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Ph.D. Dissertations Baiano Berman, Deborah J. Deadheads As a Moral

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Ph.D. Dissertations Baiano Berman, Deborah J. Deadheads As a Moral Ph.D. Dissertations Baiano Berman, Deborah J. Deadheads as a Moral Community. Ph.D. Dissertation, Northeastern University, 2002. Bradshaw, Geoffrey W. Collective Expressions and Negotiated Structures: The Grateful Dead in American Culture, 1965–95. Ph.D. Dissertation, University of Wisconsin, 1997. Kolker, Alex. Dead Life: A Novel. Ph.D. Dissertation, University of Kansas, 1994. Lehman, Alan R. Music As Symbolic Communication: The Grateful Dead and their Fans. Ph.D. Dissertation, University of Maryland, 1994. Sawyer, Peter. A Qualitative Examination of the Ritual Structure and the Spiritual Nature of the Grateful Dead Experience. Ph.D. Dissertation, California School of Integral Studies, 2003. Masters’ Theses Adelman, Sheryl Rebecca. The Deadheads: An American Subculture. MA Thesis, University of Kansas, 1995. Agent, Charles Clayton. Dead to the Last Drop. MA Thesis, Arizona State University, 2004. Bryan, David. Constructing Terrapin Station: Academic Musings on Death, Religious Experience, and an Incipient Grateful Dead Theology. MA Thesis, Union Theological Seminary, 2002. Chapin, Edward C. The Symbolism of Boundaries and Identity at Mass Events: An Analysis of Newspaper Accounts of the Grateful Dead Concert at Highgate, Vermont. MA Thesis, University of New Hampshire, 1995. Culli, Daniel R. “Never Could Read No Road Map”: Geographic Perspectives on the Grateful Dead. MS Thesis, Louisiana State University, 2004. David, Michelle J. “What A Long Strange Trip It’s Been”: Reconciling Membership in Deadhead Subculture With Other Life Cycle Issues. MSW Project, Smith College, 1992. DeVane, James D. Deadheads in Emerald City—Becoming and Being: An Ethnographic Study of Symbolic Interaction and Enculturation. MA Thesis, East Carolina University, 1992. Dollar, Natalie J. The Development of a Strong Musical Taste Culture: The Deadheads. MA Thesis, Arizona State University, 1988. Eldridge, Ray. We Will Survive: An Ethnography of the Grateful Dead Following. MA Thesis, University of Northern Iowa, 1986. Freedman, Monica Nora. Rock and Roll Youth Subcultures: The Case of Deadhead Resistance. MA Thesis, Emerson College, 1992. Freeman, Robert Nathaniel. “Other People’s” Music: Improvisation, Interaction and Community Formation. MA Thesis, University of North Carolina at Chapel Hill, 1995. Garvey, Richard. Subcultures, An Interactional Perspective: The Case of the Grateful Dead and Phish. MA Thesis, California State University–Los Angeles, 1999. Hunt, Pamela M. Where the Music Takes You: A Symbolic Interactionist View of Nomadic Vendors in a Music Scene. MA Thesis, Ohio University, 2002. Lenhart, Jeanine I. Deadheads: Identity Formation Among Members of a Musical Subculture. MSW Project, Smith College, 1986. Noe, Jason Robert. Modernism, Postmodernism, and the Grateful Dead: The Evolution of the Psychedelic Avant-Garde. MA Thesis, Iowa State University, 1996. Paterline, Brent Anthony. Community Reaction to the Deadhead Subculture. MA Thesis, University of North Carolina at Greensboro, 1993. Pearson, Anthony. Ethnomethodology and the Grateful Dead Phenomenon. MA Thesis, University of Houston, 1988. Ritzer, Jeremy. Deadheads and Dichotomies in Contemporary American Society: Mediated and Negotiated Readings. MA Thesis, University of Maryland, 1992. Sacra, Damon E. The Ambiguity of Religion: Mysticism, Music and the Grateful Dead. MA Thesis, University of Oklahoma, 2000. Sardiello, Robert. The Ritual Dimensions of Grateful Dead Concerts. MA Thesis, University of North Carolina at Greensboro, 1990. Sheptowski, Matthew P. Dead Voices: An Ethnographic Exploration of Vending at Grateful Dead Concerts. MA Thesis, Central Michigan University, 1995. Strugatz, Elizabeth Lynn. The Grateful Dead Phenomenon: A Qualitative Approach. MA Thesis, Kent State University, 1991. Sutton, Shan C. The Deadhead Community: Popular Religion in Contemporary American Culture. MA Thesis, Wright State University, 1993. Tharp, Daniel. Come Hear Uncle John’s Band: Religious Behavior in the Wake of the Nineteen-Sixties. MA Thesis, Arizona State University, 1992. Tift, Matthew Christen. Grateful Dead Musicking. MA Thesis, University of Wisconsin–Madison, 2001. Walker, Katherine D. Lo, We Have Left All and Followed Thee: The Deadheads As a Quasi-Religion. MS Thesis, Virginia Commonwealth University, 1996. Yuill, Sonja H. Conversation and the Construction of Community: What Happens in the Parking Lot at a Grateful Dead Show. MS Thesis, Southern Illinois University at Carbondale, 1993. .
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