A Mirror and Focus for the Jazz Community May 2019 Vol. 35, No. 05 EARSHOT JAZZSeattle, Washington Seattle JazzED Girls Ellington Project Front Row: Ava Lim, Brooke Lambert, Kelly Clingan, Faye Alesse, Marcela Bonet, Emma Usui-Villareal Back Row: Flora Eagan, Shayla Felix, Parker Crotty, Sylvie Kromer, Celeste Gould, Alli Beaulieu, Jahnvi Madan, Grace Kaste, Lilia Sanders Photo by Michael Craft LETTER FROM THE DIRECTOR EARSHOT JAZZ A Mirror and Focus for the Jazz Community History Doesn’t Stop Executive Director John Gilbreath Managing Director Karen Caropepe Programs Manager Tara Peters Marketing & Development Associate Lucienne I’ve often wondered about histo- Aggarwal ry’s memory. Clearly, a major event that impacts our solid cultural Earshot Jazz Editors Lucienne Aggarwal & Tara Peters icons, like the recent fire at Notre Dame, will stop us in our tracks Contributing Writers Whitney Bashaw, and remind us that we don’t often Halynn Blanchard, Haley Freedlund, Rayna get to witness historical events in a Mathis, Peter Monaghan, Carlos Snaider way that allows us to draw our own Calendar Editors Casey Adams, Jane conclusions. But history accumu- Emerson, & Tara Peters lates on all levels at all times. That’s Photography Michael Craft the good news and the bad news. Layout Tara Peters Distribution Karen Caropepe, Dan Dubie & In one of Walter Mosely’s recent Earshot Jazz volunteers books, entitled John Woman, the protagonist is a Black professor of Send Calendar Information to:
[email protected] “Deconstructivist History,” who calls into question just about every- Board of Directors Danielle Leigh thing we think we “know.” I hate to admit to the epiphany I had realizing, (President), John W.