Wicomico Brief Economic Facts
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My County Works Activity Book
My County Works A County Government Activity Book Dear Educators and Parents, The National Association of Counties, in partnership with iCivics, is proud to present “My County Works,” a county government activity book for children. It is designed to introduce students to counties’ vast responsibilities and the important role counties play in our lives every day. Counties are one of America’s oldest forms of government, dating back to 1634 when the first county governments (known as shires) were established in Virginia. The organization and structure of today’s 3,069 county governments are chartered under state constitutions or laws and are tailored to fit the needs and characteristics of states and local areas. No two counties are exactly the same. In Alaska, counties are called boroughs; in Louisiana, they’re known as parishes. But in every state, county governments are on the front lines of serving the public and helping our communities thrive. We hope that this activity book can bring to life the leadership and fundamental duties of county government. We encourage students, parents and educators to invite your county officials to participate first-hand in these lessons–to discuss specifically how your county works. It’s never too early for children to start learning about civics and how they can help make our communities better places to live, work and play. Please visit www.naco.org for more information about why counties matter and our efforts to advance healthy, vibrant, safe counties across the United States. Matthew Chase Executive Director National Association of Counties Partnering with iCivics The National Association of Counties and iCivics have developed a collection of civic education resources to help young people learn about county government. -
Want to Learn More About Maine State History?
12 Want to Learn More About Maine State History? Maine has many wonderful history museums! Ask your parents to take you to one of the following museums to learn more Maps & about Maine’s history: Maine State Museum, Augusta www.mainestatemuseum.org Maine Historical Society, Portland www. mainehistory.org Maine Maritime Museum, Bath State History www. mainemaritimemuseum.org Page Farm and Home Museum, Orono www. umaine.edu/pagefarm Maine Forest and Logging Museum, Orono www. leonardsmills.com Washborn Norlands Living History Center, Livermore www. norlands.org Acadian Village, Van Buren www. connectmaine.com/acadianvillage and of course... Completed By usm.maine.edu/maps 2 Table of Contents 11 Maine State Seal 3 Maine’s Earliest Map 4 Maine’s Industries 6 A. The Aroostook War 8 Maine’s Counties 10 Learning More About Maine History 12 Key Terms B. C. Remember what you’ve learned about the following terms. Define each term in your own words. Symbol or Seal D. Agriculture E. F. K. Lumbering J. G. I. Boundary or Border H. O. N. P. M. County L. Legend- Counties created during British rule (before 1776) County Seat Counties created while a district of Massachusetts (1776- 1820) Counties created while a state, but before final borders (1820- 1843) Counties created after final borders (after 1843) 10 Maine’s Counties Maine State Seal 3 Use the charts below and map of Maine (to the right) to learn about Maine’s state seal is pictured below. In the center, there is a moose sitting in front of a Maine’s 16 counties. -
County Government in Mississippi Fifth Edition
County Government in Mississippi FIFTH EDITION County Government in Mississippi Fifth Edition Sumner Davis and Janet P. Baird, Editors Contributors Michael T. Allen Roberto Gallardo Kenneth M. Murphree Janet Baird Heath Hillman James L. Roberts, Jr. Tim Barnard Tom Hood Jonathan M. Shook David Brinton Samuel W. Keyes, Jr. W. Edward Smith Michael Caples Michael Keys Derrick Surrette Brad Davis Michael Lanford H. Carey Webb Sumner Davis Frank McCain Randall B. Wall Gary E. Friedman Jerry L. Mills Joe B. Young Judy Mooney With forewords by Gary Jackson, PhD, and Derrick Surrette © 2015 Center for Government & Community Development Mississippi State University Extension Service Mississippi State, Mississippi 39762 © 2015. All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transcribed, in any form or by any means, without the prior written permission of the Center for Government & Community Development, Mississippi State University Extension Service. This publication is designed to provide accurate and authoritative information regarding the organization and operation of county government in Mississippi. It is distributed with the understanding that the editors, the individual authors, and the Center for Government & Community Development in the Mississippi State University Extension Service are not engaged in rendering legal, accounting, or other professional services. If legal advice or other expert assistance is required by the readers, the services of the Office of the Attorney General of Mississippi, the Office of the State Auditor of Mississippi, a county attorney, or some other competent professional should be sought. FOREWORD FROM THE MISSISSIPPI STATE UNIVERSITY EXTENSION SERVICE The Mississippi State University Extension Service is a vital, unbiased, research-based, client- driven organization. -
D Inwiddie C Ounty G Overnment S Ervices D Irectory
D i n w i d d i e C o u n t y G o v e r n m e n t S e r v i c e s D i r e c t o r y “Where there is Freedom, There is my Country” Scale of Justice – Government Tobacco Leaf and Pine Tree – Major Industry Indian – Indian History (In original coat-of-arms) In 1752, Dinwiddie County was created by Act of the General Assembly when Prince George County was divided. The act provided: “Be it therefore enacted, by the Lieutenant-Governor, Council, and Burgesses, of this present General Assembly, and it is herby enacted, by the authority of the same, That from and immediately after the first day of May next ensuing, the said County of Prince George be divided into two counties; that is to say: All that part thereof, lying on the upper sided of the run which falls into Appomattox river, between the town of Blandford, and Bolling’s point warehouses, to the outermost line of the glebe land and by a south course to be run from said outermost line of the glebe land, to Surry County, shall be one distinct county, and called and known by the name Dinwiddie and all that other part thereof below the said run and course, shall be one other distinct county and retain the name of Prince George. From 1702 until 1752 the history of Dinwiddie County is linked to that of Prince George County. Before 1702, both Dinwiddie and Prince George Counties were part of Charles City County created in 1634. -
North Carolina
Gowan MALS Final Project Spring 2014 2 Table of Contents The Roots of Jazz in North Carolina ................................................................................................. 3 Setting the Stage ............................................................................................................................ 4 The 19th Century: Songs of Joy and Freedom .................................................................................. 9 19th Century Secular Music in North Carolina: In the String of Things ......................... 10 Sacred Music in 19th Century North Carolina: Lined Up and Ready ............................. 19 The 20th Century: Repression, Deliverance, and Escape ............................................................. 28 Secular Music in 20th Century North Carolina: Getting the Blues ................................... 29 Sacred Music in the 20th Century: Shout It Out ................................................................... 39 North Carolina: Fertile Ground for Jazz? ..................................................................................... 48 Works Cited .......................................................................................................................................... 52 Gowan MALS Final Project Spring 2014 3 The Roots of Jazz in North Carolina An analysis of the musical heritage of the Tar Heel State and its connection to jazz greats North Carolina is not known for its jazz music. When you think about the hubs of jazz, New Orleans, New York, -
View Geff's Resume
Geffery B. Stewart 1347 Gorsuch Ave Baltimore, Maryland 21218 443.454.1875 [email protected] Summary/Bio My name is Geffery Stewart. I was born in 1985 in Baltimore, MD. I was raised in Pasadena, MD where I attended public school. I am a self taught musician specializing in string instruments, mainly guitar, banjo, violin/fiddle, and mandolin. With the influence of my parents, I came obsessed with music of all kinds at a very young age. In my elementary school years, I discovered I had a keen ear and began singing along with music I heard at home and in church. At age 10, I began teaching myself guitar, with tuning and some chording assistance from my father. I was soon able to tune by ear. I worked hard at my 3 first chords, and played incessantly. More musical influence from my father began to influence my direction, and obsession such as Experimental, Jazz, Punk Rock, Reggae, Folk, Bluegrass, Hip Hop and more, but it was the Blues that grabbed my attention. My life was altered after hearing the Blues/Gospel of Blind Willie Johnson. Country blues and pre-war American music became a full time passion around age 15. The other pivotal musical experience was hearing John Coltrane at some point in Middle School. This opened my ears and mind to the possibilities of improvisation. At this time I was attempting to translate some of these concepts that I was hearing in country blues, punk, and jazz onto electric guitar. I was trying to comprehend using alternate tunings, using a slide, and eventually alternating bass fingerpicking from various American Folk Music. -
The Place of Music, Race and Gender in Producing Appalachian Space
University of Kentucky UKnowledge Theses and Dissertations--Geography Geography 2012 PERFORMING COMMUNITY: THE PLACE OF MUSIC, RACE AND GENDER IN PRODUCING APPALACHIAN SPACE Deborah J. Thompson University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Thompson, Deborah J., "PERFORMING COMMUNITY: THE PLACE OF MUSIC, RACE AND GENDER IN PRODUCING APPALACHIAN SPACE" (2012). Theses and Dissertations--Geography. 1. https://uknowledge.uky.edu/geography_etds/1 This Doctoral Dissertation is brought to you for free and open access by the Geography at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Geography by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained and attached hereto needed written permission statements(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine). I hereby grant to The University of Kentucky and its agents the non-exclusive license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless a preapproved embargo applies. -
Twixt Ocean and Pines : the Seaside Resort at Virginia Beach, 1880-1930 Jonathan Mark Souther
University of Richmond UR Scholarship Repository Master's Theses Student Research 5-1996 Twixt ocean and pines : the seaside resort at Virginia Beach, 1880-1930 Jonathan Mark Souther Follow this and additional works at: http://scholarship.richmond.edu/masters-theses Part of the History Commons Recommended Citation Souther, Jonathan Mark, "Twixt ocean and pines : the seaside resort at Virginia Beach, 1880-1930" (1996). Master's Theses. Paper 1037. This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. TWIXT OCEAN AND PINES: THE SEASIDE RESORT AT VIRGINIA BEACH, 1880-1930 Jonathan Mark Souther Master of Arts University of Richmond, 1996 Robert C. Kenzer, Thesis Director This thesis descnbes the first fifty years of the creation of Virginia Beach as a seaside resort. It demonstrates the importance of railroads in promoting the resort and suggests that Virginia Beach followed a similar developmental pattern to that of other ocean resorts, particularly those ofthe famous New Jersey shore. Virginia Beach, plagued by infrastructure deficiencies and overshadowed by nearby Ocean View, did not stabilize until its promoters shifted their attention from wealthy northerners to Tidewater area residents. After experiencing difficulties exacerbated by the Panic of 1893, the burning of its premier hotel in 1907, and the hesitation bred by the Spanish American War and World War I, Virginia Beach enjoyed robust growth during the 1920s. While Virginia Beach is often perceived as a post- World War II community, this thesis argues that its prewar foundation was critical to its subsequent rise to become the largest city in Virginia. -
National Register of Historic Places Registration Form
NPS Form 10-900 OMB No. 1024-0018 United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in National Register Bulletin, How to Complete the National Register of Historic Places Registration Form. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. 1. Name of Property Historic name: Virginia Beach Courthouse Village and Municipal Center Historic District Other names/site number: DHR No. 134-5299 Name of related multiple property listing: N/A (Enter "N/A" if property is not part of a multiple property listing ____________________________________________________________________________ 2. Location Street & number: Courthouse Dr., Mattaponi Rd., N. Landing Rd., Princess Anne Rd. City or town: Virginia Beach State: VA County: Independent City Not For Publication: N/A Vicinity: N/A ____________________________________________________________________________ 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this X nomination ___ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets -
2017 NCMEA Professional Development Conference November 11
NORTH CAROLINA MUSIC EDUCATOR 2017 NCMEA Professional Development Conference The Every Student Succeeds Act: Over 200 clinics, sessions and Opportunities for Music concerts, including Educator Action by Lynn Tuttle Tim Lautzenheiser Sunday Afternoon Keynote U.S. Navy Band Commodores Sunday Evening Concert Piedmont Wind Symphony Monday Evening Concert November 11 - 14 • Winston-Salem #musicmakesmeNC Volume 68 Number 2 NORTH CAROLINA Conference MUSIC EDUCATOR 2017 | 1 Board of Directors EXECUTIVE OFFICERS SECTION CHAIRS President: James Daugherty Band: Rodney Workman Jazz Education: Keith Grush [email protected] [email protected] [email protected] Immediate Past President: Band Section Delegate: Jamie Beam Jazz Section Delegate: Richard Holmes [email protected] Marjorie Harrison [email protected] [email protected] Collegiate NAfME: Emily Lott President-Elect: Jazzmone Sutton [email protected] Middle School Choral: Catherine Butler [email protected] [email protected] Elementary: Janet Berry Recording Secretary: Aria Westbrook [email protected] Orchestra: Sarah Russell [email protected] [email protected] High School Choral: Eddie Adams Member-at-Large: Andy Carter [email protected] Orchestra Section Delegate: Joey Walker [email protected] Higher Education: Cynthia Wagoner [email protected] Member-at-Large: Jeffrey Danielson [email protected] [email protected] Non-Voting Members COMMISSION & COMMITTEE CHAIRS DISTRICT PRESIDENTS Exceptional Children & General Music: Research: Jennifer Walter District 1: Jennifer Fowler Rue S. Lee-Holmes [email protected] [email protected] [email protected] Retired Membership: David S. Albert D i s t r i c t 2 : V i c k i e W h i t fi e l d Conference Chair: Barbara Geer [email protected] [email protected] [email protected] Student Activities: Jazzmone Sutton District 3: Jessica Ferguson Asst. -
Annual Report
Downtown Columbia Arts and Culture Commission Annual Report 2018 Table of Contents WELCOME 2 INTRODUCTION 3 THE COMMISSION 4 MISSION AND VISION 4 LEADERSHIP 4 MANAGEMENT 5 2018 ACCOMPLISHMENTS OVERVIEW 5 PROGRAMS 7 VISION AND PHILOSOPHY 7 ROOTED IN COMMUNITY 7 A BEACON FOR THE WORLD 9 OPERATIONS 11 FINANCIAL ACTIVITIES 11 OUTLOOK 12 MERRIWEATHER POST PAVILION 13 ABOUT MERRIWEATHER 13 RENOVATION UPDATE 13 MERRIWEATHER IN THE COMMUNITY 18 OUTLOOK 19 Welcome On behalf of the Downtown Columbia Arts and Culture Commission, I am pleased to introduce our 2018 report on activities and impact. This was a year of “ups” and a very notable “down” for the Downtown Columbia Arts and Culture Commission. The year’s low point came at the beginning—January 13th, when the iconic roof of Merriweather Post Pavilion collapsed while being raised as part of the venue’s ongoing renovation project. This was unexpected, to say the least, but we were incredibly fortunate that there were no injuries and little ancillary damage to the property as a result of this accident. Thanks to the dedicated team at Merriweather and with our contractor, Costello Construction of Maryland, the roof was rebuilt in time for the season to start. The show must go on, and it did. As owners of this iconic amphitheater since 2016, the Downtown Columbia Arts and Culture Commission has developed expertise and partnerships to overcome the challenges big and small that arise. The roof collapse tested us, but now, nearly a year later, we see this test in the same way that we see others: As a reminder that our work as stewards of Merriweather Post Pavilion must be our main priority. -
Dinwiddie County, Virginia
Dinwiddie County, Virginia VIRGINIA ECONOMIC DEVELOPMENT PARTNERSHIP www.YesVirginia.org Community Profile Dinwiddie County State Map Only a few locations can guarantee the right combination of resources that are crucial to your business’s success. Virginia’s premier location offers excellent domestic and international access. Centrally located on the U.S. East Coast, 40 percent of the U.S. population is within a day’s drive, and our integrated transportation system of highways, railroads, airports and seaports ensures that you can reach every one of your markets efficiently. Close proximity to Washington, D.C. facilitates contact with policy makers and the federal government system. Virginia continues to rank among America’s leading states for business by CNBC and Forbes.com. Business-first values, easy access to markets, stable and competitive operating costs, and a talented workforce all drove Virginia to the top. This unique combination of assets has encouraged businesses to prosper here for more than 400 years. Like you, they searched the world over for that convergence of resources that would help ensure their prosperity. For them, their search ended here. Chances are yours will too. • AAA bond rating- Virginia has maintained a AAA rating since 1938, longer than any other state. • Right-to-work law allows individuals the right to work regardless of membership in a labor union or organization. • Corporate income tax rate of 6% has not been increased since 1972. • Headquarters to 35 Fortune 1000 firms. • Headquarters to over 70 firms with annual revenue over $1 billion. • More than 17,300 high-tech establishments operate in Virginia.