The Impact of Multichannel Tv Sound on the Cable System Headend
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Compatibility Between Baseband Converters and Mts Stereo
COMPATIBILITY BETWEEN BASEBAND CONVERTERS AND MTS STEREO THOMAS F. MARTIN DIRECTOR OF RESEARCH AND DEVELOPMENT TOCOM DIVISION, GENERAL INSTRUMENT CORPORATION The MTS stereo signal can pass through a With an understanding of these three items, baseband converter for input to a stereo it becomes apparent that the MTS signal can television. The composite MTS signal is be passed, but that the use of the volume also available for an internal or external control in the baseband converter has an decoder. effect on stereo separation. MTS uses signal matrixing for Components .of the MTS Signal compatibility. Left and right channels are summed (L+R) for transmission in the normal The MTS signal is composed of several 20Hz to 15kHz range. The stereo difference components, which can best be understood by information (L-R) is transmitted on a examining the composite frequency spectrum subcarrier at 31.5 kHz. shown in figure 1. The (L-R) signal is dBx companded to reduce MTS BASEBAND SPECTRUM noise. There is no companding of the (L+R) signal. As a consequence, stereo separation is optimized only at unity processing gain. There is a fairly wide DEVIAnON (KHZ) volume control range over which acceptable separation is maintained, because separation as low as 10 dB yields subjectively pleasing stereo imaging. L-R Introduction The advent of Multichannel Television Sound (MTS) has raised many questions for cable operators and equipment manufacturers. one of these questions is whether the MTS format signal will pass throuqh a baseband converter for decoding in a stereo FIGURE 1 television. To understand the implications of MTS in The left and right channel source signals the baseband converter, an understanding of are processed in the signal matrixing three things is neceaaaryz circuit. -
FM Stereo Format 1
A brief history • 1931 – Alan Blumlein, working for EMI in London patents the stereo recording technique, using a figure-eight miking arrangement. • 1933 – Armstrong demonstrates FM transmission to RCA • 1935 – Armstrong begins 50kW experimental FM station at Alpine, NJ • 1939 – GE inaugurates FM broadcasting in Schenectady, NY – TV demonstrations held at World’s Fair in New York and Golden Gate Interna- tional Exhibition in San Francisco – Roosevelt becomes first U.S. president to give a speech on television – DuMont company begins producing television sets for consumers • 1942 – Digital computer conceived • 1945 – FM broadcast band moved to 88-108MHz • 1947 – First taped US radio network program airs, featuring Bing Crosby – 3M introduces Scotch 100 audio tape – Transistor effect demonstrated at Bell Labs • 1950 – Stereo tape recorder, Magnecord 1250, introduced • 1953 – Wireless microphone demonstrated – AM transmitter remote control authorized by FCC – 405-line color system developed by CBS with ”crispening circuits” to improve apparent picture resolution 1 – FCC reverses its decision to approve the CBS color system, deciding instead to authorize use of the color-compatible system developed by NTSC – Color TV broadcasting begins • 1955 – Computer hard disk introduced • 1957 – Laser developed • 1959 – National Stereophonic Radio Committee formed to decide on an FM stereo system • 1960 – Stereo FM tests conducted over KDKA-FM Pittsburgh • 1961 – Great Rose Bowl Hoax University of Washington vs. Minnesota (17-7) – Chevrolet Impala ‘Super Sport’ Convertible with 409 cubic inch V8 built – FM stereo transmission system approved by FCC – First live televised presidential news conference (John Kennedy) • 1962 – Philips introduces audio cassette tape player – The Beatles release their first UK single Love Me Do/P.S. -
An Analysis of a Quadrature Double-Sideband/Frequency Modulated Communication System
Scholars' Mine Masters Theses Student Theses and Dissertations 1970 An analysis of a quadrature double-sideband/frequency modulated communication system Denny Ray Townson Follow this and additional works at: https://scholarsmine.mst.edu/masters_theses Part of the Electrical and Computer Engineering Commons Department: Recommended Citation Townson, Denny Ray, "An analysis of a quadrature double-sideband/frequency modulated communication system" (1970). Masters Theses. 7225. https://scholarsmine.mst.edu/masters_theses/7225 This thesis is brought to you by Scholars' Mine, a service of the Missouri S&T Library and Learning Resources. This work is protected by U. S. Copyright Law. Unauthorized use including reproduction for redistribution requires the permission of the copyright holder. For more information, please contact [email protected]. AN ANALYSIS OF A QUADRATURE DOUBLE- SIDEBAND/FREQUENCY MODULATED COMMUNICATION SYSTEM BY DENNY RAY TOWNSON, 1947- A THESIS Presented to the Faculty of the Graduate School of the UNIVERSITY OF MISSOURI - ROLLA In Partial Fulfillment of the Requirements for the Degree MASTER OF SCIENCE IN ELECTRICAL ENGINEERING 1970 ii ABSTRACT A QDSB/FM communication system is analyzed with emphasis placed on the QDSB demodulation process and the AGC action in the FM transmitter. The effect of noise in both the pilot and message signals is investigated. The detection gain and mean square error is calculated for the QDSB baseband demodulation process. The mean square error is also evaluated for the QDSB/FM system. The AGC circuit is simulated on a digital computer. Errors introduced into the AGC system are analyzed with emphasis placed on nonlinear gain functions for the voltage con trolled amplifier. -
DBX DISCS... the State-Of-The-Art in Phonograph Records
S E G S g DISC L I 1ANG C x c DB FUL Dis L T WORLD' db E featurin TH FIRS DYNAMI CATALO DIGITA 7 . No Bulk Rate U.S. Postage PAID dbx Inc. Boston, MA 71 Chapel Street Permit No. 56073 Box 100C Newton, Mass. 02195 DBX DISCS... The State-of-the-Art in Phonograph Records dbx Encoded Disks represent a major break through in music reproduction. They are the first phonograph records to reproduce the full dynamic range of the studio master tapes from which they were made. The music experience provided by dbx Discs is Stunning. Now you can enjoy realistic music dynamics in your home — with all the fine detail and subtle nuances that create the emotional impact and excitement of a live performance. Originally developed for professional recording studios, dbx encode/decode technology has been employed to eliminate record surface noise for all practical purposes. With a sound quality that is virtually indistinguishable from the master tape, the dbx Encoded Disc is the only record format that can reproduce the full dynamics of digital recordings — an amazing 90 dB dynamic range, compared to the restricted dynamic range of about 60 dB for even the finest conventional "audiophile" records. dbx Discs are produced using the finest master tapes available. Whether your interests are in classical, popular/folk or jazz music, you can now enjoy music performed in your home by your favorite artist — heard against a background of virtual silence. At last, you can listen to the music itself, not to the record! dbx Discs can be played on your present stereo system with the addition of a dbx Model 21 Disc Decoder or one of the dbx 120 or 220 series tape noise reduction systems. -
A Muiti-Mode Modulation and Demodulation System and Method
United States Patent [191 [11] Patent Number: 4,726,069 Stevenson [45] Date of Patent: Feb. 16, 1988 [54] A MUITI-MODE MODULATION AND Primary Examiner-Benedict V. Safourek DEMODULATION SYSTEM AND METHOD Attorney, Agent, or Firm-David O'Reilly [76] Inventor: Carl R. Stevenson, 845 N. Woods [571 ABSTRACT Ave., Fullerton, Calif. 92632 An improved system and method for modulation, de- [21] Appl. No.: 6l2,092 modulation and signal processing for single sideband communications systems which provides correction for [22] Filed. May 18,l984 the adverse effects of rapid fading characteristics in a [51] Int. c1.4 ............................................... H04B 7/00 mobile environment. The system provides modulation [52] US. c1. ........................................ 455/46; 455/47; through a modified Weaver modulator in which the 455/71; 455/202; 375/50; 375/61; 375/77; audio input is processed to produce an output in the 375/97; 329/50 form of an upper sideband having a pilot tone in a spec- [58] Field of Search ...................... 332/44, 45; 375/43, tral gap at approximately midband. The receiver in- 375/50,97, 100, 102; 455/46,47, 71, 202, 203, cludes a modified Weaver demodulator and a correc- 305, 306, 312,234, 235,245,296; 329/50 tion signal generating circuit which processes the re- t561 References Cited ceived faded audio input and pilot tone to produce a U.S. PATENT DOCUMENTS correcting signal. The correcting signal is mixed with the received signal to regenerate unfaded versions of 3,271,681 9/1966 MCN& ................................. 455147 both the signal and pilot by removing random ampli- 3,271,682 9/1966 Bucher, Jr. -
NTSC Specifications
NTSC Modulation Standard ━━━━━━━━━━━━━━━━━━━━━━━━ The Impressionistic Era of TV. It©s Never The Same Color! The first analog Color TV system realized which is backward compatible with the existing B & W signal. To combine a Chroma signal with the existing Luma(Y)signal a quadrature sub-carrier Chroma signal is used. On the Cartesian grid the x & y axes are defined with B−Y & R−Y respectively. When transmitted along with the Luma(Y) G−Y signal can be recovered from the B−Y & R−Y signals. Matrixing ━━━━━━━━━ Let: R = Red \ G = Green Each range from 0 to 1. B = Blue / Y = Matrixed B & W Luma sub-channel. U = Matrixed Blue Chroma sub-channel. U #2900FC 249.76° −U #D3FC00 69.76° V = Matrixed Red Chroma sub-channel. V #FF0056 339.76° −V #00FFA9 159.76° W = Matrixed Green Chroma sub-channel. W #1BFA00 113.52° −W #DF00FA 293.52° HSV HSV Enhanced channels: Hue Hue I = Matrixed Skin Chroma sub-channel. I #FC6600 24.29° −I #0096FC 204.29° Q = Matrixed Purple Chroma sub-channel. Q #8900FE 272.36° −Q #75FE00 92.36° We have: Y = 0.299 × R + 0.587 × G + 0.114 × B B − Y = −0.299 × R − 0.587 × G + 0.886 × B R − Y = 0.701 × R − 0.587 × G − 0.114 × B G − Y = −0.299 × R + 0.413 × G − 0.114 × B = −0.194208 × (B − Y) −0.509370 × (R − Y) (−0.1942078377, −0.5093696834) Encode: If: U[x] = 0.492111 × ( B − Y ) × 0° ┐ Quadrature (0.4921110411) V[y] = 0.877283 × ( R − Y ) × 90° ┘ Sub-Carrier (0.8772832199) Then: W = 1.424415 × ( G − Y ) @ 235.796° Chroma Vector = √ U² + V² Chroma Hue θ = aTan2(V,U) [Radians] If θ < 0 then add 2π.[360°] Decode: SyncDet U: B − Y = -┼- @ 0.000° ÷ 0.492111 V: R − Y = -┼- @ 90.000° ÷ 0.877283 W: G − Y = -┼- @ 235.796° ÷ 1.424415 (1.4244145537, 235.79647610°) or G − Y = −0.394642 × (B − Y) − 0.580622 × (R − Y) (−0.3946423068, −0.5806217020) These scaling factors are for the quadrature Chroma signal before the 0.492111 & 0.877283 unscaling factors are applied to the B−Y & R−Y axes respectively. -
Historical Development of Magnetic Recording and Tape Recorder 3 Masanori Kimizuka
Historical Development of Magnetic Recording and Tape Recorder 3 Masanori Kimizuka ■ Abstract The history of sound recording started with the "Phonograph," the machine invented by Thomas Edison in the USA in 1877. Following that invention, Oberlin Smith, an American engineer, announced his idea for magnetic recording in 1888. Ten years later, Valdemar Poulsen, a Danish telephone engineer, invented the world's frst magnetic recorder, called the "Telegraphone," in 1898. The Telegraphone used thin metal wire as the recording material. Though wire recorders like the Telegraphone did not become popular, research on magnetic recording continued all over the world, and a new type of recorder that used tape coated with magnetic powder instead of metal wire as the recording material was invented in the 1920's. The real archetype of the modern tape recorder, the "Magnetophone," which was developed in Germany in the mid-1930's, was based on this recorder.After World War II, the USA conducted extensive research on the technology of the requisitioned Magnetophone and subsequently developed a modern professional tape recorder. Since the functionality of this tape recorder was superior to that of the conventional disc recorder, several broadcast stations immediately introduced new machines to their radio broadcasting operations. The tape recorder was soon introduced to the consumer market also, which led to a very rapid increase in the number of machines produced. In Japan, Tokyo Tsushin Kogyo, which eventually changed its name to Sony, started investigating magnetic recording technology after the end of the war and soon developed their original magnetic tape and recorder. In 1950 they released the frst Japanese tape recorder. -
Cordiing SERVING TODAY's MUSIC/RECORDING-CONSCIOUS SOCIETY
#06691E) $1.50 cORDIING SERVING TODAY'S MUSIC/RECORDING-CONSCIOUS SOCIETY VOL, 3 NO. 8 MAY 1978 COMMODORESA Session with the IIIIIIIIIIIIIIIIII I III lUel ( AN N'A1)IíIUHN 1S J-11vq chi ^08iW0d 0 0000 d 4tiotZva429ifi4iA www.americanradiohistory.com SEE WHAT'S NEW, THEN SEE WHAT'S BETTER 1.-d_ SIX STRI G SALES You've seen wha's new . the same MXR quality at an what's louder, sicker, tig- even lower price. ger, shinier ... bct have you So, go out and see what's seen what's better? The MXR new. Then see what's slightly Phase 90 makesasmall claim new ... and better ... from on new with its new lower ph, , ,,, llAJ MXR. price and new graphics, jut For more information see even better is :hat we've your MXR dealer. MXR In- added a touch or regenera- novations, Inc., 247 N. Good- tion for more intensity wth- man Street, Rochester, New out sacrificing that class c Ph a`c 9C sund. What York 14507, (716: 4L2 -5320. Distributed in Canada this amounts to is that the phase- that s t the indus- by Y: kville Souic Ltd., 80 Midwest Road, Scar - try standard is now ever more versa-11H - in its per- borough, Ontario formance while maintaining tl- MXF .tandard of quality and re iab lity. The Phase 9C is cne member of our f.= ily of phase shifters, which includes t-ie Phase 1CO, our top -of- the -line phase shi ter, and our Phase 45 hich offers CIRCLE 91 ON READER SERVICE CARD www.americanradiohistory.com the pr and that includes the Recording Studio I he American market after tw3 years of trendsetting success in Europe, RSD is competition, as well as tvvo very important, unique extras. -
Phase II: SAE J2931/1
PNNL-22161 Prepared for the U. S. Department of Energy under Contract DE-AC05-76RL01830 Electric Vehicle Communications Standards Testing and Validation - Phase II: SAE J2931/1 R Pratt K Gowri December 2012 DISCLAIMER This report was prepared as an account of work sponsored by an agency of the United States Government. Neither the United States Government nor any agency thereof, nor Battelle Memorial Institute, nor any of their employees, makes any warranty, express or implied, or assumes any legal liability or responsibility for the accuracy, completeness, or usefulness of any information, apparatus, product, or process disclosed, or represents that its use would not infringe privately owned rights. Reference herein to any specific commercial product, process, or service by trade name, trademark, manufacturer, or otherwise does not necessarily constitute or imply its endorsement, recommendation, or favoring by the United States Government or any agency thereof, or Battelle Memorial Institute. The views and opinions of authors expressed herein do not necessarily state or reflect those of the United States Government or any agency thereof. PACIFIC NORTHWEST NATIONAL LABORATORY operated by BATTELLE for the UNITED STATES DEPARTMENT OF ENERGY under Contract DE-AC05-76RL01830 Printed in the United States of America Available to DOE and DOE contractors from the Office of Scientific and Technical Information, P.O. Box 62, Oak Ridge, TN 37831-0062; ph: (865) 576-8401 fax: (865) 576-5728 email: [email protected] Available to the public from the National Technical Information Service, U.S. Department of Commerce, 5285 Port Royal Rd., Springfield, VA 22161 ph: (800) 553-6847 fax: (703) 605-6900 email: [email protected] online ordering: http://www.ntis.gov/ordering.htm This document was printed on recycled paper. -
Pilot-Aided Frame Synchronization in Optical OFDM Systems
applied sciences Article Pilot-Aided Frame Synchronization in Optical OFDM Systems Funmilayo B. Offiong 1,* , Sinan Sinanovi´c 2 and Wasiu O. Popoola 3 1 Department of Electronic and Electrical Engineering, Obafemi Awolowo University, Ile-Ife 220005, Nigeria 2 School of Engineering and Built Environment, Glasgow Caledonian University, Glasgow G4 0BA, UK; [email protected] 3 Institute for Digital Communications, University of Edinburgh, Edinburgh EH9 3JL, UK; [email protected] * Correspondence: fboffi[email protected] Received: 14 March 2019; Accepted: 27 April 2019; Published: 11 June 2020 Abstract: Efficient frame synchronization is essential for data recovery in communication systems. In this study, a single pilot sequence is used to achieve both frame synchronization and peak-to-average power ratio (PAPR) reduction. The two systems considered are direct-current biased optical orthogonal frequency division multiplexing (DCO-OFDM) and asymmetrically clipped O-OFDM (ACO-OFDM). The pilot symbol is allocated to odd indexed subcarriers only. Thus, the synchronization algorithm leverages the mirror symmetric property of the pilot symbol within a frame to detect the start of the pilot signal at the receiver. This scheme has low complexity and gives precise frame synchronization at signal-to-noise ratios as low as 4 dB in an indoor visible light communication (VLC) channel. Keywords: optical OFDM; pilot symbol; frame synchronization; symbol timing estimation; correlation-based method; optical wireless communication 1. Introduction Synchronization at the receiver of a practical orthogonal frequency division multiplexing (OFDM) system design is one of the most crucial data detection stages that must be performed accurately in order to avoid system performance degradation due to symbol timing and carrier frequency offset [1]. -
DBX Model 140X Type II Noise Reduction Unit Manual
I I Owner's Manuc I I I MODEL 140) I Type II Noise Reducti I dbx Professional Produ< I I I I I - I ' ,_ l • I I • I I ! dbx I I ' . I . - - www.SteamPoweredRadio.Com I I Tobie Of Contents page contents I Introduction I 2 Front Panel 3 Rear Panel I 4 Connecting Your l 40X to Your System 4 System Connections I 5 Multi-Channel Connections 6 Basic Operation I 8 Specific Applications 9 Understanding dbx Noise Reduction I 11 Installation Considerations 11 Input Cable Configurations I 14 Output Cable Considerations 17 Mounting the 140X in a Rack 20 Maintenance and Tech Support I 20 Maintenance and Troubleshooting 20 Technical Support I 20 Factory SeNice 20 Shipping Instructions 21 Specifications I 22 Schematics 27 Registration, Feedback I 27 Registration Card 27 Warranty I 27 User-Feedback Form I Manufactured under one or more of the following U.S. patents: 3,3n,792; 3,681 ,618; 3,714,462; 3,789,143; 4,097,767; 4,329,598; 4,403,199; 4,409,500; 4,425,551: 4,473,795. Other patents pencing. This dbx-branded product has been manufactured by AKG Acoustics, Inc. I This manual is part number 95094-000-01 C Copyright 1990 by AKG Acoustics, Inc. I dbx Professional Products a division of AKG Acoustics, Inc. 1525 Alvarado Street, San Leandro, CA 945TT USA I Telephone (1) 415/351-3500 Fax: (1) 415/351-0500 Telex: 17-1480 www.SteamPoweredRadio.Com I dbx 140X INTRODUCTION I I Introduction Congratulations on purchasing the dbx l 40X Type II Noise Reduction System. -
Analog Communications
ECE 342 Communication Theory Fall 2005, Class Notes Prof. Tiffany J Li www: http://www.eecs.lehigh.edu/∼jingli/teach email: [email protected] Analog Communications Modulation and Communication Systems • Modulation is a process that causes a shift in the range of frequencies in a signal. In effect, modulation converts the message signal from lowpass to bandpass. • Two types of communication systems. { Baseband communication: does not use modulation. ∗ The term baseband is used to designate the band of frequen- cies of the signal delivered by the source or the input transducer. { In telephony, the baseband is the audio band (band of voice signals) of 0 to 3.5kHz. { In television, the baseband is the video band occupying 0 to 4.3MHz. { For digital data or pulse-code modulation (PCM) using bipo- lar signaling at a rate Rb pulses per second, the baseband is 0 to Rb Hz. ∗ Baseband signals cannot be transmitted over a radio link but are suitable for transmission over a pair of wires, coaxial cables, or optical fibers. Examples include: { local telephony communication { short-haul PCM between two exchanges { long-distance PCM over optical fibers { Carrier communication: uses modulation. ∗ Eg: amplitude modulation, frequency modulation, phase mod- ulation. 1 ∗ A comment about pulse-modulated signals (including pulse amplitude modulation (PAM), pulse width modulation (PWM), pulse position modulation (PPM), pulse code modulation (PCM) and delta modulation (DM)): despite the term modulation, these signals are baseband signals. Pulse-modulation schemes are really baseband coding schemes, and they yield baseband signals. These signal must still modulate a carrier in order to shift their spectra.