 7,50 Präsentiert in 35mm 1:1.85 / Mono-Lichtton / Deutsche Fassung / (Studenten/Schüler: Euro 6,50) 120 Minuten Technicolor®-Druckkopie der Erstaufführung Amerikanische Erstaufführung: 01.12.1958 Reservierungen, Fragen bitte an Deutsche Erstaufführung: 02.10.1959 [email protected] FSK: freigegeben ab 12 Jahren Produktion: Henry Wilcoxon Regie: Anthony Quinn, Cecil B. DeMille (Gesamtleitung) Buch: Jesse L. Lasky jr., Bernice Mosk Catering während des Festivals Buchvorlage: Lyle Saxon (Roman) Kamera: Loyal Griggs Zusätzlich zu den bereits im Preis des Festivalpasses Musik: Elmer Bernstein enthaltenen kulinarischen Leckereien (Widescreen- Schnitt: Archie Marshek Welcome, Widescreen-Imbiss, Get Together, Darsteller: Yul Brynner (Jean Lafitte), Charlton Heston (Andrew Widescreen-Frühstück, Widescreen-Intermission) wird Jackson), Charles Boyer (Dominique You), Claire Bloom (Bonnie Brown), Inger Stevens (Annette Clainborne), Henry Hull (Ezra die Schauburg eine kleine Küche ständig offenhalten, Peavey), E.G. Marshall (Gov. Claiborne), Lorne Greene (Mercier), in der Snacks und kleine leckere Gerichte zum Kauf Ted de Corsia (Capt. Rumbo), Douglas Dumbrille angeboten werden. Ein Seeräuber verhilft den amerikanischen Truppen im Kampf um New Orleans (1814) zum Sieg gegen die Engländer. Letzter Film des Kolossalproduzenten Cecil B. de Mille; breit ausgespielt, mit nur geringer Spannung. Beachtung verdient der Sinn für unge- Alle Angaben ohne Gewähr. Änderungen vorbehalten, wohnte Farbwirkungen (Quelle: Film-Dienst) aber nicht beabsichtigt. 15:00 Uhr GEISHA-BOY Originaltitel: The Geisha Boy / USA 1958 Aufgenommen in 35mm VistaVision® (1:1.96) LASER HOTLINE Seite 3 Newsletter 10/09 (Nr. 252) Juni 2009 Präsentiert in 35mm 1:1.85 / Mono-Lichtton / Deutsche Fassung / 93 Darsteller: Marlon Brando (Rio), Karl Malden (Sheriff Dad Minuten Longworth), Katy Jurado (Maria Longworth), Pina Pellicer (Louisa), Technicolor®-Druckkopie der Erstaufführung Slim Pickens (Lon), Ben Johnson (Bob Amory), Sam Gilman Amerikanische Erstaufführung: 02.11.1958 (Harvey), Larry Duran (Modesto), Timothy Carey (Howard Tetley), Deutsche Erstaufführung: 21.12.1959 Miriam Colon , Elisha Cook jr. (Bankangestellter), Rodolfo Acosta FSK: freigegeben ab 6 Jahren (Officer), Hank Worden (Doc), Nina Martinez (Margarita), Clem Produktion: Jerry Lewis Harvey (Tim) Regie: Frank Tashlin Buch: Frank Tashlin Kamera: Haskell Boggs Die wilde Rache eines aus dem Gefängnis entlassenen Abenteu- Musik: Walter Scharf rers, der von seinem ehemaligen Räuberkomplizen verraten wur- Schnitt: Alma Macrorie de. Dieser wurde inzwischen ein ehrbarer Sheriff, ist aber in sei- Darsteller: Jerry Lewis (Gilbert Wooley), Marie McDonald (Lois nem Innern ein kaltschnäuziger Sadist geblieben. Trotz Kürzungen Livingston), Sessue Hayakawa (Mr. Sikita), Nobu McCarthy (Kimi und Änderungen durch den Produzenten beeindruckt Marlon Sikita), Barton MacLane (Major Ridgley), Suzanne Pleshette (Betty Brandos erste Regiearbeit als ein großangelegter, für seine Entste- Pearson), Robert Hirano (Mitsuo Watanabe) hungszeit aber recht harter Western, der in lyrisch-pathetischer Getragenheit die zwischenmenschlichen Spannungen intensiv ver- Ein junger Zauberkünstler kommt zur Truppenbetreuung nach mittelt. Brandos gelegentlich allzu eitle Selbtsinszenierung in der Japan und gewinnt dort die unerschütterliche Zuneigung eines Pose männlicher Verlorenheit macht dabei grundsätzlich Sinn und Waisenkindes. Einer der bekanntesten Jerry-Lewis-Filme von verdichtet sich zur Reflexion über Väter und Vaterfiguren sowie Frank Tashlin, der neben der üblichen Groteskkomik und senti- über Sinn und Widersinn von Rache. (Quelle: Film-Dienst) mentalen Elementen eine Art Selbstpersiflage des Hollywoodfilms enthält (Quelle: Film-Dienst) 19:30 WIDESCREEN-IMBISS 16:30 Uhr WIDESCREEN-INTERMISSION 20:45 Uhr mit Kaffee und Kuchen VERTIGO – AUS DEM REICH DER TOTEN Originaltitel: Vertigo / USA 1958 17:00 Uhr Aufgenommen in 35mm VistaVision® (1:1.50) DER BESESSENE Restaurierte Fassung produziert in Super VistaVision® Präsentiert in 70mm 1:1.85 / 6-Kanal-DTS Digitalton / Deutsche Originaltitel: One-Eyed Jacks / USA 1961 Fassung / 128 Minuten Aufgenommen in 35mm VistaVision® (1:1.96) Farbe von Technicolor® Präsentiert in 35mm 1:1.85 / Mono Lichtton / Englische Originalfas- 70mm-Kopie von Deluxe® sung / 143 Minuten Amerikanische Erstaufführung: 09.05.1958 (Restaurierte Fassung: Technicolor®-Druckkopie der Erstaufführung 04.10.1996) Amerikanische Erstaufführung: 30.03.1961 Deutsche Erstaufführung: 03.02.1959 (Restaurierte Fassung: Deutsche Erstaufführung: 26.09.1961 27.02.1997) FSK: freigegeben ab 16 Jahren FSK: freigegeben ab 12 Jahren Produktion: Frank P. Rosenberg Produktion: Alfred Hitchcock Regie: Marlon Brando Regie: Alfred Hitchcock Buch: Guy Trosper, Calder Willingham, Carlo Fiore Buch: Alec Coppel, Samuel Taylor Buchvorlage: Charles Neider (Roman) Buchvorlage: Pierre Boileau, Thomas Narcejac (Roman „D’Entre Les Kamera: Charles B. Lang Morts“) Musik: Hugo Friedhofer Kamera: Robert Burks Schnitt: Archie Marshek Musik: Bernard Herrmann LASER HOTLINE Seite 4 Newsletter 10/09 (Nr. 252) Juni 2009 Schnitt: George Tomasini Buch: Melvin Frank, A.I. Bezzerides Darsteller: James Stewart (John „Scottie“ Ferguson), Kim Novak Kamera: Everett Douglas, Loyal Griggs („Madeleine Elster“/Judy B.), Tom Helmore (Gavin Elster), Barbara Musik: Jerome Moross Bel Geddes (Midge Wood), Konstantin Shayne (Pop Liebl) Schnitt: Everett Douglas Darsteller: Jeff Chandler (Luke Darcy), Fess Parker (Cam Bleeker), Ein wegen Höhenangst aus dem Polizeidienst ausgeschiedener Nicole Maurey (Jeanne Dubois), Henry Silva
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