CONNECT SELECT a Wide Selection of Interesting and Trending Stories – Rip ‘Em, Read ‘Em & Post ‘Em! for THURSDAY, JULY 2Nd, 2020
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Length in Mina. Length in Nins. METRO-GOLDWYN-MAYER. (R
Length Length In Mina. In Nins. HOTEL 124 HOW TO MAKE A MONSTER 75 WARNER BROS. (R) March, 1967. Rod Taylor, Catherine AMERICAN INTERNATIONAL. (R) July, 1968. Robert Spaak. Color. Harris, Paul Brinegar. HOTEL PARADISO (P) 100 HOW TO MURDER A RICH UNCLE 80 METRO-GOLDWYN-MAYER. (R) November, 1966. Alec Guin- COLUMBIA. (R) January, 1958. Charles Coburn, Migel Patrick ness, Gina Lollobrigida. Color. HOW TO MURDER YOUR WIFE 118 HOUND OF THE BASKERVILLES 64 UNITED ARTISTS. (R) February, 1965. Jack Lemmon, Virna UNITED ARTISTS. (R) June, 1959. Peter Cushing. Lisi. Color. HOUND DOG MAN (Cs) 87 HOW TO SAVE A MARRIAGE -AND RUIN YOUR LIFE (P) 108 TWENTIETH CENTURY-FOX. (R) November, 1959. Fabian, COLUMBIA. (R) March, 1968. Dean Martin, Stella Stevens. Carol Lynley. Color. Color. HOUR OF DECISION (Belt.) 74 HOW TO SEDUCE A WOMAN 106 ASTOR. (R) January, 1957. Jeff Morrow, Hazel Court. CINERAMA. (R) January, 1974. Angus Duncan, Angel Tompkins. HOUR OF THE GUN (R) 100 UNITED ARTISTS. (R) October, 1967. James Garner, Jason HOW TO STEAL A MILLION (P) 127 Robards. Color. 20th CENTURY -FOX. (R) August, 1966. Audrey Hepburn, Peter O'Toole. Color. HOUR THE WOLF (Swed.) 88 OF HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING (P) . 119 LOPERT. (R) April, 1968. Liv Ullmann, Max von Sydow. UNITED ARTISTS. (R) March, 1967. Robert Morse, Michele HOURS OF LOVE, THE (Md. English Titles) 89 Lee. Color. CINEMA V. (R) September, 1965. Vgo Tognazzi, Emmanuela HOW TO STUFF A WILD BIKINI 90 Riva. AMERICAN INTERNATIONAL. (R) July, 1965. Annette HOUSE IS NOT A HOME, A 90 Funicello, Dwayne Hickman. -
Airplane! by Michael Schlesinger
Airplane! By Michael Schlesinger In most people’s minds, the 1970s break neatly in two. The first half was the so- called Silver Age of Holly- wood, when a new genera- tion of directors arose and put their stamp on the mov- ies: Scorsese, Coppola, DePalma, Friedkin and oth- ers made ambitious, rule- breaking films that seemed to spell the end of the vaunted studio system (save Peter Bogdanovich, Stewardess Julie Hagerty and erstwhile pilot Robert Hays in the cockpit of the doomed who made traditional pictures ‘Airplane!’ Courtesy Library of Congress Collection. in a modern way). But a funny thing happened on the way to auteur nirvana: two “Zero Hour!” (Davison avers this was totally a coinci- other New Kids inadvertently killed the silver goose, dence.) The brass liked it yet were skeptical, but leg- and by the time the dust settled, Spielberg and Lucas endary producer Howard W. Koch “got” it and volun- were the new white-haired boys, and the studios teered to come aboard. With that reassurance and a were back in the blockbuster business for good. reasonable $3.5 million budget, Michael Eisner gave them the green light. Yet what most people forget is that big money was already being hauled in throughout the decade by an It didn’t begin smoothly. ZAZ, as they were called, exceedingly old-fashioned genre: the disaster film. wanted dramatic actors not known for comedy, who George Seaton’s good-natured “Airport” made a kill- would deliver the goofy dialogue perfectly seriously; ing in 1970, but it was considered a one-off throw- Paramount thought this was bonkers and wanted back. -
Cannon News 0314
CANNON NEWSCANNON March 2014 NEWS Page 1 Francis Cannon VFW Post 7589 Manassas, Virginia March 2014 February 23: 8th District Commander Rick Raskin observes as Peter MacLeod, District 8 Youth Chair, presents an award to Peter Nosal, winner of the District 8 Patriot’s Pen contest for 2013/14. Peter is a 6th grade student at Auburn Middle School and was submitted through Post 9835, Warrenton. In This Issue: COLA Penalty Removed for Most VFW Statement on Military Retiree COLA Vote Benefits Fights Not Over GMU to offer course on Vietnam this summer Celebrity Soldiers Upcoming Events New VFW Store website CANNON NEWS—2013 Clair B. Poff Public Relations Award for Most Outstanding Post Publication/Newsletter, VFW Department of Virginia CANNON NEWS March 2014 Page 2 From the Editor Have you visited your Post website They are available to view online . lately? www.vfw7589.org Take a look... Its the best place to keep current with what’s going on at your Post. We Please contact me if you have any- update it at least once a week, and thing you’d like posted or have any often more frequently. comments or suggestions. Recent additions include 14 new Rick Raskin episodes of “Operation Freedom” the [email protected] monthly veteran interview show broadcast on Comcast Cable and hosted by our own Steve Botello. Commander’s Report Most are not veterans and have never if warranted and not eliminated be- experienced the long period of sepa- cause another social program; not to ration from family and friends. The have their retirement entitlements long nights awake on an outpost, eroded; and most importantly, not listening, thinking you hear some- just being ignored. -
Elizabeth Marianne Ploger January 24, 1934 - October 11, 2019
Elizabeth Marianne Ploger January 24, 1934 - October 11, 2019 Elizabeth Marianne Ploger was born on January 24, 1934 at St. Mary’s hospital in Hoboken, New Jersey. She was the only child of Elsa and Walter Ploger and was raised in Jersey City, N.J. Liz and her parents spoke only German in the house. She learned to speak English in elementary school. Liz was an excellent student attending PS 27 (skipping two grades) and Dickinson High School where she graduated in June 1950 at age 16. In May 1953, Liz and her parents made a three month journey to Europe leaving New York City aboard the Queen Elizabeth to Cherbourg, France. They traveled throughout Europe. This trip developed a life-long love of travel that Liz and her parents enjoyed throughout their lives. Liz worked for Lowe’s Inc/MGM in New York City for seven years and jumped at the chance to move to Los Angeles when an in-house opportunity to transfer came up. She and her parents made the move to LA in 1957, purchasing a small home on Weddington Street in Sherman Oaks that Liz lived in until she developed the illness that would take her from us. She thrived in LA, and while continuing to work for Lowe’s/MGM she attended Los Angeles City College for two years, majoring in journalism. In 1971, Liz moved to Switzerland for a year. During her time in Lausanne, she traveled to England, Norway, Italy, Germany, and many points in between. After moving back to Los Angeles, Liz worked for the Elizabeth Taylor Diamond Company as well as Lion Country Safari. -
Todd Mason Papers PASC.0363
http://oac.cdlib.org/findaid/ark:/13030/c8rb770b No online items Finding Aid for the Todd Mason Papers PASC.0363 Processed by Cheryl Clayton with assistance from Julie Graham; machine-readable finding aid created by Caroline Cubé after initial encoding by Julie Graham. UCLA Library Special Collections Online finding aid last updated on 2020 November 4. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Todd Mason PASC.0363 1 Papers PASC.0363 Contributing Institution: UCLA Library Special Collections Title: Todd Mason papers Creator: Mason, Todd Identifier/Call Number: PASC.0363 Physical Description: 2.25 Linear Feet(2 boxes and 4 flat boxes) Date (inclusive): 1967-1981 Abstract: There is little information available about Todd Mason. During his career, he worked as an actor, did voice overs, and was a newspaper writer. From 1968-1975 Mason was an associate of Mike Connors and worked for the television series Mannix. The collection consists of writings, photographs, correspondence, and audio cassette recordings related related to his career. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Physical Characteristics and Technical Requirements CONTAINS AUDIOVISUAL MATERIALS: This collection contains both processed and unprocessed audiovisual materials. Audiovisual materials are not currently available for access, unless otherwise noted in a Physical Characteristics and Technical Requirements note at the file level. -
Ussa Board of Directors' Meeting Minutes
USSA BOARD OF DIRECTORS’ MEETING MINUTES USSA Center of Excellence 2nd Floor, Borgen Swartz Education Resource Center 1 Victory Lane, Park City, UT Sunday, May 22, 2011, 7:30 a.m. – 10:30 a.m. USSA BOARD OF DIRECTORS’ ATTENDANCE Dexter Paine – Chairman FOUNDATION John Bucksbaum, absent John Cumming Andy Daly Jeanne Jackson, absent Kipp Nelson, teleconference Hank Tauber SPORT REPRESENTATIVES Alpine Representative: Bob Dart Snowboard Representative: Jon Casson Freestyle Representative: Glenn Eddy Cross Country Representative: Jon Engen Jumping/Nordic Combined Representative: Joe Holland ATHLETES Alpine Athlete: Scott Macartney Snowboard Athlete: Danny Kass Freestyle Athlete: Landon Gardner Cross Country Athlete: James Southam Jumping/Nordic Combined Athlete: Willy Graves CEO Bill Marolt AT-LARGE Greg Boester, teleconference EX-OFFICIO/NON VOTING USOC Athletes' Advisory Council Representative: Andrew Johnson NSAA President/Chair: Michael Berry, absent SIA President/Chair: David Ingemie, absent FIS Representative: Bill Marolt USOC Representative: Bill Marolt COUNSEL Alex Natt GUESTS Luke Bodensteiner Calum Clark Walt Evans Andrew Judelson Tom Kelly Mark Lampe 1. Chairman Convenes the USSA Board Meeting: Dexter Paine Dexter Paine opened the meeting and provided instructions to the board on how to use the microphones. 1 2. Chairman’s Introduction of Board Members: Dexter Paine Alex Natt took the roll call and confirmed the presence of a quorum. Paine then asked Natt to go through the first few motions. 3. USSA Agenda Approval: Dexter Paine Natt asked for a motion to approve the USSA Board of Directors' agenda as submitted. Motion # 1: To approve the USSA Board of Directors’ meeting agenda . M/S/C – Andy Daly/Bob Dart, approved by acclamation 4. -
NPRC) VIP List, 2009
Description of document: National Archives National Personnel Records Center (NPRC) VIP list, 2009 Requested date: December 2007 Released date: March 2008 Posted date: 04-January-2010 Source of document: National Personnel Records Center Military Personnel Records 9700 Page Avenue St. Louis, MO 63132-5100 Note: NPRC staff has compiled a list of prominent persons whose military records files they hold. They call this their VIP Listing. You can ask for a copy of any of these files simply by submitting a Freedom of Information Act request to the address above. The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. -
Dr. Strangelove's America
Dr. Strangelove’s America Literature and the Visual Arts in the Atomic Age Lecturer: Priv.-Doz. Dr. Stefan L. Brandt, Guest Professor Room: AR-H 204 Office Hours: Wednesdays 4-6 pm Term: Summer 2011 Course Type: Lecture Series (Vorlesung) Selected Bibliography Non-Fiction A Abrams, Murray H. A Glossary of Literary Terms. Seventh Edition. Fort Worth, Philadelphia, et al: Harcourt Brace College Publ., 1999. Abrams, Nathan, and Julie Hughes, eds. Containing America: Cultural Production and Consumption in the Fifties America. Birmingham, UK: University of Birmingham Press, 2000. Adler, Kathleen, and Marcia Pointon, eds. The Body Imaged. Cambridge: Cambridge Univ. Press, 1993. Alexander, Charles C. Holding the Line: The Eisenhower Era, 1952-1961. Bloomington, Indiana: Indiana Univ. Press, 1975. Allen, Donald M., ed. The New American Poetry, 1945-1960. New York: Grove Press, 1960. ——, and Warren Tallman, eds. Poetics of the New American Poetry. New York: Grove Press, 1973. Allen, Richard. Projecting Illusion: Film Spectatorship and the Impression of Reality. Cambridge: Cambridge Univ. Press, 1997. Allsop, Kenneth. The Angry Decade: A Survey of the Cultural Revolt of the Nineteen-Fifties. [1958]. London: Peter Owen Limited, 1964. Ambrose, Stephen E. Eisenhower: The President. New York: Simon and Schuster, 1984. “Anatomic Bomb: Starlet Linda Christians brings the new atomic age to Hollywood.” Life 3 Sept. 1945: 53. Anderson, Christopher. Hollywood TV: The Studio System in the Fifties. Austin: Univ. of Texas Press, 1994. Anderson, Jack, and Ronald May. McCarthy: the Man, the Senator, the ‘Ism’. Boston: Beacon Press, 1952. Anderson, Lindsay. “The Last Sequence of On the Waterfront.” Sight and Sound Jan.-Mar. -
NEA Chronology Final
THE NATIONAL ENDOWMENT FOR THE ARTS 1965 2000 A BRIEF CHRONOLOGY OF FEDERAL SUPPORT FOR THE ARTS President Johnson signs the National Foundation on the Arts and the Humanities Act, establishing the National Endowment for the Arts and the National Endowment for the Humanities, on September 29, 1965. Foreword he National Foundation on the Arts and the Humanities Act The thirty-five year public investment in the arts has paid tremen Twas passed by Congress and signed into law by President dous dividends. Since 1965, the Endowment has awarded more Johnson in 1965. It states, “While no government can call a great than 111,000 grants to arts organizations and artists in all 50 states artist or scholar into existence, it is necessary and appropriate for and the six U.S. jurisdictions. The number of state and jurisdic the Federal Government to help create and sustain not only a tional arts agencies has grown from 5 to 56. Local arts agencies climate encouraging freedom of thought, imagination, and now number over 4,000 – up from 400. Nonprofit theaters have inquiry, but also the material conditions facilitating the release of grown from 56 to 340, symphony orchestras have nearly doubled this creative talent.” On September 29 of that year, the National in number from 980 to 1,800, opera companies have multiplied Endowment for the Arts – a new public agency dedicated to from 27 to 113, and now there are 18 times as many dance com strengthening the artistic life of this country – was created. panies as there were in 1965. -
KOB 100918 Resume for SU Legal Size.Pages
Kevin O’Brien, Director of Photography 3510 Scotts Lane, Apt. 3142, Philadelphia, PA 19129 Email: [email protected] / Iphone 310-428-6112 ! SEL ECTED CRED ITS Turpin 13: Family DP on recreations for Oxygen network 2018 Secrets Exposed special Teaching Editor for a series of 10 Videos 2018 Channel: Renaissance Project Drug Lords- DP on Interview and recreations for Netflix eight 2017 NETFLIX episode documentary series companion to the Narcos series. True Conviction DP, Director, and Producer on re-creations for the 2017 six episode Investigation Discovery series. Through the Interview and recreation D.P. on segments 2016 Wormhole for the Discovery show hosted by Morgan Freeman Southern Justice Electus Productions for Nat Geo. 2015-16 I was also a Supervising Producer Unusual Suspects LMNO Productions, Investigation Discovery 2014 Network-re-creations and interviews A Haunting Discovery Channel’s Destination America: 2012 recreation DP, season 5 Got Home Alive Travel Channel: recreations DP season 1, John 2011 Joseph producer Border Wars National Geographic: stories for season 5 and 6, 2010-2011 Nick Stein producer Coming Home Lifetime: 13-hour series, DP for B unit, Patrick 2011 Higgins, director Penn & Teller's Showtime: comedy/reality series, Star Price 2002-2010 Bullshit producer Erasing Hate MSNBC: documentary, Bill Brummel producer 2009-2010 Python Wars National Geographic: Explorer Series, Chris 2009 Sondreal producer Shadow of a Doubt TNT: documentary series pilot, Star Price, producer 2008 Andrew Jackson History Channel: 2-hour doc. special, Jim Lindsay 2007 producer Page !2 of !3 Additional Credits Hunter and Hunted National Geographic: “Bull Sharks” (Brazil), Emre 2006 Izat producer Soldiers of PBS: POV and feature documentary, Gary 2005-2006 Conscience Weimberg, director Blood Diamonds History Channel, D.P. -
Peter Graves
Peter Graves Froding, Burns, Scott and Carlyle In February 1890 the Swedish poet Gustaf Froding, at that time convalescing in a nerve sanatorium in Schleswig, wrote a respectful letter to Professor Carl Rupert Nyblom, Professor of lEsthetics in the University of Uppsala. He wrote:1 24 Feb 90 Dear Professor, As you can see, enclosed herewith are a number of translations of foreign poets - Bums, Chamisso, Lenau, Poe - which I was intending to include in a collection of poems that will possibly be published. However, I know that you, Professor, have translated some poems by these authors, although I can't remember which, and since I don't want to make myself appear to be a plagiariser, I have taken the liberty - you might possibly think it pushiness of contacting you to request information. My translations are, admittedly, no more than trifles but it would be despicable if they were to appear in print - irrespective of whether they are new of their kind - as second editions of old familiar things... I ask your forgiveness if I am being discourteous in requesting this, and sign myself, Humbly yours, Gustaf Fr6ding, Dr Kahlbaum's Sanatorium, Gorlitz, Schleswig. [Brev 1, 173-74] As with a good deal else that Froding did, the innocent letter misfired. He received in return a postcard from Nyblom pointing out, not unkindly, that 'the only surprising thing about your letter was that, since it had insufficient stamps, I had to pay double postage. But my boys are stamp collectors 7 NORTHERN STUDIES· 32 and, since the four stamps were of a new variety, one thing ba~ances out the other'. -
The Shoah on Screen – Representing Crimes Against Humanity Big Screen, Film-Makers Generally Have to Address the Key Question of Realism
Mémoi In attempting to portray the Holocaust and crimes against humanity on the The Shoah on screen – representing crimes against humanity big screen, film-makers generally have to address the key question of realism. This is both an ethical and an artistic issue. The full range of approaches has emember been adopted, covering documentaries and fiction, historical reconstructions such as Steven Spielberg’s Schindler’s List, depicting reality in all its details, and more symbolic films such as Roberto Benigni’s Life is beautiful. Some films have been very controversial, and it is important to understand why. Is cinema the best way of informing the younger generations about what moire took place, or should this perhaps be left, for example, to CD-Roms, videos Memoi or archive collections? What is the difference between these and the cinema as an art form? Is it possible to inform and appeal to the emotions without being explicit? Is emotion itself, though often very intense, not ambivalent? These are the questions addressed by this book which sets out to show that the cinema, a major art form today, cannot merely depict the horrors of concentration camps but must also nurture greater sensitivity among increas- Mémoire ingly younger audiences, inured by the many images of violence conveyed in the media. ireRemem moireRem The Shoah on screen – www.coe.int Representing crimes The Council of Europe has 47 member states, covering virtually the entire continent of Europe. It seeks to develop common democratic and legal princi- against humanity ples based on the European Convention on Human Rights and other reference texts on the protection of individuals.