Idol Season 9: Top 4 -- Crystal Back in Action
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American Idol Synthesis
English Language and Composition Reading Time: 15 minutes Suggested Writing Time: 40 minutes Directions: The following prompt is based on the accompanying four sources. This question requires you to integrate a variety of sources into a coherent, well-written essay. Refer to the sources to support your position: avoid mere paraphrase or summary. Your argument should be central; the sources should support this argument. Remember to attribute both direct and indirect citations. Introduction In a culture of television in which the sensations of one season must be “topped” in the next, where do we draw the line between decency and entertainment? In the sixth season of popular TV show, “American Idol”, many Americans felt that the inclusion of mentally disabled contestants was inappropriate and that the remarks made to these contestants were both cruel and distasteful. Did this television show allow mentally disabled contestants in order to exploit them for entertainment? Assignment Read the following sources (including any introductory information) carefully. Then, in an essay that synthesizes the sources for support, take a position that defends, challenges, or qualifies the claim that the treatment of mentally disabled reality TV show contestant, Jonathan Jayne, was exploitative. Refer to the sources as Source A, Source B, etc.: titles are included for your convenience. Source A (Americans with Disabilities Act) Source B (Kelleher) Source C (Goldstein) Source D (Special Olympics) **Question composed and sources compiled by AP English Language and Composition teacher Wendy Turner, Paul Laurence Dunbar High School, Lexington, KY, on February 7, 2007. Source A The Americans with Disabilities Act of 1990. -
Reality Television Participants As Limited-Purpose Public Figures
Vanderbilt Journal of Entertainment & Technology Law Volume 6 Issue 1 Issue 1 - Fall 2003 Article 4 2003 Almost Famous: Reality Television Participants as Limited- Purpose Public Figures Darby Green Follow this and additional works at: https://scholarship.law.vanderbilt.edu/jetlaw Part of the Privacy Law Commons Recommended Citation Darby Green, Almost Famous: Reality Television Participants as Limited-Purpose Public Figures, 6 Vanderbilt Journal of Entertainment and Technology Law 94 (2020) Available at: https://scholarship.law.vanderbilt.edu/jetlaw/vol6/iss1/4 This Note is brought to you for free and open access by Scholarship@Vanderbilt Law. It has been accepted for inclusion in Vanderbilt Journal of Entertainment & Technology Law by an authorized editor of Scholarship@Vanderbilt Law. For more information, please contact [email protected]. All is ephemeral - fame and the famous as well. betrothal of complete strangers.' The Surreal Life, Celebrity - Marcus Aurelius (A.D 12 1-180), Meditations IV Mole, and I'm a Celebrity: Get Me Out of Here! feature B-list celebrities in reality television situations. Are You Hot places In the future everyone will be world-famous for fifteen half-naked twenty-somethings in the limelight, where their minutes. egos are validated or vilified by celebrity judges.' Temptation -Andy Warhol (A.D. 1928-1987) Island and Paradise Hotel place half-naked twenty-somethings in a tropical setting, where their amorous affairs are tracked.' TheAnna Nicole Show, the now-defunct The Real Roseanne In the highly lauded 2003 Golden Globe® and Show, and The Osbournes showcase the daily lives of Academy Award® winner for best motion-picture, Chicago foulmouthed celebrities and their families and friends. -
Words by ELIZABETH FORREST Photos by CATHERINE POWELL
MADDIE POPPEWords by ELIZABETH FORREST Photos by CATHERINE POWELL 06 Maddie Poppe, winner of show with her family and admired on the show, ‘how many people Season 16 of American Idol, the track record for its winners and are really watching?’” she explains. remembers exactly what she was contestants. That might intimi- It was hard for her to picture the thinking when Ryan Seacrest date some, but when it came to millions behind the screen. “But called her name during the season auditions, Maddie wasn’t afraid. “I after the show when we met people finale. “I had a flashback of every- didn’t think I had anything to lose. and looked out into the crowd, you thing that happened on the show,” I had been told ‘no’ so many times saw little girls with ponytails and she says. “I went from my audition, that I wasn’t really scared anymore. overalls. They were so excited to to the Hollywood week, to Top 50, I decided to just go for it,” she says. meet me and it’s crazy because I to Top 24. I kind of reflected on Being separated from her family still feel like I’m still such a regular, all the moments I never thought during the show was difficult. normal person,” Maddie laughs. I could do it, and it was unbeliev- Time with them was limited and Not only did Maddie win the able.” Music had always been a she was exposed to an entirely hearts of young girls; Katy Perry part of Maddie’s life, but she was new lifestyle far from her Midwest and Idina Menzel are fans of the no stranger to the word “no” going hometown. -
Lee Dewyze Rnst/Bostic Jenn Bostic; Marina C Havez, Lee Dewyze Photography, Hometown: Chicago, Ill
JENN BOSTIC HOMETOWN: Waconia, Minn. INFLUENCES: Emmylou Harris, Bonnie Raitt, Stevie Wonder ALBUM: Missin’ a Man EP, out September WEBSITE: jennbostic.com AT THE AGE OF 10, JENN BOSTIC SURVIVED A HORRIFIC CAR accident that took the life of her father, a musician who taught her to play piano. To cope with the loss, she began writing songs. “The first time I sat at the piano after the accident, I shut my eyes and honestly felt my dad’s presence next to me,” she says. “I poured my heart into those first few songs. The only way I could connect with him was when I played music.” Bostic eventually earned a degree from Boston’s Berklee College of Music. Now living in Nashville, she recently earned five Independent Country Music Association Awards and completed a sold-out ISSUE #29headlining tour of Ireland and the U.K. But for Bostic, music will MMUSICMAG.COM always be rooted in humanity. “When I started to focus on touching lives, that’s when things started happening,” she says, “and that’s what makes me happy.” havez, Lee Dewyze C LEE DEWYZE rnst/Bostic Jenn Bostic; Marina Photography, E HOMETOWN: Chicago, Ill. INFLUENCES: Cat Stevens, Kris Kristofferson, itter; Michael itter; Michael R arly Simon and Garfunkel C ALBUM: Frames, out now asano, F WEBSITE: leedewyzeofficial.com Jeff LEE DEWYZE, WINNER Of 2010’s AMERICAN IDOL, recorded his new album, Frames, with one goal in mind. “I wanted to take it back to what I’m really about, which is writing emotionally charged, meaningful songs,” he says. -
Idol Season 9: Top 24 -- the Women
BIG NEWS: James Franco | Celebrity Body | TWILIGHT FEVER | Gwyneth Paltrow | Smarter Ideas | More... LOG IN | SIGN UP DECEMBER 21, 2010 FRONT PAGE POLITICS BUSINESS MEDIA ENTERTAINMENT COMEDY SPORTS STYLE WORLD GREEN FOOD TRAVEL TECH LIVING HEALTH DIVORCE ARTS BOOKS RELIGION IMPACT EDUCATION COLLEGE NY LA CHICAGO DENVER BLOGS Michael Giltz BIO Get Email Alerts Freelance writer and raconteur Become a Fan Bloggers' Index Posted: February 24, 2010 03:40 AM Idol Season 9: Top 24 -- The Women What's Your Reaction: MOST POPULAR ON HUFFPOST Inspiring Funny Hot Scary Outrageous Amazing Weird Crazy 1 of 2 Read More: Crystal Bowersox , Kara DioGuardi , Pop Music , Randy Jackson , Reality TV , Ryan Seacrest. VIDEO & PHOTOS: Rare Ellen DeGeneres , Simon Cowell , Entertainment News Lunar Eclipse On Winter Solstice Now it gets fun. Most of us only sit through the 1 3 auditions and Hollywood Week to get to the live Like 13K views performances on American Idol. But before the Stunning Eclipse Photos singing began, the show smartly dealt with Ellen sitting as far away from Simon as possible. They just Like 46K showed a joke video where Simon was hitting on Get Entertainment Alerts Ellen. On the other hand, he did look a little peevish, but that might just have been Simon. He also said this Sarah Palin Jabs Michelle Obama's Anti-Obesity year belonged to the women. But so far it only belongs Campaign Email Comments 6 to one. (Hint: she plays the harmonica.) Like 8K PAIGE MILES -- Sang "All Right Now," the sole Top 10 hit by Free. Paige looked cute and it was smart Timothy Karr Obama FCC to get Tina Turner-ish on a rock song. -
Lee Dewyze Biography FRAMES
Lee DeWyze Biography FRAMES Lee DeWyze formally launches the pivotal next stage of what is already a high-profile musical career with his Vanguard Records debut – Frames. The 27-year-old DeWyze seriously considered calling the album “Silver Lining,” after the hook-laden song because that phrase succinctly sums up where he’s been and where he’s headed. “This past year, I hunkered down and wrote an album,” the Chicago native explains. “I wanted to take it back to what I’m really about, which is writing emotionally charged, meaningful songs. It wasn’t like I wanted to find a label and then decide what kind of album to make. I knew what kind of album I wanted to make and knew I could make. It’s going back to the kind of music I’ve always loved. I grew up listening to Cat Stevens, Simon & Garfunkel—folk-based acoustic music. Don’t get me wrong—my experience on the show was great. But for someone like me and the kind of music I make, that only takes you so far. It feels really good to get back to the grass roots of what I’m about. The way I see it, everything that’s happened throughout my career has happened so that I can make this record.” The show DeWyze is referring to is American Idol, which he won in 2010. Ironically, the vast majority of the hordes of fans he made during Season Nine have no idea that this powerful and expressive singer is at his core an uncommonly gifted and distinctive songwriter as well as an accomplished musician. -
White MCM 332.Pdf
MCM 332/Dr. White Fall 2009 1 Instructor: Dr. Christopher White Phone: 294-(4)1343 Email: [email protected] Classroom: in DRCB #319 on T-Days from 9-10:50 Office Hours: # 102 M/W 10-11 or 2 to 4 & Th 11-2 & Friday by Appointment Texts: The Rhetorical Power of Popular Culture by Deanna D. Sellnow, 2010 Edition & hand-outs & electronic reserves & Blackboard postings AND your TV. Description: A major assumption of this class is that all cultures "reveal themselves" in the artifacts that are left behind. Artifacts that help explain what a culture celebrates and what values it honors or disdains. Artifacts like: stone-age weapons, Roman statuary, Mayan ruins, fairy tales, religious rituals and of course written texts. Our culture is still current, but it too offers artifacts and various texts that reflect what values are celebrated and what behavior is honored or disdained. The CBS Evening News, Law & Order, The Office, Oprah, The Simpsons, SNL, American Idol, ads for Chanel #5 or the Taco Bell website. All these mediated texts -- AND the institutions that produce these mediated texts AND the impact these mediated texts have on audiences -- needs regular and constant attention. Content (texts)! Institutions! Audiences! You will be expected to keep track of the different -- sometimes significantly different -- perspectives covered in the readings, lectures & screenings. Always take notes -- especially regarding the screenings. Objectives: This course is designed to develop advanced Media Literacy Skills related to the electronic media – its programming, its institutions and its audiences. There will be a considerable writing component: term paper, essays, short writing assignments. -
Join the Children's Defense Fund Activists Nationwide on April 9! Host
Join the Children’s Defense Fund Activists Nationwide on April 9! The Children’s Defense Fund (CDF) is thrilled to be an official Idol Gives Back 2008 beneficiary. During this special broadcast of American Idol on April 9, that will raise awareness and benefit select U.S. and international charities, CDF Board Member Reese Witherspoon will highlight CDF's work for children. We are immensely grateful to FOX Television and our longtime friend and Academy Award® winning actress Reese Witherspoon for showing the millions of American Idol viewers nationwide that every step we take to improve the lives of children improves the lives of all of us. As CDF turns 35 this year we could not ask for a better birthday gift! Host a Watch Party: Everyone’s Doing It! Invite your family and friends to join you in watching Idol Gives Back on April 9 (7:30pm ET on FOX) and participate in a discussion of the state of America’s children and ways that together, we can takes steps to not only improve the lives of children, but improve the lives of all of us. Many people know that children throughout the country face serious hardships, but most don’t realize how large the crisis actually is. Fortunately, there are steps that all of us can take in our communities to solve these problems, but we must take them now, for every minute we waste, we lose another child. As you watch Idol Gives Back together, pose these questions to each other during the commercial breaks to test each others knowledge and begin thinking about ways you can help. -
VOICE, RACE, and NATION in US MUSIC, 1890-1924 by Scott A
VOX AMERICANA: VOICE, RACE, AND NATION IN U.S. MUSIC, 1890-1924 by Scott A. Carter A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music) at the UNIVERSITY OF WISCONSIN-MADISON 2014 Date of final oral examination: 05/15/2014 This dissertation is approved by the following members of the Final Oral Committee Ronald M. Radano, Professor, School of Music Jerome Camal, Assistant Professor, Anthropology Susan C. Cook, Professor, School of Music R. Anderson Sutton, Professor, School of Pacific and Asian Studies, University of Hawaii at Manoa Amanda Weidman, Associate Professor, Anthropology, Bryn Mawr College i For Katie ii The more I hear, the less I know. — "Music is a Better Noise," Essential Logic iii Table of Contents Acknowledgements v List of Figures ix A Note on Transcriptions and Direct Quotations x Chapter One 1 Introduction Chapter Two 28 Anthropology, Vocal Science, and the Ordering of World Song Chapter Three 73 Forging a Sound Citizenry: Voice Culture and the Embodiment of the Nation Chapter Four 122 Bert Williams's Vocal Challenge Chapter Five 167 The Vocal Economy of Vernon Dalhart Epilogue 205 Bibliography 211 iv v Acknowledgements Like any major project, my dissertation has benefitted from the insights, critiques, and generous advice of friends and colleagues. I want to begin my acknowledgements by thanking the community of scholars in the School of Music at UW-Madison for creating programs that challenge students to produce scholarship of the highest caliber while allowing them the freedom to pursue avenues of innovative musical inquiry. I am particularly grateful for the interdisciplinary approach to scholarship afforded by the department, which allowed me to seek out and work with scholars in anthropology, history, communication arts, and Afro-American studies. -
Women's Leadership in Primetime Television an Introductory Study
Women’s Leadership in Primetime Television An Introductory Study Natalie Greene Spring 2009 General University Honors Capstone Advisor: Karen O’Connor Greene 1 Women’s Leadership in Prime-time Television: An Introductory Study Introduction When television executives report their core audience, women always come out ahead. A 2007 Nielsen Media Research report showed that, with only two exceptions, every broadcast network channel had more female viewers than men. ABC’s female audience almost doubled its male audience during the 2007-08 season (Atkinson, 2008). 1 Women onscreen, however, seem to reflect a different reality, making up only 43% of characters in the prime-time 2007-08 season (Lauzen, 2008). 2 As studies going back as far as the 1970s show, women on screen not only fail to represent the proportional makeup of women in society, they also overwhelmingly show a stereotypically gendered version of women (McNeil, 1975; Signorielli and Bacue, 1999; United States Commission on Civil Rights, 1977). This paper aims to address the evolution of women’s leadership in prime-time network scripted television from 1950 to 2008. Because of the way that women have been traditionally marginalized in television, it is important to study the shows that have featured women as lead characters. Characters such as Lucy Ricardo ( I Love Lucy, 1951-1960) influenced later female leads such as Ann Marie ( That Girl, 1966-1971), Mary Richards ( The Mary Tyler Moore Show, 1970-1977) and Murphy Brown ( Murphy Brown, 1988-1998). Thus, along with an introduction to socialization theory and feminist television criticism, this paper covers a selection of some of the most influential female characters and women-centered shows of this period. -
Adam Lambert's Identification and Division Strategies in His American Idol Performances
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2019 The Rhetoric of Camp: Adam Lambert's Identification and Division Strategies in His American Idol Performances Isabelle Lanthier University of Central Florida Part of the Rhetoric and Composition Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Lanthier, Isabelle, "The Rhetoric of Camp: Adam Lambert's Identification and Division Strategies in His American Idol Performances" (2019). Electronic Theses and Dissertations, 2004-2019. 6442. https://stars.library.ucf.edu/etd/6442 THE RHETORIC OF CAMP: ADAM LAMBERT’S IDENTIFICATION AND DIVISION STRATEGIES IN HIS AMERICAN IDOL PERFORMANCES by ISABELLE VIVIANE LANTHIER H.B.A., University of Toronto, 2014 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Writing and Rhetoric in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2019 Major Professor: Angela Rounsaville © 2019 Isabelle Viviane Lanthier ii ABSTRACT This study analyzes camp style as a rhetorical strategy for Burkean rhetorical identification. Through a case study of Adam Lambert’s use of this style on American Idol in 2009, this study produced a rhetorical theory of camp that challenges the typically dialectical relationship between identification and its opposite: division. -
TV GRID Weekly.Indd
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